Category: news

“Its time for a new chapter and we can’t wait to share everything we’ve been working on with you…”

The post Soilwork Share New Single “Night Whispers & Shining Lights” appeared first on Theprp.com.

Ahead of this Friday’s official release of their Monumental album, Ignea now stream a music video for the last advance single titled “Harmony Manufactured”.
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Coming next week to Liquid Metal and DSPs.

The post The Tony Danza Tapdance Extravaganza Tease New Single “Nothing Can Stop What Is Coming” appeared first on Theprp.com.

True to its name, Italian thrash combo Adversor is raging against authority on new single, “Totem of Doom,” taken from its fourth full-length, This Mortal Coil. We’re offering up a lyric video of said track, which has a distinct old-school Euro thrash vibe. These dudes—Dado (vocals/rhythm guitar), Ale (bass), Phil (lead guitar), Ja (drums)—are clearly well versed in the Kreator, Sodom and Destruction discographies of the ’80s. This is bestial thrash, more concerned with feral energy than technical mastery.

Final mixing and mastering of This Mortal Coil was completed in March 2026 and it’s set for release via Selvajaria Records on November 6. You can find the label’s online store here.

Vocalist/guitarist Dado had this to say about Adversor’s latest single:

“‘Totem of Doom’ is a warning scream. It is exactly what is happening in the world right now: people are protesting the power for their rights and to stop the evil wave that is crawling in the dark. The song talks about how the people got brainwashed from the power and how dangerous it is to simply follow a so-called leader (or messiah) without any questions, or without thinking. I’m describing what I’m just witnessing… Stand up for your rights,  be the change!”

The post Track Premiere: Adversor – “Totem of Doom” appeared first on Decibel Magazine.

Posted on October 21st 2026, 8:00pm

Dopethrone have announced a string of headlining shows across the West Coast, scheduled to be executed in January. On select dates they will be supported by Conjurer, 16 and Armed For Apocalypse.
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Band:	Wolves In The Throne Room
Release:	Estuary
Genre:	Black Metal
Country:	America
Release Date:	23rd of October, 2026
Released via	Century Media (Europe) / Relapse (USA)

USBM and Cascadian Black Metal are two terms that have been shaped by one band in particular. Often imitated, but never matched, Wolves In The Throne Room have been the figureheads of an entire black metal movement for over two decades.

Five years after their last album, the Americans finally return with their newest work Estuary, set to be released on October 23rd, 2026 via Century Media Records in Europe and Relapse Records in North America.

Right from the opening title track, the band’s newest work awakens all kinds of hidden alchemical powers. The raw, yet organic sound perfectly reflects Wolves In The Throne Room‘s close connection to nature. It brings back memories of older releases like Black Cascade or Celestial Lineage and feels much closer to the band’s earlier days. With a much stronger focus on percussion, this should especially please longtime fans.

The harmonic interplay between atmospheric, gothic guitar riffs and synth elements almost makes the boundaries between music and nature disappear. At the same time, thunderous drums on tracks like “Knights of Tiamat” showcase the heavier side of Wolves In The Throne Room. On the other hand, the band manages to blend raw elements like blast beats with much softer sounds. Especially on this track. After all, not everything is simply black and white. The clever songwriting makes these boundaries slowly disappear throughout the album, creating an almost transcendental atmosphere.

With a runtime of almost 50 minutes, Estuary might seem a little intimidating at first. However, Wolves In The Throne Room‘s newest album works perfectly as a complete piece of music. A majestic journey through flora and fauna. Even though I was a little skeptical at first, wondering if the band might eventually start repeating themselves. There isn’t a single moment where they lose their way. Every note fits together like a musical puzzle made of rotten wood and fog.

“Foretold in Reflections” is especially interesting when it comes to the vocals. At certain moments, the song sounds surprisingly European, almost like something straight out of the Norwegian black metal scene. It’s exactly these little details and tricks that keep the listener interested throughout the record.

Estuary might feel monolithic at times. But overall, Wolves In The Throne Room manage to return to their old strengths while adding some interesting new ideas throughout the album.

Another piece of the opening stops of their ‘Life Burns Faster’ residency.

The post Metallica Release Official “Welcome Home (Sanitarium)” Live Video From The Sphere appeared first on Theprp.com.

Five years have passed since Hermitage, and Moonspell have spent that time considering what might make another studio album worthwhile. Fernando Ribeiro has spoken of a prolonged search for the inspiration to make another record. Far From God brings the band’s gothic side back to the fore: deep, resonant vocal lines, dark romanticism and slowly […]

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Sludge/stoner representatives Domkraft have recently put out a new track, “Aurora”, off their upcoming fifth studio record Night Songs.
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