Posted on May 11th 2026, 2:00p.m.
Blog
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The Beatles’ 3 Savile Row to Open to the Public in 2027
Fans will be able to set foot on the famous rooftop, where the band gave their final performance in January 1969. Continue reading… -
Billy & His Imaginary Wigan Mates Released Cover Album “Keep The Faith”
SNUFF main man and UK punk legend Duncan Redmond is celebrating four decades in the music industry with a -
Basement Released New Album “WIRED”
British alternative rock mainstays Basement return with the release of WIRED, their first new album in over eight years via their original label, Run For -
Van Morrison’s 2026 Tour Plans Capped by Historic Residency
He'll appear with Ron Wood before settling in for a five-night headlining run. Continue reading… -
“This magical dream doesn’t have to end.” Billy Corgan announces UK and European dates for A Night of Mellon Collie and Infinite Sadness, an orchestral and operatic rendering of The Smashing Pumpkins’ iconic 1995 album
“The success of translating Mellon Collie into operatic and classical form has been one of the most satisfying experiences of my life” -
Terror’s Scott Vogel Is Finding New Highs in ‘Still Suffer’ Album
Terror vocalist Scott Vogel tells Full Metal Jackie the big life event that is fueling the inspiration for their 'Still Suffer' album. Continue reading… -
DS Record Review – Social Distortion – “Born To Kill”
Anyone who tells you that a new Social Distortion album isn’t a big deal has no idea what they are talking about. Mike Ness is one of the genre’s longest-lasting figures. It’s been fifteen years since the last Social Distortion album, and a lot has changed in the world. It, in fact, feels like a completely different place, but one thing you can count on is that the sounds of Social Distortion haven’t changed. Mike Ness’s new batch of songs on Born To Kill are reflective of his personal journey through it. While the album doesn’t necessarily progress Mike Ness’s songwriting, I think it can be debated if that matters with a Social Distortion record.
Physical copies of the record are sold as a double LP with three sides. This doesn’t make sense on paper given the record’s forty-five-minute runtime, but will make sense artistically as you make your way through. Like most musicians, Mike Ness has a history of widening the spectrum of genres he pulls influence from while composing his songs. Think of the jump from *Mommy’s Little Monster* to *Prison Bound*. *Mommy’s Little Monster* is a great punk album, while the band’s sound from *Prison Bound* forward is very influenced by Ness’s love for Johnny Cash. There are moments where “Born to Kill” feels like the missing link between “White Light, White Heat, White Trash” and what their music has been missing since original member Denis Danell’s passing in 2000.
The title track, “Born to Kill,” is a fantastic Social Distortion song and opening track. It’s explosive, channeling the 1990s era of this band, which is arguably their strongest. “No Way Out” feeds off that energy and Mike Ness’s ability to channel the rough times in his life with music and lyrics. Songs like “The Way Things Were” and “Tonight” are nostalgic in their lyrics. While Ness has been somewhat open about his struggles, whether health or addiction, the long gap between releases can leave it ambiguous as to what the songs are referring to. However, with “The Way Things Were,” it’s very clear that this song is reflective of his punk rock past.
The second side of this album leans heavily into Mike Ness’s non-punk influences. Fans of Ness’s punk rock songs may be turned off by the band’s cover of Chris Isaak’s “Wicked Game.” As usual, Mike Ness wears his honky-tonk heart on his sleeve with “Crazy Dreamer,” a duet between Mike Ness and Lucinda Williams. This far into his career, Ness is as adept at playing country as he is at playing punk rock. At one point, these songs would have fit on one of Mike Ness’s solo records. However, since the death of Dennis Danell, Social Distortion’s output and Mike Ness’s solo records are one and the same.
For as strong as this record is, the third side is definitely its weakest, with “Walk Away (Don’t Look Back)” being pretty bland, but it also features “Don’t Keep Me Hanging On,” a song leftover from the *White Light, White Heat, White Trash* sessions. As with most of Social Distortion’s songs, there is this throughline of redemption you’d get after getting clean and trying to make amends with those around you and your life. A couple of years back, Mike Ness was given the key to the city of Fullerton, California, where most of this debauchery took place in the 1980s. While the search for redemption continues through the last few songs, by the end of the record, it very much feels like he found it.
“Born to Kill” is a return to form in many ways for Social Distortion. While it doesn’t break new ground, it doesn’t need to. The last two Social Distortion albums felt very experimental for Mike after losing his longest-standing collaborator at the time. Since then, Mike Ness has carved a place in music that is undoubtedly his own. This record feels lived-in and reflective of the many lives this band has had throughout its decades-long career. The long wait between those periods of inactivity where Mike Ness opens the curtain and shows the world the results is meant to be special. This time, it was worth the wait.
Born to Kill is out now on Epitaph Records.
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Sparta Announce UK/EU Headline Tour
Fresh from the announcement of their sixth album ‘Cut A Silhouette’, Sparta have announced a run of headline shows across the UK and Europe.

The Texan alt-rock outfit will be heading overseas this October, and they’ll be joined by Hammok on all dates.
On the band’s return to international touring, frontman Jim Ward has shared:
“There is no better feeling than hopping on a plane to cross an ocean to play music. The gift of travel, friends, sweat and rock and roll is one that I’ll be forever grateful for. This new record is a special one; it’s something you can’t plan for, but when the stars align, and the songs come together, you’ve got to just go, go, go—so we will. We can’t wait to get back to some of our favourite cities with some of our favourite people.”
Take a look at the full list of dates below.
OCTOBER4: DUBLIN The Sound House
6: BRISTOL The Croft
7: MANCHESTER Yes
8: NOTTINGHAM Rock City Beta
10: GLASGOW Stereo
11: HUDDERSFIELD The Parish
12: BIRMINGHAM Castle & Falcon
13: LONDON Downstairs at The Dome
14: BRIGHTON Patterns
15: ST ALBANS The Horn
17: PARIS Petit Bain
18: ARNHEM Willemeen
19: COLOGNE Garagen
20: BERLIN Neue Zukunft
21: HAMBURG Betty
22: KORTRIJK Wilde Western
Set to drop on May 29 via Equal Vision / Rude Records, Sparta’s latest full-length ‘Cut A Silhouette’ will include recently released single ‘Everything You Say’.
Take a listen to that below.
The post Sparta Announce UK/EU Headline Tour appeared first on Rock Sound.