Category: news

  • Jeremiah Chiu Announces New Album Edge Conditions: Hear “Plastic Mind / Elastic Machines”

    Jeremiah Chiu is a Chicago-born, LA-based composer, multi-media artist, and modular synth expert. You might know him as a member of the quintent SML or the series of improvisational albums that he made in collaboration with the violist Marta Sofia Honer, including last year’s Different Rooms. Now, Chiu announces plans to follow his 2023 solo album In Electric Time with a new one called Edge Conditions.

    The post Jeremiah Chiu Announces New Album <em>Edge Conditions</em>: Hear “Plastic Mind / Elastic Machines” appeared first on Stereogum.

  • Sha-Boom New Single/Video ‘One More Drink For the Road’

    Legendary rockers Sha-Boom release the video for their infectious new single, ‘One More Drink for the Road‘ featuring Linnéa Vikström from Thundermother and Tomas Vikström and Rosalia Sairem from Therion. the track is taken from their highly anticipated new album, ‘Another Nail In The Coffin‘ (review here) due for release this Friday, August 28th via Silver Lining Music.  […]

    The post Sha-Boom New Single/Video ‘One More Drink For the Road’ appeared first on ROCKPOSER DOT COM.

  • Femme Fatale to open Faster Pussycat’s upcoming European tour

    Femme Fatale, led by Lorraine Lewis, are set to open with Blacklist Union the upcoming European tour of Faster Pussycat.

    Confirmed shows:

    • Sept 2- Southampton, UK- The Brook
    • Sept 3- Wolverhampton, UK- KK’s Steel Mill
    • Sept 4- Stockport, UK – Holy Diver
    • Sept 5- Crumlin, UK- The Patriot
    • Sept 6- Sheffield, UK- HRH Festival
    • Sept 8- London, UK- The Underworld Camden
    • Sept 9- Blackpool, UK- The Waterloo
    • Sept 11- Glasgow, Scotland- Slay
    • Sept 12- Newcastle, UK- The Cluny
    • Sept 13- Belfast, Ireland- The Empire
    • Sept 15- Nuneaton, UK- Queen’s Hall
    • Sept 17- Pamplona, Spain- Sala Totem Aretoa
    • Sept 19- Barcelona, Spain- Rock The Sun Festival
    • Sept 21- Cologne, Germany- Gebäude 9
    • Sept 22- Hamburg, Germany- Logo
    • Sept 23- Berlin, Germany- Frannz Club
    • Sept 25- Pisa, Italy- Borderline
    • Sept 26- Milan, Italy- Slaughter Club
    • Sept 27- Trieste, Italy- Teatro Miela

    The post Femme Fatale to open Faster Pussycat’s upcoming European tour first appeared on FemMetal – Goddesses of Metal.

  • The Night Eternal: German Heavy Metallers Drop “Eurydice (Don’t Look Back)” Video

    – August 25th, 2026 –

    “Cold Velvet” Full-Length Out Now On Metal Blade Records!

    Photo by Nona Limmen

    Watch/stream THE NIGHT ETERNAL’s “Eurydice (Don’t Look Back)” HERE

    German melancholic heavy metal outfit THE NIGHT ETERNAL today presents their video for “Eurydice (Don’t Look Back).” The track comes by way of the band’s critically adored Cold Velvet full-length out now on Metal Blade Records.

    Serving as both focus track and fourth single, “Eurydice (Don’t Look Back)” showcases all the signature elements of THE NIGHT ETERNAL: an instantly memorable chorus, mesmeric guitar work, and straight-forward, uplifting rhythms. On a lyrical level, the song expands the band’s ongoing exploration of Greek mythology, continuing themes introduced in tracks like “Elysion” and “In Tartarus” while retelling the tragic tale of Orpheus. Forged as the very first song for the album, “Eurydice” set the uncompromising direction for everything that followed.

    Watch THE NIGHT ETERNAL‘s “Eurydice (Don’t Look Back)” video HERE.

    Watch THE NIGHT ETERNAL‘s previously released videos for “The Veins Of TimeHERE, “Where This World EndsHERE, and “Caught In A SpellHERE.

    With Cold Velvet, THE NIGHT ETERNAL has ultimately carved out its own subgenre, weaving darkness, dreamlike unease and deep melancholy into a dramatic yet untainted heavy metal rock ‘n’ roll attitude. Recurring trademarks such as hypnotic, ritualistic rhythms, mesmeric guitar riffs and melodies, and irresistibly catchy choruses permeate every track drawing the listener into a trance-like state and unleashing a relentless surge of dark energy and dopamine.

    Cold Velvet was recorded between May and December 2025 at Church Of Sound Studios in the greater area of Munich, Germany. Production, recording, and mixing duties were handled by Michael Zech – guitarist of black metallers Secrets Of The Moon and a highly respected producer known for his work with Sulphur Aeon, Triptykon, and The Ruins Of Beverast, among others.

    Cold Velvet is available now on CD-digipak and digitally as well as vinyl in the following color variants:

    180g black (US)
    Clear Purple w/ Black Smoke (EU – Ltd. 1000; includes 7″, slipmat, velvet bag, gas lighter)
    “Storm Cloud” Violet Blue Marbled (EU – Ltd. 700)
    Steel Grey Blue Marble (EU – Ltd. 500)
    Light Grey Blue Splatter (EU – Ltd. 300)
    “Black Dust” Crystal Clear (EU – Ltd. 200)

    Preview/purchase the record at: metalblade.com/thenighteternal

    Cold Velvet Track Listing:
    1. Where This World Ends
    2. Eurydice (Don’t Look Back)
    3. Caught In A Spell
    4. When The Last Candle Dies
    5. The Veins Of Time
    6. The Watcher Of The Burning Veil
    7. Shape Of Sorrow
    8. Dance On Crimson Ground

    THE NIGHT ETERNAL Live:
    8/27/2026 Drums of War Festival – Barcelona, ES
    9/25/2026 Delta Zinnober – Essen, DE

    w/ Messa:
    10/27/2026 Le Dodu – Marseille, FR
    10/28/2026 Sala Salamandra – Barcelona, ES
    10/29/2026 Sala Copernico – Madrid, ES
    10/30/2026 Antirouille – Montpellier, FR
    10/31/2026 Rock Art Festival – Trier, DE * THE NIGHT ETERNAL only
    11/01/2026 Petit Bain – Paris, FR
    11/03/2026 Cathouse – Glasgow, UK
    11/04/2026 Rebellion – Manchester, UK
    11/05/2026 Rescue Rooms – Nottingham, UK
    11/06/2026 Thekla – Bristol, UK
    11/07/2026 The Garage – London, UK
    11/09/2026 13 – Tilburg, NL
    11/10/2026 Kavka – Antwerp, BE
    11/12/2026 Franz Club – Berlin, DE
    11/13/2026 Logo – Hamburg, DE
    11/14/2026 Rockpalast – Bochum, DE
    11/15/2026 Artheater – Cologne, DE
    11/17/2026 Das Bett – Frankfurt, DE
    11/18/2026 Backstage – Club Munich, DE
    11/19/2026 Dynamo – Zurich, CH
    11/20/2026 Sunset Bar – Martigny, CH
    11/21/2026 Live Club – Trezzo sull’Adda, IT

    Catchier yet even more mystical than before, the German band throws their entire talent into the ring across eight tracks, leaving behind everything else attempting to navigate the dynamic interplay of goth rock, gritty heavy metal, and anthemic hard rock.” – Deaf Forever (#1 in Soundcheck)

    …an intoxicating mix of darker traditional heavy metal with post-punk and gothic influences… Cold Velvet should vault them up the ladder in terms of a bigger footprint within the scene. ” – Dead Rhetoric

    …an excellent take on dark and melancholic heavy metal making for their best album to date.” – Heavy Music HQ

    …an absolute delight of an album… For all the mood and darkness permeating every track, THE NIGHT ETERNAL still remembers to deliver the goods in spades when it comes to great riffs and catchy choruses. I could definitely see Cold Velvet being the sort of album to win over people who have been put off by the overwhelming misery of other similar bands, and who are still looking to slam a couple beers in their denim battle vests while solemnly strolling through graveyards in the night and contemplating. Sure, there’s still plenty of darkness to obsess over, but doesn’t it sit a little better when you can rock out too?” – Everything Is Noise

    Cold Velvet sharpens the band’s identity without abandoning their roots in ’70s/’80s guitar-driven metal filtered through a sinister, nocturnal lens. It feels like a deliberate statement of authenticity: mature, immersive, and built for both repeated listens and live adrenaline…. the band’s strongest and most defining work yet – a velvet-draped journey into the dark that lingers long after the final note.” – Inhale The Heavy

    Track after track serves as a showcase of superb songwriting, resulting in an album that impresses through its uncompromising quality and flawless execution-one that should throw the doors wide open for the next stage of the band’s career.” – Slam

    On this third album, the band… dips its classic metal into a melancholic, otherworldly shade of gothic black; a fitting tone that aligns well with the band’s existing style while also being very much in vogue globally-think of acts like Unto Others, Tribulation, or Grave Pleasures.” – Rock Hard

    …among the most exciting representatives of the new German heavy metal generation…” – Breakout

    THE NIGHT ETERNAL have delivered a record that feels like a genuine step forward – darker, colder, more atmospheric, yet unmistakably theirs…THE NIGHT ETERNAL are continuing to carve out their own distinct place in the heavy metal night.” – TheNWOTHM.com

    THE NIGHT ETERNAL hits all the stuff you’d want from a heavy metal band, and they hit it hard. The guitars have some exceptional back-and-forth where other bands would be content to ride it out on a straightforward gallop or similarly retread ground… the singer does some Danzig-style vocal affectations without going overboard… the whole thing strikes a similar chord as Unto Others/Idle Hands, or like if Pøltergeist listened to a lot of Warlord…. This is the sort of thing that anyone with any sort of affinity for metal should be able to vibe with on some level.” – Toilet Ov Hell

    Opener ‘Where the World Ends’ does what this band do best and really sets the tone for the rest if the album: melancholic, sweeping leads, a driving NWOBHM-esque rhythm section all backed up by front man Ricardo Baum’s stand-out baritone vocals…” – The Razor’s Edge Rocks

    Blending classic heavy metal with gothic atmosphere in equal measure, Cold Velvet delivers a confident statement of identity rooted in memorable songwriting, evocative melodies, and dark emotional weight. It stands as THE NIGHT ETERNAL’s strongest work to date and comes highly recommended for fans of traditional heavy metal with a gothic edge.” – This Rocks

    THE NIGHT ETERNAL:
    Ricardo Baum – vocals
    Robert Richter – guitar
    Henry Käseberg – guitar
    Aleister Präkelt – drums

    https://www.facebook.com/thenighteternal
    https://www.instagram.com/thenighteternal_official
    https://thenighteternal.bandcamp.com

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  • Sid Wilson Shares First Social Media Posts Since Slipknot Split

    Sid Wilson has shared his first posts on social media since his split with Slipknot earlier this month. He shared videos creating mixes on his turntable. Continue reading…
  • As The Sun Falls – Touring Europe This Autumn

    Finland’s As The Sun Falls have confirmed a string of shows over United Kingdom (September) and Europe (October). The list of confirmed dates and venues is available below.
    Read more…
  • Chicago Experimental Rock Supergroup Yr Knives Announce Debut Album Begin Yr Singing: Hear “Fear&Trimbling”

    “Post-rock” can describe several quite different subgenres, but whatever the term means to you, Yr Knives are doing it somewhere on their debut single.

    The post Chicago Experimental Rock Supergroup Yr Knives Announce Debut Album <em>Begin Yr Singing</em>: Hear “Fear&Trimbling” appeared first on Stereogum.

  • FIRST WORLD APPETITE Featured by BraveWords for “Silence Of God” Lyric Video – @thebeast

    FOR IMMEDIATE RELEASE
    FIRST WORLD APPETITE Featured by BraveWords for “Silence Of God” Lyric Video
    Dutch Industrial Alt-Metal Project Earns Coverage for Latest Visual Release Featuring DIFFY
    August 25, 2026 – Dutch industrial alt-metal project First World Appetite has been featured by BraveWords following the release of the official lyric video for “Silence Of God” featuring DIFFY.
    The new lyric video, taken from First World Appetite’s latest full-length album Angel Shades Demise , expands on the record’s themes of isolation, questioning, identity, and the search for meaning in an increasingly uncertain world. The track combines mechanical industrial intensity with raw emotional vulnerability, while the cinematic visual presentation further brings the dark atmosphere of the album to life.
    Released June 12, 2026, Angel Shades Demise represents First World Appetite’s most ambitious release to date, blending industrial aggression, nu-metal weight, dark electronic textures, and cinematic atmosphere.
    The project, founded in 2017 by Ronald de Groot, draws influence from Ministry, Marilyn Manson, Rob Zombie, Slipknot, and Korn while forging its own dark and introspective identity.
    BraveWords highlighted the release as part of its Heavy Metal, News, and Video coverage, giving First World Appetite another notable media spotlight for Angel Shades Demise and the new “Silence Of God” lyric video.
    Read the BraveWords feature:
    https://bravewords.com/news/first-world-appetite-releases-lyric-video-for-silence-of-god-ft-diffy/
    Listen to Angel Shades Demise and discover First World Appetite:
    First World Appetite continues to push forward with a sound built around confrontation, atmosphere, aggression, and the psychological weight of modern existence.

     CONNECT
    Instagram: https://www.instagram.com/first_world_appetite/
    Facebook: https://www.facebook.com/profile.php?id=100063702990432
    Contact: firstworldappetite@gmail.com
  • DREAMWELL – HYMNS FOR THE DENIAL OF GOD

    (Andy Synn has a few thoughts about the new Dreamwell, out on Friday, to share today) Change is one of the few, reliable constants in life. All of us change – sometimes drastically, sometimes subtly – whether we want to or not, and the same goes for bands… especially when they undergo any sort of […]

    The post DREAMWELL – HYMNS FOR THE DENIAL OF GOD appeared first on NO CLEAN SINGING.

  • A View From The Park: The Cure (Spike)

    The Cure, Slowdive & The Slow Readers Club, Wythenshawe Park, Manchester, 21.08.26



    Getting to this one felt like a proper military operation. The train trip up from Norwich was a long, muggy slog, and once you get to Manchester, you quickly realize Wythenshawe Park isn’t central at all. It requires another local train connection, tracking down the hotel, and then fighting through gridlocked city traffic in an Uber just to get near the site. But all that travel hassle evaporated the second I stepped onto the grass. Standing in an open park with over 35,000 people who are all there for the exact same reason creates a very special kind of atmosphere. You could feel the collective anticipation humming right across the grass before a single note was played.

    Before getting into the music, credit needs to be given where it’s due regarding the housekeeping. In an era where gig prices are getting completely out of hand with dynamic pricing scams and obscene service fees, seeing tickets kept under £80 for an event of this scale is a total breath of fresh air. Even better, t-shirts were capped at £25 on the merch table. Robert Smith and the band clearly made a conscious effort to keep this accessible for real music fans, and that respect for the audience set a brilliant tone for the whole day.

    I wasn’t overly familiar with The Slow Readers Club (8) before stepping into the park, but they proved to be a brilliant way to kick off the afternoon. You could see on their faces just how much it meant to them to be playing a massive hometown show of this size. They didn’t shrink under the pressure; they grabbed the opportunity with both hands, delivering a sharp, driving set of dark post-punk that had the early arrivals moving early on.

    Then came Slowdive (9). I’d somehow managed to miss seeing them live across all these years, so catching them on an outdoor stage like this was high on my list for the day. They were simply wonderful. Their lush, dreamlike shoegaze swept across the field as the evening sun started to dip and the crowd continued to swell from the traffic jams outside. Layers of shimmering, delay-drenched guitars washed over 35,000 people in a way that felt hypnotic, peaceful, and tailor-made for a summer evening.

    By the time The Cure (10) wandered onto the stage, the field was packed solid as far as the eye could see. Robert Smith shuffled out to the edge of the stage, paused, and looked out with a expression that seemed genuinely surprised at the sheer size of the crowd stretching out in front of him. For a band that has been doing this for half a century, that humility and awe was fantastic to witness.

    They opened with Alone, the sprawling lead track from their latest record. The long, atmospheric instrumental build-up built up a massive amount of tension across the park. When that music finally gave way to Smith’s opening line “This is the end of every song that we sing” it sent an absolute chill straight down the spine. It was a dark, breathtaking entry point that locked everyone in instantly.

    What struck me immediately, as it always does with this band, was Smith’s voice. Decades into a punishing career, he sounds completely identical to the very first time I heard him on record. That voice acts like a total time machine. It immediately drags up decades of personal history, old friends, past gigs, long-lost times, and the raw emotion of growing up with this music as the soundtrack to your life. Sharing that cathartic moment with tens of thousands of other people, all singing along to every word, was something truly special.

    The main set was a masterclass in pacing and stamina, balancing massive chart hits with darker album cuts. They glided through heavy classics like Pictures Of You, High, Lovesong, Burn, and a razor-sharp rendition of Fascination Street. The energy in the field spiked with In Between Days and Just Like Heaven, before they pulled out some rarely played gems like Treasure, a huge, unexpected treat for the diehards in the audience who recognized the intro straight away.

    As darkness fell over Wythenshawe, the band dug deep into their darker, gothic repertoire. A towering version of A Forest had the entire field moving in unison to that iconic, hypnotic bassline, before closing out the main set with the emotional weight of From The Edge Of The Deep Green Sea and Endsong.

    Between songs, Smith kept his banter to an absolute minimum, letting the music do all the heavy lifting. He summed up his entire philosophy perfectly at one point, noting to the crowd: “I can speak, but I just don’t have very much to say. It’s on the songs; that’s why we sing them.” It’s a refreshing lack of ego that so many younger frontmen could learn a thing or two from.

    Then came an extended encore that would have been worth the ticket price all on its own. They returned to rattle off hit after hit in a glorious, continuous sprint: Lullaby, Wrong Number, The Walk, Mint Car, The Lovecats, Friday I’m In Love, Close To Me, Why Can’t I Be You?, and a triumphant Boys Don’t Cry to wrap the night up. To hear a band deliver nearly thirty songs with that level of energy and pitch-perfect execution is nothing short of incredible.

    My own rookie mistake in picking a hotel miles away from the main tram and coach routes meant a long, freezing wait for an expensive Uber at the end of the night. But standing in that field watching a band at the absolute top of their game made every single mile of travel hassle and every pound spent completely worth it. An unforgettable night.