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  • Motihari Brigade Problematic Review

    Motihari Brigade Problematic Review

    The album opens with “Cowboy Armageddon,” a short and mysterious introduction that evokes curiosity. This intriguing paves the way for the rest of the album, preparing listeners for something unique. Following this enigmatic introduction is “Problematic,” a song infused with vintage vibes. The vocals are reminiscent of Alice Cooper, layered over a rhythm that echoes the Rolling Stones while still maintaining the band’s distinctive identity.

    Motihari Brigade Problematic

    Next is “Chatbot Don’t Like It,” which features an engaging rhythm interspersed with psychedelic shifts that even hint at punk influences. The song successfully melds various musical ideas, keeping listeners entertained while showcasing the band’s versatility. “Save Ourselves” begins with a beautiful psychedelic choir that pulls listeners in, reminiscent of the 1970s sound. The song envelops the listener with energy; the doubled guitar solos feature long, visionary notes that elevate the experience. It possesses a driving rhythm that encourages movement, amplifying the positive atmosphere.

    “Heedless of the Storm” emerges next, presenting a compelling experience with a hypnotic and intense beat that invites dancing. The vocal delivery is almost oracular, channeling the ethereal vibes of David Bowie. This track stands out for its ability to blend powerful rhythm with evocative lyricism. “Pleasure Craft” introduces funky elements that awaken the desire to dance. This song captures the essence of Saturday Night Fever, demonstrating the band’s knack for crafting tunes that inspire motion.

    The album takes a reflective turn with “Someone’s Dream,” a beautiful ballad that encourages listeners to dream. It feels ethereal and intense, surrounding the audience in refined vibes. The interaction between the male and female vocals adds depth and richness to the track, emphasizing the unity within diversity.

    The album concludes with the radio version of “Chatbot Don’t Like It,” where the explicit language is censored. This choice highlights the band’s approach to accessibility, allowing a broader audience to engage with their music while maintaining its original spirit.

    Problematic – Sound and Atmosphere

    Throughout the album, the diversity and intensity of each track are evident, showcasing Motihari Brigade’s ability to surprise and engage listeners. It is a classic example of their evolving style while retaining core elements that fans have come to love.

    Each song presents a different facet of the band’s artistry, ranging from vibrant and energetic to more dreamlike and introspective. The blending of varied musical influences showcases their innovative spirit and unique sound, ensuring listeners remain hooked from start to finish.

    The overall experience of “Problematic” captivates with its combination of nostalgic influences and modern sensibilities. The album succeeds in inviting listeners into a world rich with musical exploration and emotional resonance. Themes of curiosity, energy, and introspection are woven through the tracks, allowing for a dynamic listening journey. The band continues to push boundaries while remaining grounded in their musical roots, making “Problematic” a noteworthy contribution to their discography.



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    The post Motihari Brigade Problematic Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Stream Mexican Avant-Rock Band Diles Que No Me Maten’s Superb Sonic Shapeshifter Escrito En Agua

    The band name, Diles Que No Me Maten, translates to “Tell them not to kill me.” That alone should perk up your ears before you even hear a note. When you press play on Escrito En Agua, the Mexico City band’s new album released this month, you may then be further intrigued by the funereal New Orleans jazz dirge that greets you. And when that song, “Las noches que dormimos en sillas,” leads you to “Hiriku,” you may wonder how you ended up traversing space and time to a Can show in Cologne in 1971. Any lingering confusion will soon give way to excitement about this wholly unique ensemble.

    The post Stream Mexican Avant-Rock Band Diles Que No Me Maten’s Superb Sonic Shapeshifter <em>Escrito En Agua</em> appeared first on Stereogum.

  • Readers’ Pick: Swamp Dogg – Swamp Dogg Contemplates The Afterlife

    You picked Swamp Dogg – Swamp Dogg Contemplates The Afterlife as your favorite new release for the week of June 19, 2026.
  • “Black Stars are Shining” — Hamburg’s GIANT CROW Launches Skyward With Post-Rock Ballad “Home”

    Black stars are shining
    from the deep I hide from
    But this road may carry me home 

    Some songs begin with a map in their pocket and spend their running time trying to decide whether to follow it. Giant Crow’s beautiful ballad Home, the second single from the upcoming studio album Neodemon, carries that restless feeling from its first breath. Following their 2024 debut album In the Cut and the folk-influenced single Wildfire from the forthcoming album, the band shifts focus to the expansive realm of post-rock on Home. Here, emotion builds gradually and patiently before finally gaining the courage to take flight.

    Home has the dusky grandeur of Richard Hawley, the aching romantic voltage of Roy Orbison, and the lonely highway glow of Chris Isaak, all filtered through a band more interested in atmosphere than theatrics. The vocal performance carries a deep, handsome ache, with enough restraint to let the words breathe and enough drama to make each phrase feel carved from private experience. Around it, the guitars widen by degrees, the rhythm section holds its nerve, and the arrangement echoes how grief often moves in circles before it ever moves forward.

    Lyrically, Home follows a figure walking through darkness in search of purpose, surrender, and some possible return to belonging. Black stars, firelit fields, trees, family, and buried violence pass through the song like images seen from a moving car at dawn. There is memory here, but also inheritance; the sense that pain can travel through bloodlines, through silence, through the roads people take when staying put becomes impossible. The refrain’s hope feels hard-earned, less like comfort than a wager placed against despair.

    The video deepens that idea with a rocket launch, turning departure into a strange act of healing. Earth, the most precious home we have, falls away beneath fire and vapour, while the song stretches into its expansive shoegaze outro. The image is bittersweet without being heavy-handed: to move past grief, the clip suggests, one may have to leave the known world behind for a while. As the rocket speeds away from the planet and into the great unknown, Home finds its most ecstatic contradiction, making exile feel briefly weightless.

    Watch the video for Home below:

    By the end, Giant Crow have made a song about return that keeps looking outward. “Home” understands that the road back may pass through fire, silence, family memory, and even the heavens before it bends toward peace. It is grand without losing tenderness, wounded without begging for sympathy, and spacious enough to let the listener bring their own ghosts along for the ride.

    Listen to Home via streaming here

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    The post “Black Stars are Shining” — Hamburg’s GIANT CROW Launches Skyward With Post-Rock Ballad “Home” appeared first on Post-Punk.com.

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  • Bring Me The Horizon – Put Out New Song

    Bring Me The Horizon have released a brand-new single, entitled “Dehumanized”. The track is presented as part of the band’s ongoing re-recording project of their 2006 debut album Count Your Blessings, titled Count Your Blessings | Repented. You can watch the music video below.
    Read more…