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HELLFROST IGNITES FLORIDA METAL SCENE WITH “BESTIAL RAGE” AND TEASES TWO NEW BRUTAL TRACKS – @thebeast
FOR IMMEDIATE RELEASE
HELLFROST IGNITES FLORIDA METAL SCENE WITH “BESTIAL RAGE” AND TEASES TWO NEW BRUTAL TRACKS
Florida, USA — May 2026 — Florida heavy metal veterans Hellfrost are back in full force, delivering a wave of raw aggression that refuses to cool down.
The band continues to push their signature blend of melodic metal fury and swamp-born brutality with their latest single “Bestial Rage,” now streaming everywhere:
https://linktr.ee/Hellfrost
The track is a full-on assault of crushing riffs, pounding drums, and soaring intensity, locking in Hellfrost’s place as one of the most relentless forces to come out of the Florida metal underground.
Recorded at No Metaphor Recordings in Punta Gorda, FL with Mike Joseph, “Bestial Rage” channels pure instinct and controlled chaos, built for fans of Trivium, Lamb of God, and Shadows Fall .
A MESSAGE FROM THE BAND
“We are back with no filter. ‘Bestial Rage’ is just the beginning,” says frontman Dave Vainer. “We’ve got more music coming that pushes even harder. This is the next evolution of Hellfrost.”
TWO NEW TRACKS IN THE PIPELINE
Hellfrost is currently in the studio working on two brand new brutal tracks , continuing their long-running reputation for delivering frostbitten, aggressive metal straight from the Florida swamp .
“These new songs are raw with no filter,” adds Vainer.
The upcoming material is set for release on all major streaming platforms, with more details coming soon.
MERCH DROP
To celebrate the release, Hellfrost has launched an exclusive “Bestial Rage” T-shirt, available now for pre-order:
https://hellfroststore.bigcartel.com/product/bestial-rage-t-pre-order
JOIN THE MOVEMENT
Become a Hellion and stay locked in for first access to new releases, studio updates, merch drops, and shows:
https://hellfrostband.com
FOR MEDIA, INTERVIEWS, AND PROMO
zach@metaldevastationradio.com
Hellfrost isn’t slowing down. If anything, they’re just getting louder, heavier, and meaner. The swamp is stirring again.
WATCH CURRENT SINGLE
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Livestream Rolling Loud Orlando 2026
Rolling Loud’s flagship Florida festival has relocated from Miami to Orlando. All this weekend, some of the biggest names in hip-hop today will be taking the stage at Camping World Stadium, future home turf of Antoine Griezmann.
The post Livestream Rolling Loud Orlando 2026 appeared first on Stereogum.
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“A Joke On My Own Epitaph” — Brooklyn’s Psychic Lines Navigates Our Absurd Reality in Animated Video for “Horror Comedy”
Flipping through the channels not sure which side I’m on
Prada suit repeating, “Folks, please stay calm.”
But the piranhas swimming under him are jumping pretty damn high
He’s on the ladder to a chopper going somewhere safe and dry
Psychic Lines, the long-running project of Brooklyn songwriter Philip Jacob, has the sort of backstory that sounds less like a press bio than a trail of weird little breadcrumbs left across the American underground. Cincinnati birth, Louisville adolescence, nineties sampling experiments, four-track guitar awakenings, Brooklyn arrival in 2003, Zachary Cale sideman duties, Vague Plot, and…bless the greasy little gods of rock trivia – a Captain Beefheart tribute band called Admiral Porkbrain. Somewhere in that zigzag sits a songwriter with one eye on Leonard Cohen, another on Stephin Merritt, and a third, possibly borrowed from a gas-station alien, watching the Grand Old Party eat itself on basic cable.
On Horror Comedy, Jacob looks at the news and wonders whether he has stumbled into some cheapo B-movie with better lighting and worse morals. As David Lynch once said, “What a great time to be alive if you love the theater of the absurd.” That line hangs over the song like a busted exit sign. The lyrics turn societal collapse into a carnival mirror: politicians with monster-movie faces, reassurance from a Prada-suited mouthpiece, panic below deck while the important people scramble toward the helicopter.
Musically, Psychic Lines builds Horror Comedy out of doctored drum samples, throbbing bass, baritone vocals, frantic guitar, and a saxophone that barges in like a drunk uncle at a zoning meeting. Some of the track’s electronic bones were made with early 90s 8-bit software, giving the whole affair a cheap-machine charm, as if a Game Boy had been locked in a bunker with cable news and several bad ideas. Jacob’s voice keeps its cool while the room starts sprouting teeth, which is exactly the right move. Panic is always funnier when delivered by someone who sounds like he has already read the autopsy.
The animated video by BPMT Studios pushes the song’s paranoia into a rotten fruit cartoon universe: psychedelic, creepy, and full of early-70s funk-animation freakery. Jacob, in a Hawaiian shirt, channel-surfs his way into a They Live-style revelation, catching glimpses of politics, entertainment, and the military-industrial complex grinning back from the screen like old reptiles with fresh veneers. Are we run by Reptilians? Are we living in a nightmare? Are we on the wrong timeline? Maybe, maybe, and buddy, check the receipt. Horror Comedy laughs with its teeth clenched, the sort of song that understands doom plays better when the sax shows up and the cartoon blood is just a little too red.
Watch below:
Horror Comedy is the title track from Psychic Lines’ forthcoming album, out May 15th. Pre-order it here.
Follow Psychic Lines:
The post “A Joke On My Own Epitaph” — Brooklyn’s Psychic Lines Navigates Our Absurd Reality in Animated Video for “Horror Comedy” appeared first on Post-Punk.com.
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DISASSEMBLE RELEASE NEW ALBUM “INVEST IN FEAR” OUT NOW – @thebeast
FOR IMMEDIATE RELEASE
DISASSEMBLE RELEASE NEW ALBUM “INVEST IN FEAR” OUT NOW
New Single “The Abyss” Showcases Crushing Progressive Death Metal From Serbia
Serbian progressive death metal force Disassemble have officially released their new album “Invest In Fear”, now available worldwide. Alongside the full release, the band continues to spotlight the album’s latest single, “The Abyss”, a crushing and atmospheric descent into darkness that highlights their expanding sonic identity.
Blending technical precision with cinematic atmosphere, Disassemble push progressive death metal beyond the usual boundaries. Their sound shifts between razor sharp aggression, immersive melodic passages, and intricate songwriting built on contrast and tension that keeps everything unpredictable but still locked in as real songs, not just technical exercises.
Drawing influence from bands like Opeth, Pantera, and Gojira, Disassemble carve out their own lane through oriental inspired scales, layered atmospheres, and complex structures that still land with impact and memorability.
“The Abyss” gives a clear look at the themes running through the record.
“Descending into the void. ‘The Abyss’ explores the collapse of internal structures and the weight of the unknown.”
That concept runs through the entire album, creating a listening experience that feels psychologically heavy and sonically immersive from start to finish.
The release was handled fully in house by Milan Rajić, who performed, recorded, programmed, mixed, mastered, and produced the entire record himself. The result is a fully self contained vision with no outside compromises, delivering Disassemble’s most focused and immersive statement to date.
With “Invest In Fear” now out, Disassemble continue building a catalog that rewards repeat listens, balancing technical musicianship with emotional depth and atmosphere while pushing progressive death metal into darker, more expansive territory.
ABOUT DISASSEMBLE
Formed in Serbia, Disassemble emerged from a shared desire to push progressive death metal into new territory. Their sound blends technical precision with atmospheric weight, incorporating oriental musical influences into complex but memorable structures. The band’s defining strength lies in its duality, balancing intricate musicianship with direct, impactful songwriting.
LISTEN / CONNECT
Linktree: https://linktr.ee/dis.assemble
Facebook: https://www.facebook.com/Disassemble/
Instagram: https://www.instagram.com/dis.assemble/
Bandcamp: https://disassemblemusic.bandcamp.com/
Spotify: https://open.spotify.com/artist/7rtNgH7vg1Z1KFpfQd28Cq
Apple Music: https://music.apple.com/ca/artist/disassemble/1586907224
Deezer: https://www.deezer.com/en/artist/123289512
Tidal: https://tidal.com/artist/23491386
CONTACT
Milan Rajić
disassemblesrb@gmail.com -
HEL HATH FURY CONFIRMED FOR THIRD ANNUAL MILE HIGH POWER FEST 2026 IN DENVER – @thebeast
FOR IMMEDIATE RELEASE
HEL HATH FURY CONFIRMED FOR THIRD ANNUAL MILE HIGH POWER FEST 2026 IN DENVER
Colorado metal outfit Hel Hath Fury is set to bring their full-force live assault to the stage at the third annual Mile High Power Festival , happening August 15th, 2026 at The Oriental Theater in Denver, Colorado.
Mile High Power Festival continues its rise as the only dedicated power metal festival in Denver and the western United States, turning the city into a yearly gathering point for fans of soaring riffs, high-speed energy, and old-school metal spirit.
Hel Hath Fury’s inclusion in the 2026 lineup marks another major step forward for the band, who have been steadily building momentum through relentless live shows and a growing catalog of aggressive, tightly executed material. Their stage reputation is exactly what this festival is built for, loud, fast, and unapologetically heavy.
The band’s recent live pro-shot video for “ Garmr ,” filmed at The Federal Theatre in Denver, showcased exactly what fans can expect. Just raw performance energy, precision playing, and a crowd-fed atmosphere that hits like a hammer.
Their appearance at Mile High Power Fest places them among a stacked day of power metal and heavy music celebration, with doors opening at 4:00pm and music running until 11:00pm.
FESTIVAL WEEKEND HIGHLIGHTS INCLUDE
Thursday August 14, community game night at Creepatorium
Friday August 15, official pre-party at Seventh Circle Music Collective
Post-festival hangout and headliner beer tasting at BlackSky Brewery
Hel Hath Fury is not just showing up for another gig. They are stepping into one of the most important stages in the regional metal circuit, and they plan on leaving a mark.
More announcements, set details, and updates to come as August approaches.
https://www.bitesizeevents.com/mile-high-power-fest
Follow the band at these links:
https://helhathfury.my.canva.site/
https://www.facebook.com/helhathfury
https://www.instagram.com/helhathfury.band/
https://helhathfury.bandcamp.com/
https://open.spotify.com/artist/4JGqPEkaIuwFoCFC5Xcu1D
https://music.apple.com/us/artist/hel-hath-fury/1697767999
Contact: Zach Haveman (helhathfuryband@gmail.com)
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Metal Injection Features IATT as “Walk Amongst” Expands Etheric Realms of the Night – @thebeast
FOR IMMEDIATE RELEASE
Metal Injection Features IATT as “Walk Amongst” Expands Etheric Realms of the Night
Penultimate Chapter of Cinematic Extreme Metal Film-Album Out Now via Black Lion Records
Philadelphia’s extreme metal architects IATT continue their descent into cinematic darkness with “Walk Amongst” , the penultimate chapter of their latest album-film hybrid Etheric Realms of the Night , available now via Black Lion Records.
The release has already been highlighted by Metal Injection in their Weekly Injection coverage, praising the band’s genre-blurring approach, noting their blend of “proggy and blackened death metal unlike much else,” with unexpected instrumentation including saxophone, violin, and flute woven into their sonic landscape.
A Film Disguised as an Album
Etheric Realms of the Night is IATT’s fourth full-length studio album, but it is structured as a cohesive album-length film. Each track functions as a chapter in a larger narrative exploring dreams, sleep, the subconscious, and the fragile threshold between the waking world and what lies beyond the veil.
“Walk Amongst” represents a critical turning point in that story. It is the moment where everything begins to converge.
The Collapse of Reality
As described in the film narrative, the chapter follows the heroine returning to what appears to be normal life, only to discover that reality is no longer stable. Familiar surroundings feel hollow, disconnected, and wrong.
The track draws heavily on the concept of astral projection, the idea of leaving the physical body to move through the dream realm, and the consequences of going too far into sleep itself.
Sonically and visually, “Walk Amongst” carries a sense of inevitability. It reveals that the boundary between worlds has already been crossed, and what once felt like movement between realms is now something far more controlled and inescapable.
Cinematic Metal With No Safe Edge
Produced as part of a full narrative film by Posie Productions and Vital Sign Media, “Walk Amongst” pushes the story toward its final act using atmosphere, pacing, and restraint rather than constant aggression. The result is tension that builds instead of releases, pulling the listener deeper into the psychological unraveling at the core of the project.
A Larger Work Still Unfolding
While Etheric Realms of the Night is available now via Black Lion Records, the complete album film experience is set to fully unfold as a complete cinematic release on July 24, 2026 .
Final Word
IATT are not just releasing music. They are constructing a full narrative universe where extreme metal becomes the language of film itself.
And with “Walk Amongst,” that universe stops feeling like fiction.
Check it out here https://metalinjection.net/upcoming-releases/heavy-new-releases/the-weekly-injection-new-releases-from-darkthrone-frozen-soul-and-more-out-this-week-5-8
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“Love Is a Reflection of the Weight You Paint” — Alt-Industrial Trio Noir Addiction Shares Video for “How She’s Got It”
Love is a reflection of the weight you paint
I find it kind of hard to feel the same
Do you wanna hear some more
Give me your confession, I will make it mine
Italian alternative-industrial trio Noir Addiction return with How She’s Got It, a song built around obsession after the feeling has gone sour, when the mind keeps circling a person, a room, a memory, a colour, a face that has begun to feel borrowed. Led by Sonny Lanegan, with Roberto Catanzaro on drums and Nessie Zorba on keyboards and percussion, the band folds dark rock weight, industrial discipline, and brooding romantic ruin into a track that feels trapped inside its own private fever.
Lanegan’s past in Los Angeles with White Pulp and The Dead Good informs the song’s hard, polished edges, but How She’s Got It belongs to a colder interior world. The track moves with the ache of someone watching love turn abstract in real time. Its electronics grind beneath the surface while the guitars arrive like weather gathering at the edge of a bad decision. The drums keep the song tense and contained, giving it the feel of a locked room where every object has started accusing you.
“How She’s Got It is about that moment when something or someone loses its meaning, but you’re still caught in it,” says Lanegan. “In the song, you’re observing, questioning, maybe even letting go, but at the same time, you’re still drawn to it. That push and pull is what drives the whole track.”
That pull sits right in the chorus, where the repeated phrase becomes less like an expression of desire and more like a failed spell. The lyrics are full of substitutions, missed words, strange doubles, and emotional fatigue. Love appears as projection, as paint, as weight, as something placed on another person until both people disappear beneath it. “It’s not really about a person, it’s about perception,” he clarifies. “How we project meaning onto things, how that meaning shifts, and how sometimes we just stop believing in it. The repetition in the chorus almost feels like trying to convince yourself of something, while knowing deep down it’s already gone.” Lanegan sings as though he is trying to keep his distance from his own wound, measuring every line before it betrays him.
“When we recorded it, the focus wasn’t on impact, it was on distance,” Lanegan explains. “We approached the track almost like a fading memory, something that feels real while you’re inside it but starts to lose definition the more you look at it. The arrangement was intentionally built to feel circular, like you’re stuck in the same thought pattern, going over the same questions without ever getting a clear answer.”
Jack Lucas Laugeni’s video sharpens that unease into visual panic, placing the band in a room that seems to warp around them as sanity thins. Distortion, dread, and diseased glamour nod toward the great ’90s alternative clips where performance felt like possession and every frame looked one bad thought away from disaster.
“We leaned into repetition and subtle shifts instead of big moments,” he admits. “Small changes in texture and slight variations in vocal delivery carry the emotional weight. The idea was to create a sense of emotional drift, where everything feels close but unreachable at the same time. Nothing fully resolves, and that’s intentional. It leaves you in that suspended state the lyrics are coming from.”
Watch the video for How She’s Got It below:
Pretty Things Don’t Last arrives July 16 via SoulPunx Records, and How She’s Got It makes a persuasive omen: cold to the touch, bruised at the center, and staring straight through the person it cannot stop wanting. Order the single How She’s Got It here.
Noir Addiction will be touring in support of this EP, beginning with two special shows in Prague. Purchase tickets here.
- May 14 at Subzero Prague
- May 15 at Chapeau Rouge
Follow Noir Addiction:
The post “Love Is a Reflection of the Weight You Paint” — Alt-Industrial Trio Noir Addiction Shares Video for “How She’s Got It” appeared first on Post-Punk.com.
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MOSS opener Review
MOSS opener Review
The song opens with an industrial groove that creates a dystopian universe, reminiscent of an arcade game from the 1980s but reimagined for the future. The metallic and edgy textures cut through the atmosphere, establishing a mesmerizing tone. Shortly after, the complete sound emerges, enveloping the listener in its intensity. The influences of Nine Inch Nails blend with aspects of Moby, illustrating a unique merging of styles.
The female vocals hypnotize you with a contagious confidence, exuding an air of royalty that brings a dreamlike quality to the track. This intensity makes the song not only interesting but also engaging. What stands out about their sound is a certain sinister quality. One can envision the imagery akin to Sarah Connor in the film Terminator, gazing at ominous clouds on the horizon that symbolize impending doom.
This composition evokes visions of futures reminiscent of Blade Runner or Mad Max. The music transports listeners, hinting at a future that is intriguing and electrifying. It balances rhythmic beats with a touch of cybernetic rock that keeps the energy flowing.
At around two minutes and fifty-five seconds, the song undergoes a shift, stripping down to create an atmospheric shift. This segment provides an embrace that eases the pressure, building towards the climax. The transition leads to a guillotine-like finale that leaves listeners eager to press the play button once more.
opener – Sound and Atmosphere
MOSS delivers a vivid artistic vision through “opener,” making it a highly recommended piece for anyone seeking an immersive musical experience. The clever construction and energetic delivery signal a promising direction for the band. In summary, “opener” is a masterful fusion of heavy beats and rich rock elements that constructs a compelling narrative full of vivid images and powerful sensations.
This single stands as a significant contribution to the contemporary music landscape, appealing to a wide audience due to its unique blend of genres. The artistry captured in this track makes MOSS a band to watch closely as they continue to evolve their sound.
opener – Performance and Production
One can only imagine where they will go from here, given the innovation present in this single. The intricate layering and the dynamics employed throughout “opener” signal a band that is not only in control of their craft but also unafraid to explore the darkness of the themes they present.
As the final notes play out, one is left reflecting on the experience, eager for what will come next from MOSS. The potential for further exploration of these themes leaves a lasting impression, making this a significant point in their artistic journey.
Unique and refreshing, “opener” holds the promise of more exciting projects ahead for MOSS.
Intense
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If you love this music: Discover More
For fans of:
Nine Inch Nails • Moby
The post MOSS opener Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Saline Grace Rooms to Let Review
Saline Grace Rooms to Let Review
The song begins in an atmospheric manner with pads that create an almost mirage-like quality. There are subtle hints of ancient and even Middle Eastern influences throughout the track. Imagine the figure of Anubis walking through a desert under a moonlit sky; this imagery captures the oracle-like and mystical cybernetic atmosphere of the song. It possesses a hypnotic and avant-garde essence.
Musically, there are distinct vibes reminiscent of bands like Depeche Mode and Radiohead and artists like Cave. These influences intertwine to create a truly unique sound that transports listeners to another dimension, a metaphysical universe that is both hypnotic and immersive. The vocals feature qualities similar to those of Till Lindemann, though they are not as low or baritone. Instead, they carry an oracle-like presence that feels solid and commanding.
This single draws you into a magical yet nocturnal world. It maintains a balance between darkness and intrigue, with the music encouraging listeners to lose themselves in its depth. The hypnotic qualities effectively keep you engaged as the layers unravel. From start to finish, the instrumentation resonates with energy, providing a deeply enriching auditory experience.
Alongside the main single, there is a B-side titled “Skagerrak.” This track showcases the love for Middle Eastern motifs through a purely instrumental journey. It serves as a ritual that transports the listener back in time, offering a reflective space that invites contemplation. Its sound design beautifully complements the themes presented in the primary single.
Rooms to Let – Sound and Atmosphere
Together, these works shape an extraordinary auditory exploration. The transitions between tracks are seamless, offering a cohesive experience that is fresh and engaging. You can feel the artist’s dedication to crafting music that resonates on a deeper level while exploring different genres and cultural influences.
“Rooms to Let” stands as an impressive testament to the creativity and focus of Saline Grace. The melody complements the atmospheric elements, grounding the listener in a rich tapestry of sound. It’s the kind of track that resonates well with fans of alternative and electronic music.
Rooms to Let – Performance and Production
The production quality is top-notch, allowing each element to shine without overshadowing the others. The layering is expertly done, providing a balance between vocals and instrumentations. Every note and rhythm contributes to the overall narrative.
“Rooms to Let” and “Skagerrak” showcase an innovative blend of styles and influences. They take listeners on a journey through introspective landscapes, mystical and modern. The artists have created a remarkable piece that invites exploration and discovery.
These tracks are worthy additions to anyone’s music collection, whether you are a long-time fan or new to their work. I highly recommend immersing yourself in Saline Grace’s “Rooms to Let.” It holds the promise of a remarkable musical journey that is sure to resonate with anyone seeking something extraordinary.
Dreamy
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For fans of:
Depeche Mode • Radiohead
The post Saline Grace Rooms to Let Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Kamila Csenge Music Forever Review
Kamila Csenge Music Forever Review
The song begins with a bass line that carries a sly and mysterious tone. This is soon complemented by keyboard notes that create a hazy atmosphere. A guitar interjects with scattered arpeggios, establishing a noir-style ambiance. As the guitar starts to solo, listeners are transported into a universe suspended between New Orleans and Berlin. The innovative approach to soloing brings forth many intricate notes and transitions. These elements are refined and intense, blending progressive and jazz vibes with a forward-looking vision.
The groove remains steady alongside the bass line for approximately two minutes and thirty seconds. After this, the song shifts, introducing passages of drums where the jazz influences become more pronounced. The theme alters slightly as the soloing resumes. These variations symbolize the transitions that denote the evolution of the piece.
Kamila Csenge showcases a remarkable ability to change intention as the song progresses. Her compositional maturity shines throughout this instrumental piece. It is truly magnificent and should be experienced by everyone. The finale features an extraordinary drum solo, encouraging listeners to hit play again.
Music Forever – Sound and Atmosphere
The rich techniques displayed in “Music Forever” highlight the artist’s exceptional talent. Each instrument melds seamlessly, creating a memorable experience. The composition navigates through different emotional territories, making it engaging from start to finish. This song is not just an arrangement; it feels like an exploration of sound and rhythm.
The bass provides a foundation that is both steady and enticing. It serves as the backbone of the composition, allowing other elements to flourish. Keyboard contributions add layers to the mix, contributing to the overall atmosphere. They evoke a sense of nostalgia while maintaining a contemporary edge.
The guitar complements this with solos that defy conventional boundaries. It captures a sense of freedom that is rare in many contemporary musical efforts. Csenge embraces a variety of styles, drawing from her influences to create something exciting.
Music Forever – Performance and Production
The transition in themes suggests a narrative arc, guiding the listener through different phases of emotion. Each section contributes to an overarching journey, making the experience immersive. Csenge’s adept handling of rhythm and melody contrasts with the complexity of the song’s development.
“Music Forever” stands out as a strong showcase of instrumental artistry. Csenge does not shy away from pushing boundaries while remaining accessible. The fine balance between complexity and emotional engagement speaks to her abilities as a composer.
This track definitely deserves a place on the playlists of diverse music lovers. It’s an experience that invokes thought and emotion, making it a worthwhile listen. Kamila Csenge’s “Music Forever” is an invitation to explore the boundaries of sound.
Sublime
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If you love this music: Discover More
The post Kamila Csenge Music Forever Review appeared first on Edgar Allan Poets – Noir Rock Band.