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Our Top 10 Buffalo Springfield songs list looks at a band that released only three studio albums in the 1960s. However, the three albums had a very deep impact on rock and roll. That impact led to the band being inducted into the Rock and Roll Hall of Fame in 1997. The band Buffalo Springfield also served as a launching pad for many of the band’s members, who would go on to have legendary rock and roll careers over the next 50 years. Buffalo Springfield guitarist, vocalist, and songwriter would go on to form Crosby, Stills, & Nash and enjoy

The post Top 10 Buffalo Springfield Songs appeared first on ClassicRockHistory.com.

The Story of Sennheiser

If you've spent any time in the audiophile world, you already know the name. Sennheiser was founded in 1945 in Wedemark, Germany, by Fritz Sennheiser—a man who apparently looked at post-war Germany and thought, "you know what this place needs? Better microphones." He wasn't wrong.

Over the next eight decades, Sennheiser became one of the most respected names in audio engineering, known for both professional-grade broadcast equipment and consumer audiophile headphones. Their HD 600 and HD 650—launched in 1997 and 2003, respectively—are still referenced as benchmarks in the under-$500 headphone world to this day. That's not a small thing. That's nearly thirty years of relevance in a market that churns out new "best" headphones every six months.

In recent years, Sennheiser has been busy restructuring and refreshing its lineup. The HD 5 series has seen a lot of action, with models like the HD 560S, HD 505, and now the HD 550 landing in quick succession. Some audiophiles online have complained that the naming is confusing. Fair. But the product? That's a different story.

What Is the Sennheiser HD 550?

The HD 550 is a wired, open-back, over-ear headphone priced at about $300–positioning it as the upper tier of Sennheiser's 500 series, sitting below the classic HD 600 line but above the HD 505. It uses a 38mm dynamic driver and is built to deliver a neutral, reference-grade listening experience without breaking the bank.

This is the headphone Sennheiser built after reportedly taking community feedback seriously—from forums like Head-Fi, Reddit's r/headphones, and audiophile communities. Sennheiser's consideration for their customers' feedback is clear and, in our experience, certainly shows in the HD550.

Build Quality and Design

This headphone doesn't have the most flashy appearance. The grey-and-black aesthetic doesn't stand out the way some competitors' gear does. That being said, Sennheiser goes for an understated, traditional look that I don't mind at all. This headphone looks professional and suited for the studio, but won't be as over-the-top as some audiophile headphones.

The construction uses polycarbonate throughout, which is standard for Sennheiser's 500 series. The headband adjustment mechanism feels sturdy, the yoke design is the familiar single-swivel style from the 500 line, and the metal grilles on the earcups are solid—no flexing, no rattling. The earpads are that classic Sennheiser velour, soft and breathable.

The cable situation is a twist-lock proprietary connector (the same used on the HD 560S, so replacement cables are easier to find than some). The cable is replacable but will need to be purchased from Sennheiser to fit the headphone. You get a 1.8m cable with a 3.5mm plug and a screw-on 6.35mm adapter. If you want a balanced cable, a 4.4mm cable is available from Sennheiser separately.

Sound Quality

Bass

Don't let the "reference tuning" description fool you into thinking this headphone is bass-shy. The HD 550's low end is actually one of its most pleasant surprises. Compared to the HD 600, HD 650, and even the HD 560S, the HD 550 extends meaningfully further into the sub-bass, adding a sense of weight and body that Sennheiser's open-backs have previously been criticized for lacking.

With that being said, this is not a bass-head headphone. If you're coming from V-shaped consumer gear and expecting a big, cinematic thump, you're not going to get that here. What you get is tight, detailed, articulate bass with clean extension down to around 28Hz, full bloom from roughly 55Hz and up, and no midbass bleed muddying the midrange. Physical bass instruments—upright bass, bass guitar, kick drum—sound textured and defined. Sub-bass has a solid bit of rumble, enough to feel present without being theatrical.

For reference listening, mixing, and critical music consumption, this is excellent. I even found that when listening to bass heavy genres like metal or rap, the HD550 had an enjoyable level of bass that didn't leave me wishing for more low end.

Mids

This is where the HD 550 earns its reputation. The midrange on this headphone is exceptional—arguably one of the best in its price class. Vocals (especially female vocals), acoustic guitar, piano, and strings all reproduce with a natural, organic quality that is very hard to find at this price.

What makes it special is how the HD 550 tames the 2–4 kHz region compared to the HD 560S and even the HD 600. That frequency range is where a lot of headphones get "shouty," and the HD 550 smooths it out without going dull. The result is a midrange that feels correct across essentially every genre and recording. There are contingencies here; the HD550 had no weaknesses in the midrange, it just sounds right.

Treble

The treble presents as quite unoffensive; it feels like it reaches far enough, creating a sense of air while rolling off around 14kHz. This may be early for some treble heads who prefer maximum airiness, but I found that this tamed sibilance in most mixes and lended to easy-listening over long periods and a controlled treble that was not too sharp.

The treble felt very accurate and didn't leave much to be desired. These will be particularly excellent for anyone who has sensitive ears.

Technical Performance

Timbre is a strong suit. The HD 550 reproduces the natural tonal character of instruments with authenticity. I found the instruments to feel very convincing and there to be a high-level of accuracy.

Soundstage is above average, and I found it to be quite a better than closed-back offering at the price (as open-back headphones typically are). It lands somewhere between intimate and expansive—you're not going to get the grand concert-hall presentation of something like the HD 800S, but you're also not staring down a tunnel like closed-back headphones can make you feel. Width is solid, while depth and height are more impressive than width. Imaging is also very precise; instrument placement is well-defined, and there's excellent stereo separation happening.

For gaming specifically, this translates well. Directional cues in competitive shooters are clean and accurate, and the clean bass means footsteps don't get washed out by low-frequency noise.

Comfort and Isolation

The HD 550 is light at 237 grams, and Sennheiser finally improved the clamping force compared to older 6XX-series headphones. The grip is secure without being painful, and the velour earpads are soft and breathable. I found these to be some of the lightest and most comfortable headphones I've tried.

I've seen some people complain about the lack of a center cutout on the top of the headband, but honestly I didn't really notice this at any point during listening sessions.

As far as isolation goes, there is effectively none. This is a design quirk for open-back headphones–they are not for noisy environments, but instead for quiet atmospheres when you can appreciate the improved spaciousness that the drivers are given. With that being said, I personally tend to prefer open-back over closed headphones when in a quiet setting.

How Does It Compare?

Sennheiser HD 550 vs. Sennheiser HD 560S (~$199)

The HD 560S is the HD 550's most direct Sennheiser sibling, and it's roughly $100 cheaper. The HD 560S is still a solid headphone, but the HD 550 is a meaningful step up. The 550 addresses the 560S's most criticized flaw: that 4kHz glare that made it fatiguing for some listeners. The 550 also has better bass extension and a more holographic soundstage presentation. The 560S sounds slightly brighter and more "in your face"—some will prefer that, but most listeners coming to this comparison will find the 550's more natural tuning preferable. At a $100 premium, the HD 550 earns its price difference.

Final Verdict

The Sennheiser HD 550 is one of those rare products that doesn't try to be everything and ends up being really, really good at what it does. It's not the most immersive or bassy headphone at the price, but it is one of the most correct—and that matters.

The midrange is exceptional. The bass extension is a real improvement over Sennheiser's 500-series history. The build is solid and user-serviceable. And the comfort is legitimately good for all-day listening.

If you're entering the world of high-quality open-back headphones and you want something you won't outgrow quickly, this is a great choice. The HD550 is hard to argue with at the sub $300 range; it's just a really solid headphone all around and an easy recommendation for us.

Technical Specifications

• Driver type: Dynamic, 38mm transducer (manufactured in Ireland)
• Impedance: 150 Ohms
• Sensitivity: 103 dB (1 kHz, 1 Vrms)
• Frequency response: 6 Hz – 38,000 Hz
• THD: < 0.06% (1 kHz, 100 dB SPL)
• Weight: 237 g (without cable)
• Cable length: 1.8 m detachable, 3.5mm plug with screw-on 6.35mm adapter
• Connector type: Proprietary twist-lock (compatible with HD 560S replacement cables)
• Design: Open-back, circumaural (over-ear)
• Ear coupling: Over-ear with replaceable velour earpads

The post OSMIUM GATE: Ghost Cult Magazine Streams Cannibal Galaxy Debut From Instrumental Cosmic Metal Duo With Reverence Of The Martyr And Yaotl Mictlan Members; Album Sees Release This Friday appeared first on INFRARED MAGAZINE.

What Did Sebastian Bach Say About Christina Applegate’s Memoir?

Sebastian Bach has apologized after Christina Applegate revealed in her new memoir that she left the 1989 MTV Video Music Awards with the Skid Row singer when she was 17.

TL;DR

• Christina Applegate’s memoir You With The Sad Eyes was released March 3
• In the book, she recalls leaving the 1989 MTV Video Music Awards with Sebastian Bach
• Applegate attended the VMAs with Brad Pitt, who was not yet a major star at the time
• Bach says he apologizes “if I hurt anybody” regarding the situation
• Bach had previously written about their relationship in his 2016 memoir

Rock history has a way of resurfacing in unexpected places.

This week, a decades-old moment involving Sebastian Bach and actress Christina Applegate returned to the spotlight after Applegate revisited the encounter in her new memoir You With The Sad Eyes. The story centers around the 1989 MTV Video Music Awards, where Applegate attended the event with a then up-and-coming Brad Pitt — only to leave with the Skid Row frontman instead.

Now, Bach has publicly addressed the story and issued an apology if anyone involved was hurt.

The 1989 MTV Video Music Awards Moment

According to Applegate’s book, the encounter began during the VMAs, where she said she found herself captivated by Bach, who was riding the early success of Skid Row’s breakout era.

In the memoir, she recalls spending much of the evening focused on the long-haired singer rather than the actor she had arrived with.

At the time, Pitt was still trying to establish himself in Hollywood. He had not yet become the global superstar audiences recognize today.

Applegate ultimately left the event with Bach, a decision she later reflected on years afterward with a mix of humor and perspective.

She noted in the book that Pitt eventually forgave her for the situation, acknowledging that she had been young when the incident happened.

Sebastian Bach Responds

Following renewed attention around the story, Bach addressed the memoir during a recent interview with Billboard and offered an apology if anyone involved was hurt by what happened.

“I was a single guy on tour in a band and I met a lot of girls,” Bach said while reflecting on the period.

He described the experience of being young and suddenly thrust into rock stardom as overwhelming, comparing it to the chaotic energy of a roller coaster ride.

“It was a long time ago,” he added. “If I hurt anybody, I apologize for it.”

Bach framed the situation as part of the whirlwind lifestyle that often comes with sudden fame and life on the road.

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Bach Had Already Written About It Years Ago

This story is not entirely new.

Sebastian Bach actually discussed the relationship in his own 2016 memoir, 18 and Life on Skid Row. In that book, he described meeting Applegate shortly after an encounter with Gene Simmons.

Bach admitted that he was already involved with someone else at the time — a girlfriend back home named Maria, with whom he had recently had a child.

Despite that situation, he said he still pursued the actress after they connected at the awards show.

Bach wrote that the two spent time together on multiple occasions but insisted that their relationship never became physical.

According to his account, he held back because he still felt emotionally connected to Maria and also recognized that Applegate was very young at the time.

A Snapshot Of The Wild Late-’80s Rock Era

The story also highlights how different the entertainment world looked during the late 1980s.

At the time, Skid Row had exploded into the mainstream thanks to hits like “18 and Life” and “Youth Gone Wild.” Sebastian Bach quickly became one of the most recognizable faces of the glam metal era, and the band’s sudden rise placed him directly in the center of the celebrity spotlight.

Moments like the VMAs encounter became part of the larger mythology surrounding that period — a time when rock stars, actors, and the growing MTV culture often collided in unpredictable ways.

Time, Perspective, And Moving On

More than three decades later, both sides appear to view the moment through a very different lens.

Applegate has reflected on it with hindsight and humor in her memoir, while Bach has expressed regret if anyone involved felt hurt by the experience.

The situation ultimately reads less like scandal and more like a snapshot of the chaotic intersection between youth, fame, and the excess of the late-1980s music world.

Still, the fact that the story resurfaced at all shows just how long the shadow of that era still stretches.

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FAQ

What Did Christina Applegate Write About Sebastian Bach?
In her memoir You With The Sad Eyes, Applegate recalled meeting Sebastian Bach at the 1989 MTV Video Music Awards and leaving the event with him.

Was Brad Pitt Involved In The Story?
Yes. Applegate attended the VMAs with Brad Pitt but later left the event with Bach.

Did Sebastian Bach Confirm The Relationship?
Yes. Bach previously wrote about the relationship in his 2016 memoir 18 and Life on Skid Row.

Did Sebastian Bach Apologize?
Yes. Bach recently said he apologizes if anyone was hurt by what happened during that time.

Sebastian Bach Bio

Sebastian Bach rose to fame as the lead singer of Skid Row, one of the most successful hard rock bands of the late 1980s and early 1990s. With hits like 18 and Life, I Remember You, and Youth Gone Wild, the band became a defining act of the glam metal era. After leaving Skid Row in the mid-1990s, Bach continued performing as a solo artist and actor, appearing on Broadway and television while maintaining a strong presence in the rock and metal world.

The post Sebastian Bach Apologizes After Christina Applegate Memoir Reveals Teen Relationship appeared first on Loaded Radio.

Morrissey might not be making his best music or his most coherent public statements these days, but he’s still innovating in the field of “finding reasons not to perform.” The old rascal is currently touring behind his new album Make-Up Is A Lie, and he’s already canceled shows in California, Atlanta, and St. Petersburg. Now, we can add Valencia, Spain to the list. See, Morrissey’s hotel in Valencia was too noisy, so Valencia doesn’t get a Morrissey show.

The post Morrissey Too Sleepy To Perform Tonight, Says Noisy Hotel Was “Indescribable Hell” appeared first on Stereogum.

Last week, Jack Osbourne and his wife Aree Gearhart welcomed a healthy baby girl into the world. It’s their second child together and while that’s a wonderful piece of news in itself, it’s the child’s name that’s garnering headlines. After all, Ozzy Matilda Osbourne was named after the late heavy metal icon and her grandfather, Ozzy Osbourne.

Coming into the world on March 5 at 7 pounds, 4 ounces, Ozzy Matilda is Jack’s fifth daughter. Both Jack Osbourne and Gearhart announced the child’s birth in a joint Instagram post, sharing the baby’s name for the first time. Now their first daughter, Maple Artemis Osbourne has a younger sibling to argue over who’s got the cooler name.

At this time, it’s far too early to say if little Ozzy Matilda will grow up to be the international icon/badass that her grandfather was, but we do know that she’s got a world of opportunity ahead of her.

We of course wish the Osbourne/Gearhart family only the best wishes and congratulations on bringing Ozzy Matilda into the world. May they all enjoy a long, happy, and healthy life moving forward.

The post Jack Osbourne’s Newborn Daughter Ozzy Matilda Was Named to Honor the Late Metal Legend appeared first on MetalSucks.