MORGAN WALLEN WALKS AWAY FROM WRECKAGE IN NEW “I GOT BETTER” MUSIC VIDEO
On the heels of concluding his 2025 I’m The Problem Tour on September 13 in Edmonton, Alberta, Morgan Wallen has notched another top five-and-climbing single at country radio with “I Got Better,” the second-of-37 tracks on his blockbuster fourth studio album, I’m The Problem. Today, the 19-time Billboard Music Award winner released the official music video for the single he dubbed his “most personal” upon its May 16 release.
Co-written by Wallen alongside Michael Hardy, Chase McGill, Blake Pendergrass, Ernest Keith Smith and Ryan Vojtesak, “I Got Better” comes to life on screen under the direction of Justin Clough. The cinematic video uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so.
Wallen first teased the video’s creative clad in bloodied attire via a social media post on September 3 during a week off on tour, simply captioning, “Interesting bye week lol.”
I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album. The project has already yielded four No. 1’s at country radio, including the title track, which remained at No. 1 for eight weeks.
The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.
01. Dragged Apart
02. Merciless Reflection
03. Watch You Fold
04. Stitch by Stitch
05. We Are All Inherently Evil
06. Dredge the Dark
07. Oaths Betrayed
08. Beaten Beyond the Veil
09. Steel Toe Truth
10. Cold Sun
“Until Now” is the latest single from Chinese Mongolian progressive metal collective NINE TREASURES. The track appears on the band’s stunning Seeking The Absolute full-length, set for release on October 24th via Metal Blade Records.
Photo by Hattoo
Offers vocalist/guitarist Askhan on the track, “The first riff of ‘Until Now’ came to life in early 2021, and it eventually became the opening chapter of this album. After releasing our last record, Wisdom Eyes, we kept writing new material, but nothing felt right. We didn’t want to repeat ourselves – we were searching for something more honest, more satisfying. So we scrapped over twenty songs and started from scratch. It was a heavy moment. We had no idea what direction to take, whether we’d even be able to finish the album, or if any of it would succeed. We were deep in a fog of uncertainty.
“Then one morning, while playing the tovshuur [Mongolian plucked musical instrument], I stumbled upon a sliding riff that just clicked. We kept refining it again and again until it became the final version – recorded, once again, in Los Angeles. Midway through, the track breaks into a stream-of-consciousness improvisation, wild and free. Every time we perform it, it feels like riding a wave that just keeps rising and rolling. We get completely lost in it and we love it.”
Formed by vocalist/guitarist Askhan in 2010 in the autonomous region of Inner Mongolia in China, NINE TREASURES delivers a unique combination of heavy metal and traditional Mongolian instrumentation, utilizing both conventional vocals and Mongolian throat singing. Guitars, bass, and drums collide with indigenous string instruments including the balalaika and the morin khuur (horsehead fiddle), resulting in a sonic kaleidoscope that follows no set template. NINE TREASURES moves easily from a straight-up headbanging style to the more atmospheric progressive style. Guitar-wise, Askhan infuses a lot of Mongolian playing techniques and songwriting logic into his playing and is excited for the “fresh blood” it adds to the band’s sound. The quintet’s varied approaches and universal messaging will allow them to tour with any musically progressive band, be it Amon Amarth or Tool.
Playing 100-plus festival shows and headlining gigs per year in Asia, to audiences of up to 50,000, and with four albums to their name, NINE TREASURES are at the top of their proverbial game and ready to conquer the Western world. Seeking The Absolute is their first record for Metal Blade, and first LP to have a worldwide release.
Paul Maxwell brings a fiery edge to hyperpop with his new release “Plastic Jesus”.
A record that fuses glitchy textures and alt-rock grit into something must hear. The production bursts with energy bringing distorted synths clash with heavy guitar riffs, creating a chaotic but controlled storm that demands attention. Maxwell’s vocals cut through with raw energy, packing unapolegectic energy, that perfectly matches the track’s unpredictable spirit.
What makes this record shine is how it balances experimentalism with accessibility. It’s a song that thrives on contrast with digital distortion meeting analog emotion, the sleek polish of hyperpop colliding with the rebellious edge of rock. For fans looking for music that pushes boundaries while still hitting hard, Paul Maxwell delivers a powerful anthem that feels both futuristic and uncompromisingly human.
Check out Paul Maxwell “Plastic Jesus” below and follow them on Instagram. Stay Global my Friends!
The White Label Auctionin Aid of The BRIT Trust – the world’s only known auction dedicated exclusively to the sale of “white label” test pressings will take place on Tuesday 7th October 2025.
Around 170 lots will go under the hammer, featuring arguably the most stellar collection yet of test pressings1, leading as it does with rare artist-signed white label copies of new or classic albums by some of the world’s biggest artists. These include The Who (Who’s Next, Live at Leeds, My Generation, The Who Hits 50, Tommy, Quadrophenia OST, Live at the Civic Auditorium San Francisco). Check them all out here: https://whitelabelauction.lnk.to/TheWho
Other collectable white label pressings include Coldplay (Music of the Spheres and Live In Buenos Aries), Chemical Brothers (Exit Planet Dust), Ed Sheeran (Play), Iggy Pop (Free), Paul Weller (Find El Dorado), Public Image Limited (PiL) (various signed by John Lydon), Robbie Williams (Life Thru’ A Lens and I’ve Been Expecting You), Rod Stewart (Ultimate Hits), YolanDa Brown (Love Politics War), and 2025 Mercury Prize shortlisted Albums of the Year – Pa Salieu (Afrikan Alien), Pink Pantheress (Fancy That), and Wolf Alice (The Calling).
Another very special lot, which potentially could go for thousands of pounds, is a very rare white label 7” test pressing of Queen’s legendary single ‘Bohemian Rhapsody’, which this year celebrates its 50th anniversary. The ground-breaking song, which, across two spells in 1975 and then 1991, spent a total of 14 weeks at No.1 in the Official Singles Charts, has ‘I’m In Love with My Car’ on its B-side – both featured on the band’s iconic studio album, A Night At The Opera.
In all, there are hundreds of albums and singles up for grabs for dedicated collectors and passionate fans alike. These cover a breadth of artists and genres, from the iconic soul pop of Amy Winehouse (including Back To Black), to the heavy metal classics of Black Sabbath and their much-loved front-man Ozzy Osbourne (including Paranoid), and everything in between. These take in classic or other albums by the likes of ABBA, The Rolling Stones, Sex Pistols, PIL, The Killers,Nick Drake, The Who, Stone Roses, Gorillaz, Florence + The Machine, Pulp, Cocteau Twins, and many more, as well as from more contemporary artists including Little Simz, Wet Leg, and The 1975.
The White Label Auction, is now live and accepting bids ahead of 7th October at Omega Auctions. See all the items to bid for HERE
In its five editions to date, the White Label Auction has generated well over £160,000 for music industry charity, The BRIT Trust, which works to improve lives through the power of music and the creative arts, and supports hundreds of causes across the UK that promote education and wellbeing, including The BRIT School, Nordoff and Robbins, ELAM, Music Support, and Key4Life.
The While Label Auction is being organised by its founder, Johnny Chandler, supported by Gennaro Castaldo of record labels association the BPI, and Julian Stockton of JMSPR. It will again be hosted by Newton-Le-Willows-based music memorabilia and vinyl records specialists Omega Auctions.
The event is made possible by the generosity of the UK music community – its many artists, managers, and record companies and labels, who every year donate hundreds of lot items between them, including Universal Music UK, who lead in contributing to it, Warner Music UK, Sony Music UK, AWAL, BMG, Cherry Red Records, Domino Recordings, and others.
White Label Auction founder and organiser, Johnny Chandler, said: “Once again huge thanks must go to all our supporters across the music community – the many artists, managers and labels – for their generosity and for helping to build awareness of the WLA via their socials, all of which has enabled the event to raise many tens of thousands for The BRIT Trust, and who this year have surpassed themselves, not least with the many signed albums and the hundreds of rare and collectible recordings from some of the biggest names in music. And we are honoured to also have in its 50th anniversary year a 7” single test pressing of ‘Bohemian Rhapsody’ that is generating huge global interest among Queen fans and collectors alike. I hope anyone with a love of vinyl will follow the auction, and, if they can, play their part in it.”
Dan Muscatelli-Hampson, Omega Auctions Auction Manager, added: “The love of vinyl extends from casual fans to the most ardent collectors, and we are now also seeing a new generation of admirers coming through, helping the market for collectible recordings and music memorabilia to stay buoyant. This auction is the only one of its kind in the world, which Omega Auctions is proud to host. It has clearly struck a chord with artists and fans alike, and with some special gems on offer, we invite collectors from around the world to again join us to bid for these rare items.”
This year’s White Label Auction forms part of the celebrations taking around National Album Day on 18th October, which this year has ‘rock’ as its theme.
The White Label Auction, is now live and accepting bids ahead of 7th October at Omega Auctions. See all the items to bid for HERE
The 70’s rock music era shaped the sound of modern rock. It was a decade filled with innovation, rebellion, and creativity. Rock bands pushed boundaries, experimented with styles, and delivered albums that stood the test of time. These records became the foundation for countless artists in the decades that followed.
The 1970s offered something for everyone. From heavy riffs and progressive sounds to glam and psychedelic tones, the variety was unmatched. Legendary groups such as Led Zeppelin, Pink Floyd, and Fleetwood Mac released groundbreaking albums. At the same time, artists like David Bowie and Bruce Springsteen crafted records that redefined rock storytelling.
This list highlights 10 albums you must hear if you want to explore the richness of 70’s rock music. Each one captures the energy, spirit, and influence of the decade. Whether you’re a long-time fan or just discovering the genre, these albums deserve a place in your collection.
1. Led Zeppelin – Led Zeppelin IV (1971)
Few albums embody 70’s rock music as strongly as Led Zeppelin’sLed Zeppelin IV. Released in 1971, it became a landmark in rock history. The record blends heavy riffs, blues roots, and mythical themes.
The tracklist features classics like “Stairway to Heaven”, “Black Dog”, and “Rock and Roll.” Each song highlights the band’s unmatched musicianship. Jimmy Page’s guitar work, Robert Plant’s soaring vocals, and John Bonham’s thunderous drumming created magic.
What makes this album iconic is its diversity. From the folk-inspired “The Battle of Evermore” to the powerful “When the Levee Breaks”, it delivers a complete rock experience. It remains one of the best-selling albums of all time.
Led Zeppelin IV is essential for anyone exploring 70’s rock music. It captures the decade’s spirit and proves why Led Zeppelin are often hailed as the greatest rock band.
2. Pink Floyd – The Dark Side of the Moon (1973)
When talking about 70’s rock music, Pink Floyd’sThe Dark Side of the Moon is impossible to ignore. Released in 1973, it became one of the most influential albums ever. Its sound was groundbreaking, mixing progressive rock with experimental production.
Tracks like “Time”, “Money”, and “Us and Them” showcase the band’s ability to blend thought-provoking lyrics with complex arrangements. The record explores themes of life, mortality, and society. Its seamless flow makes it feel like one long piece rather than a collection of songs.
The album also changed live performances. Pink Floyd’s use of visuals and sound effects created immersive shows that redefined concerts. The Dark Side of the Moon stayed on the Billboard charts for an incredible 741 weeks.
This record is more than music; it’s an experience. For anyone diving into 70’s rock music, it is a masterpiece you cannot skip.
3. Fleetwood Mac – Rumours (1977)
In 1977, Fleetwood Mac released Rumours, one of the most iconic albums in 70’s rock music. It’s a mix of rock, pop, and folk, filled with emotional depth and unforgettable melodies.
The album includes timeless hits like “Go Your Own Way”, “Dreams”, and “Don’t Stop.” These songs capture the personal struggles of the band members during its recording. Their relationships were breaking apart, but the tension fueled their creativity.
Rumours is polished yet deeply personal. Stevie Nicks’ vocals shine, while Lindsey Buckingham and Christine McVie deliver some of their strongest work. The harmonies and production make it both intimate and universal.
It sold over 40 million copies worldwide, cementing its place in rock history. For those exploring 70’s rock music, Rumours is essential. It shows how rock could be raw, emotional, and commercially successful at the same time.
4. David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
David Bowie was a pioneer of glam rock, and his 1972 album Ziggy Stardust is a cornerstone of 70’s rock music. With this record, Bowie created the alter ego Ziggy Stardust, a flamboyant rock star who captured the world’s imagination.
The album blends storytelling with innovation. Songs like “Starman”, “Suffragette City”, and “Moonage Daydream” became anthems. Bowie’s ability to merge theatre, fashion, and rock set him apart from his peers.
What makes Ziggy Stardust stand out is its concept. The record tells the story of Ziggy’s rise and fall, weaving together glam rock’s flamboyance with meaningful lyrics. Bowie’s bold style challenged norms and influenced countless artists.
This album defined glam rock and left a permanent mark on 70’s rock music. It’s not just an album but a cultural moment that shaped rock’s future.
5. Bruce Springsteen – Born to Run (1975)
Released in 1975, Bruce Springsteen’sBorn to Run captured the heart of American rock. It quickly became one of the defining albums of 70’s rock music.
The title track, “Born to Run”, remains one of Springsteen’s greatest songs. Its driving rhythm, passionate lyrics, and full-band energy define his sound. Other standouts include “Thunder Road” and “Jungleland”, both filled with vivid storytelling.
What set this album apart was its ambition. Springsteen aimed to create a record that felt big and cinematic. With the E Street Band, he built a wall of sound that carried his stories of youth, freedom, and dreams.
Born to Run established Springsteen as a rock legend. For anyone exploring 70’s rock music, this album is a reminder of how rock can inspire and connect deeply with listeners.
6. The Rolling Stones – Exile on Main St. (1972)
The Rolling Stones delivered their masterpiece with Exile on Main St. in 1972. Often cited as one of the greatest albums in 70’s rock music, it blended rock, blues, and soul.
Recorded in a French villa under chaotic conditions, the album’s raw energy makes it special. Tracks like “Tumbling Dice”, “Rocks Off”, and “Happy” capture the band’s rebellious spirit.
The double album format allowed the Stones to explore different sounds. From blues-driven grooves to gospel-inspired moments, it showcased their versatility. Its messy brilliance became part of its charm.
Though not initially praised, Exile on Main St. grew into a classic. Today, it stands as one of the boldest statements in 70’s rock music and proves why the Stones earned their title as “The World’s Greatest Rock and Roll Band.”
7. The Who – Who’s Next (1971)
In 1971, The Who released Who’s Next, a powerful entry in 70’s rock music. It came after the abandoned “Lifehouse” project, with many of its songs reworked for this album.
The record features some of the band’s greatest tracks. “Baba O’Riley”, “Behind Blue Eyes”, and “Won’t Get Fooled Again” are unforgettable. These songs highlight Pete Townshend’s songwriting and Roger Daltrey’s commanding vocals.
Who’s Next combined rock energy with synthesizers, making it innovative for its time. The band balanced raw power with thoughtful lyrics, addressing themes of rebellion and change.
It remains a defining album in 70’s rock music. For fans seeking both intensity and innovation, Who’s Next is essential listening.
8. Queen – A Night at the Opera (1975)
Queen’sA Night at the Opera was released in 1975 and became one of the most ambitious albums in 70’s rock music. Known for its variety, it mixed hard rock, ballads, and even opera influences.
The standout track, “Bohemian Rhapsody”, redefined what a rock single could be. With its operatic sections, heavy riffs, and emotional piano, it remains one of the greatest songs ever recorded.
Other highlights include “You’re My Best Friend” and “Love of My Life.” The album showcases Freddie Mercury’s theatrical style, Brian May’s guitar brilliance, and the band’s willingness to experiment.
A Night at the Opera proved rock could be bold and artistic while still reaching massive audiences. It’s a vital part of 70’s rock music and a testament to Queen’s creativity.
9. Black Sabbath – Paranoid (1970)
The birth of heavy metal can be traced back to Black Sabbath’sParanoid. Released in 1970, it became a cornerstone of 70’s rock music and a blueprint for metal.
Tracks like “War Pigs”, “Paranoid”, and “Iron Man” are legendary. Their heavy riffs, dark themes, and powerful delivery defined a new sound. Tony Iommi’s guitar tone and Ozzy Osbourne’s haunting vocals created something entirely different.
Paranoid stood out from other records of the era. While many bands focused on psychedelic or progressive sounds, Black Sabbath embraced darkness and heaviness. This choice made them pioneers.
For fans of 70’s rock music, Paranoid is essential. It shows how the decade produced not just classics but entire new genres.
The title track, “Hotel California”, is unforgettable. Its haunting lyrics and dual guitar solo have made it a timeless anthem. Other songs like “New Kid in Town” and “Life in the Fast Lane” also became hits.
The album explored themes of excess, disillusionment, and the darker side of fame. With its blend of rock and country influences, it captured the spirit of the American 1970s.
Hotel California has sold over 30 million copies worldwide. It remains a cultural touchstone and a must-hear for anyone exploring 70’s rock music.
The Bottom Line
The 1970s gave us some of the most legendary records in rock history. Each of these 10 albums represents the creativity and diversity of 70’s rock music. From the heavy riffs of Black Sabbath to the emotional harmonies of Fleetwood Mac, the decade produced a soundtrack that still resonates today.
These albums didn’t just entertain; they shaped culture. They pushed rock into new directions, inspired generations, and built legacies that endure. The stories, sounds, and emotions captured in these records remain timeless.
If you want to understand the roots of modern rock, start here. Whether it’s the epic storytelling of Springsteen, the innovation of Pink Floyd, or the raw power of The Who, these albums will take you on a journey. Dive into them, and experience the essence of 70’s rock music at its very best.
Numen are a Spanish band whose musical consistency, so far from any commercial benefits and strongly rooted in the neo-prog soil, I surely appreciate. Since their debut album “Samsara” they displayed a nice bend for melodies and considerable instrumental skills. This song comes precisely from “Samsara” and I know many of you would have singled out other and more complex compositions from this album… but I hope you’ll forgive me as you know how much I like a well done and well played pastoral song.
Didn’t I say that Numen also like beautiful artworks for their releases?
This is exacly the case with “Lady Time”, where a well found theme lies on a smooth sonic carpet and the listener can also find some beautiful guitar solos and a delicious flute work. Furthermore, there is a very clever and unpredictable change of mood around minute 3:25, when the Camel-esque pastoral song becomes more Marillion-esque and, believe me, this is simply perfect for my ears.
Numen are a Spanish band whose musical consistency, so far from any commercial benefits and strongly rooted in the neo-prog soil, I surely appreciate. Since their debut album “Samsara” they displayed a nice bend for melodies and considerable instrumental skills. This song comes precisely from “Samsara” and I know many of you would have singled out other and more complex compositions from this album… but I hope you’ll forgive me as you know how much I like a well done and well played pastoral song.
Didn’t I say that Numen also like beautiful artworks for their releases?
This is exacly the case with “Lady Time”, where a well found theme lies on a smooth sonic carpet and the listener can also find some beautiful guitar solos and a delicious flute work. Furthermore, there is a very clever and unpredictable change of mood around minute 3:25, when the Camel-esque pastoral song becomes more Marillion-esque and, believe me, this is simply perfect for my ears.
