Category: news

  • Dr. Dre Says Only “People Who Have Trouble Creating” See AI As A Threat

    You’re never going to believe this, but another mega-rich music mogul has arrived at the position that the use of generative artificial intelligence in music production is Good, Actually. This time around, the mogul in question is Dr. Dre, and he says that he is, in fact, using AI while making the music that he will presumably never release. He also makes the same instantly tired argument at Two Shell — that backlash against AI is motivated by the same retrograde ideas that once drove backlash against synths and drum machines.

    The post Dr. Dre Says Only “People Who Have Trouble Creating” See AI As A Threat appeared first on Stereogum.

  • Killer – Share New Single

    Belgium veterans Killer have released “Welcome To The Real World”, the newest preview tune from their upcoming final album The Grand Finale.
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  • Foo Fighters Play Live Rarities With The Los Angeles Philharmonic

    Foo Fighters have spent much of the summer on a stadium tour with Queens Of The Stone Age and Mannequin Pussy, but over the weekend they made their way to the Southern California for something different. Saturday night, the band headlined the Hollywood Bowl backed by the Los Angeles Philharmonic, and they broke out some rarities for the occasion.

    The post Foo Fighters Play Live Rarities With The Los Angeles Philharmonic appeared first on Stereogum.

  • Girish And The Chronicles – Releasing New Album In November

    India-based heavy metal band Girish And The Chronicles are all set to release their fifth studio album, Disintegrate, on November 20th, 2026 via Frontiers Music Srl. For a preview, check out the first single-title track.
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  • Korpse – Unleash ‘Imminent Immolation’ Track

    Dutch brutal death metal maniacs Korpse are streaming a new track, “Imminent Immolation”, as part of their newly released EP Forbid.
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  • Body Count Have Named Their Next Album, And Ice-T Set One Condition

    body-count-2024-promo

    Body Count are starting work on their ninth album, and it has a title: Death Wish. Ice-T confirmed it speaking to Metalshop, with the caveat that it’s a working title and the record is at least a year away — they’re starting from scratch, with the band building riffs before anything becomes a song. But the most revealing thing he said wasn’t about the music. It was about a meeting, and the rule he laid down in it.

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    Scott Penfold digs into the Body Count news on today’s Metal Breakdown Daily — the title, the timeline, the rule Ice-T gave his own band, and the streaming decision nobody else is talking about. Download the free Loaded Radio App on Apple iOS and Google Play and get it every weekday morning.

    The rule

    Here’s the part that should be the headline everywhere and mostly isn’t.

    Ice-T says the band had a meeting, and he told them all together: if they can’t make an album better than Merciless, they shouldn’t make another record. The object, as he puts it, is always to outdo the last album.

    Read that again in the context of a band thirty-six years into their existence.

    Merciless came out in November 2024 via Century Media, produced by Ice-T alongside Vincent Price and Will Putney, with guests including Corpsegrinder, Howard Jones, Joe Badolato and Max Cavalera. It was, by any reasonable measure, excellent — and it followed a Grammy win for Best Metal Performance for “Bum-Rush” off 2020’s Carnivore.

    So the floor he’s just set is genuinely high. That’s not a band protecting a legacy. That’s a band saying the legacy isn’t worth protecting if the next record is worse.

    Most acts at this stage don’t operate that way. Most acts at this stage put out a record because the touring cycle needs one.

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    Why they keep getting heavier

    Ice-T also explained the band’s continued drift toward heavier territory, and the answer is refreshingly unromantic.

    Competition. He says when you’re out at festivals playing alongside harder bands, you want to compete. You see which way the music’s going, everybody gets influenced by everything else, and you listen to a band and think — I wish we’d made that song. Then you take that into the studio with you.

    That’s how scenes actually function. Not mystique, not vision statements. Just standing at the side of a stage, watching somebody flatten a crowd, and going home irritated about it.

    For a band who played Jimmy Fallon in December 2024 and turn up on the biggest festival bills of 2026, that competitive instinct is presumably getting fed constantly.

    Body-Count-metal-songs-that-were-banned

    The streaming decision nobody’s talking about

    Buried in the same interview is something with much bigger implications than an album title.

    Ice-T has finished a solo rap album called Criminal Migraine — and he’s not putting it on streaming. At all. It’s going out strictly through IceT.com.

    His framing is the part that matters: that’s how they’re getting ready to sell all their records. They’re stopping the streaming.

    That’s a Grammy-winning artist with a global platform walking away from the entire distribution model that the modern music business is built on. Whether that extends to Body Count releases isn’t spelled out, but “all our records” is a broad phrase and he chose it deliberately.

    If it works, other people will notice. If it doesn’t, at least somebody with the leverage to try actually tried.

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    Why there’s no politics on it

    Given that this is the band who recorded “Cop Killer,” which got denounced from the White House podium in 1992, and that Ice-T has never been shy about his views, the obvious question was whether Death Wish would be a political record.

    His answer: he writes the lyrics, and he’s personally stayed away from politics.

    The reasoning is sharper than a simple no. He points to “Fuck What You Heard” on the last album, with its line about both wings being on the same bird, and says that at the end of the day it’s government regardless of which side you’re on. And on the current state of things, his position is that it’s so obvious to the world already that singing about it would be redundant. Everyone knows. So he’d rather write about things that are a bit more abstract.

    Which is, in fairness, an argument. Protest music works when it tells people something. When the thing is already on every screen every day, a song about it is just another voice in the noise.

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    Thirty-six years, eight albums, and a band that shouldn’t still be this good

    Some context on where Death Wish would land.

    Body Count formed in Los Angeles in 1990, out of a friendship between Ice-T and guitarist Ernie C that goes back to Crenshaw High School. The first shot fired was the track “Body Count” on Ice-T’s 1991 record O.G. Original Gangster. The self-titled debut followed in 1992 and detonated — “Cop Killer” drew condemnation from President George H. W. Bush and Vice President Dan Quayle, and the ensuing pressure got the song pulled from the album.

    Eight studio albums since, through Born Dead, Violent Demise, Murder 4 Hire, Manslaughter, Bloodlust, Carnivore and Merciless. A Grammy in 2021. And a run of three consecutive records with Will Putney that Ice-T once described by calling Putney the Dr. Dre of metal — a producer who makes different bands sound like themselves, only better.

    That Merciless cycle was a genuine high point, from “Psychopath” with Joe Badolato through to a cover of “Comfortably Numb” featuring David Gilmour himself, which is not a guest spot most metal bands can arrange.

    Merciless also took a while — it was in the mixing stage back in July 2023 and didn’t land until November 2024. So when Ice-T says at least a year, factor in the usual.

    TL;DR

    • What’s happening: Body Count are starting work on their ninth studio album, with the working title Death Wish. Ice-T confirmed it in an interview with Metalshop.
    • When: at least a year away. The band are starting from scratch, building riffs before turning them into songs.
    • The rule: Ice-T told the band in a meeting that if they can’t make an album better than 2024’s Merciless, they shouldn’t make one at all.
    • Why they keep getting heavier: he credits playing festivals alongside harder bands and wanting to compete with what he hears.
    • On politics: he’s deliberately avoiding it, arguing the state of things is so obvious that singing about it would be redundant.
    • The other story: his solo rap album Criminal Migraine is bypassing streaming entirely, selling direct through IceT.com — and he says that’s how they’re getting ready to sell all their records.

    FAQ

    Is there a new Body Count album coming?

    Yes, though it’s early. Ice-T has confirmed the band are starting work on their ninth studio album under the working title Death Wish. He says they’re beginning from scratch and estimates the record is at least a year away. No label, release date or tracklist has been announced.

    What is the new Body Count album called?

    Death Wish, though Ice-T describes it as a working title. It would follow 2024’s Merciless, released via Century Media Records.

    Will the new Body Count album be political?

    Ice-T says no. He writes the band’s lyrics and has said he personally stays away from politics, arguing that the current state of affairs is so obvious to everyone that writing songs about it would be redundant. He’d rather approach subjects more abstractly.

    What was Body Count’s last album?

    Merciless, released November 22, 2024 through Century Media Records. Produced by Ice-T, Vincent Price and Will Putney, it featured guest appearances from Corpsegrinder, Howard Jones, Joe Badolato and Max Cavalera, plus a cover of Pink Floyd’s “Comfortably Numb” featuring David Gilmour.

    Is Ice-T leaving streaming services?

    He’s said his solo rap album Criminal Migraine will not be streamed and will instead be sold directly through IceT.com, adding that this is how they’re preparing to sell all their records going forward. It isn’t yet clear whether that approach will extend to future Body Count releases.

    Thirty-six years in and the frontman is telling his own band not to bother unless it beats the last one. More acts should work that way. Do you want a new Body Count record, or was Merciless the right place to stop? Tell us below. And keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Body Count Have Named Their Next Album, And Ice-T Set One Condition appeared first on Loaded Radio.

  • Black Majesty – Split With Two Members

    Australian power metal entity Black Majesty recently revealed that they have parted ways with drummer Zain Kimmie and bassist Evan Harris. More can be read below.
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  • Garrett Anthony Rice Going Up (to see him) Review

    Garrett Anthony Rice Going Up (to see him) Review

    The song begins with a sly and hypnotic rhythm that hooks the listener. This inviting groove pulls them deep into the story. The guitar plays slightly trembling chords, opening up the musical space. The track has a ballad vibe that resonates deeply within the soul. The groove seems to pulsate in time with the listener’s heartbeat. It’s a rhythm that encourages head nodding along with the music, as this groove influences the body.

    Garrett Anthony Rice Going Up (to see him)

    The melodies within this song evoke strong emotions. When focusing on the lyrics, a significant theme emerges. The song pays tribute to a friend who is no longer there, having made the tragic decision to take his own life. The pain of losing a friend transforms into a beautiful song that leaves a profound impact. This delicate yet intense piece somehow honors a friendship that has become eternal.

    Musically, it instills a sense of hope. The track infuses universal energy and a deep love that transcends all barriers, even the metaphysical ones. The production is impeccable, with the guitar sometimes soloing under the vocals. This creates a vast musical atmosphere that enriches the experience.

    Going Up (to see him) – Sound and Atmosphere

    Lyrically, the song communicates the struggles of grief and the longing for connection. The reflective quality of the lyrics resonates deeply with anyone who has experienced loss.  The artist’s ability to capture such raw feelings in their songs balances the sorrow of loss and the warmth of remembrance.

    The song also highlights the journey through grief, outlining the stages of pain and acceptance. The narrative structure is effective, maintaining the listener’s engagement throughout its duration. It inspires a thoughtful introspection about life and the connections we forge. The emotions expressed are universal, making the song relatable to a wide audience.

    The instrumental arrangement complements the themes flawlessly. The subtle layers of sound enhance the lyrical content without overshadowing it. The delicate balance achieved in the production allows the central message to shine through clearly. This showcases the artist’s remarkable capabilities in songwriting and composition.

    Going Up (to see him) – Performance and Production

    The emotional weight carried by the music does not overpower its melodic beauty. The thoughtful arrangement accentuates moments of quiet reflection. Pacing within the track enables a gradual build-up, leading to impactful climaxes that echo the feelings evoked in the lyrics. This interplay between vocals and instrumental segments creates a moving experience.

    Listeners are left contemplating their relationships and the fragility of life itself. The nuanced exploration of friendship and loss resonates deeply. It invites listeners to reflect on how they cope with grief and cherish fond memories. This song ultimately serves as a reminder to value connections while addressing the harsh realities of life.

    In the end, Garrett Anthony Rice creates a powerful narrative through “Going Up (to see him).” The entire production reflects a delicate blend of emotion and artistry that honors a friend lost too soon.

    With its profound message and artistic finesse, this song resonates not just as a ballad, but as a heartfelt connection to experiences shared universally. This track will likely leave an indelible mark on those who listen, lifting spirits even amidst sorrow.



    Heartfelt

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    Find Garrett Anthony Rice here:
    Spotify | Instagram

    The post Garrett Anthony Rice Going Up (to see him) Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Triumph Adds New 2026 Tour Dates

    April Wine will once again join the Canadian legends for a second leg of concerts starting in November. Continue reading…