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Vanna will be celebrating 20 years of “The Search Party Never Came” on that run.

The post Being As An Ocean, Vanna, Upon Your Dead Body & Lowheaven To Tour In July appeared first on Theprp.com.

Forecasted for later this month.

The post Five Finger Death Punch Preview New Single “Eye Of The Storm” appeared first on Theprp.com.

In the patriarchal theater of contemporary art and photography, women typically served as the passive muse. Cindy Sherman shattered that dynamic and mastered the art of identity. She took complete ownership of the camera, the lighting, the wardrobe, and the narrative, establishing herself as the absolute director of her own image. 

Emerging in the late 1970s, Sherman hijacked the visual language of cinema with her groundbreaking work Untitled Film Stills. She transformed herself into a catalog of classic female archetypes like the weeping housewife, the stranded ingenue, and the femme fatale. By holding the shutter release cable in her own hand, often visibly in the frame, she signaled to the world her role as the unseen puppet master. She mimicked the male gaze specifically to expose its artificial and manufactured nature.

As the decades progressed, she aggressively pushed her artistic boundaries. In her 1981 Centerfolds series, she utilized the dimensions of men’s magazines to display anxiety and vulnerability, turning the voyeuristic gaze back on the viewer. Through her later History Portraits and Society Portraits, she applied grotesque prosthetics and heavy theatrical makeup to mock the revered history of Western art and the modern obsession with youth. She bypassed the demand for female beauty to cement her status as the brilliant architect of her own transformations.

Her story radiates empowerment through her systematic elimination of the middleman. Society constantly attempts to dictate female identity and appearance. Sherman seized total autonomy over her representation, proving the ability to manipulate restrictive stereotypes and forge them into high art. She is simultaneously the artist and the canvas, the director and the star, demonstrating that true power originates from dictating your own narrative.

Every woman navigates a complex wardrobe of societal roles and expectations every single day. Cindy Sherman’s legacy is a brilliant reminder of our inherent power to set the stage and decide which version of ourselves receives the spotlight. When the world attempts to frame you, you possess the ultimate authority to take the camera, change the lens, and direct the masterpiece yourself.

Disclaimer: Featured image is a stock image of a photographer and does not represent Cindy Sherman

The post She’s In Charge: Cindy Sherman, Director of Her Own Image first appeared on FemMetal – Goddesses of Metal.

While Scowl have kept their absence this year low-key, it hasn’t gone unnoticed. The melodic hardcore band, who last played live in December of 2025, vacated their touring plans for 2026. That move left fans wondering if the group had broken up, especially when a member of the outfit began looking for gigs elsewhere on…

The post Kat Moss Addresses The Disappearance Of Scowl And The Band’s Current Status appeared first on Theprp.com.

Opensight Track By Track Run Down of ‘The Outfit’

OPENSIGHT are braced to drop their brand new album, The Outfit, on Friday 15th May via Inertial Music. We exclusively caught up with the band and asked them for a track by track breakdown of the songs that make up the album:

Procesión de la Muerte – This is us trying to do a Morricone-style Mexican standoff intro — the kind of funeral-duel music that builds right before characters draw their guns. The working title (‘Death March’) felt too cliché, so in the studio our drummer asked how it would sound in Spanish. The full Colombian-accented reply made everyone smile, and Procesión de la Muerte instantly felt right. Its melodic theme returns in the next song ‘Killer Outfit’ to tie the opening together and give the album some continuity.

Killer Outfit – Killer Outfit throws caution to the wind about a powerful presence — magnetic and maybe even dangerous — and touches upon what makes someone stand out in a world that expects everyone to blend in. It’s that revelatory moment of seeing things clearly and embracing one’s true self, when innocence fades and there’s no turning back. Musically, the dramatic riffs and wah-guitar interludes were inspired by Japanese crime films from the 60s and 70s. The title ties into the album name and works as a play on words: it can describe someone’s striking presence… or a bunch of sharp-dressed mischievers…

In Plain Sight – One can move through the world unnoticed even — or perhaps especially —  when carrying something different inside. It’s about clarity of vision and discovering that same hidden fire in others. The notion of The Director’s Cult as a quiet circle of people with an “open sight” (those about to see) began to reveal itself with this song. Musically, we see it as a mix between a John Barry or Lalo Schifrin crime-thriller theme with an 80s Hard Rock/Heavy Metal edge, complete with a catchy melodic chorus and both guitars trading solos.

Defying Eye – Defying Eye describes the awakening moment when one’s true self can’t be contained anymore — the point where the inner spark insists on rising, no matter how much the world tries to tame one’s heart into the commonplace. It also hints at the risk of being ostracised as different, or even insane, simply for being unmistakably passionate. Musically, it channels empowering 80s Metal energy with big refrains, memorable vocal melodies, a twin-guitar harmony after the first solo, and a dramatic crime-film motif played on surf-rock-style guitars and intricate bass lines, all drenched in atmosphere.

Iris (I Rise) – This song has a main riff inspired by Italian Giallo film scores and was built around it, with a bombastic orchestral section in the middle that gets pretty dramatic. Lyrically, it deals with the idea of eyes being the window to the soul — to one’s true essence. That inner presence finally rises, powerfully and inevitably, burning bright and cutting through everything in its way. It’s the true self pushing through, or The Director calling from within. The truth lies within, but sometimes truth hurts.

Broken Vow – Broken Vow hints at the emotional reality of watching someone abandon what once mattered to them. A sad reflection of someone who once shared your passion but gave up on it. It’s the symbolic return to conformity after abandoning one’s calling, even when deep down they know there’s nothing out there for them. People who were once close can suddenly feel like perfect strangers. Musically, the chorus riff takes inspiration from Ennio Morricone’s The Sicilian Clan, and there’s a bombastic double-kick section heightens the drama. Instead of a traditional solo, there’s an atmospheric two-part guitar harmony leading into a church-like VOX Continental passage.

Mantra – Mantra carries a strong Spaghetti Western intention, built around chant-like vocals that rely on repetition. Like a mirage in the desert, people often repeat comforting mantras that aren’t necessarily real but help them cope — until the disillusionment hits. The drums lean into a more tribal, atmospheric feel that drives the dark, hypnotic pulse, contrasting with the heavier sections, especially the melodic vocal refrain that’s unexpectedly funky and far less mean-spirited.

The Director’s Curse – This short instrumental began as an outro to Mantra. It evokes angst and disorientation — nightmarish hallucinations, confusion, and a feeling of wandering in a no-man’s-land in the desert. It keeps the mirage-like atmosphere but shifts into something more lo-fi and unsettling, with a melody that remains strangely pleasant despite the unease.

Final Cut – Despite the title, Final Cut was probably the first song completed for the album. Built on funky “car-chase” wah guitars and an upbeat rhythm, it reflects on the things we leave behind — how life choices eventually narrow into one clear, decisive action, a closing statement before one’s time is up.

Heist – Sonically, this song leans more towards a Euro-Crime Film or Cop-Drama score, which fits with the title. Although the ‘heist’ relates more to the idea of how personal things that are precious become fragile the moment they’re revealed, and how certain forces in the world try to strip away what one loves most when they notice it. The track uses only two verses sung in two-part harmonies before exploding into a bombastic finale, complete with eerie theremin lines floating over the heavier sections.

Delusion – This is the most intimate song on the album, soaked in melancholic clean guitars, deep melodic bass lines and textured drums over a bed of atmospheric keyboards. The mood is mainly melancholic but tinged with angst. The words lament an emotional battle with self-doubt, the loss of identity, and the disappointment of realising what one has become under the spell of the world around. The guitar licks at the end were mostly improvised, but they carry a very personal feel and close the album on that intimate note.”

For more on Opensight, check out:

Web: https://www.opensightband.com/
TikTok: https://www.tiktok.com/@opensightband
Facebook: https://www.facebook.com/opensightmusic
Instagram: https://www.instagram.com/opensightband
Youtube: https://www.youtube.com/@opensightband
Spotify: https://open.spotify.com/artist/4nuByHPiaXckms2WRkAYTX

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The post Opensight Track By Track Run Down of ‘The Outfit’ appeared first on The Razor's Edge.

Are we witnessing the Action Bronsonaissance? “Triceratops,” the NYC rap foodie’s recent collab with Paul Wall and Lil Yachty, was fire. So is the next single from Planet Frog, Bronson’s new LP out this week. “Peppers” pairs him with fellow New York emcee extraordinare Roc Marciano, both of them flexing in their signature styles over…

The post Action Bronson – “Peppers” (Feat. Roc Marciano) appeared first on Stereogum.