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  • UGLY MOTHERS VOL. VIII Review

    UGLY MOTHERS VOL. VIII Review

    The first track, “CICADA,” presents an intriguing blend of ethnic vibes. The tremolo guitars evoke a classic Nancy Sinatra sound, reminiscent of cinematic themes from Quentin Tarantino’s films. This song unfolds gradually, incorporating unconventional sounds that reveal a fascinating auditory exploration. The richness of texture in “CICADA” showcases the band’s commitment to innovation, creating familiarity and surprise.

    UGLY MOTHERS VOL. VIII

    Following this opening, “HARDCORE” kicks in with a much heavier rock sound. Classic rock energy permeates the track, merging with elements of desert rock. The guitar riffs are infectious, driving the song forward while the vocals are irreverent and commanding. The energetic vibe of “HARDCORE” contrasts nicely with the more intricate layering of “CICADA,” highlighting the band’s diverse musical influences.

    Next, the EP transitions to “HONEYTRAPS AND HUSHMONEY.” The song starts with an engaging bass line, establishing a theatrical tone. There’s an undeniable slyness in this track that adds to its charm, reminiscent of 1980s hits by Amanda Lear. The theatricality of “HONEYTRAPS AND HUSHMONEY” elevates the listening experience, showcasing the versatility of the band.

    VOL. VIII – Sound and Atmosphere

    Concluding the EP is “WELCOME TO THE MEN’S ROOM, SISTER.” This track boasts a lively rhythm that practically demands movement. It exudes a fun, carefree spirit, perfect for a road trip anthem. The rhythm section drives the energy, making it impossible not to smile. This song encapsulates the essence of summer escapades, encouraging listeners to enjoy every moment. Its upbeat nature rounds out the EP beautifully, offering a satisfying closure.

    “VOL. VIII” presents a cohesive array of musical influences and styles. Each track connects while showcasing the band’s diversity. The exploration of unique sounds and rhythms defines this project as one worth paying attention to. With its roots in rock, elements of theater, and global influences, Ugly Mothers has crafted a memorable EP that feels fresh and exciting.

    VOL. VIII – Performance and Production

    For anyone looking for music that breaks traditional boundaries, this EP is a must-listen. The infectious melodies, engaging rhythms, and artistic exploration make it a remarkable collection. It’s a journey that engages the senses and stirs the imagination. With a blend of genres, and an openness to experimentation, Ugly Mothers has delivered a work of art that resonates on multiple levels.

    “VOL. VIII” is a strong entry in Ugly Mothers’ discography. It highlights the band’s talents and their approach to music creation. The EP invites listeners to explore and enjoy every moment, showcasing the band’s thoughtful craftsmanship.



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    The post UGLY MOTHERS VOL. VIII Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Seven Kingdoms announce new album ‘Sono Sola,’ share title track

    You can also catch them on the road with Nini Music later this month

    Source

  • I Prevail team with Sullivan King for ‘Violent Nature’ remix

    Blending the track’s heavy sound with EDM elements

    Source

  • Unhallowed Promethean Premiere New Single & Music Video “LET ME BLEED”

    Manila, Philippines-based deathcore band Unhallowed Promethean premiere a new single and music video named “LET ME BLEED”, streaming for you via YouTube now below. Read More/Discuss on Metal Underground.com
  • Ov Ruin Premiere New Single & Music Video “The Hollow Reign”

    Nashville, Tennessee-based blackened deathcore band Ov Ruin premiere a new single and music video named "The Hollow Reign", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • Spirit Possession – Cathedral Speech (Review)

    Band:Spirit Possession
    Release:Cathedral Speech
    Genre:Black Metal
    Country:America
    Release Date:October 2nd, 2026
    Released viaSepulchral Voice Records (Europe), Profound Lore (USA, rest of the world)

    After three long years, Spirit Possession finally return with a new album. Somewhere in the darkest basement, the duo from Portland have been brewing something more than diabolical. Cathedral Speech, the band’s third and newest studio album, will be released on October 2nd via Sepulchral Voice Records in Europe and Profound Lore Records in the US and the rest of the world.

    Spirit Possession are far from unknown in the underground and have made a name for themselves with their uncompromising and raw sound. And Cathedral Speech wastes absolutely no time reminding you of that. With its rough production and almost hypnotic guitar riffs, the band throws you straight into purgatory.

    The title track takes no prisoners. As a listener, you’re constantly attacked by riffs and blast beats with absolutely no chance to escape. It almost feels like something is chasing you. With a runtime of almost seven minutes, it quickly becomes clear that Cathedral Speech will be anything but a walk in the park. “Backward Commandments” gives you a short interlude and at least a little bit of room to breathe afterwards.

    But we’re still talking about Spirit Possession here. Compared to their previous records, the duo have taken their iconic hypnotic guitar riffs to another level. Songs like “Hanged Angels as Patternwalls” almost feel like a diabolical chase.

    Even when the duo occasionally takes their foot off the gas and slows things down, it only takes a few moments before you’re back in the fast lane. Those distinctive riffs are the real highlight for me. They pull you deeper and deeper into the record and refuse to let you escape. Almost like a nightmare you can’t wake up from. That’s where the true strength of Spirit Possession lies.

    The vocals sound absolutely hellish, and you can clearly hear that Celtic Frost must have played an important role for the duo. Tom G. Warrior would be proud. URGH!!!

    The mix feels organic and fits the band’s sound perfectly. Nothing sounds too sterile. Quite the opposite. It feels like the whole thing was recorded in a dark basement before being sent straight to hell for the finishing touches. Everything sits on the same level and somehow feels perfectly placed within all this chaos.

    Even though Cathedral Speech is already their third album, there are hardly any bands that sound even remotely like Spirit Possession. That’s exactly why they still feel so refreshing. They stand out from the grey mass around them and have created something that is unmistakably their own.

    Nothing, absolutely nothing, on Cathedral Speech sounds or feels positive. It constantly feels like you’re standing with your back against the edge of an abyss, slowly being dragged deeper into the never-ending spiral of an approaching apocalypse. Tracks like “First Levitation” capture this hellish atmosphere perfectly.

    Overall, Cathedral Speech feels noticeably uglier and more disturbing than anything the band has released before. Spirit Possession have created an absolute monster of an album.
    The perfect foundation for nightmares.
    Claustrophobic. Diabolical. Relentless.

  • Twiztid Premiere Cover Of Papa Roach’s “Getting Away With Murder”

    Horrorcore-influenced rap rockers Twiztid have unveiled their cover of Papa Roach‘s platinum-certified 2004 single “Getting Away With Murder“. Twiztid briefly commented: Read More/Discuss on Metal Underground.com
  • Comeback Kid Premiere New Single & Music Video “Yesterday’s Gone” – Incendiary’s Brendan Garrone Guests

    Canadian hardcore institution Comeback Kid have premiered a music video for their new single “Yesterday’s Gone“, featuring Incendiary vocalist Brendan Garrone. Alex McFarland and Jordy Clarke co-directed the accompanying clip. Frontman Andrew Neufeld commented: Read More/Discuss on Metal Underground.com