A key Detroit Lions schedule date has leaked online, and it has people talking. Here’s the date and what it means.

The post Detroit Lions Schedule Date Leaks Online appeared first on Audio Ink Radio.

Last year, Sorry’s Marco Pini joined forces with Felix Bayley-Higgins, Beth Boswell-Knight, and Pedro Takahashi to form RIP Magic. The dance-rock crew supported LCD Soundsystem for some shows and then collaborated with James Murphy; at the moment, they’re opening for Tame Impala’s arena tour. Today, they’re back with another Murphy-produced track, and it’s called “Screwdark.” Arriving…

The post RIP Magic – “Screwdark” appeared first on Stereogum.

American prog rock/metal troupe Advent Horizon have been going strong for about 15 years. While 2012’s Immured and 2015’s Stagehound rightly earned positive feedback, it was 2023’s A Cell to Call Home that took the ensemble to the next level in terms of both artistry and audience. Dishing out gorgeously complex arrangements and wonderfully introspective songwriting in equal measure, it earned praise from numerous outlets (including our own review).

Naturally, the group had their work cut out for them in trying to strike gold again with Falling Together, and miraculously, they did. Picking up where their last LP left off, it fits well alongside it while also going into some surprisingly heavy places to differentiate itself. The result is a striking companion piece to A Cell to Call Home that – due mostly to its shorter length – doesn’t quite surpass its predecessor but will certainly delight anyone who loves what Advent Horizon have done thus far.

Falling Together upholds the band’s penchant for personal and philosophical subject matter, as they explain that it’s “about holding your beliefs under a microscope and determining whether they are truly yours or whether they were planted by others when you were young and impressionable.”

Furthermore, frontman Rylee McDonald adds: ’ve spent the past decade re-examining my upbringing and realized many of the “truths” I was taught were carefully shaped beliefs. While rooted in my own experience, it revealed how we still divide ourselves by religion, politics, and class — an enduring “us vs. them.” Falling Together is my attempt to capture those reflections in song.

Advent Horizon’s growing ambitions are clear from the jump via “In a Lone and Dreary World,” a 19-minute epic suite that’s almost twice as long as any other composition in their catalog. At first, it’s restrained and atmospheric, with delicate timbres supporting Rylee McDonald’s soaring contemplations; however, it soon picks up steam by incorporating beautiful vocal harmonies, djent-esque ferocity, death metal growls, vibrant keys, and so much more. Throughout the song – and the whole sequence, for that matter – Kristen McDonald’s comparably pure and affective singing matches Rylee McDonald’s magnificently, and as always, the band moves masterfully between hecticness and heavenliness.

While that opener is inherently the most impressive part of the album (if not Advent Horizon’s entire career), what remains is expectedly superb as well.

In particular, and despite how incongruous it might sound, “Faith’s Window” irresistibly mixes the tender pop-rock accessibility of crossover prog with the demonic growls of, say, Rivers of Nihil and Ihsahn. Later, “Past Life Parable” offers an even brighter vibe with its sing-along hooks, sophisticated playing, and stirring lyrics (“You gave a piece of everything you own / To build up someone else’s home / And the whole damn time you believed / You fought against the world”). The two-part “Gravity” is another highlight because of its juxtaposition of transcendental and tumultuous instrumentation alongside unwaveringly gripping verses and choruses.

Every piece of Falling Together’s puzzle is terrific, though, further exemplifying why Advent Horizon are one of the premier acts in modern American prog. Few of their contemporaries are as consistently adept at melding top-tier songwriting/singing with arrangements that’re simultaneously tricky, wide-ranging, and routinely inviting. In other words, Advent Horizon’s craftsmanship continues to be exceptional, and if you’ve yet to discover their greatness, Falling Together is a great place to start.

Release Date: May 15th, 2026
Record Label: Self-Released / Independent
Genre: Progressive Rock / Metal

Musicians:

• Rylee McDonald / Vocals, keys, guitar
• Kristen McDonald / Vocals
• Mike Lofgreen / Drums, percussion
• Cason Wood / Bass, keys, trombone
• Grant Matheson / Guitar, keys, vocals

Guest Musicians

• Zach Boorman / Guitar, piano, synth, percussion, backing vocals
• Doug Robinson / Guitar
• Cressa McDonald / Vocal ambience
• Griffin McDonald / Vocal ambience

Falling Together Track-list:

1. In a Lone and Dreary World
2. Faith’s Window
3. Patience
4. Past Life Parable
5. Gravity I
6. Gravity II
7. Animals

Order Falling Together here

The post ADVENT HORIZON – Falling Together (Album Review) appeared first on Sonic Perspectives.

The status of Scandinavia as the spiritual home of melodic rock is reflected not just in the volume of bands there, but an increasing number of festivals dedicated to, or featuring a goodly number of, melodic acts. When a new … Continue reading →

The post Gig review: WINGS OF AOR FESTIVAL- Arbis, Norrkoping, Sweden, 24-25 April 2026 appeared first on Get Ready to ROCK!.

Fans waiting for Dream Theater to follow up on 2025’s Parasomnia can stop refreshing their feeds, at least for a while. In a new interview with Brazilian journalist Igor Miranda, singer James LaBrie laid out the band’s rough timeline for the next album, and “rough” is very much the operative word.

Asked whether the band had begun discussing a follow-up, LaBrie said (transcribed by Blabbermouth): “Whenever we approach a new album, it’s where we feel that we’re all presently sitting in life, what is affecting us, what is inspiring us, and most importantly, what do we feel should be the next chapter in Dream Theater as far as another album, its music, what is it going to represent, and something we can stand behind 100%. So we usually slowly transition to that when we know that we’re gonna go into the studio, when we know we’re gonna be writing a new album. That’s when we start having the conversations, as, ‘Hey, what do you guys think about maybe this kind of an album or…?’ And then at the same time, even regardless of all the conversations we have, each guy will come in with seeds of ideas, and we throw that on the floor. ‘Here we go, man.’ It’s there. Which do we feel is something that’s really cool and something that we can build on, something that we feel is going in the direction that we’ve been discussing? And so it’s kind of like that.”

He continued: “Right now, the focus is on this world tour. We’re gonna be on the world tour until — what? — mid-May. And that’s the focus. Then we’re gonna take a break for a little bit. And then probably late ’26 or early ’27, we’ll get into starting to write and record a new album. And then hopefully late ’27 or early ’28, we’ll go back out with a new tour. And this is just — this is all not concrete. But this seems to be the idea at this point.”

Drummer Mike Portnoy expressed the same uncertain tune back in December. Speaking to Troy Culpan of Australia’s May The Rock Be With You, Portnoy said: “Well, we have to wait, ’cause it’s been a long tour. We’ve been out for a year now at this point. We started in October of 2024. And here we are, a year later now, and by the time we get down to Australia [in February 2026] and wrap up the tour cycle a few months after that, it’ll have been a year and a half on the road. So, that’s the focus right now. But once the tour cycle wraps and concludes by next spring or so, we’ll probably take the summer [of 2026] off, ’cause it’s been a long road, and then start thinking about a new album after that.”

In the meantime, last November, the band released Quarantième: Live À Paris via Inside Out Music/Sony Music, documenting their Nov. 23, 2024, concert at the Adidas Arena in Paris during the 40th-anniversary European tour. Parasomnia itself — an eight-song, 71-minute set recorded at the band’s DTHQ studio on Long Island, N.Y., produced by Petrucci and mixed by Andy Sneap — came out Feb. 7, 2025 via InsideOut Music.

The post JAMES LaBRIE Says DREAM THEATER Will Probably Start Writing And Recording A New Album Around “Late ’26 Or Early ’27” appeared first on Sonic Perspectives.

Gravité Fresq Curry Sauce Review

This track opens with an infectious rhythm that keeps you moving. The energy is as refreshing as the morning air, propelling you forward. The vocal delivery flows relentlessly, holding listeners’ attention throughout. The arrangements evoke an 80s vibe, skillfully blended with more modern elements. This piece embodies a dystopian punk aesthetic, addressing the frustration of technology’s increasing grip on our lives.

The song presents an irreverent and fresh take on contemporary themes. It envelops the listener in rapid, energetic vibes that create a feeling of exhilaration. Each beat drives the listener further into a sonic race. This track takes you on a journey, from beginning to end, without losing momentum.

The fast-paced instrumentation and vocal styles work in harmony. The persistent rhythm acts as a foundation, encouraging movement and engagement. Listeners will find themselves compelled to dance or at least tap their feet along to the beat. The mix of retro and contemporary influences makes for an exciting listening experience.

Curry Sauce – Sound and Atmosphere

Lyrically, the song critiques the overwhelming presence of technology in our everyday existence. It resonates deeply with a generation grappling with digital life.

The production style adds depth to the overall impact. The fusion of synthesizers and sharp percussion creates a lively backdrop. This is complemented by the vocal lines that soar above the instrumentation. There are distinct nods to past musical eras, yet the track remains fresh and relevant.

As you delve deeper into the arrangement, the complexity unfolds. Layer upon layer of sound builds an immersive atmosphere, making each listen unique. The track engages with the listener, encouraging repeated plays to fully grasp its intricacies.

Curry Sauce – Performance and Production

The energy of “Curry Sauce” is almost palpable. You can feel the adrenaline coursing through your veins as it plays. The song’s tempo and rhythm create a sense of urgency that is hard to ignore. It is a relentless pursuit of energy and excitement, launching the listener into a state of exhilaration.

“Curry Sauce” is a brilliant fusion of genres and ideas. It highlights the strength of Gravité Fresq as an artist. It challenges conventions and explores important themes while remaining highly entertaining.

For those seeking vibrant, energetic music, this track is a must-listen. Its lively spirit and thought-provoking lyrics will keep you engaged from start to finish. Gravité Fresq has truly crafted a song that captures the essence of contemporary life, making it both relatable and enjoyable.

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The post Gravité Fresq Curry Sauce Review appeared first on Edgar Allan Poets – Noir Rock Band.

Enfant Rouge Défilé Review

Défilé opens with a hypnotic, unhurried rhythm that sets the mood. The spoken word vocals emerge, resembling an oracle from a dystopian realm. This visionary project quickly establishes intense, nocturnal atmospheres. It draws listeners into an experience that feels otherworldly and eerily resonant.

The second track, “Qui?”, ventures further into avant-garde territory. This piece incorporates Middle Eastern influences, which shape its sonic identity. The narrative quality of the spoken voice and especially the sound transports listeners through a desert landscape, evoking imagery of rolling dunes. The layers of sound are intricately crafted, crafting a sense of storytelling that invites deep reflection.

Next, “Inventaire” emerges as a darker exploration. With its industrial and electronic vibes, it evokes the essence of a Berlin club. The gritty textures and driving beats create an energetic yet somber environment. The song captures a sense of urgency, contrasted against the atmospheric elements that linger in the background. This juxtaposition enhances the track’s overall impact, allowing listeners to immerse themselves fully.

Défilé – Sound and Atmosphere

“Under Your Influence” follows, taking a more minimalist approach. Despite this simplicity, the track remains entrancing, much like a mirage. The female vocals contribute a sense of yearning and depth, creating an ethereal space filled with reverb. This song delicately balances intimacy and distance, inviting listeners to contemplate their own connections and influences.

“Eux” stands out with its compelling rhythm. The steady, pulsating beat makes it impossible not to tap your foot along. This track possesses a captivating hypnotism while incorporating intriguing elements of tension. Each beat builds on the previous one, creating an engaging experience that keeps the listener invested throughout the duration.

The album concludes with “C’est le nom d’une fleur,” a cinematic finale that transports the listener to vast, empty landscapes. The suspended guitars complement the always-spoken vocals, crafting a vivid atmosphere reminiscent of faded Polaroids. These sonic portraits evoke distant memories, causing introspection about the past. The finale leaves an indelible mark, solidifying the album’s thematic and emotional richness.

Défilé – Performance and Production

This album is extraordinary, appealing to a wide audience. Each track feels like a piece of a larger conceptual puzzle. The blend of various influences results in an innovative collection of songs that provoke thought and evoke emotion. Enfant Rouge successfully challenges genre boundaries and artistic conventions. His ability to convey stories through music is admirable and refreshing.

The production quality is exceptional. Each sound is meticulously placed, creating a balanced auditory experience. The arrangements allow for moments of silence and tension, enhancing the overall journey. The vocal delivery varies, adding layers of complexity, while also ensuring clarity in the storytelling.

Listeners should approach this album with an open mind and heart. The atmospheric qualities invite exploration and personal interpretation. Each listening experience reveals new facets, encouraging repeated engagement. The transformative nature of “Défilé” is apparent; it beckons the audience to immerse themselves wholly.

“Défilé” is a remarkable work that deserves attention. It demonstrates a profound understanding of sound and narrative. Enfant Rouge’s innovative approach to music showcases their potential in the contemporary landscape. This album is not just to be heard; it is to be experienced.

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The post Enfant Rouge Défilé Review appeared first on Edgar Allan Poets – Noir Rock Band.

The Detroit Lions could find a Jared Goff replacement in the 2027 NFL draft, since Goff can’t play forever.

The post Lions Could Make Unexpected 2027 NFL Draft Decision Involving Jared Goff appeared first on Audio Ink Radio.

Underoath announces The Van Tour to Vans Warped Tour was originally published on HM Magazine by Nao Glover.

Underoath invites fans to connect with them this summer at some of the most intimate shows the band has played since their earliest days. Underoath: The Van Tour to Vans Warped Tour is presented by Vans and set to kick off on June 8th in Jacksonville. The tour will hit independent venues around the country as Underoath gets back in the van and […]

Underoath announces The Van Tour to Vans Warped Tour was originally published on HM Magazine by Nao Glover.