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Everything Dies Announces New EP Still Alive…Despite Everything – @thebeast
FOR IMMEDIATE RELEASE
Everything Dies Announces New EP Still Alive…Despite Everything
Atmospheric Depressive Black Metal Act Everything Dies to Release Deeply Personal New EP October 16, 2026 via NargathrondMusic
For Fans Of: Harakiri For The Sky, Nocturnal Depression, Psychonaut 4
Everything Dies will release their new EP, Still Alive…Despite Everything , on October 16, 2026 via NargathrondMusic. Blending atmospheric depressive black metal with melancholic soundscapes and raw emotional intensity, the four-track EP is a deeply personal exploration of loss, emotional distance, fractured communication and the difficult process of letting go.
Built around the aftermath of a relationship falling apart, Still Alive…Despite Everything approaches heartbreak from a perspective that is often overlooked. There is no villain. No betrayal to point toward. No easy explanation for why something that once meant everything can slowly disappear.
Sometimes, people simply lose the ability to understand one another. Communication fades. Emotional distance grows. Eventually, two people who once shared their lives are left facing the painful reality that something between them has changed beyond repair.
Rather than becoming an accusation or an exercise in resentment, Still Alive…Despite Everything serves as a personal document of that realization.
Across four songs, Everything Dies moves through melancholy, despair and reflection, capturing the memories that remain after a meaningful connection has disappeared. The EP explores what it means to continue living when something deeply important has died, while holding onto the possibility that moving forward does not require forgetting what came before.
Musically, Everything Dies draws from the bleak emotional atmosphere of depressive black metal while incorporating expansive, melancholic textures that allow the songs to breathe beneath their weight. The result is music that feels intimate and devastating without relying on anger or blame.
At its core, Still Alive…Despite Everything is about the strange contradiction of losing someone you never wanted to lose and somehow finding yourself still standing afterward.
Because sometimes a relationship dies.
And somehow, despite everything…
you are still alive.
Still Alive…Despite Everything will be released October 16, 2026 through NargathrondMusic .
Production: Stefan Lorenz (Producer, Recording, Mixing & Mastering)
Band Contact: Stefan Lorenz aka Nargathrond
Email: info@nargathrondmusic.com
Website & Social Links: linktr.ee/everythingdiesdsbm
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Jay Weinberg Pairs With Ryan Patterson (Fotocrime/Coliseum) On New Track “Another Head On The Pile”
The latest in the growing line of collaborations from the ex-Slipknot/Suicidal Tendencies, etc. drummer.
The post Jay Weinberg Pairs With Ryan Patterson (Fotocrime/Coliseum) On New Track “Another Head On The Pile” appeared first on Theprp.com.
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Pantera Are Teasing Something “Heavy” For New Orleans
It appears to be show-related.
The post Pantera Are Teasing Something “Heavy” For New Orleans appeared first on Theprp.com.
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MATANZICK Confirmed for Runway Rock Fest 2027 Alongside Dirkschneider, Roy Khan, Gotthard, Pretty Maids & More – @thebeast
FOR IMMEDIATE RELEASE
MATANZICK Confirmed for Runway Rock Fest 2027 Alongside Dirkschneider, Roy Khan, Gotthard, Pretty Maids & More
Norwegian Metal Force MATANZICK Joins Stacked Runway Rock Fest 2027 Lineup at Starmoen Airfield
May 21–22, 2027 | Starmoen Airfield, Elverum, Norway
Norwegian metal force MATANZICK is officially confirmed for Runway Rock Fest 2027 , taking place May 21–22, 2027 at Starmoen Airfield in Elverum, Norway. The announcement places MATANZICK on a massive festival bill alongside some of the biggest names in rock and metal, including Dirkschneider performing a special Accept set, Roy Khan, Gotthard, Pretty Maids, H.E.A.T, Michael Monroe, Girlschool, Tank , and more still to be announced.
For a band that has spent more than a decade building its reputation through hard work, aggressive songwriting, and high-energy live performances, the Runway Rock Fest 2027 confirmation marks another major step forward for MATANZICK.
Formed in 2010, MATANZICK has developed a sound rooted in heavy metal, thrash, and groove metal, combining precision riffing, powerful rhythms, and an uncompromising live attack. The band’s approach is straightforward: write strong songs, play them loud, and let the music do the talking.
That philosophy was on full display with the band’s latest album, Chronicles of the Abyss , originally released November 28, 2025. The album showcases MATANZICK at its most focused and aggressive, delivering a collection of songs built around crushing riffs, tight musicianship, and a raw, modern edge without losing sight of the traditional metal foundation at the heart of the band.
The album has already received strong reactions from European metal media, with reviews landing in the 8/10 to 9/10 range and praise directed toward the band’s combination of aggression, precision, atmosphere, and consistency.
The campaign surrounding Chronicles of the Abyss continues with the official music video for “Shattered Omen,” giving listeners another look at the sound and intensity MATANZICK will bring to the stage.
Watch “Shattered Omen”:
Stream Chronicles of the Abyss:
https://ffm.to/x27e7q7
https://ffm.to/nzjrjbm
Now, with Runway Rock Fest 2027 officially confirmed and additional live activity on the horizon, MATANZICK is looking ahead to an increasingly busy chapter.
The festival’s 2027 lineup already represents a heavyweight gathering of classic and modern rock and metal, making MATANZICK’s inclusion a significant opportunity to introduce their brand of uncompromising Norwegian metal to an even wider audience.
And the band is ready.
MATANZICK Statement
“Chronicles of the Abyss is our most focused and aggressive work. Built on riffs, energy, and everything that defines us as a band.”
With Runway Rock Fest 2027 now on the calendar, MATANZICK is continuing to build momentum both at home and internationally. The band is available for interviews and is preparing additional live activity and plans throughout 2027.
This is Norwegian metal with no unnecessary decoration and no interest in following trends. Just riffs, energy, attitude, and the kind of heavy music that is meant to be played loud.
MATANZICK is ready for the runway.
Runway Rock Fest 2027
May 21–22, 2027
Starmoen Airfield
Elverum, Norway
Confirmed artists include:
Dirkschneider – Special Accept Set
Roy Khan
Gotthard
Pretty Maids
H.E.A.T
Michael Monroe
Girlschool
Tank
MATANZICK
…and more to be announced
Production Credits
Album: Chronicles of the Abyss
Produced by: MATANZICK
Mix & Mastering: Red Line Studio & Jelöy Sound Mastering
Label: Independent / MATANZICK
Management: Independent
MATANZICK Online
Stream Chronicles of the Abyss:
https://ffm.to/x27e7q7
https://ffm.to/nzjrjbm
MATANZICK is available for interviews. -
claire rousay & Martyna Basta Announce New Album hotel room: Hear “cool girls go to heaven”
The LA-based sonic impressionist claire rousay does a whole lot of collaborating, working with peers like more eaze, Grumpy, and William Tyler. Soon, she’ll follow a little death, the solo album that she released last year, with hotel room, a full-length team-up with Polish ambient composer Martyna Basta.
The post claire rousay & Martyna Basta Announce New Album <em>hotel room</em>: Hear “cool girls go to heaven” appeared first on Stereogum.
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FOREIGNER Announces “Foreigner Unplugged” European Acoustic Tour
Foreigner, one of rock’s most enduring bands, has announced “Foreigner Unplugged,” a four-show European tour that will bring the band’s catalog of Top 10 hits to fans in a rare, stripped-down acoustic setting.
The Foreigner fan pre-sale kicks off Monday, Sept. 7 at 10 a.m. local time, with tickets opening to the general public Wednesday, Sept. 9 at 10 a.m. local time.
Set for April 2027, the intimate run features Luis Carlos Maldonado, Jeff Pilson, Bruce Watson and Michael Bluestein reworking Foreigner‘s biggest hits in acoustic form, giving fans a whole new way to experience some of rock’s most enduring songs.
The tour hits four of Europe’s best-known venues, kicking off April 12 at Dublin’s 3Olympia Theatre before moving to the London Palladium on April 14, Paris’ L’Olympia on April 16 and Vienna’s Globe Theatre on April 18.
With a catalog packed with anthems like “I Want To Know What Love Is,” “Cold As Ice,” “Hot Blooded,” “Juke Box Hero,” “Waiting For A Girl Like You,” “Urgent” and “Feels Like The First Time,” “Foreigner Unplugged” puts the melodies, musicianship and vocals front and center in an up-close setting fans rarely get to experience.
British singer-songwriter Billy Lockett joins Foreigner as a special guest for the Dublin, London and Paris dates.
With 10 multi-platinum albums and 16 Top 30 hits under its belt, Foreigner stands as one of the most popular rock acts on the planet, with a catalog that continues to drive sold-out tours and has racked up more than 80 million in total sales. The band’s list of enduring anthems also includes “Head Games,” “Say You Will,” “Dirty White Boy” and “Long, Long Way From Home.” Its worldwide No. 1 hit “I Want To Know What Love Is” holds a spot in Spotify’s exclusive Billions Club.
Fifty years into its career, Foreigner remains a major chart presence, backed by strong airplay and continued album success, and its catalog sales recently landed the band among the Top 40 Best-Selling Music Artists Of All Time, according to Business Insider.

The post FOREIGNER Announces “Foreigner Unplugged” European Acoustic Tour appeared first on Sonic Perspectives.
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John Maskell’s history of two groups – Group 004 + 1 and The Beat Syndicate
John Maskell got in touch to provide a more detailed account of his time with The Beat Syndicate who are listed on this site here and his first band Group 004 + 1 (originally called Johnny & The Bobcats).
Here are John’s recollections:

Photo was taken at a photographic studio after The Beat Syndicate won a beat competition at Coronation Gardens in Leyton, east London in June 1965. Diana Doors presented us with a recording test at Pye Studios The group Bobby & The Bobcats formed early in 1962. Bobby left the group that November and The Bobcats held an audition at a youth club in Edmonton, north London.
Unbeknown to me, my good friend had put my name down to go up and sing, so when my name was called, I had no choice but to go up on stage, something I had not done, previously. To my surprise I was told to turn up for practice and the group then became Johnny & The Bobcats, based in Tottenham, north London.
In January 1964, the group was renamed Group 004 + 1.
John Maskell (lead vocals)
Bobby Savage (lead guitar)
Tony Deeks (rhythm guitar)
Joey Vale (bass)
Bernie Allen (drums)

Left to right: John Maskell; Joey Vale; Tony Deeks; Bernie Allen and Bobby Savage. Photo taken at the Swan Public House in Tottenham The group progressed rapidly and before long we were supporting some big names in the pop industry.
One was at the West Cliff Ballroom in Ramsgate, Kent. We were booked to support singer Duffy Power and a group called The Beat Syndicate.
Duffy Power didn’t turn up for rehearsal; his manager didn’t know where he was and put the organisers in a very nervous situation, not knowing who the top of the bill was.
Duffy eventually turned up quite close to start time and was told he would have to go on first, which meant that Group 004 + 1 were told to go on last.
The end to this story came around three months later when I left Group 004 + 1 and was asked to join The Beat Syndicate.
My last appearance with Group 004 + 1 was at Shoreditch Town Hall supporting Gene Vincent & The Shouts.
The following is a list of all the venues and artists we supported in the period that I recall as Johnny & The Bobcats/Group 004 + 1.
Johnny & The Bobcats gig list:
The Swan Pub, Tottenham, north London (as Johnny & The Bobcats) Resident band every Thursday, Friday and Saturday night and every other Sunday morning between January 1963-July 1964.

John singing in the Swan pub in 1964 Tudor Hall, Hoddesdon, Herts (as Johnny & The Bobcats) with Cliff Bennett & The Rebel Rousers in January 1963
Cuckoo Hall Lane Youth Club, Edmonton, north London (as Johnny & The Bobcats) on 13 February 1963
Alison Hall St Patrick’s Church, Enfield, north London (as Johnny & The Bobcats) on 18 February 1963
Alison Hall St Patrick’s Church, Enfield, north London (as Johnny & The Bobcats) on 10 March 1963
The Cambridge pub, Edmonton, north London (as Johnny & The Bobcats) in April 1963
The Ritz Cinema, Turnpike Lane, Wood Green, north London (as Johnny & The Bobcats) in May 1963
Hastings Pier, Hastings, East Sussex with Verne Rodgers & The Rebounds and The Beat Syndicate (as Johnny & The Bobcats) in May/June 1963 (confirmed by my diary)
California Ballroom, Dunstable, Beds (as Johnny & The Bobcats) with Brian Poole & The Tremeloes on 11 October 1963. This gig is listed on the Cali website but does not show us as support group but it is in my diary. This attendance numbers were boosted by the two coaches that came with fans from the Swan pub in Tottenham to support us.
The Kings Head, High Beach, north London (as Johnny & The Bobcats) in November 1963
Hackney Empire, Hackney, north London (as Johnny & The Bobcats) (shortly before it closed and was eventually refurbished) with Norman Vaughan, Hilda Baker & Our Eli, Ted Rogers (not the 3-2-1 variety), Jackie Rae, Salky Gowers, Keith Fordyce (compare) and various acrobats and jugglers in November or December 1963
The Angel pub, Edmonton, north London (as Johnny & The Bobcats) in December 1963
Pub in Cambridge in Cambridgeshire in late 1963
Group 004 + 1 gig list:
Howard Hall, Ponders End, Enfield, north London (as Group 004 + 1) in January 1964
The Manor House dance hall, Finsbury Park, north London with The Hollies on 1 December 1963 (or January 1964)
The Cambridge pub, Edmonton, north London (as Group 004 + 1) in January 1964
The Ritz Cinema, Turnpike Lane, Wood Green, north London (as Group 004 + 1) in January 1964
Club Noreik, south Tottenham, north London with The Paramounts and Jackie Rae (as Group 004 + 1) on 25 January 1964. This gig is shown in The Paramounts LP insert but support acts not shown.
The Swan Pub, Tottenham, north London (as Group 004 + 1) in January 1964. This was a continuation of our residency under the new band’s name.
California Ballroom, Dunstable, Beds with The Merseybeats (as Group 004 + 1) on 17 January 1964 (confirmed by Cali website)
The Chez Don, Dalston, east London (as Group 004 + 1) on 15 February 1964
Alison Hall, St Patrick’s Church, Enfield, north London (as Group 004 + 1) on 18 February 1964
The Cooks Ferry Inn, Edmonton, north London (as Group 004 + 1) on 21 February 1964
Cuckoo Hall Lane Youth Club, Edmonton, north London (as Group 004 + 1) on 27 February 1964
Gig in Finchley, north London with Bern Elliott & The Fenmen (as Group 004 + 1) in February or March 1964
Cuckoo Hall Lane Youth Club, Edmonton, north London (as Group 004 + 1) on 12 March 1964

West Cliff Concert Hall, Ramsgate, Kent with Duffy Power & The Beat Syndicate (as Group 004 + 1) on 13 March 1964 (advert confirms this).
Cooks Ferry Inn, Edmonton, north London (as Group 004 + 1) on 15 March 1964 (confirmed by my diary)
Club Noreik, south Tottenham, north London (as Group 004 +1) on 27 March 1964 (confirmed by my diary)
Gig in Haywards Heath, West Sussex (possibly The Pilgrim) (as Group 004 + 1), possibly in March 1964
Kingston Jazz Cellar, Kingston upon Thames, Surrey with The Cy Laurie Jazz Band (as Group 004 + 1), possibly in March 1964
Noreik Club, south Tottenham, north London with Georgie Fame & The Blue Flames (as Group 004 + 1) on 17 April 1964 (confirmed by my diary)
Noreik Club, south Tottenham, north London with The Kinks (as Group 004 + 1) on 25 April 1964 (confirmed by my diary)
Noreik Club, south Tottenham, north London with The Moquettes (as Group 004 + 1) in April or May 1964 (confirmed by my diary)
West Cliff Concert Hall, Ramsgate, Kent with Deke Arlon & The Offbeats (as Group 004 + 1) in May 1964 (confirmed advert but no support acts printed)
Greenham Common American Air Base, Newbury, Berkshire as Group 004 + 1) on 29 May 1964. The next day troops were returning to the USA and the site was closing.
Noreik Club, south Tottenham, north London with The Undertakers (as Group 004 + 1) in May/June 1964
Cooks Ferry Inn, Edmonton, north London with The Steampacket (featuring Long John Baldry, Julie Driscoll, Brian Auger Trinity and a little known Rod Stewart) (as Group 004 + 1) in June 1964
Fishmongers Arms, Wood Green, north London (as Group 004 + 1) possibly in late June 1964
Shoreditch Town Hall, Shoreditch, east London with Gene Vincent & The Shouts (as Group 004 + 1) on 3 July 1964. This gig is listed on the Spent brothers’ website but does not show support acts. This was my last gig with Group 004 + 1.
There were many more gigs with Group 004 + 1 which are not listed here where I don’t have more information.
I left Group 004 + 1 in mid-July 1964. The band continued to perform under another name, which I don’t have the details of. They did a short tour of Austria in 1965 and continued to perform until 1966.
I joined The Beat Syndicate in late August 1964, based in Leytonstone, east London.
The Beat Syndicate:
John Maskell (lead vocals)
Mick George (lead guitar)
Jim Newton (rhythm guitar)
John Powis (bass)
Eddie Latrielle (drums) replaced in late 1964 by Tony Smith (drums)

Photo shoot circa June 1965. Left to right: Tony Smith; Jim Newton; John Maskell; John Powis and Mick George. The image was captured at a photographic studio after they had won a beat competition held at Coronation Gardens in Leyton, east London Our session at Pye Studios was organised by none other than Alan. A Freeman, the top man. We recorded two tracks “Try as I My” our own composition, and “Early One Morning”. Regrettably, the single was never released and the only copy given to the group has been lost in time.
One gig I remember was at a great venue known as the Cellar Club, Kingston upon Thames. We were booked to support The Nashville Teens, who were in ascendancy at the time. We arrived at 7pm and played until 9pm, finishing our stint. The owner of the club then came and asked us if we would play on as The Nashville Teens were up north recording a TV spot and were fog bound unable to get a flight back. We agreed to carry on until they arrived.
In the audience were two of The Plebs, formerly with Screaming Lord Sutch & The Savages. Derek Sirmon and Danny McCulloch realised we had been playing a long time and came up and gave our drummer and bass player a break. Having emailed Derek Sirmon, he replied remembering the night in question.
The stage at this venue was similar to the one in the film The Blues Brothers, where the stage slimmed out to a narrow run almost the length of the dance area. We played for a total of four and a quarter hour and I was on stage for most of the time, what a great night. The Nashville Teens turned up around 12.30am, just as most people were leaving.
The following is a list of all the venues I recall or have recorded in my diary that The Beat Syndicate played. Some of these gigs don’t have dates due to a lack of information. However, the connection the gigs and artists are accurate.
The Beat Syndicate gig list:
Weathersfield American Airbase in Essex in August 1964
Dorothy Ballroom, Cambridge with Bob Kidman & His Orchestra, Eric Squire & His Quartet and The Prestons (source: Glenn Povey’s book Echoes: The Complete History of Pink Floyd) on 5 September 1964
Leyton Baths, Leyton, east London with The Animals on 12 September 1964
Hastings Pier, Hastings, East Sussex with Patrick Dane & The Quiet Five on 19 September 1964
Lakenheath American Airbase in Suffolk in October 1964
Walthamstow Assembly Hall, Walthamstow, north London with The Fairies and Dean Brent & The Strollers on 24 October 1964

Leyton Baths, Leytonstone, east London with Dave Berry & The Cruisers (gig is listed on Dave Berry’s website but with no support acts shown)

Cuckfield Queens Hall, Cuckfield, West Sussex with The Deputies on 13 November 1964
Merton College, Oxford with The Quiet Five on 29 November 1964 (confirmed by college literature)
Leyton Baths, Leyton, east London with Tony Jackson & The Vibrations on 5 December 1964
Red Lion, Leytonstone, east London on 4 January 1965 (We played downstairs in the bar while upstairs in the dancehall was The Who). This gig was confirmed on The Who website, with no pub gig details.
Leyton Baths, Leyton, east London with Wayne Fontana & The Mindbenders in February 1965
Ilford Palais, Ilford, east London in February or March 1965

Snodland Drill Hall, Snodland, Kent on 13 February 1965
Synagogue, Chingford, east London with Unit Four Plus Two in March or April 1965 (with an audition on 20 and 22 June 1965)
Chez Don, Dalston, east London (around 1 March 1965)
Chez Don, Dalston, east London (around 6 March 1965)
Large pub in Borehamwood, Herts (possibly The Linx) on 9 March 1965
Walthamstow Assembly Halls, Walthamstow, north London with Neil Christian & The Crusaders (last gig with Jimmy Page) on 27 March 1965
Two Puddings, Stratford, east London on 3 April 1965 (we played downstairs in the bar while Sean Buckley & The Breadcrumbs played upstairs in the dance hall)
Walthamstow Assembly Halls, Walthamstow, north London with Wayne Fontana & The Mindbenders on 24 April 1965
Byron Hotel, Greenford, west London on 24 April 1965
Chicksands American Airbase, Chicksands, Beds for two days in April 1965
The Palais, Deal, Kent (between 1-4 May 1965)
Ciros’ Club, Great Portland Street, central London in May or June 1965
Green Tree, Hatfield, Herts (between 16-18 May 1965)
Walthamstow Assembly Halls, Walthamstow, north London with Tony Rivers & The Castaways on 22 May 1965
Rhodes Centre, Bishop’s Stortford, Herts with Troy Dante & The Infernos on 24 May 1965
Chez Don, Dalston, east London (between 4-8 June 1965)
Chez Don, Dalston, east London with Mickey Finn & The Blue Men (around 6 June 1965)
Coronation Gardens, Leytonstone, east London (won beat competition) on 19 June 1965
The Woodstock, north Cheam, Surrey (audition on 20 and 22 June 1965)
Stratford Town Hall, Stratford, east London (between 27-30 June 1965)
Leyton Baths, Leyton, east London with The Rebounds (between June and August 1965)
Two Puddings, Stratford, east London (played downstairs in the bar in July 1965)
Gig in High Wycombe, Bucks with The Swinging Blue Jeans in August 1965
Gig with The Mojos (around 12-16 August 1965)
Cellar Club, Kingston upon Thames, Surrey with The Nashville Teens on 12 August 1965
Walthamstow Assembly Hall, Walthamstow, north London with The Big Boss Men on 14 August 1965
Wimbledon Palais Beat Competition with various groups, including Pink Floyd who did not get selected, in August 1965 (The Beat Syndicate came fourth place in our heat)
Coronation Gardens, Leytonstone around 30 August 1965
The Wake Arms, Epping, Essex in August or September 1965
Granada Cinema, East Ham, east London with The Honeycombs between mid-to-end of September 1965
In late September 1965 I left The Beat Syndicate who continued to perform into 1968/1969.
There were many other bookings with both of my bands that I haven’t been able to list, and I’d welcome any additions below in the comments section.
These are a few of the ones with The Beat Syndicate where I don’t have any details of when they took place:
Bentwaters American Airbase in Suffolk (two night: Friday and Saturday)
Chicksands American Airbase in Beds (two nights: Friday and Saturday)
Weathersfield American Airbase in Essex (two occasions)
Alconbury American Airbase in Huntingdon, Cambridgeshire
Burdrop Park American Services Hospital base in Wiltshire
Fairfield Hall, Croydon, Surrey
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FOG WALL: “GLOOMWEAVER”
(Below is a review by a former NCS writer who now goes by the moniker Obsolete Mystic. His subject is the debut album from a Nevada-based duo who call themselves Fog Wall, an album they are independently releasing today.) I love FromSoftware. In the realm of video games that studio have always been visionaries and […]
The post FOG WALL: “GLOOMWEAVER” appeared first on NO CLEAN SINGING.
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Five For Friday: September 4, 2026
Greetings, Decibel readers!
What an incredible day for new releases! We’ve got two big Decibel favorites down below, names that will definitely be fresh in the minds of subscribers, along with some lesser-known bands that are definitely worth your time. And there’s a new Sigh album. Let’s go!
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Acausal Intrusion – Vomit Meditations
Terrifying, menacing technical blackened death metal with a special twist. Although the band’s sound follows the dissonant tradition of bands like Gorguts (Obscura specifically) and Ulcerate, they also find interesting moments to sneak melody into the mix. A candle in the dark, if you will. But not a sign of hope, more a spark that lights a devastating blaze.
Stream: Apple Music
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Chat Pile – Who Loves the Sun
The kind of band that kind of baffles me at first — “What is this?” “Do I like it?” “Where does that highway go to?” — but starts to grow on me pretty quickly. There’s a lot of stylistic alchemy going on here, but I feel like you could sum this up as “indie with teeth.” If that sounds cool to you, check out our cover story on Chat Pile in Decibel #264.
Stream: Apple Music
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Devil Master – Bloody Dreams
Oh hey, we did a recent cover story on these guys too! Devil Master has been weaving their unique sonic web for awhile now, throwing various high-contrast threads of punk, black metal, thrash, and goth rock into the machine and seeing what happens. I think Bloody Dreams shows years of experimentation and refinement continue to pay off, with this album showing more of a fist-pumping rock-out vibe than 2022’s atmospheric Ecstasies of Never Ending Night. The soundtrack to your next ghouls’ night out.
Stream: Apple Music
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Rahvn – The Purity of Vengeance
Badass blackened death metal from Minnesota. If you’re in the mood for punishment mixed with fiery elegance, this EP should be at the top of your list. Normally I’m not a fan of the kick-drum sound used here, but it fits so well on songs like “Distilled Visions” and “Macabre” that I have to give in and admit it couldn’t be any other way. In other words, the “death metal” part of their sound is basically Formulas Fatal to the Flesh and Black Seeds of Vengeance, which makes for a wicked concoction once you add the eerie black metal side of things.
Stream: Apple Music
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Sigh – Goh-Ka
The latest from the Japanese masters of … well, how do you even sum up Sigh at this point? Perhaps the genius of the band is in the fact that you can’t easily categorize them, but still recognize who you’re listening to. There’s soaring and epic moments, punishing and blistering moments, and totally baffling and surprising moments — all on the same album. As it should be. Mikael Åkerfeldt‘s guest guitar solo on the Scorpions-esque “Unputenpu” is a nice bonus too!
Stream: Apple Music
The post Five For Friday: September 4, 2026 appeared first on Decibel Magazine.
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DROPOCALYPSE FRIDAY: Noisy Music For The Noisy Long Weekend
Because there is absolutely nothing worth celebrating this Labor Day weekend, why not at least make a little bit of noise to drown out the sound of the festivities that really shouldn’t be happening while making those fest? Rigor Morrissey reporting for duty.
We can sit here until the cows come home, arguing with Dave Mustcomplain and his alike patriots about everything wrong with this godforsaken country in the first place, we can also just have a more enjoyable time, listening to some noisy new tunes, and maybe drowning them out in the process.
Double kicks and blast beats drown out the sound of fireworks, screams blur out the cackling from neighborhood barbecues, and bass so loud it will reverberate well into your neighbors’ celebrations.
So, crack open a cold one (or roll one up, I won’t judge your style), and enjoy the noisy madness this music entails.
156/Silence – From A Distance

I almost wish there was a way for you to be able to hang vinyl in the window so you can scare the shit out of people both visually and sonically at the same time. Let people see what is giving them their fright of their holy live, bask in the sheer unsettling feels that washes over when you look at the mask in this album artwork. We all know metal is Satan’s music, I mean, from where I’m sitting I hear a good bit of good metal, so why shouldn’t your neighbors hear a glimpse of their future now?
Pick it up from their label here.
Chat Pile – Who Loves The Sun

This deceptively sweet colored vinyl packs a (not so) surprising punch behind it. Those familiar with Chat Pile will no need further selling on this being a record worth blaring at destructively loud volumes. Certainly loud enough to drown out the incessant knocking on your door from your neighbors, telling you to pipe the fuck down, and honestly, you don’t even need to tell your neighbors ‘fuck you.’ Playing this loud enough will drive your point home.
A Night In Texas – The Darkest Side Of Humanity

Echoing nearly the exact same sentiment as the above: no need to give the bird yourself when you can convey it passive aggressively. Appropriately titled The Darkest Side Of Humanity, this LP needs further introduction as a righteous choice for this upcoming weekend. While it is a time to be celebrating the ‘people’s‘ achievements economically through their labor, do our corporate overlords really seem to give us the same luxuries we give them? So, fuck the bootlickers. Take it from the dead guy: they all end up down here anyway.
Spirit Mother – Thistle

Last, but certainly not least, and honestly – just get all four to play as loud as your sound system can handle to really make an enjoyable evening for yourself – and absolutely no one else around you. Gristling, grinding, screeching, driving, pummeling, there’s nothing this list of releases don’t do, and Spirit Mother‘s newest isn’t any different. A glorious record to finish off your glorious Labor Day weekend line-up, we would say there would be a noise complaint, but think about what weekend it is. Drunk college kids will far outweigh cops. Happy listening.
The post DROPOCALYPSE FRIDAY: Noisy Music For The Noisy Long Weekend appeared first on MetalSucks.