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  • Torn Away share update on lineup change, health issues and recent inactivity

    They’ve confirmed that guitarist Dave has parted ways with the band

    Source

  • WATCH: PRESIDENT’s Stunning Live Session ‘Live From Rockfield Studios’

    PRESIDENT have shared an intimate, intense and incredible look into who they are as a live act via a special live session.

    ‘Live From Rockfield Studios’ finds PRESIDENT making their way through tracks from debut EP ‘King Of Terrors’ and newly released debut album ‘Blood Of Your Empire’ in a manner that takes you inside their thought processes and creative choices in a manner that hasn’t been allowed up until this point.

    The result, is genuinely, sensational. The recording is punishing, powerful and poignant, every member of the project putting in their most stunning of performances, whilst having cameras so close to the action feels like you’re part of something incredibly intimate and personal.

    Every note crooned is beautiful, every breakdown like concrete and every building melody a joy to watch unfurl.

    There is a reason they are such a sensation, and this session showcases that in abundance.

    Sit back, relax and enjoy.


    ‘Blood Of Your Empire’ is out now via Atlantic Records.

    PRESIDENT are also on the cover of the new issue of Rock Sound. Get your magazine now from SHOP.ROCKSOUND.TV

    The post WATCH: PRESIDENT’s Stunning Live Session ‘Live From Rockfield Studios’ appeared first on Rock Sound.

  • Radiohead announce 21 shows in Australia and Japan for 2027

    The trek kicks off in May and continues through June

    Source

  • Heavy Lifter – “Backyard”

    We were into “Control,” the recent single from Oakland “queer post-bubblegum slut grunge” crew Heavy Lifter, and I’d argue “Backyard” is even better. Out today, the song begins with an eerie guitar line that reminds me of Metallica’s “Fade To Black.” But by the time Ren Forest’s moonbeam voice is lighting the track, I’m hearing echoes of modern-day cult favorites like Forth Wanderers and Feeble Little Horse as well as a whole range of ’90s touchstones from emo to shoegaze. It’s got a basement show scrappiness to it, but at its climax, the song might as well be dive-bombing across the sky. Listen below.

    The post Heavy Lifter – “Backyard” appeared first on Stereogum.

  • Headline Act: Amongst Liars

    Hailing from the South Coast near Brighton, hard-hitting alternative rockers Amongst Liars fuse punchy riffs, electronic layers, and fierce social commentary. We’ve actually seen their live show before (supporting the awesome Muddibrooke), and we caught up with the band to dig into their origins, memorable tour stories, and upcoming plans. Simple things first – where … Continue reading Headline Act: Amongst Liars
  • Video Premiere: Stinking Lizaveta – ‘Champion of My Mind’

    For more than 30 years, Stinking Lizaveta have pushed the boundaries of multiple genres of heavy music with their doom-jazz-punk style, releasing 10 records since 1994. Their latest record, Cassandra, Prophet of Doom, comes out September 18 but you can tap in to a new single now.

    “Champion of My Mind” is a three-minute jammer from the instrumental crew, centering around lively riffs from guitarist Yanni Papadopoulos and upright electric bassist Alexi Papadopoulos. Drummer Cheshire Agusta bashes along with them in a music video filmed at the historic Mahoning Drive-In Theater, located in rural Pennsylvania. At various points in the video, the members of Stinking Lizaveta are shown watching their performance on screen.

    Both the song and video highlight the best thing about Stinking Lizaveta—the band has maintained the same lineup with the same energy and charisma for their entire existence. Their live performances are equal parts captivating and intense, and the video for “Champion of My Mind” is just a small taste.

    Cassandra, Prophet of Doom is out on September 18 via SRA Records. You can also catch them live at Johnny Brenda’s on September 26 for their album release show.

    The post Video Premiere: Stinking Lizaveta – ‘Champion of My Mind’ appeared first on Decibel Magazine.

  • Nick Drake and the Sound of Quiet Melancholy

    Nick Drake and the Sound of Quiet Melancholy

    Some musicians fill a room with sound.  Nick Drake filled it with silence. His songs rarely relied on dramatic choruses, powerful performances, or elaborate production. Instead, Drake created music that felt intimate, reflective, and strangely timeless.

    Listeners often describe his work as melancholy, yet that word only captures part of its appeal. Many artists write sad songs. Few communicate sadness with such restraint. Drake’s music does not demand attention. It invites it. Through delicate guitar work, understated vocals, and an extraordinary sensitivity to atmosphere, he created songs that continue to resonate long after they end.

    His music does not celebrate despair. It listens to it.


    Nick Drake and the Sound of Quiet Melancholy
    Nick Drake and the Sound of Quiet Melancholy

    An Outsider in the Folk Revival

    Nick Drake emerged during one of the most creative periods in British folk music. The late 1960s and early 1970s produced a remarkable generation of singer-songwriters who blended traditional folk influences with deeply personal songwriting.

    Yet Drake never fit comfortably within any movement.

    While contemporaries such as Joni Mitchell, Cat Stevens, and Leonard Cohen developed strong public identities through touring and media appearances, Drake remained intensely private. Interviews were rare. Live performances were limited. Fame seemed to make him uncomfortable.

    This distance from the spotlight contributed to his reputation as an outsider, but it also shaped the music itself.

    Rather than addressing political events or social trends, Drake focused on interior landscapes. His songs often feel like private reflections captured in sound. Listeners encounter uncertainty, longing, memory, and solitude not as dramatic subjects but as everyday emotional realities.

    The result was music that never felt tied to a particular moment.

    It sounded as though it existed slightly outside time.


    The Guitar That Changed Everything

    One of the most distinctive aspects of Drake’s music is his guitar playing.

    Many casual listeners notice the melancholy atmosphere before they notice the technical complexity hidden beneath it.

    Drake frequently used unusual alternate tunings that allowed him to create rich harmonic textures unavailable through standard tuning. These tunings helped produce the dreamlike quality heard throughout songs such as River Man, Northern Sky, and Hazey Jane I.

    His fingerpicking style was equally distinctive.

    Rather than treating the guitar as a simple accompaniment to vocals, Drake turned it into a complete musical environment. Bass lines, melody, rhythm, and harmony often coexist simultaneously within a single performance.

    The effect feels effortless.

    In reality, it was extraordinarily sophisticated.

    This combination of technical complexity and emotional restraint became one of Drake’s defining artistic achievements.


    Melancholy and Atmosphere

    Melancholy appears throughout Drake’s work, but rarely in obvious ways.

    His songs avoid grand declarations and dramatic emotional climaxes. Instead, they create atmosphere.

    A listener moving through Five Leaves Left encounters songs that feel suspended between hope and sadness. Moments of beauty coexist with uncertainty. The emotions remain unresolved.

    This quality was enhanced by the elegant string arrangements created by Robert Kirby, Drake’s close friend and musical collaborator.

    On songs such as River Man, Kirby’s arrangements add depth and movement without overwhelming the intimacy of the performance. The strings expand the emotional landscape while preserving the quiet center of the music.

    That balance became central to Drake’s artistic identity.

    The songs feel delicate but never fragile.

    Complex but never showy.

    Melancholy, in Drake’s hands, becomes something contemplative rather than tragic.

    Nick Drake and the Sound of Quiet Melancholy

    Some musicians fill a room with sound.

    Nick Drake filled it with silence.

    His songs rarely relied on dramatic choruses, powerful performances, or elaborate production. Instead, Drake created music that felt intimate, reflective, and strangely timeless.

    Listeners often describe his work as melancholy, yet that word only captures part of its appeal. Many artists write sad songs. Few communicate sadness with such restraint.

    Drake’s music does not demand attention.

    It invites it.

    Through delicate guitar work, understated vocals, and an extraordinary sensitivity to atmosphere, he created songs that continue to resonate long after they end.

    His music does not celebrate despair.

    It listens to it.


    Nick Drake and the Sound of Quiet Melancholy
    Nick Drake and the Sound of Quiet Melancholy

    An Outsider in the Folk Revival

    Nick Drake emerged during one of the most creative periods in British folk music. The late 1960s and early 1970s produced a remarkable generation of singer-songwriters who blended traditional folk influences with deeply personal songwriting.

    Yet Drake never fit comfortably within any movement.

    While contemporaries such as Joni Mitchell, Cat Stevens, and Leonard Cohen developed strong public identities through touring and media appearances, Drake remained intensely private. Interviews were rare. Live performances were limited. Fame seemed to make him uncomfortable.

    This distance from the spotlight contributed to his reputation as an outsider, but it also shaped the music itself.

    Rather than addressing political events or social trends, Drake focused on interior landscapes. His songs often feel like private reflections captured in sound. Listeners encounter uncertainty, longing, memory, and solitude not as dramatic subjects but as everyday emotional realities.

    The result was music that never felt tied to a particular moment.

    It sounded as though it existed slightly outside time.


    The Guitar That Changed Everything

    One of the most distinctive aspects of Drake’s music is his guitar playing.

    Many casual listeners notice the melancholy atmosphere before they notice the technical complexity hidden beneath it.

    Drake frequently used unusual alternate tunings that allowed him to create rich harmonic textures unavailable through standard tuning. These tunings helped produce the dreamlike quality heard throughout songs such as River Man, Northern Sky, and Hazey Jane I.

    His fingerpicking style was equally distinctive.

    Rather than treating the guitar as a simple accompaniment to vocals, Drake turned it into a complete musical environment. Bass lines, melody, rhythm, and harmony often coexist simultaneously within a single performance.

    The effect feels effortless.

    In reality, it was extraordinarily sophisticated.

    This combination of technical complexity and emotional restraint became one of Drake’s defining artistic achievements.


    Melancholy and Atmosphere

    Melancholy appears throughout Drake’s work, but rarely in obvious ways.

    His songs avoid grand declarations and dramatic emotional climaxes. Instead, they create atmosphere.

    A listener moving through Five Leaves Left encounters songs that feel suspended between hope and sadness. Moments of beauty coexist with uncertainty. The emotions remain unresolved.

    This quality was enhanced by the elegant string arrangements created by Robert Kirby, Drake’s close friend and musical collaborator.

    On songs such as River Man, Kirby’s arrangements add depth and movement without overwhelming the intimacy of the performance. The strings expand the emotional landscape while preserving the quiet center of the music.

    That balance became central to Drake’s artistic identity.

    The songs feel delicate but never fragile.

    Complex but never showy.

    Melancholy, in Drake’s hands, becomes something contemplative rather than tragic.


    The Rediscovery of Nick Drake

    For many years after his death, Nick Drake remained a largely overlooked figure.

    His albums developed a devoted following among musicians and dedicated listeners, but widespread recognition remained elusive. Drake’s reputation grew slowly, passed from one admirer to another through recommendations, record collections, and late-night conversations about forgotten artists.

    Then something unexpected happened.

    In 1999, Volkswagen used the title track from Pink Moon in a television advertisement. The commercial was simple: a group of friends driving at night beneath a moonlit sky while Drake’s song played softly in the background.

    The effect was extraordinary.

    Millions of viewers heard Nick Drake for the first time. Album sales surged. A new generation began exploring music that had spent decades living mostly on the margins.

    The moment has since become one of the most famous rediscoveries in modern music history.

    Unlike many artists who achieve fame through constant exposure, Drake’s audience grew through a gradual process of discovery. Listeners felt as though they had uncovered a secret that had somehow been waiting for them.

    That sense of personal discovery remains part of his appeal today.


    The Influence of Quiet Melancholy

    Nick Drake’s influence extends far beyond the world of British folk music.

    Many contemporary singer-songwriters have embraced elements of the artistic language he helped refine: intimacy, restraint, vulnerability, and emotional precision.

    Artists such as Elliott Smith, Bon Iver, José González, and Iron & Wine all created music that values atmosphere over spectacle and reflection over performance.

    Their work differs significantly from Drake’s, yet traces of his influence remain visible.

    The connection is not merely musical.

    It is emotional.

    Drake demonstrated that quietness could carry enormous weight. He proved that songs did not need dramatic climaxes to create lasting impact.

    This lesson continues shaping generations of musicians who seek depth through simplicity rather than excess.


    Why His Music Still Feels Modern

    Many recordings become inseparable from the era that produced them.

    Nick Drake’s music largely avoids this fate.

    Part of the reason lies in its simplicity.

    His recordings depend primarily on voice, guitar, melody, and atmosphere. Because they avoid many production trends associated with specific decades, they continue sounding remarkably fresh.

    The emotional themes also contribute to this timeless quality.

    Longing, solitude, uncertainty, hope, and reflection are not tied to any particular historical moment. Every generation encounters them.

    Drake’s songs address these experiences with unusual honesty.

    The music never attempts to be fashionable.

    As a result, it rarely feels dated.

    New listeners continue discovering the albums because the emotions they contain remain immediately recognizable.


    The Sound of Quiet Melancholy

    Nick Drake’s enduring appeal ultimately rests on a rare artistic achievement.

    He transformed silence, restraint, and introspection into a distinctive musical language.

    His songs rarely demand attention.

    They invite it.

    Through unusual guitar tunings, delicate fingerpicking, understated vocals, and remarkable emotional precision, Drake created music that continues to feel intimate decades after it was recorded.

    The melancholy within these songs is never loud.

    It arrives quietly.

    It lingers.

    It reveals itself gradually, much like the music itself.

    That quietness is not a limitation.

    It is the source of the music’s power.

    Few artists have demonstrated more clearly that profound emotion does not require grand gestures.

    Sometimes a soft voice, an acoustic guitar, and a moment of honest reflection are enough.

    That is why Nick Drake remains one of the most beloved voices of quiet melancholy.


    Wear the Darkness

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    Frequently Asked Questions

    Who was Nick Drake?

    Nick Drake was an English singer-songwriter known for his intricate guitar work, introspective lyrics, and influential albums Five Leaves Left, Bryter Layter, and Pink Moon.

    Why is Pink Moon considered important?

    Pink Moon is celebrated for its minimalist production, emotional depth, and lasting influence on modern folk and indie music.

    How was Nick Drake rediscovered?

    A major turning point came in 1999 when the song Pink Moon was featured in a Volkswagen commercial, introducing his music to millions of new listeners.

    What makes Nick Drake’s guitar playing unique?

    Drake frequently used alternate tunings and intricate fingerpicking techniques that allowed him to create rich, layered arrangements while maintaining a delicate and intimate sound.

    Why does Nick Drake’s music still resonate today?

    His songs explore universal emotions such as solitude, longing, uncertainty, and hope through timeless arrangements and extraordinary emotional honesty.


    The post Nick Drake and the Sound of Quiet Melancholy appeared first on Edgar Allan Poets – Noir Rock Band.

  • 70,000 Tons Of Metal 2027 tickets go on sale, with 30 of 60 bands for the Caribbean metal cruise confirmed

    Tickets to the 2027 70,000 Tons Of Metal cruise have gone on sale, with 30 of the 60 bands set to play the nautical festival confirmed.

    Public sales commenced today (Monday, September 7) at 12 midday Eastern Time and 5pm UK time. Single and group cabins are available. Head to 70000tons.com for details.

    The 15th edition of the annual, 3,000-capacity heavy metal cruise will set sail from Miami, Florida on Royal Caribbean’s ship Freedom Of The Seas on January 14. It’ll make its way to Puerto Plata in the Dominican Republic before returning on January 18.

    Bands confirmed so far include international melodic death metal favourites Arch Enemy, California thrash metal veterans Exodus, former Scorpions guitarist Uli Jon Roth and Portuguese goth metal outfit Moonspell. The full list is available below.

    In addition, it’s been announced that Finnish metal band Wolfheart will premiere their upcoming, as-yet-unannounced studio album at a listening event.

    “It is an absolute honour to step on the deck of the mighty 70,000 Tons Of Metal for the third time, on one of the most majestic metal events in this universe,” says bandleader Tuomas Saukkonen. “This time we are bringing something special with us: the world live premiere of our forthcoming album!”

    Organisers say that, as well as performances, “the festival offers round-the-clock entertainment, from explosive performances on the biggest open-air stage structure to ever sail the open Seas, to artist-hosted activities and events, meet-and-greets with every band, and the opportunity for fans to mingle with their heavy metal heroes in a unique environment”.

    Hammer boarded the 14th 70,000 Tons Of Metal earlier this year and saw sets by Anthrax, Paradise Lost, Soilwork, Amorphis and more across the four-day trip.

    “70,000 Tons isn’t a rinkydink festival on a boat; it’s more like a floating city, the Freedom Of The Seas ship offering an almost insane amount of space for a few thousand metalheads,” journalist Rich Hobson wrote upon his return.

    “70,000 Tons is more like a continental festival than your Downloads or even Aftershocks. What that means is, bands go late. This year’s event sees bands starting as early as 10am, and the last band going on-stage at 5am. Ooft.”

    70,000 Tons Of Metal 2027 lineup:

    • Abigail Williams
    • Æther Realm
    • Arch Enemy
    • Avaland
    • Battlelore
    • Brainstorm
    • Brymir
    • Die Apokalyptischen Reiter
    • Enforcer
    • Equilibrium
    • Evergrey
    • Exmortus
    • Exodus
    • Famous Strangers
    • Hammerfall
    • Melechesh
    • Moonspell
    • Mors Principium Est
    • Naglfar
    • Obscura
    • Origin
    • Primal Fear
    • Rhapsody
    • Sinister
    • Talia Hoit
    • Thulcandra
    • Uli Jon Roth
    • Warbringer
    • Wolfheart
    • Ye Banished Privateers
  • AN NCS ALBUM PREMIERE (AND A REVIEW): EPITAPHE — “III”

    (written by Islander) The French progressive death metal band Epitaphe have chosen simple Roman numerals as the sole titles for their albums, an interesting choice because their music is far from simple. One of our writers summed up their debut I as “an eclectic, avant-garde combination of quite intellectual death metal with doom-death shades”, and […]

    The post AN NCS ALBUM PREMIERE (AND A REVIEW): EPITAPHE — “III” appeared first on NO CLEAN SINGING.

  • Cell Rot Announce New Album Paradise: Hear “Paradise/Parasite II”

    The fast and nasty Oakland hardcore band Cell Rot put out an album called Parasite last year, the first half of a two-part project recorded with the iconic punk and metal producer Jack Shirley. Soon they’ll drop the second half, Paradise. On opening track and lead single “Paradise/Parasite II,” they hammer home the resemblance between those two words and the relationship between the concepts. “Paradise! Searchin’ for your paradise!” growls vocalist Kyle. “Parasite! You’re feedin’ like a parasite!”

    The post Cell Rot Announce New Album <em>Paradise</em>: Hear “Paradise/Parasite II” appeared first on Stereogum.