Good Day Noir Family,
Highroad No. 28 return with “Ache,” a track that shows how easily the band can merge grit, nostalgia, and atmosphere into something strikingly personal.

Ache is Highroad No. 28’s Single Out Now

The song opens with a hypnotic groove that circles around you like a slow pulse. Soon after, airy pads drift in, adding a clear nod to the ’80s and to the icy tension of classic Carpenter scores.

Because of this mix, the track builds an environment that feels suspended between neon-lit retro memories and a more modern, emotionally charged intensity.

When the vocal enters, everything tightens. The reverb gives it a distant, ghostlike shimmer, yet the delivery stays steady and warm. It’s an interesting contrast: the voice sits between intimacy and detachment, and that duality shapes the entire mood. Moreover, the tone carries hints of those darker pop influences—somewhere between the introspective edge of Depeche Mode and the theatrical spirit of Bowie—yet Highroad No. 28 transform those inspirations into something very much their own.

The guitars bring another crucial layer. Distorted but never overwhelming, they throb gently underneath the production, adding body and direction without taking the spotlight. Their presence gives the track a sense of motion, as if you’re traveling through an endless highway at night with only city glow and passing memories to guide you. It’s this combination of rhythmic drive and dreamlike texture that makes the track so addictive.

As the chorus expands, the song gains emotional weight without relying on excess. The band’s restraint becomes a strength, because “Ache” grows through atmosphere, not volume. Each element is placed with intention: bass lines that anchor, pads that create tension, and guitars that carve out a subtle sense of drama. You feel drawn into a reflective inner world where unresolved thoughts echo and stretch.

By the end, the track has painted a portrait of restlessness, longing, and quiet resilience. It’s the kind of song that makes you want to get in the car, disappear for a while, and let the road decide where you end up. Highroad No. 28 deliver a piece that balances darkness with beauty, nostalgia with edge, and introspection with raw motion.

Ache is Highroad No. 28’s Single Out Now!

Intense!

Highroad No. 28 is an Australian heavy rock band formed in 1998. Their early EPs and debut album, Unsteady and Steady State (2005), established a sound marked by emotional intensity, melodic experimentation, and a defiant edge. After extensive touring, the band released Stumbling to Divinity in 2008, blending heavy rhythms with ambient and electronic elements.

Following a long hiatus from 2012 to 2024—broken only by occasional demos and reworked tracks—Highroad No. 28 returns in 2025 with renewed focus. They are preparing for their first live shows in over a decade and finishing their third album, The Will to Endure, set for release in December 2025. The new single “Ache,” signals their powerful comeback.

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Should horror scare you or turn you on? That was the question I had after a weekend of watching both Frankenstein and the new series Welcome to Derry. After crawling through endless social media posts where people fawned over the new design of the monster, I decided to at least give the new Frankenstein movie a chance. Not only was I bored throughout its entirety, but I wondered if its rave reviews were based on the fact that it featured a monster who was more Paris runway model than hideously horrific creature. Either way, the film left me terribly deflated and eager for something to fill that void. Thankfully, the show Welcome to Derry has done a successful job at keeping the horror alive, along with my attention span.

Where Frankenstein failed to find any frights, the Derry show kept me on the edge of my couch in certain moments, wincing at the screen at such disgusting displays of beautiful brutality. Frankenstein tried to weave several threads into its story that didn’t make sense to me. The female character bounces from Dr. Frankenstein’s brother to Dr. Frankenstein himself and then suddenly shifts her love interest to a creature she met for all of five minutes. This rapid change of devotion left me feeling hollow and unsympathetic toward her character, something that most likely shaped how I viewed the rest of the story.

Welcome to Derry, on the other hand, has done a brilliant job of not only weaving in several Stephen King easter eggs, but it’s played out almost like reading a King novel. The pacing is steady and building toward something, all while keeping you tense and eager to see what’s around the corner, despite how creepy or disturbing it may be. The show subverts expectations and creates characters that linger in your mind after you watch, at least for me anyway. I understand art is totally subjective, but that’s the whole purpose of this article: to share my perspective toward two giants of the genre who are sharing the spotlight.

My own personal disdain aside, I am glad to see Frankenstein is doing well, and people are praising director Guillermo del Toro for his passionate efforts on a film he’s been wanting to make for ages. The man has been a blessing for the horror community, and his work will live on as some of the greatest the genre has ever seen. On the other side of the coin, you have a director in Andy Muschietti who has seemingly found his footing in these Stephen King stories. While IT: Chapter 2 didn’t perform as well as the first entry, it’s clear from this new series that he has his finger on the racing pulse of not just King’s work, but his fans’ yearning to dive headfirst into the vast universe King created over the years.

If I were to recommend either entry, I would start with Welcome to Derry if you are interested in long format storytelling with gruesome surprises around every corner. If you are someone with a taste for more theatrics, almost that of a stage performance, I would easily recommend Frankenstein. The acting is over the top, and the story embraces that intense portrayal of theatricality, which at times for me was cringe worthy, but the reviews don’t lie, and plenty of people are praising it for reasons well beyond my own understanding.

Whichever you choose to watch, I feel as if they are both great examples of how the horror genre is still as strong as ever. It wasn’t long ago when the thought of mentioning a horror movie for Best Picture at the Oscars was as uncommon as Dracula eating at the Olive Garden, but here we are. We live in a time when horror is not only abundant, but truly capable of going toe to toe with even the snootiest of dramas. As a lifelong fan of horror movies, that makes me as happy as Pennywise with a sewer full of souls.

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– November 10th, 2025 –

Metal Blade Records has teamed up with renowned artist Vince Locke to create designs for exclusive merchandise that the legendary label will sell for Erik Rutan – guitarist in Cannibal Corpse and famed Producer at MANA RECORDING Studios – who suffered severe damage by Hurricane Helene in 2024.

The below items are Erik Rutan approved and available for fans HERE, with all money collected going directly to Erik to help him replace studio and musical gear for a new Mana Recording Studios– gear that Erik has used to produce a massive list of metal albums over the last two plus decades at Mana Recording.

• Erik Rutan – MANA RECORDING Studios Snap Back Hat
• Erik Rutan – Vince Locke (Signed Print) 11×17
Limited edition 60 signed prints, Vince Locke created and gifted this image, signed by both Vince and Erik
• Erik Rutan – MANA RECORDING Studios T-Shirt
• Erik Rutan – Vince Locke Original Design T-Shirt
Vince Locke created and gifted this image

https://www.metalblade.com/erikrutan
https://www.manarecording.com

ABOUT ERIK RUTAN – PRODUCER | GUITARIST | VISIONARY:
Erik Rutan is one of extreme metal’s most respected and multi-dimensional forces-renowned not only for his blistering guitar work and songwriting in legendary bands Hate Eternal, Morbid Angel, and Cannibal Corpse, but also as a prolific producer and founder of Mana Recording Studios, where he’s helped shape the sound of death metal for decades.

Rutan began his career in the late ’80s with Ripping Corpse, appearing on their influential Dreaming with the Dead (1991), then playing as a touring guitarist with Morbid Angel for Covenant (1993). Rutan then joined permanently to record the classic albums Domination (1995), Entangled In Chaos (1996), and Gateways To Annihilation (2000). In 1997, he formed Hate Eternal, taking on guitar, vocals, and full creative control. In 2002, Rutan left Morbid Angel to focus on Hate Eternal and Mana Recording Studios. The band’s discography-Conquering the Throne, King of All Kings, I, Monarch, The Perilous Fight, Fury & Flames, Phoenix Amongst the Ashes, Infernus, and Upon Desolate Sands-has cemented Rutan‘s reputation as a technical innovator and one of death metal’s most uncompromising architects.

Equally revered behind the console, Rutan opened his recording studio in 1999 and founded Mana Recording Studios in St. Petersburg, FL. The studio has since become a premiere destination for extreme music, hosting sessions for a who’s who of death metal as well as other styles of music. His production, engineering and mixing credits include a staggering list of landmark albums: Cannibal Corpse (Kill, Evisceration Plague, Torture, Red Before Black, Violence Unimagined, Chaos Horrific), Goatwhore (A Haunting Curse, Carving Out the Eyes of God, Blood for the Master, Constricting Rage of the Merciless), Krisiun (Conquerors of Armageddon, Forged In Fury), Soilent Green (Confrontation, Inevitable Collapse in the Presence of Conviction), Madball (Empire, Rebellion), Into The Moat (The Design, The Campaign) Tombs (Savage Gold, The Grand Annihilation) Agnostic Front, The Mountain Goats, Vital Remains, Belphegor, Through the Eyes of the Dead, Rivers of Nihil, Ether Coven, Aeon, Ephel Duath, Nile, Black Fast, Lizzy Borden as well as the entire Hate Eternal catalog among many others.

Known for his precision and intensity in the studio, Rutan is a demanding producer with an ear for both brutality and nuance. “I work musicians very hard, because I want them to exceed their own expectations,” he said in an interview with Mix Magazine. “I believe we all need to be pushed to achieve our greatest moments, whether internally or by an outside source,” he says. “I think most people don’t even realize their own potential, and when pushed in a positive and reassuring and reaffirming fashion, you can capture absolute brilliance.” Rutan continued… “I really believe in trying to maintain and preserve the integrity of the performances at that moment in time.” Krisiun drummer Max Kolesne enthused, “Erik… was able to get the best out of each one of us… he did a really great job“. His sonic approach balances organic energy with razor-sharp clarity, making his productions and mixes both punishing and refined. Goatwhore Vocalist Sammy Duet and bassist Ben Falgoust noted: “He makes us work really, really, really hard. Erik just knows how to capture our sound, he becomes a fifth member of the band“.

In 2019, after years of collaboration, Rutan started to tour with Cannibal Corpse as touring guitarist and then in 2021 joined as a full-time guitarist, making his recording debut as a member with Violence Unimagined and also Chaos Horrific. He contributed rhythm and lead guitar as well as songwriting on 3 tracks for each album, while also producing, engineering and mixing the albums-earning widespread acclaim. “Erik’s influence and musical knowledge have elevated everything around us,” bassist Alex Webster said. “He brings a work ethic and vision that’s unmatched.”

Despite his commitments to Cannibal Corpse, Rutan remains devoted to Hate Eternal and Mana Recording Studios. “Hate Eternal is my life’s work,” he told Premier Guitar. “And producing-that’s where I channel a different part of my creativity. I want to help bands create the best version of themselves.” With a legacy that spans multiple roles and generations, Rutan continues to define and redefine the sound of extreme metal-both onstage and behind the scenes in the studio.

About Metal Blade Records:
Founded upon owner Brian Slagel‘s enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalog, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it celebrates its fourth decade.

Metal Blade Records launched Metallica, Slayer, Armored Saint, Fates Warning, GWAR, Cannibal Corpse, Amon Amarth, Whitechapel, The Black Dahlia Murder, Cattle Decapitation, and dozens more genre giants, shaping four decades and counting of hard rock, metal, and extreme music culture. Brian Slagel worked as a record store clerk when he founded Metal Blade in 1982, reserving a spot for a young Lars Ulrich on his Metal Massacre compilation series. Metal Blade grew from humble beginnings in Los Angeles to become an international powerhouse, selling millions of albums while remaining fiercely independent. In 2017, Slayer‘s Kerry King inducted the label into the Hall of Heavy Metal History. Slagel’s For the Sake of Heaviness: The History of Metal Blade Records arrived the same year.

In 2022 Metal Blade Records celebrated its 40th Anniversary by way of two live shows in Las Vegas – one featuring Killswitch Engage and another featuring Sacred Reich. In addition to these two packed live shows/parties, the label reissued its first release, the compilation album Metal Massacre, plus specially branded 40th Anniversary small batch vodka and rum, and a West Coast style IPA beer. Brian Slagel also saw the release of his second book, Swing of the Blade: More Stories from Metal Blade Records that was released on May 9th and was met with rave reviews from fans and press alike. One fan on Good Reads called the book “a sentimental journey through Brian’s metal origin-story recollections from his deep and wide perspective as founder of Metal Blade that I enjoyed very much” while MetalTalk.net wrote that “Swing Of The Blade is an endearing, honest, and enjoyable journey into the deeper world of Brian Slagel, the main man behind the legendary Metal Blade Records…this is very much Brian in his own words, recounting tales from the early days of Metal Blade through to a brief post-pandemic epilogue, where he expresses his regret that the book hasn’t coincided with the 40th anniversary of the label.” To round out the celebration, Brian Slagel opened up the label’s collection of heavy metal memorabilia to fans in Las Vegas, NV, marking the opening of the official Metal Blade Records Museum that is open every Saturday.

The celebration rolled over into 2023 and in October AXS TV picked up and premiered the Denise Korycki documentary of Metal Massacre: The Story Behind the Legendary Album. Packed with all-star interviews, rare photos, the film tells the story of the groundbreaking 1982 Metal Massacre vinyl compilation-a sonic celebration of the burgeoning Los Angeles Metal scene, which helped launch the careers of iconic acts Metallica and Ratt, and ultimately led to the birth of the legendary independent record label Metal Blade Records. The film boasts priceless commentary and anecdotes from Metal Blade founder Brian Slagel and his friend and collaborator John Kornarens, two metalheads with a dream who made Metal Massacre a reality; as well as Metallica members Lars Ulrich and James Hetfield; Ratt frontman Stephen Pearcy; and Black N’ Blue singer Jamie St. James, among many others.

In 2024, Metal Blade Records and Pantheon Media launched the “100 Songs That Define Heavy Metal” Podcast to the excitement of metalheads everywhere. The successful podcast, which is loved by fans, industry, and artists alike, is hosted by Brian Slagel, CEO of Metal Blade Records. Each episode of the series will spotlight one of the most defining songs in metal, blending artist interviews, expert analysis, and behind-the-scenes insights. Listeners are taken on a deep dive into the production, cultural impact, and legacy of each track, with insights from prominent voices like music historian Martin Popoff and producer Jay Ruston.

The podcast features exclusive appearances from musicians who either influenced or were influenced by these legendary tracks, ensuring fans a unique, all-encompassing exploration of metal music. From Metallica and Slayer to Cannibal Corpse and Alice Cooper, “100 Songs That Define Heavy Metal” covers the songs that have defined generations, blending narrative storytelling with in-depth analyses. This podcast also serves as a tribute to the fans whose passion fuels the genre and keeps it alive for future generations.

“100 Songs That Define Heavy Metal” is now available on all major podcast platforms, including Spotify, Apple Podcasts, and Amazon Music.

Find Metal Blade Records at:
Official Website | Official Bandcamp | Facebook | Instagram | YouTube
Spotify | BlueSky | Twitter | Threads | TikTok | Museum

Good Day Noir Family,
Ezra Vancil’s “Island” unfolds like a warm breeze drifting in from a distant shore — gentle, nostalgic, and wrapped in soft mystery.

Island is Ezra Vancil’s Single Out Now

The track opens with a tremolo-kissed chord that sets a vintage tone, reminiscent of the dreamy, cinematic tension you might find in classic Nancy Sinatra recordings.

That single gesture prepares the ground for an experience that refuses to rush; instead, it invites you into a slow, luminous world that feels suspended between memory and dream.

As the song gains shape, the background vocals slide in with a delicate, enveloping touch. They float like sea foam, adding an ethereal glow that feels intimate and spacious. The atmosphere becomes almost timeless, as though the track belongs equally to the present and an old reel of film you once found tucked away in a drawer.

The tropical hints arrive subtly. Spanish-language lines shimmer through the mix, offering a gentle shift in color and giving the track a sun-washed, borderless feel. These short phrases add personality and frame the song in a place where cultures meet — halfway between a Caribbean lullaby and European dream-pop. The result is a delicate limbo where you sway without thinking, encouraged by the smooth, patient rhythm.

The guitar plays a crucial role, stretching out long notes that feel like sunlight sliding across water. Meanwhile, the groove encourages a soft, side-to-side sway, the kind you fall into naturally when a melody feels honest and unforced. Vancil’s interpretation brings emotional warmth without ever leaning into excess; he trusts the arrangement to breathe, and that trust pays off.

The video enhances the experience beautifully. Seeing the artist on a beach, singing as the wind moves around him, intensifies the feeling that the listener is being personally serenaded. It’s calm, inviting, and grounded — a visual extension of the song’s emotional core.

Near the end, the megaphone-styled vocal effect adds a surprising touch. It brings to mind artists like Manu Chao, introducing a street-folk texture that widens the song’s universe without breaking its serenity. The transition feels organic and deepens the narrative.

“Island” is soft, nostalgic, dream-drenched, and effortlessly atmospheric — a thoughtful track that feels like flipping through sun-faded polaroids of moments you’re sure you’ve lived before.

Island is Ezra Vancil’s Single Out Now!

Intense!

Ezra Vancil is an award-winning Texas songwriter whose music blends raw Americana storytelling with intimate, cinematic production. His new double album, Morning & Midnight—recorded in a secluded East Texas cabin—traces a decade-long journey from heartbreak to renewal. A finalist in the International Songwriting Competition and Kerrville New Folk, and a winner in Unsigned Only and the NewSong Competition, Ezra has shared his work at SXSW and stages across the U.S. Featuring contributions from Chris Brush, Jon Estes, Ty Richards, and his daughter Cozi Vancil, the album is available in limited release with new singles rolling out monthly.

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Good Day Noir Family,
Pennan Brae’s new album Paint feels like opening an old trunk filled with retro treasures, each track carrying a splash of color from another era while still sounding vividly alive.

Paint is Pennan Brae’s Album Out Now!

The opener, “It Ain’t Perfect But It’s Free,” hooks you with its warm, loose groove rooted in the golden age of ’70s rock.

There’s a free-spirited, slightly psychedelic vibe that draws you into a world where the rules are few and the energy is high. The track creates a small universe on its own, and it welcomes you into the rest of the record with charm and swagger.

Next comes “Girl In The City,” a track that radiates good moods and an easy sense of joy. It’s refreshing to hear how naturally Brae blends his retro influences with his own personality. His style feels unmistakably his: quirky, vibrant, and unafraid to lean into nostalgia while still keeping everything crisp and alive. Moreover, the melodic choices feel spontaneous yet thoughtful, giving the track an irresistible lift.

“Slide” stands out as one of the album’s most interesting moments. The sound selection is unusual in the best way, pushing the track into a slightly eerie, quirky zone during the verses. The way the vocal line mirrors the guitar phrasing adds a playful tension, and when the chorus lands, a faint funk energy brightens the mood. It’s a bold contrast that works beautifully.

The album continues with “Do What You Do,” driven by a rhythmic pulse that feels urgent but never rushed. The Hammond organ gives the track a thick, vintage glow, expanding the atmosphere without overwhelming the groove. Brae’s melodic architecture remains clever, switching directions just when you expect something predictable. These sudden turns reveal a songwriter who enjoys exploring rather than repeating formulas.

Finally, the record closes with “Synergy (With Horns),” a bright, celebratory track that opens with a brass section bursting through like a parade rounding a corner. That festive entrance quickly merges with Penna Brae’s signature rock edge, creating a satisfying finale that reinforces the album’s personality: vintage, lively, and full of spirit.

Paint is a colorful, fun, and stylish experience from an artist with a clear sense of identity.

Paint is Pennan Brae’s Album Out Now!

Energetic!

Paint is Pennan Brae’s Album Out Now!

Pennan Brae is a Vancouver musician whose music is influenced by 1970s & 80s rock & roll. Pennan enjoys the marriage of music & film & composed a pair of soundtracks for films he wrote (‘The Astronot’ & ‘2 Below 0’). His latest album, ‘Paint’, features the legendary Steve Ferrone (Tom Petty, Eric Clapton) on drums. Pennan’s music has received airplay on Sirius XM, North American College Radio & community radio in the UK & Australia.

Find Pennan Brae Here:

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WebPage
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The post Paint is Pennan Brae’s Album Out Now! appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
Estrada Music Project delivers a song charged with emotional strength and electronic pulse in “I Don’t Need to Hide Anymore.”

I don’t need to hide anymore is Estrada music project’s Single Out Now

The track opens with the sound of a beating heart — steady, intimate, and symbolic. Almost immediately, a powerful bass line enters and injects energy that feels alive, almost biological, as if electricity is rushing through your veins.

The momentum builds with intention, crafting a rhythm that suggests movement, renewal, and the moment someone decides their life is about to change.

When the vocals arrive, they carry a tone that feels mysterious and nostalgic. There’s a smoky texture in the delivery, something slightly distant yet emotionally focused. The mix of electronic influences and rhythmic drive evokes the darker, more introspective territories explored by bands like Depeche Mode. Moreover, the way the melody wraps around the beat enhances the sensation of stepping into a personal revelation.

The production stands out for its attention to detail. The arpeggiators shimmer with precision, pushing the track forward with kinetic energy. Meanwhile, the drums and keys sit high in the mix, creating a bright frame that allows the vocal to remain present without dominating. Every element supports the emotion of the song — confidence, release, and the boldness of showing oneself without fear.

Throughout the track, Estrada Music Project balances vulnerability with power. The song feels like a declaration, but also like an invitation to step into the light. The atmosphere stays slightly dark and electronic, yet the rhythmic pulse gives it a sense of triumph. It is a track that fits easily within synth-driven pop while maintaining an identity rooted in rock emotion and human expression.

“I Don’t Need to Hide Anymore” is a vibrant, stylish, and emotionally charged release — a blend of electronic texture and heartfelt songwriting.

I don’t need to hide anymore is Estrada music project’s Single Out Now!

Empowering!

Estrada Music Project is the creative outlet of a Scotland-based songwriter who balances a full life between medicine, music, and family. By day he works in a hospital, and by night—often from 7 to 11—he pours his heart into writing songs. Supported by an extraordinary partner and two wonderful children, he channels the love and gratitude that surround him into every composition. Grounded in faith and guided by sincerity, he embraces all the roles that shape him: man, son, husband, father, friend, and doctor. His music reflects his life—authentic, heartfelt, and rooted in true, sincere love.

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Good Day Noir Family,
James Laurent fires up an explosive indie-rock spark with “Dangerous Love,” a track that hooks you with a contagious kick of adrenaline.

Dangerous Love is James Laurent’s Single Out Now

A sharp guitar riff launches the song forward, carrying echoes of early-2000s punk rock — fast, gritty, and full of rebellious charm. 

Once Laurent’s voice steps in, the atmosphere expands. His delivery carries a sinuous, mysterious tone, blending theatrical flair with an undercurrent of emotional tension. It’s expressive without being exaggerated, modern without losing edge. The vocal line slides over the driving instrumentation with confidence, further shaping the mood into something nocturnal and addictive.

The production hits hard. The drum sound is crisp and punchy, with a snare that cuts through the mix like a clean strike. The rhythm section pushes the music into high gear while still leaving room for dynamic interplay. Moreover, the guitars alternate between high-intensity bursts and moments of restraint, allowing the bass to step forward and add depth. This balance creates a sense of movement — rising tension followed by brief calm, then another surge of energy.

Stylistically, the track blends emo, punk, and alternative rock. There’s a restless nostalgia here, but the emotion is directed toward the present rather than the past. The melody carries a certain urgency, while the instrumental drive keeps everything active and sharp. This mixture of energy and emotional grit gives the song a distinctly late-night feeling — like neon lights reflecting off wet pavement, or the rush of a city that never quite sleeps.

Laurent proves he knows exactly how to command his sound. Everything feels intentional: the pacing, the vocal textures, the bursts of guitar intensity, and the rhythmic shifts that keep the song from staying predictable. “Dangerous Love” is the work of an artist who understands passion and control.

Dangerous Love is James Laurent’s Single Out Now!

Intense!

James Laurent is a 26-year-old Ecuadorian-American engineer and artist from Milwaukee, Wisconsin. After a knee injury at 17 ended his hopes of playing professional soccer in Sweden, he taught himself music production using a family laptop and a borrowed USB mic.

By 20, he was a sought-after engineer in Los Angeles, and by 23 he had moved into post-production, contributing to projects for South Park, Nickelodeon Animation Studios, and Cartoon Network. He is also one of the youngest engineers to design and configure Dolby Atmos–certified studios, including two rooms for Amazon Music in Culver City.

James now works as a Media Systems Engineer for FX Networks while creating music from his bedroom studio, and he is also an active graphic designer and VFX artist.

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