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  • 5 Noir Rock Makeup and Nail Trends for the Modern Goth

    5 Noir Rock Makeup and Nail Trends for the Modern Goth

    Elevate your aesthetic with these essential style tips.

    Defining the Noir Rock Look

    The Noir Rock aesthetic is about more than just clothing. It is a visual language that combines cinematic drama with edgy, modern fashion. Your makeup and nails are the final, defining details of this look. Here are five trends to help you perfect your style.

    Nails: Silver Filigree & Black Stilettos Close-up of gothic black stiletto nails featuring silver filigree studs and Noir Rock aesthetic rings.

    1. Matte Black Smoky Eyes

    The classic smoky eye is a staple of gothic beauty. To update it for the modern era, focus on a matte finish. Avoid shimmers or glitters. Instead, layer deep charcoal and pitch-black eyeshadow to create a soft, blurred effect around the lash line. This provides a sophisticated, moody foundation for your face.

    2. Deep Berry and Black Lips

    Lip color is the most expressive part of your makeup routine. For a Noir Rock look, move away from bright reds. Embrace deep, dark shades such as blackberry, oxblood, or absolute black. A matte lip is preferred, but adding a thin layer of clear gloss can provide a modern, sleek finish that catches the light beautifully.

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    Close-up of black glittery gothic stiletto nails set against a moody dark background.

    3. Negative Space Gothic Nails

    Nail art is a powerful tool for self-expression. Try the “negative space” trend by leaving parts of your natural nail visible. You can paint intricate, black geometric patterns or silver filigree over a clear base. This creates a high-contrast look that is both modern and undeniably gothic.

    4. Silver Metallic Accents

    Silver is the preferred metal for the Noir aesthetic. Incorporate silver metallic liners into your makeup routine by adding a sharp, precise wing to your eyes. Similarly, for your nails, use silver chrome polishes to create sharp, dramatic tips against a matte black background.

    Textured black and silver gothic nail art with jewel accents on a Noir Rock aesthetic hand.

    5. The “Smudged” Editorial Look

    Sometimes, perfection is not the goal. The “editorial” look involves intentionally smudging your liner to create a lived-in, cinematic feel. This technique works perfectly with the Noir Rock vibe, as it suggests an after-hours, backstage atmosphere. Use a smudge brush to soften your liner, giving your eyes a mysterious, artistic quality.

    Conclusion

    These trends offer a roadmap for evolving your personal style. Whether you choose to try one or all five, remember that the most important element of your look is confidence. Experiment with these techniques to find what best expresses your identity.

    Complete your look with our Noir Rock playlist:

    Read our manifesto on finding beauty in the shadows.

    The post 5 Noir Rock Makeup and Nail Trends for the Modern Goth appeared first on Edgar Allan Poets – Noir Rock Band.

  • INTERVIEW: TYKETTO – Danny Vaughn talks to Mark about new album ‘Closer to the Sun’

    It’s been ten years since Tyketto released their last album ‘Reach’ and in the time between that release and this months release of ‘Closer to the Sun’ we’ve lost founder member Michael Clayton on drums and Chris Green on guitar, replaced by Johnny Dee and Harry Scott Elliott respectively. They join Danny Vaughn and Ged Rylands to lead Tyketto into a new era.

    Of all the bands to harness the spirit of 80’s Hard Rock that came onto the scene just a little too late to make it truly huge, Tyketto has always been one of a handful for me that endure the test of time. ‘Don’t Come Easy’ (1991) and ‘Strength in Numbers’ (1994) are records I would put up against any record by any band of the era. They simply had it all. And that class endured through line-up changes and the decades to produce a comeback album in 2012 ‘Dig in Deep’ that shone and 4 years later ‘Reach’ that kept the band’s high standards intact.

    ‘Closer to the Sun’ might even just edge it to be the best album of their renewed career. It’s an album that captures the taste of the early band and may of its hallmarks, yet which sounds remarkably fresh. Mark caught up with Rockpit Regular Danny Vaughn to get inside the songs and talk about big things to come…

    The post INTERVIEW: TYKETTO – Danny Vaughn talks to Mark about new album ‘Closer to the Sun’ appeared first on The Rockpit.

  • Chariots Overdrive – The End of Antiquity Review

    Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

    The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

    Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

    What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

    The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

    Rating: Mixed
    DR: 84 | Format Reviewed: 320 kbps MP3
    Label: Gates of Hell Records
    Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
    Releases Worldwide: April 3rd, 20265

    The post Chariots Overdrive – The End of Antiquity Review appeared first on Angry Metal Guy.

  • Sean MacLeod Light Up the Sun Review

    Sean MacLeod Light Up the Sun Review

    This song begins with a guitar riff reminiscent of bands like The Beatles. As the vocals enter, there is a nostalgic quality that transports the listener back in time. The singer possesses a remarkable ability to craft melodies that cleanse the spirit. The song gradually builds in intensity. When the chorus arrives, it emerges as a celebration of color. This track embodies a therapeutic essence, encouraging listeners to chase their dreams and aspirations. Listening to it feels akin to running through a field of flowers.

    Sean MacLeod Light Up the Sun

    The composition showcases exceptional songwriting skills. From beginning to end, the song flows, maintaining perfect dynamics. The verses possess a distinctive emptiness that contrasts sharply with the soaring energy of the chorus. Such a structure elevates the listening experience to new heights. With a chorus so catchy, listeners may find themselves singing along without hesitation.

    The production quality is impeccable, leaving a delightful taste in the listener’s mouth. This is truly a commendable piece of music, one that I recommend to everyone. The arrangement combines classic elements with a modern touch, creating an engaging experience. The emotional journey within the song feels almost liberating, a testament to MacLeod’s artistry.

    Light Up the Sun – Sound and Atmosphere

    Evolving through various stages, the track invites reflection and joy. Each section brings fresh energy and engages the audience brilliantly.

    The vocals carry a unique emotional weight that enhances the overall beauty of the piece. This single can be appreciated on many levels, whether one seeks a simple pleasure or a deeper engagement with its themes.

    The song manages to blend nostalgia with a sense of hope, striking a perfect balance. There are moments of quiet introspection that unfold, encouraging listeners to embrace their own potential.

    MacLeod’s ability to connect through his lyrics is noteworthy. He paints vivid images that evoke emotion and provoke thought. The song invites listeners to reflect on their personal journeys. The structure is crafted with care, inviting repeated listens for deeper understanding.

    Light Up the Sun – Performance and Production

    The production elements enhance the music without overshadowing its core message. Instruments harmonize brilliantly, creating an inviting and warm atmosphere. Using relatable imagery adds layers to the song’s meaning, making it accessible to a wide audience.

    MacLeod demonstrates great versatility throughout the track. The ebb and flow of energy keep the listener engaged.

    I find myself recommending this track wholeheartedly. It inspires a sense of wonder and excitement about life. This song undoubtedly finds a spot in playlists for its uplifting message and vibrant energy. This song is a shining example of artistic ability and passion.

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    Find Sean MacLeod here:
    Spotify | Instagram

    For fans of:

    The Beatles

    The post Sean MacLeod Light Up the Sun Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Klimt 1918 – Announce ‘Àmor’ Record

    Italians Klimt 1918 are all set to release their next full-lenght offering, Àmor, on June 12th 2026 through Prophecy Productions. It was mixed by Tony Doogan at Castle of Doom Recording Studios in Glasgow, Scotland and mastered by Frank Arkwright at Abbey Road Studios in London, England. For a preview, check out two new songs via YouTube/Bandcamp below.
    Read more…

  • Tahani Don’t come knocking Review

    Tahani Don’t come knocking Review

    This song opens in a highly emotional way. As soon as I heard the voice, I sensed shades reminiscent of Tori Amos. Clearly, we are faced with a remarkable artist whose voice can create very strong emotions. It is a voice that makes you truly believe in the lyrics.

    Tahani Don’t come knocking

    The song resonates with everyone who has experienced the end of a relationship. It speaks to the journey of finding the strength to shine again and move forward. Often, we feel inadequate, especially after being rejected by someone. However, we eventually realize that there is nothing wrong with us. This realization sets us free, allowing us to start living again.

    As the song evolves, it begins with a more atmospheric feel and gradually increases in intensity. The chorus invites listeners to sing along, instilling a sense of hope and resilience. The progress from soft, introspective verses to an uplifting and powerful chorus showcases Tahani’s ability to convey complex emotions.

    Don’t come knocking – Sound and Atmosphere

    The production is fantastic and complements Tahani’s voice beautifully. Each instrument blends seamlessly, creating a rich auditory experience. The balance between the instrumentation and vocals is particularly noteworthy, allowing each element to shine without overpowering the others.

    Throughout the song, the lyrical narrative flows smoothly. The lyrics are relatable and speak to the universal experience of overcoming hardship. This connection to everyday struggles enhances the song’s emotional depth. It is through these lyrics that many listeners will find solace in their own challenges.

    Don’t come knocking – Performance and Production

    From the outset, it’s clear that Tahani is not only a singer but also a storyteller. Her ability to weave personal experiences into her music creates a profound connection with her audience. She captures the essence of vulnerability and strength, inviting listeners to reflect on their own journeys.

    Listeners can also appreciate the growth in its structure. The song builds complexity as it progresses, fostering an emotional release by the end. This evolution mirrors the journey of healing and moving on, making it an even more relatable experience.

    The cathartic journey laid out in the song has the potential to resonate long after its conclusion. Tahani has successfully crafted a piece that emphasizes recovery and personal growth.

    This track is not just music; it is an anthem for anyone seeking reassurance after adversity. Each listen reveals new layers, making it a song worth returning to time and again.

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    Find Tahani here:
    Spotify | Instagram

    For fans of:

    Tori Amos

    The post Tahani Don’t come knocking Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Sweet Mess Let’s Just Go Review

    Sweet Mess Let’s Just Go Review

    The track begins with a pulsating, almost tribal rhythm that instantly energizes the listener. This dynamic opening sets the foundation for an experience that is exhilarating and immersive. As the strong beats resonate, the voice of the female vocalist enters, crafting an epic and ceremonial atmosphere. Her delivery breathes life into the music, reminiscent of the hard rock scene from the 1980s, invoking images of a volcano erupting with intensity.

    Sweet Mess Let's Just Go

    This single is impeccably composed, showcasing a masterful handling of rhythm changes and a solid chord progression. Each segment of the song propels the energy forward, making it impossible not to lift your hands in celebration. The raw power of Sweet Mess shines through in this piece, presenting a cohesive unit that translates energy into an engaging musical framework. The sound is undeniably grand, a hallmark of the band’s identity.

    Around the two-minute mark, the track takes an exhilarating turn with a guitar solo that bursts forth, showcasing technical skill and emotion. The guitarist unleashes a flurry of notes, balancing speed with precision. This passage is not just an exhibit of technical intricacies but a moment that encapsulates the essence of the band’s spirit. It is a powerful segment that enhances the overall impact of the song.

    Let’s Just Go – Sound and Atmosphere

    The intensity does not wane throughout the track. Sweet Mess has a unique talent for creating tunes that resonate deeply with their audience. Each note, each rhythm, and each vocal inflection contributes to a richer experience. The blend of elements allows the listener to feel a connection that often eludes many modern rock tracks.

    The production is crisp and clear, ensuring that every element of the track is prominent. There is no ambiguity in the mix, allowing the intricacies of each instrument to shine. This clarity enhances the overall experience, enabling listeners to appreciate the hard work and dedication that has gone into the making of this single.

    Let’s Just Go – Performance and Production

    The raw energy that characterizes the song makes it a memorable listen. Sweet Mess not only entertains but also invokes a visceral response. Music like this reminds audiences of the powerful connection between artist and listener, and the joy of experiencing live rock music.

    This single stands out within their discography, marking a significant moment for the band. Fans of rock music will undoubtedly find enjoyment in this fiery anthem. It is apparent that Sweet Mess aims to deliver a powerful message through their music, and in this single, they succeed.

    “Let’s Just Go” is a unifying call for listeners to embrace the moment. With its energetic composition and passionate delivery, this track solidifies Sweet Mess as a band to watch in the contemporary rock landscape. In a world where music can often feel diluted, they offer an intense reminder of what strong, sincere rock is all about.

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    Find Sweet Mess here:
    Spotify | Instagram

    The post Sweet Mess Let’s Just Go Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • A Forest Of Stars – ‘Street Level Vertigo’ Song Premieres

    In wake of their forthcoming studio release Stack Overflow In Corpse Pile Interface, due out on May 8th, A Forest Of Stars have revealed a lyric video for their newest preview tune titled “Street Level Vertigo”.
    Read more…

  • Obscura – To Headline ‘Shred Fest 2027’ Over Europe

    Germans 3 Inches Of Blood have recently announce that they will be headlining ‘Shred Fest’ European tour in early 2027. Pestilence, Cryptic Shift, DVRK and Thus will serve as support on this 5-week long run.
    Read more…

  • Combichrist – Streaming New Single Feat. King 810

    Combichrist have debuted a brand new single/video “Demons Wanna Be Summoned”, featuring guest performance by King 810.
    Read more…