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  • Fugazi Release 1992 Recordings with Steve Albini’s Charity

    fugazi

    Talk about some big names doing some goodly big things. Fugazi are no strangers to activism, charity, mutual aid, or anything of the like, so this just makes sense. The boys did a grip of recordings back in 1992 at with the late legend Steve Albini at his studio Electrical Audio and they’ve now digitally released them for charity. Proceeds go to the Albini-backed (at least, when he was still with us) Letters Charity.

    These tracks were previously unreleased in their original form, though they were later re-recorded and included on Fugazi’s In On the Killtaker from 1993.

    Charity organizers shared:

    “In the fall of 1992, the members of Fugazi were deep in the process of finishing up the songs that would eventually come out as the “In On The Killtaker” album the following year. The band had been working on the songs for a couple of years and had gotten as far as recording a few of them at Inner Ear as well as making numerous practice recordings, but by late October they seemed to have hit a bit of a wall. In an attempt to shake things up, it was decided that they would take up Steve Albini’s standing invitation to do a free recording at his Electrical Audio Studio, which at the time was located in the basement of his house on North Francisco in Chicago.

    “Fugazi and Steve had crossed paths numerous times over the years and had become friends and admirers of each other’s work. The band really appreciated Steve’s aesthetic, especially the early Jesus Lizard records and it seemed like the change of scenery would help them get a better perspective on the songs they had written.

    “In early November, a minivan was rented, loaded up with gear, and driven to Chicago by Ian and Joe, while Brendan and Guy made the 12-hour drive in Brendan’s station wagon. They arrived at Steve’s house and immediately got to work. The original plan was to spend a weekend recording just two or three songs, but once everything was set up and the tape was rolling, they just kept on tracking.

    “The hang itself was epic and in the downtime, when they weren’t recording, a deeper affinity and friendship was quickly realized. Steve would show off his culinary skills making the group fresh pasta from scratch, after which they would all gather around his kitchen table to play Corickey, a dice game the band had taught him in London a couple of years before. This was a shared obsession and a constant feature of any time spent together. Steve would then traumatize the band with screenings from his collection of outré videos and they would spend hours talking about punk rock. The laughter was non-stop.

    “In those three or four days, 12 songs ended up getting recorded and mixed –the entirety of the eventual ‘In On The Killtaker’ album. During playbacks in Steve’s upstairs mixing room everyone was very excited by the results. However, once the band was driving back home to DC with cassettes of the rough mixes to check out it was clear that this was a session that wasn’t going to be released.

    “The two vehicles met at a rest stop in Ohio and there both sets of band members realized they had come to the same conclusion independent of each other. It’s difficult to explain the issue, but, for as incredible as things felt while at Electrical, the songs sounded flat in subsequent listens. A few days after returning home, Albini wrote to the band with a similar opinion and it was decided to nix the recording.

    “Less than a month later, Fugazi went into Inner Ear Studio with producer Ted Nicely to make what would become the official “In On The Killtaker” album which was released by Dischord in June 1993, while the so-called “Albini Session” was shelved. Though the Chicago recordings have been under lock and key for over three decades, some tapes have leaked out and poor-quality versions of some of the songs have ended up on the internet.

    “To honor Steve, who died in 2024, and to support the work that he and his wife, Heather Whinna, have done with the non-profit Letters Charity organization, Fugazi has decided to make Steve’s entire original mix officially available for the first time in transfers pulled directly from the master tapes.

    “This is a digital-only release and the band is donating its share of the proceeds to Letters Charity.

    “Please be generous.

    “Thank you.”

    If you want a physical copy of this you’re shit out of luck, as they said this is a digital-only release. It’s worth it though, since Letters Charity is where it’s at. They’re a nonprofit that uses art to help provide direct assistance to those facing urgent, immediate financial hardship. We all know what it’s like to struggle—especially right now—so even more of a reason to make sure a resource like this stays around.

    The post Fugazi Release 1992 Recordings with Steve Albini’s Charity appeared first on MetalSucks.

  • UNEARTH – Rejoins Metal Blade Records + New Management, Booking Agency and Live Dates Announced

    Photo By Angel Mejia 

    Metal Blade Records is pleased to announce their re-signing of UNEARTH

    Nothing short of standard-bearers and keepers of the faith for American metalcore, UNEARTH was the band born in the breakdown who never wavered from their love of European death metal melodicism, supercharged by American thrash and hardcore. Now, nearly three decades into a career that’s seen the Massachusetts mob play innumerable gigs and massive festivals on six continents, sell hundreds of thousands of records, and inspire some of the most important bands in extreme metal today, they remain a force with which to contend. And their reunion with Metal Blade Records, their label from their halcyon days of the 2000s first decade, only increases the ferocity of that force.

    UNEARTH’s change back then from hardcore-focused Eulogy Recordings to one with “Metal” literally in the name aligned with their sound’s sharpening into a more brutal “Blade.” This time it’s more about going home to the host of genre-defining albums like The Oncoming StormIII: In The Eyes Of Fire, and The March.

    It’s not to say they haven’t made great albums (see Watchers Of Rule and the latest LP The Wretched; The Ruinous) with great partners MNRK Heavy – formerly eOne Music and Century Media, respectively and the lightning here has the chance to strike twice and UNEARTH are ready to ride it.

    Comments vocalist Trevor Phipps, “Getting another shot at working with Metal Blade Records feels nothing short of coming home. We truly got our best chance at making a life of creating music and touring during our first run with Metal Blade from 2004 to 2011. Working with so many familiar faces we trust and appreciate is something we wholeheartedly welcome. The music we’re cooking is as heavy and boundary-pushing as we’ve ever been, and we look forward to sharing it with you all in 2027.”

    They gave us our start; now, they’re part of our future,” says guitarist Peter Layman. “After fifteen years apart, we’re back with Metal Blade, the home of some of our defining records. With the writing process well underway, we felt Metal Blade was the perfect fit for us and the direction we’re headed. We’re thankful that they feel the same way and know that what comes next will be our best offering yet.”

    Adds Michael Faley, Metal Blade Records A&R, “It is an honor to have UNEARTH back in the Metal Blade family. Our history with the band includes some truly incredible moments in this label’s catalog. Reconnecting with them now, at a time when both the band and the label have grown so much, is a massive win. We’ve always believed in their vision, and we’re honored to be the ones helping them tell the next chapter of their story. A new Storm is coming!” 

    Additionally, UNEARTH is pleased to announce their new management home of AISAmusic and European booking agency, Cobra.

    Says Phipps, “We are excited to team up with AISAmusic for a new era of UNEARTH. Simon Füllemann has been a friend, peer, and colleague of ours for almost 25 years, while Bradley Zorgdrager has proven to be an ally in this business in the few short years we’ve known him. With new music, tours, and partnerships coming, we are eager to get in the studio and back on the road to riff with you all.”

    “We couldn’t be happier to join the AISAmusic team for management,” notes Layman. “Heading down a new path with Simon and Bradley at our side has instantly had a positive impact, and we know it’s only the beginning. Their professionalism, knowledge, experience, and level of planning gives us the best opportunity to be successful moving forward.”

    Phipps continues, “We want to thank the good people at Cobra Agency for bringing us onto their killer roster for Europe and Asia. We look forward to spending a lot of time on the road with you all, starting this summer with a European festival and club run.”

    Layman concurs, “We are incredibly proud to announce our partnership with Cobra Agency for booking throughout Europe and Asia. One of the best parts about being in a band is sharing your art while visiting incredible places around the world. We know that working with Cobra Agency gives us the best opportunity to continue doing this.”

    UNEARTH’s nearly thirty year ride has been wild enough thus far. As one of the key bands of the New Wave Of American Heavy Metal (NWOAHM), they rose alongside the likes of Killswitch Engage, Lamb Of God, Shadows Fall, Darkest Hour and more. “It was a healthy competition between all of us,” recalls Phipps. “It made for some great music and opened up a new chapter in American metal.” And though the Wave ain’t so New anymore, the great music continues as UNEARTH opens a new chapter of their own.

    UNEARTH Live:
    7/25/2026 Barba Negra – Budapest, HU *
    7/31/2026 Afdreiht Un Buten Festival – Goldenstedt, DE
    8/01/2026 Full Rewind Festival – Löbnitz, DE
    8/03/2026 Magnolia Open Air – Milan, IT ^
    8/04/2026 Dynamo – Zurich, CH ^
    8/05/2026 Brutal Assault Festival – Jeroměř, CZ
    8/07/2026 Frischluft Open Air – Linz, AT ~
    8/13/2026 Motocultor Festival – Carhaix, FR

    • w/ In Flames
      ^ w/ Of Mice & Men
      ~ w/ The Ghost Inside

    https://unearthofficial.com

    https://www.facebook.com/unearthofficial

    https://www.instagram.com/unearthofficial

    https://www.metalblade.com

    Source: EARSPLIT PR

  • Review: Buckcherry / Michael Monroe, Support Rubikon – Rock City, March 6th, 2026

    Review: Buckcherry / Michael Monroe, Support Rubikon Rock City, Nottingham (March 6tth, 2026) Reviewer / Photographer – Dan Mann Friday night, three bands, a decent size crowd, let proceedings commence! I’ll be honest and say that I’d not heard of Rubikon before, a band I learnt hail from Boston in the US of A. Whilst […]

    The post Review: Buckcherry / Michael Monroe, Support Rubikon – Rock City, March 6th, 2026 appeared first on ROCKPOSER DOT COM!.

  • Machine Gun Kelly Fan Falls Through Opening In Stage

    Being an MGK fan is one long humiliation ritual. On Thursday (March 5), the rapper-turned-rocker performed at London’s O2 Arena and invited a bunch of audience members onstage during his song “bloody valentine.” An especially unfortunate one fell right through an opening in the uniquely (dangerously!) designed stage.

    The post Machine Gun Kelly Fan Falls Through Opening In Stage appeared first on Stereogum.

  • SEEN AND HEARD ON A SATURDAY: GOMMA, GORMA, GHOROT, GOATPSALM, GLUTTONY

    (written by Islander) I’m experiencing technical difficulties. For the second time since February 1st, our DSL service shut down. The last time we waited two weeks for the DSL company to send out a repair technician. He got it going again. He explained that a pair of wires in the main line to which our […]

    The post SEEN AND HEARD ON A SATURDAY: GOMMA, GORMA, GHOROT, GOATPSALM, GLUTTONY appeared first on NO CLEAN SINGING.

  • The Halo Effect – Drop New Single

    Swedes The Halo Effect have recently released a new single/video “Lest We Fall”, featuring Marcus Bischoff from Heaven Shall Burn and Brian Eschbach The Black Dahlia Murder. The song was produced by Niclas Engelin and Oscar Nilsson. Mixed by Oscar Nilsson at Studio Bohus and mastered by Thomas “Plec” Johansson.
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  • Deathstorm – Releasing Next Studio Record In May

    On May 22nd 2026, Austrian thrashers Deathstorm will unleash their fifth studio album dubbed Cascophonies. Alongside disclosed details you can also check out the first streaming single called “Mask Of Sanity”.
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