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  • Secret Rule – singer/songwriter Angela Di Vincenzo

    Singer/songwriter Angela Di Vincenzo – Secret Rule Interviewed by: Anders Sandvall Thanks to Jon Asher – Music Publicist at Asher Media Relations for setting up […]

    The post Secret Rule – singer/songwriter Angela Di Vincenzo appeared first on Metal-Rules.com.

  • Cavalier & Quelle Chris – “Holding On” (Feat. Navy Blue & Denmark Vessey)

    Earlier this month, the endlessly inventive underground rapper/producer Quelle Chris released Happy Place, a sample-heavy EP that he posted only on YouTube, asking for donations in return. it was Quelle Chris’ first release since 2024’s Death Tape 2: We Gon’ Need Each Other, the second entry in his series of collaborations with the New Orleans…

    The post Cavalier & Quelle Chris – “Holding On” (Feat. Navy Blue & Denmark Vessey) appeared first on Stereogum.

  • Glass Mansion Release New Song And Video “Sunsetting”

    Born from a “now or never” moment, the new single “Sunsetting” by Glass Mansions arrived just as the

  • PANOPTICON & CATHARSIS Announce East Coast Co-Headlining Tour

    Panopticon Live

    Panopticon and reunited metalcore legends Catharsis team up for an intimate fall run, coinciding with a new album.

    The post PANOPTICON & CATHARSIS Announce East Coast Co-Headlining Tour appeared first on Metal Injection.

  • THROWN Announce U.S. Headlining Tour With MUGSHOT, VOMIT FORTH & YOUR SPIRIT DIES

    Swedish hardcore punk and metalcore band Thrown posing together, featuring Marcus Lundqvist, Johan Liljeblad, Andreas Malm, and Buster Odeholm

    Thrown are hitting the U.S. ahead of their spring dates with In Flames, bringing heavy support and a brand-new wave of shows.

    The post THROWN Announce U.S. Headlining Tour With MUGSHOT, VOMIT FORTH & YOUR SPIRIT DIES appeared first on Metal Injection.

  • Melvins and Napalm Death Release Collab Track “Rip The God”

    napalmdeath_melvins

    With their collaborative album coming out sooner than you think, Napalm Death and the Melvins released another single titled “Rip The God”.

    Described when it was announced as a “true collaboration — not a split, but a new album featuring members of both bands,” the forthcoming Savage Imperial Death March is based on a previous tour-exclusive release of the same name. This time around, the effort includes two brand new bonus tracks and exclusive artwork/packaging.

    Speaking of the new single “Rip The God”, Napalm Death bassist Shane Embury said thissingle was a doozy for him to play, thanks in large part to Buzz Osbourne’s creativity.

    “The opening Buzz [Osborne, Melvins vocalist/guitarist] riff begins with that classic timing – a hiccup right at the end of the riff cycle making the riff extra special! Simple yet tricky to remember… it had my head spinning when I played the bass to it – Multiply that head spin with the guitar pedal noise static we all added – God was ripped and drunk on joyful noise…”

    Savage Imperial Death March won’t be available until April 10, but you can preorder your copy today.

    “Savage Imperial Death March” track listing:

    1. Tossing Coins Into The Fountain Of Fuck
    2. Some Kind Of Antichrist
    3. Awful Handwriting
    4. Nine Days Of Rain
    5. Rip The God
    6. Stealing Horses
    7. Comparison Is The Thief Of Joy
    8. Death Hour

    The post Melvins and Napalm Death Release Collab Track “Rip The God” appeared first on MetalSucks.

  • PAPA ROACH Pick The Best Nü-Metal Songs Of All Time (Including Their Own)

    Jacoby Shaddix performing live on stage with Papa Roach, singing passionately into microphone

    From classics like Korn’s “Blind” to their own “Last Resort,” Papa Roach reveal their personal nü-metal favorites.

    The post PAPA ROACH Pick The Best Nü-Metal Songs Of All Time (Including Their Own) appeared first on Metal Injection.

  • Film From John Lennon’s Last Concerts Set for Theatrical Release

    'That Madison Square Garden gig was the best music I enjoyed playing since the Cavern or even Hamburg,' the former Beatles star said. Continue reading…

  • A View From The Back Of The Room: The Hara (Spike)

    The Hara & Profiler – The Adrian Flux, Waterfront Studio, Norwich, 06.03.2026



    There is a specific, claustrophobic magic to the Waterfront Studio. When you pack a couple of hundred people into that upstairs space, the boundary between the band and the audience doesn’t just blur, it disappears entirely. It’s a venue that rewards the bold and exposes the half-hearted. Last Friday, it played host to a bill that felt like a deliberate middle finger to genre boundaries, moving from the tech-heavy emotion of Bristol’s Profiler to the high-octane, theatrical defiance of The Hara.

    The evening began with Profiler (8). In a world where nu-metalcore is often reduced to a series of predictable breakdowns, this lot manages to find a much more vulnerable frequency. Their set was a masterclass in balance; the guitars were thick and bruising, yet they left enough air in the room for the emotive, almost fragile vocal lines to land. It’s a sophisticated sound, properly technical but never cold. They didn’t just warm up the room; they filled it with a dense, atmospheric weight that felt far larger than the guys on stage.

    By the time The Hara (8) took the stage, the humidity in the room had reached a tipping point. Josh Taylor and his lot don’t just “perform” a set; they stage a minor riot. From the opening salvos of Autobiography and Faking It, it was clear that the “genre-less” label they wear is less of a marketing tag and more of a survival strategy. They move through alt-rock, pop-punk, and gritty industrial-tinged anthems with a frantic, heart-attack energy that refuses to settle.

    The highlight of the night was the sheer, unvarnished charisma of Taylor. He spends as much time in the crowd as he does on the stage, turning the tiny Waterfront Studio into a single, kinetic entity. Tracks like Okay That’s Me and Circus were delivered with a level of vocal precision that survived the chaos of the mosh pit. It’s a polished, professional act dressed up in a “fuck you” attitude.

    The setlist was a relentless march through their latest material, peaking with the roar of Afterlife. Without the need for massive screens or arena-sized pyrotechnics, The Hara proved that they are one of the most dynamic live acts currently working the circuit. They have a gift for making every person in a two-hundred-cap room feel like they are part of something exclusive and dangerous.

    It was an honest, exhausting, and utterly brilliant bit of work. The Hara provided the proof that you don’t need a stadium to create a massive moment. This was a reminder of why we bother with small-club shows in the first place, loud, intimate, and massively important for both bands and the people who want to see them.

  • Secret World – “It Hurts”

    We’ve already got a new Drug Church song today, and now we’ve also got another song from one of the many other bands playing around in that same tough, bracing, hardcore-adjacent alt-rock space. Secret World come from Sydney, and their members are Australian hardcore veterans from bands like Speed, Trophy Eyes, and Downside. They’re very…

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