John Bundrick, aka Rabbit could have been a legend if he wasn’t as unassuming a character as he is, and it doesn’t matter that the American keyboard player served as a member of FREE – he wrote or co-wrote a … Continue reading
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The album opens with “Lady Sadie,” which introduces a sound reminiscent of radio waves, showcasing genuine personality. Approximately twenty-five seconds in, the song erupts, enveloping the listener in rock. The iconic gesture of raised horns is a salute to the sacred spirit of rock music. This band does not hold back. The energy shifts into “Lost My Wife,” a track filled with engaging guitar riffs. The vocalist’s performance shines, radiating personality and a unique timbre. Her voice exudes wildness in every note.
As the pace intensifies, “Engage” emerges. This track accelerates the rhythm and presents vibes rooted in classic 80s hard rock. However, this band manages to infuse their own style, demonstrating solid musicianship. The energy shifts once more with “Cry About It,” a ballad that evokes strong retro feelings. Here, the vocalist delivers a theatrical interpretation that merges elements of Liza Minnelli and Kate Bush. Such vocal strength is exceptionally rare and simply impressive, marking her as a star.
The next track, “Kafka Was the Rage,” follows suit with an infectious rhythm characteristic of the band. It maintains their distinct sound while further expressing their unique approach to rock. The album closes with “Cadence,” which highlights extraordinary compositional abilities. This song presents a unique rhythmic flow, complemented by the impressive vocal performance. Once again, the vocalist captivates through her artistry.
This band deserves significantly more recognition, demonstrating the shortcomings of Spotify’s algorithm. Their sound is a rare gem, much superior to the dominant music trends. This belief reinforces my opinion that the best music resides in the underground, far from mainstream music.
“Die About It” is an album filled with invigorating energy and a refreshing approach to modern rock. Each track showcases the band’s ability to engage listeners while retaining their individuality. Their music feels raw and authentic, providing an experience that resonates deeply. The combination of strong riffs and powerful vocals paints a vivid picture of the band’s artistry.
The progression of songs on the album creates a dynamic flow, allowing listeners to feel a range of emotions. From the explosive nature of “Lady Sadie” to the soulful tone of “Cry About It,” each track contributes to a larger narrative about life and personal experiences. The band’s commitment to delivering quality music is apparent throughout.
In a musical landscape often cluttered with predictable sounds, this band stands out. They are a refreshing alternative, showcasing what can be achieved when artists stay true to their identity. Engaging guitar work paired with powerful vocals reveals a thorough understanding of rock music.
They reveal an impressive range that other artists often neglect. The vocal prowess of the lead singer, combined with the skillful guitar riffs, creates an exhilarating experience that is hard to rival.
“Die About It” ultimately serves as a strong statement about the vitality of underground music. This band has the potential to impact the rock scene significantly. Their unique sound undoubtedly deserves broader recognition and exploration by music enthusiasts.
Pure Rock
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The legacy of the “Drab Four” continues to haunt the heavy metal landscape, but as we move through 2026, the silence from the Brooklyn vault is finally being broken. In a massive new episode of the Loaded Radio Podcast, host Scott Penfold sits down with the engine room of Type O Negative—drummer Johnny Kelly and guitarist Kenny Hickey—to peel back the curtain on the unreleased history of the band, the current status of the legacy, and the high-octane future of their new projects, Sun Don’t Shine and Silvertomb.
In this exclusive sit-down, the legendary duo confirms that the “Green Man” era still has secrets to tell. From the startling discovery of a completely unreleased track from the October Rust sessions to a definitive, no-holds-barred ranking of the band’s entire discography, to a mountain of discovered demo and live material, this episode serves as the ultimate status report for the Type O Negative faithful. Kelly and Hickey also dive into the heavy-hitting debut of Sun Don’t Shine and provide the first real updates on the upcoming Silvertomb recordings.
The biggest bombshell of the conversation centers on a literal box of cassettes sitting in a Brooklyn garage. Johnny Kelly revealed that while archiving old rehearsal and reference tapes, he unearthed a completely unreleased, finished song from the legendary 1996 October Rust sessions.
“I dug up a whole bunch of cassettes,” Kelly explains, noting that these were the tapes he would take home to study after working on the tracks. While some riffs were later “cannibalized” for parts during the Life Is Killing Me era, the original track remains a stand-alone masterpiece of that lush, Gothic atmosphere that defined their platinum era. With the 30th anniversary of October Rust occurring this year, the pressure is on to see if this “lost” track—and several other early demos—will finally see the light of day in a definitive box set.
In a moment of pure fan service, Scott attempts to force the duo to do the impossible: rank the Type O Negative albums. From the raw, nihilistic fury of Slow, Deep and Hard to the polished Gothic gloom of Bloody Kisses and the prophetic darkness of World Coming Down (which Hickey still cites as a personal favorite for its sheer “realness”), the two provide their perspective (well kinda).
Beyond the legacy talk, both men are currently firing on all cylinders with new music. The debut album from Sun Don’t Shine—titled From Birth to Death—is officially out now. Featuring the powerhouse lineup of Hickey, Kelly, Kirk Windstein (Crowbar/Down), and Todd Strange (ex-Crowbar), the record isn’t what you’d expect in the way of a masterclass in sludge and doom, but a more vast and sonic experience enhanced by Hickey’s vocals.
Hickey also confirmed that the next Silvertomb record is currently in the works, promising a continuation of the progressive, dark-edged doom that fans have come to expect from the project.
Addressing the rumors of a potential Peter Steele memorial run, Kenny Hickey shared his honest take on the possibility of a limited series of shows. Hickey admits he would be open to a select number of high-profile dates to celebrate Peter’s life and music with guest vocalists, provided the timing and the “vibe” were absolutely perfect to honor the legacy. Johnny has shown interest as well, yet keyboardist Josh Silver (who was also the band’s producer) still remains hesitant for his own personal reasons. Yet Kenny seems to carry a glimmer of optimism that Silver could still come around. Possibly.
Is there a new Type O Negative song coming out? Johnny Kelly has confirmed the discovery of an unreleased song from the October Rust era, which is currently being considered for a future release.
What is the new band featuring Johnny Kelly and Kenny Hickey? They are currently active in Sun Don’t Shine (with Kirk Windstein and Todd Strange) and Silvertomb.
Will there be an October Rust 30th Anniversary release? The band is currently sorting through vault tapes to potentially release a deluxe anniversary edition in late 2026 or 2027. As of the time of this printing nothing has been confirmed.
STAY LOUD: Catch the full breakdown of your weekday stories on the Loaded Radio Daily Podcast, or crank the hard rock and metal 24/7 on our live digital stream at LoadedRadio.com.
Johnny Kelly and Kenny Hickey join the Loaded Radio Podcast to reveal an unreleased October Rust song discovery, rank the entire Type O Negative discography, discuss their new projects Sun Don’t Shine and Silvertomb and so much more.
The post TYPE O NEGATIVE’s Kenny Hickey and Johnny Kelly Provide all the LATEST Updates Plus New SUN DON’T SHINE & SILVERTOMB News on The Loaded Radio Podcast appeared first on Loaded Radio.
NEW VIDEO FOR “THEY FOUND ONE OF MY GRAVES” RELEASED
“The old school never gets old”
– Fenriz
In a year marking four decades since their first incarnation as Black Death, 2026 sees the return of Norwegian duo Fenriz and Nocturno Culto, better known as Darkthrone. The new studio album Pre-Historic Metal, out now via Peaceville, is fueled by a long-running obsession with invoking the spirit of old-sounding metal, and doing things in their own, uncompromising way.
Venturing out once more from their Northern cave with a new batch of timeless riffs, the band fly the Pre-Historic Metal banner high, leaning into the raw, timeworn sound for their latest primal offering.
As Fenriz himself proclaims of the title’s symbolic origin, “Prehistoric is a loose term.I just figure it’s our VIBE, our take on things and it’s more a statement that we use old style to create something new”.
To coincide with the album’s release there is a new lyric video for the album opener “They Found One Of My Graves”, created by Matthew Vickerstaff (Darkwave Arts).
WATCH THE VIDEO FOR “THEY FOUND ONE OF MY GRAVES” HERE
A continuation of 2024’s stellar ‘It Beckons Us All’, ‘Pre-Historic Metal’ is a ferocious slab of primal epics & gargantuan riffs with organic sound, graced with the ever-present permeating spirit of the 70s and 80s. This next chapter in Darkthrone’s unyielding saga presents a vast odyssey through the sonic landscapes of Thrash, Black, Heavy and Doom Metal and, adorned with a punishing and “in your face” guitar presence, Darkthrone stirs the cauldron of savage creativity with a nod to the writing methods which were indicative of their earlier works of the late 80s, but with a more refined craft.
Summarising what the album represents, Fenriz explains: “It means that we are metal. With very loud guitars. “Frightfully barbaric but not without finesse”, I call it. We collaborated in the studio more than ever, who’s playing what is still in a purple haze, but last but not least it was a sort of hardening of the arteries – we decided to tighten the tourniquet and do 8 effective songs brimming with riffs instead of the airy plodding we so much enjoy usually”.
‘Pre-Historic Metal’ was recorded at Chaka Khan Studios, Oslo, with production work conducted by Ole Øvstedal, Silje Høgevold & Mads Luis. Mastering was carried out by Jack Control at Enormous Door, and Maor Appelbaum Mastering.
Pre-Historic Metal – Track listing:
ORDER YOUR COPY, STREAM OR DOWNLOAD PRE-HISTORIC METAL HERE
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This song opens with a beautiful arpeggio and groove that demonstrates a refined and meticulously crafted compositional style. The expressive and sweet voice of the artist enters, reminiscent of the vibes of Cat Stevens. As the song progresses, it grows effectively, introducing colors that enrich the auditory spectrum. There are elements in the songwriting style that evoke comparisons to Jack Johnson. This refined folk-pop track is constructed impeccably.
At around the two-minute and thirty-second mark, the bridge takes the listener to a dreamy dimension with ethereal backing vocals. This moment encourages a vision of finding a faded Polaroid in a drawer, which brings back a wealth of cherished memories. The nostalgia woven into the lyrics contributes significantly to the song’s character. It invites the listener into a world of reflection and emotion.
The arrangement showcases a balanced integration of instrumentation and vocal delivery. The interplay between the guitar and the vocals creates a harmonious blend that captures attention. The melody flows smoothly, making it easy to immerse oneself in the experience. The lyrics resonate on a personal level, allowing the audience to connect deeply with the music.
The production quality is top-notch, highlighting the talents of the artist effectively. Each element in the mix enhances the listening experience, allowing the listener to focus on the nuances of the song. The subtle layers of sound provide depth without overwhelming the vocals. This creates an environment where the emotional weight of the song can breathe freely.
Keith Anthony’s artistry shines through in this single. His ability to combine sophisticated songwriting with accessible melodies indicates a level of maturity that is commendable.
This release is a fantastic demonstration of the artist’s significant compositional abilities. It is a beautiful piece of work that I recommend to everyone. Those seeking music that combines a rich tapestry of emotions with a polished sound will find satisfaction in this offering.
This single provides listeners with an escape while remaining rooted in genuine emotion. Fans of folk-pop will especially appreciate this work.
Refined
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The Lambs are fighting. Well, maybe not fighting, but there is a big mix-up happening. Lamb, ’90s trip-hop duo Andy Barlow and Lou Rhodes, are getting confused with Lamb, the moniker of rising electro-pop artist from Long Beach who has co-signs from Drake and SZA. The latter, whose recent single “Overkill” has gone viral, recently announced a new EP that’s coming at the end of the month, along with a tour. But the tour announcement has got people confused. Even Live Nation mentioned the wrong Lamb on socials for the tour announcement.
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