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  • STELLVRIS Releases New Single and Live Video “Contra El Silencio”

    Modern metal powerhouse STELLVRIS has just released their new single and official music video, “Contra El Silencio,” available now on all major streaming platforms. The video was filmed live during the band’s debut shows in Spain, including their unforgettable appearance at Resurrection Fest, capturing the raw energy that inspired the song itself.

    Translating to “Against Silence,” the track is a bold call to live life on your own terms rather than following a path chosen by others. Musically, it marks a fresh direction for the band, blending crushing modern metal with Spanish language vocals, acoustic passages, and Latin rhythms, all produced by acclaimed producer Meyrick De La Fuente.

    “Contra El Silencio” is the first taste of STELLVRIS’s upcoming EP, set for release in 2027. Fans can catch the band live at Metal Babes and Queens Festival on September 4, 2026, where the new single is sure to be a standout moment.

    Watch the video and stream the single now.

    The post STELLVRIS Releases New Single and Live Video “Contra El Silencio” first appeared on FemMetal – Goddesses of Metal.

  • APRIL ART Releases New Single “Bulletproof” From Upcoming Album Red

    German modern rock band APRIL ART has released a brand new single and accompanying music video titled “Bulletproof.” The track serves as the latest preview from the group’s highly anticipated upcoming studio album, Red, which is officially scheduled for release on October 2 via Reaper Entertainment.

    The new song directly follows the success of their previous singles “Panic Stations” and “Big Bubble Bullshit.” Musically, “Bulletproof” combines modern rock energy with a massive hook and a heavy breakdown. Thematically, the track delivers a confident statement of resilience, transforming negativity into empowerment by reminding listeners to let criticism bounce off rather than bringing them down.

    To visually capture this defiant attitude, the band collaborated with the Schillobros production team, recognized for their previous work with Electric Callboy, to create the official music video for “Bulletproof.” With the new album currently available for pre order across all major retailers and digital platforms, APRIL ART continues to build momentum ahead of the October launch of Red.

    The post APRIL ART Releases New Single “Bulletproof” From Upcoming Album Red first appeared on FemMetal – Goddesses of Metal.

  • Jessi TH Releases Debut Album Pretty Vengeance

    Boston based indie rock and indie pop musician Jessi TH released her debut album Pretty Vengeance on July 31.

    The debut album features elements of blues and classic pop rock akin to bands like The Turtles, Alabama Shakes, and Black Honey, as well as elements from heavier rock. Listeners will find variety across the tracks of the album, all anchored by the unique and versatile voice of Jessi TH.

    The post Jessi TH Releases Debut Album Pretty Vengeance first appeared on FemMetal – Goddesses of Metal.

  • New band of the day : Versaints ‘like the Fontaines of all knowledge seeking Nirvana’

      New band of the day : Versaints facebook page  Something is stirring out in the hills. Hailing from Ludlow in the verdant green of Shropshire,  Versaints have created a powerhouse take on post punk in etienne with a thrilling visceral raw sound that somehow manages to reinvent the wheel – yes they are that […]

    The post New band of the day : Versaints ‘like the Fontaines of all knowledge seeking Nirvana’ appeared first on Louder Than War.

  • Now & Then: GA-20 with Charlie Musselwhite’s BLUES NOW and the reach of Hoodoo Man Blues

    GA-20 and Charlie Musselwhite’s BLUES NOW is built around a simple idea: keep the band lean, leave room in the arrangements, and let the interaction between guitar, harmonica, and voice carry the record. That makes Junior Wells’ 1965 Hoodoo Man Blues a useful predecessor. The two albums come from very different moments, but both treat electric blues as band music first, with little interest in unnecessary studio polish.
  • Listening Now : NappyHigh – LoveIt (feat. Blu & Ivan Ave)

    NappyHigh, Blu, and Ivan Ave come together on LoveIt, delivering a smooth and soulful hip-hop cut built around laid-back production and effortless chemistry. Warm textures, understated grooves, and mellow rhythmic elements create an easygoing backdrop for the contrasting vocal styles, allowing each artist to bring their own character to the track. The production keeps the atmosphere rich without becoming overly dense, giving the verses plenty of room to breathe while maintaining a steady flow. Relaxed, melodic, and effortlessly cool, LoveIt captures the timeless appeal of soulful hip-hop while bringing together three distinct voices in a naturally cohesive collaboration.

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  • Album review: NICOLE ATKINS – Drama

    nicole atkinsSun Records/ Wicked Games Records [Release date 18.09.26] Nicole Atkins returns with her first all-new album in over six years. The album came together at the behest of her close friend and touring partner Chris Isaak, who signed her to … Continue reading →

    The post Album review: NICOLE ATKINS – Drama appeared first on Get Ready to ROCK!.

  • 13 Death Metal Bands Whose Debut Album Is Their Best

    These death metal bands have released great albums since, but it never got better than their debut! Continue reading…
  • “Suggestions that they’d pull the smallest headline crowd in the festival’s history are laughably wide of the mark.” Slaughter To Prevail pass their big Bloodstock test with flying colours (and lots of breakdowns)

    It’s fair to say that more than a few eyebrows were raised last year when Slaughter to Prevail were announced as Bloodstock headliners. A new name at the top of the bill is always something to celebrate, but there were more than a few grumbles that the Russian/UK deathcore crew were either not big enough or not musically in keeping with the tradition of Bloodstock to truly fit the bill. So STP arrive at the festival very much with plenty to prove and a lot of cynics to win over.

    With all of this for context, it’s actually quite impressive how emphatically they ram those doubts back down people’s throats this evening. Because Slaughter to Prevail look every inch the consummate modern metal festival headliner this evening.

    The reasons they succeed are simple, yet stunningly effective; firstly, they bring a show, a sense of theatre and an aesthetic that should appeal to all fans of heavy music. There is fire, loads of it, there are explosions, tonnes of them, there are massive party cannons full of streamers going off over the crowd and there are the masks. There are plenty of bands in masks in metal (in case you hadn’t noticed), but STP’s might just look the coolest. Frontman Alex Terrible in particular has an amazing silver skull visage with a moving jaw that makes him look like Skeletor if he was reimagined for a Hellraiser movie. Again, a simple idea, but gnarly as hell in practice.

    So they look the part and, luckily, they sound the part too. Any of the objections people have made to Slaughter to Prevail making dumb, simplified, meat-headed metal on record feel completely redundant the second you’re stood in a field and those riffs slam you in the gut. This is pummeling, crushing, groove-laden metal that just feels good to hear live, the likes of Russian Grizzy In America, Babayka and Viking all kicking like a mule and lapped up by the crowd.

    Speaking of the crowd, the online suggestions that STP would pull the smallest headline crowd in Bloodstock history are laughably wide of the mark. The field is equally as full as it was for Lamb of God on Friday night, and these people are enjoying every second. When Alex Terrible tells everyone to wave their hands or crouch to do a ‘jumpdafuckup’, it stretches all the way back past the sound desk. If people were coming here purely out of curiosity or just to see Slaughter to Prevail fail then it would appear that they’ve all been won over.

    There’s also the fact that STP treat this show as if it is something truly special to them. Alex speaks with humility to the crowd on more than one occasion, letting them know how nervous he is and how humbled he is to have been asked to headline this festival. It’s a sweet thing to see from a man who has an unbelievable, almost inhuman growl in his repertoire.

    If there’s one slight concern with their performance, it’s that Slaughter to Prevail could add a bit more dynamism to their music, the Rammstein-esque Behelit standing out as something quite different from the rest of their set. But this is a mere nitpick; with a first showing this strong, you wouldn’t bet against them tweaking things to address that the next time they come round. And, let’s have it right, when they do, they’ll be headlining again.

  • Album review: TEN YEARS AFTER – Cricklewood Green

    tyaChrysalis [Release date 28.08.26] Ten Years After are a British blues rock group who really don’t get enough love. After several breaks, reunions and line-up changes, they’re still going strong, after their formation in the mid 60s. With their roots … Continue reading →

    The post Album review: TEN YEARS AFTER – Cricklewood Green appeared first on Get Ready to ROCK!.