Arriving on vinyl for the first time this November.
The post Creed Announce Newly Remastered 25th Anniversary Deluxe Edition Of “Weathered” appeared first on Theprp.com.
Arriving on vinyl for the first time this November.
The post Creed Announce Newly Remastered 25th Anniversary Deluxe Edition Of “Weathered” appeared first on Theprp.com.
Led by frontman Nate Valdez, Southern Colorado’s Graveyard Choir brings a chillingly authentic edge to modern Americana. Drawing directly from Valdez’s real-life experiences working at a mortuary, the band weaves haunting melodies with deep meditations on life, mortality, and the human condition.
Their standout single “Memphis 3” is a gripping Southern Gothic murder ballad inspired by one of America’s most controversial true-crime cases. Dripping with mournful storytelling and vivid imagery, the track moves through the dark streets of a city haunted by tragedy and unresolved grief.
Musically, it strikes a brilliant balance, combining a captivating groove and fiery intensity with sticky hooks and deeply evocative lyrics. It’s an amazingly written, atmospheric piece of storytelling that lingers long after the final note.
Give it a go by clicking on the Spotify player below and follow Graveyard Choir if you like what you hear.
https://instagram.com/graveyardchoirband
https://facebook.com/GraveyardChoir
Between the Buried and Me have spent the summer on the road, with the band heading out on the second leg of their North American tour in support of their latest album, The Blue Nowhere, as well as returning to Japan and Australia for the first time in over 6 years. The band continues their live activity later in 2026 with a Latin American tour, as well as appearances at Louder Than Life and Warped Tour in the US.
Today, they are pleased to launch a stunning live recording of new album favourite “Psychomanteum”, captured at The Caverns in Pelham, TN. The audio was mixed by Jamie King and the video was filmed by BTBAM and edited by Adam Halpern, with single artwork by Corey Meyers.
Tommy Rogers comments: “Never in a million years did we imagine we’d one day play a show inside a cave. We knew we had to document the evening somehow. It was a magical and unique night, filled with cold, damp air and our music echoing through ancient rock. What an unforgettable experience!”
The Blue Nowhere has been hailed by Consequence as “another mind-bending prog metal journey,” with Revolver noting the band’s music is as “complex as ever,” and Loudwire praising the album as “another characteristically compelling and eccentric record” from the genre-defying architects of modern progressive metal. The album is available on multiple vinyl variants and CD here.
The Blue Nowhere celebrates its 1st anniversary this coming weekend. Stream it now here.
Between the Buried and Me have built a reputation as one of heavy music’s most forward-thinking and creatively ambitious bands. Over the past 25 years, they have released eleven albums, from their 2002 self-titled debut to 2025’s The Blue Nowhere, blending technical mastery with conceptual depth. Throughout their career, their albums have consistently landed on year-end best-of lists, earned a GRAMMY nomination in 2019 (with the award’s website praising their music as “versatile, imaginative, and absolutely crushing the band’s music”), been dubbed “prog metal heroes” by Kerrang!, and been praised by Guitar World for their “epic” and “hugely diverse” sound.
The full list of upcoming live dates is as follows:
September 20th – Louder Than Life Festival, Louisville, KY
October 8th – Circo Volador, Ciudad de México, Mexico
October 10th – Rock al Parque Oficial 2026, Bogotá, Colombia
October 11th – Yield Rock Bar, Lima, Peru
October 13th – Teatro Cariola, Santiago, Chile
October 15th – Uniclub, Buenos Aires, Argentina
October 17th – Hangar 110, Sao Paulo, Brazil
November 14th – 15th – Warped Tour, Orlando, Florida
The post BETWEEN THE BURIED AND ME Release “Psychomanteum (Live At The Caverns 2026)” appeared first on Sonic Perspectives.
Here’s a funny one. This year, the MTV Video Music Awards have dropped the show’s Best Rock category for the first time in the show’s 37-year history. But today, the folks at MTV have announced that the network’s highest lifetime achievement honor, the Michael Jackson Video Vanguard Award, will be bestowed upon Nirvana. Finally, some institutional recognition for Nirvana!
The post Nirvana Are This Year’s VMAs Video Vanguard Award Winners appeared first on Stereogum.
Touring wide open.
The post Neurosis Announce New U.S. Shows Into 2027 appeared first on Theprp.com.
Battle-hardened Gloryhammer expands their complex universe with a new single. “Warriors of Auchtermuchty” is set in their main antagonist Zargothrax’s hometown and focuses on the eponymous steadfast fighters swearing allegiance to their emperor. Powered by choirs and highly contagious melodies, Gloryhammer up the stakes with a sing-along chorus enriching the power metal epic. The showdown of their storytelling-heavy fifth album, Space 1993: Wrath of Kor-Virliath, coming October 16 via Napalm Records, is imminent — will you join them on their inescapable quest?
Gloryhammer about “Warriors of Auchtermuchty”: “Gloryhammer has been awarded the world record for using the word ‘Auchtermuchy’ the most times in a song. We hope you like saying it as much as we do.”
The enemies of Dundee tremble as exalted power metal heroes Gloryhammer announce their long-awaited fifth album, Space 1993: Wrath of Kor-Virliath! Due for release on October 16 via Napalm Records, the album is a direct sequel to 2015’s Space 1992: Rise of the Chaos Wizards, continuing the epic saga of the McFife dynasty. Space 1993: Wrath of Kor-Virliath follows Angus McFife V, the Crown Prince of Fife, last seen in 2022’s single “Fly Away,” as he ventures into a perilous journey across spacetime that will lead him to the distant future of 1993, where his destiny lies.
Across 11 tracks, the band of heroes draws upon a more diverse range of influences than ever before, without ever compromising on the hook-driven, memorable songwriting that they are known for. From classic power metal to thrash, high-energy synth rock to vast, sweeping orchestral soundscapes and more. Produced by the band themselves and mixed by Jacob Hansen (Volbeat, Amaranthe), this is Gloryhammer as you’ve never heard them before.
Will Angus and his allies prevail in this titanic struggle? Or will the galaxy plunge into demonic chaos? Join Gloryhammer and find out —For the Eternal Glory of Dundee!
Gloryhammer about the new album: “Mighty warriors, rejoice! The almighty Gloryhammer return triumphantly with a new chapter in the long and tumultuous history of the Intergalactic Empire of Fife. Multidimensional wormholes, abandoned space stations, and EPIC BATTLES await at the final frontier of Space 1993. FOR THE ETERNAL GLORY OF DUNDEE!”
Space 1993: Wrath of Kor-Virliath is available to pre-order here, in various limited formats:
“Ultra Portam Astralem” opens Space 1993: Wrath of Kor-Virliath with menacing drums and fanfare, shaping the cinematic setup of the album. The origin of the perilous undertone is explained in the following “Ultimate Sacrifice,” a sweeping power metal track: The Space Kingdom of Fife has been forsaken, and Kor-Virliath seeks a new way to seize power after Zargothrax’s failed ritual. Previously released as a standalone single, “On a Quest for Aberdeen” shines anew in an album version, and the place of its vibrant story and rousing character, Angus V, is now fully revealed as it takes its place among the wider narrative of the album. At this point in the story however, peace isn’t an option yet: Aberdeen is overrun by demons in “Die with a Sword in My Hand,” and with a sentiment such as the one contained in this song’s title, epic battles will surely follow. With a chorus full of gang shouts, this track is certain to become a live favourite. “Silver Talon” keeps morale high by addressing the mighty galactic fleet, stunningly rendered on the album artwork against the backdrop of the pestilential Terrorvortex. Ser Proletius’ legendary Space Knights of Crail join their ranks with the ace pilots whose campaigns are illustrated amidst a stunning orchestral landscape in “Starfighters of Leuchars.”
Afterwards, Gloryhammer expand upon the story behind the birthplace of Zargothrax, where the battle-hardened “Warriors of Auchtermuchty” swear their allegiance to their emperor with an inescapably catchy sing-along chorus. Elsewhere in space, majestic melodies echo through the derelict halls of an abandoned spaceship, as Angus is guided to an unexpected long-lost ally, taking him one step closer to the ultimate goal of “Pax Galactica.”
Electronic soundscapes lead into energetic “Demonic Devotion,” which has the song’s protagonist, long trapped in his own mind, trying to reconcile with the destruction in his wake, while “Hammer of Fate” sets the scene for what’s to come, but is it the fate we have all come to expect? The story concludes with the bombastic monolith of “The Celestial Warhost of the Dundonian Empire Marches to Space Against the Dark Sorcerer: Final Assault on Battlemoon X-22,” an epic nearing 13 minutes of playtime, split into four ever-so-theatrical chapters. As previously seen with Gloryhammer, the narration is expanded through voice lines of a host of legendary characters as they engage in mortal battle to change the fate of the galaxy…

The post Power Metal Titans GLORYHAMMER Release Epic New Single “Warriors Of Auchtermuchty” appeared first on Sonic Perspectives.
(written by Islander) Hymns of Despair is the entirely fitting name of the debut album from Chicago-based Shrineburner. Press materials we’ve received describe the music as “earthquake-inducing”, and as “a sonic glacier of abyssal doom/sludge metal infused with fringes of psychedelic, cosmic, blackened elements”. As you will soon discover through our full streaming premiere of […]
The post AN NCS ALBUM PREMIERE (AND A REVIEW): SHRINEBURNER — “HYMNS OF DESPAIR” appeared first on NO CLEAN SINGING.
Soul Glo are back with a fresh batch of hardcore punk poetry and seething social commentary via their new full-length album.

‘NA I’M GON GRAB ALLAT’ will be released on January 15 2027, via Epitaph. It serves as the follow-up to the band’s ‘Diasporsa Problems’.
Vocalist Pierce Jordan has immediately dedicated the record to, “everyone who has known the joy and pain of loving a man. All different types of love: platonic, romantic, familial, self.”
The artwork looks like this:

Whilst the tracklisting is more like this:
1. February Theory
2. B.A.N.D.S
3. Ppl Worried
4. Resentment I: Back In Therapy Feat. Eugene Robinson
5. Shiney
6. Resentment II: Kiss My Ass
7. Dick On Hard
8. Resentment III: My Friends Over Me
9. The Hardest R
10. If I Speak
11. Nobody Deserves
12. OTSS
13. Resentment IV: Head Tattoos
14. Cognac Feat. Bbymutha, MIKE
You can also hear the first taste of it right now, and it is the opening track. ‘February Theory’ is as frantic, fierce and furiously fun as you should expect from the band. A stunning, savage and slick introduction to what is sure to be an emotional listen.
The post Soul Glo Announce New Album ‘NA I’M GON GRAB ALLAT’ appeared first on Rock Sound.
New York’s thrash metal kings Anthrax – Scott Ian [guitar], Jon Donais [guitar], Charlie Benante [drums], Frank Bello [bass], and Joey Belladonna [vocals] – opened Iron Maiden’s September 5th show at Sports Illustrated Stadium in Harrison, NJ, with a fast-paced 30-minute set.
As the opening chords for “Among the Living” rang out and the sun began to set, the crowd responded immediately by moshing and crowd surfing.
In their 7-song set, the band delivered a career-highlight collection of classics, fan favorites, and a new song, “Do it for the Kids,” from their upcoming album Cursum Perficio. Their last three albums have served as a renewed call to arms for metal fans, with each release surpassing the last. The band continues to deliver tremendous records, and fans are clearly loving it!
Scott and Jon formed a formidable guitar team, with Ian laying down the muscular rhythms while Donais handled the lead work with precision and speed. Ian’s powerful right hand drove the rhythm of the songs, while Jon added fast legato runs and scorching solos. Behind them, Charlie attacked his drum kit with increasing intensity, matching Frank‘s relentless bass lines. Frank never stopped moving, headbanging and engaging the crowd while providing the powerful low-end foundation that drove each song. Joey remains one of metal’s great frontmen, hands down. His voice was smooth, commanding, and unfaltering throughout the set as he moved across the stage, putting up the devil horns, and engaging the crowd with his half-mic stand.

The band crushed New Jersey with an angry, high-energy display of raw emotion. No props, pyro, or stage gimmicks were needed, just five guys rocking out to groove-driven songs packed with killer riffs, searing solos, and plenty of attitude. It was a relentless performance that left the crowd little room to breathe, from “Metal Thrashing Mad,” which still carried the urgency of its early days, to “Madhouse,” to “Antisocial,” and closed with “Indians” with a final frenzy.
The band and their fans never let up on headbanging throughout the show, delivering the kind of sweaty, hard-hitting performance that reminded everyone why they remain one of thrash metal’s defining bands. Paired with Iron Maiden and Megadeth, this was a night built around heavy metal history, proving that decades into their careers, they still have plenty of fire left to burn.
The post CONCERT REVIEW: ANTHRAX Brings The Thrash, The Fury, And The Attitude, Opening For IRON MAIDEN In New Jersey appeared first on Sonic Perspectives.