Almost no one understands what made speed metal great, looking from the outside-in as any time after the era tends to do, nor what made those transitional bands like Slayer, Rigor Mortis, and Destruction so powerful.
These bands used the tremolo strum like death metal instead of the palm-muted percussive riffing that Metallica and Exodus made famous, and this technique requires different song structures to support it, something that Mortuary understood on their first album and carry through to the present.
These songs incorporate more of the bounce from Destruction and Testament, but all of the Slayer and Morbid Angel speed thrills in fast featherstrum riffs that soar above the trudging rhythms of speed metal and give these songs a quality like a darkened angel soaring over a burning Earth.
Souls of Diotima are officially back, signaling the start of a mysterious and bold new chapter. The band is thrilled to announce the release of their brand-new single, “Run Away,” arriving on Friday, June 5th. The single serves as the first glimpse into “Arcade,” the band’s upcoming fifth studio album, set for worldwide release on October 2nd, 2026, via Diotima Records.
As previously hinted by the band, “Arcade” marks the beginning of a “new era.” Souls of Diotima have undergone a significant directional change, a bold evolution that the members have chosen to keep under wraps. The true nature of this sonic transformation will remain a secret until the first single officially drops.
To capture this new vision, the band headed to Sweden to record at the legendary Studio Bohus in Kungälv. The album was fully produced by Oscar Nilsson, Thomas “Plec” Johansson, and Mikko Viitala.
The visual identity of “Arcade” is just as striking, featuring cover art by Rhett Padersoo, which is being unveiled today alongside the official tracklist.
“Arcade” Track-list:
1. Warning! 2. Revenge 3. Deadline 4. Black Rose 5. Run Away 6. Time is a Flame 7. A Child 8. Senza Rancore 9. Head Up, Guard Up 10. Cage 11. Nocturnal Vibe
Interview by Kris Peters REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension – out May 8 via Black Lodge – delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals. Formed in 2016 in Småland, Sweden, REXORIA quickly evolved into something distinct within the metal landscape, embarking on […]
The Myddle Class at the Excelsior House, October 1966, from left: Charlie (“Tony”), Dave, and RickThe Myddle Class at the Excelsior House, October 1966, Charlie (“Tony”), Dave, and Rick
The Myddle Class traveled to Snyder’s Lake, near Troy, New York, to play two weekends, October 14, 15 & 16, and 21, 22 & 23 at the Excelsior House nightclub, which was then attracting college (and younger, presumably) students four to five nights a week to see acts like the Critters, the Liverpool Set and the Knickerbockers.
I was astonished to find 11 snapshots taken during their time at the club, along with autographs collected from each. Hilariously, Charles Larkey is noted as “Tony” on the album pages, though he signed his autograph correctly as Charlie Larkey.
The Excelsior House ran ads regularly for their shows. For the Myddle Class, some were spelled correctly, but a couple others billed them as the Middle Class.
The Excelsior House, a 19th century house on tiny Snyder’s Lake, a short drive southeast of Troy, NY, had a history dating back to the 1930s as a rural nightclub and restaurant. It drew crowds from a wide geographic area with various forms of entertainment and events.
In 1964, a new owner, Harry Doakmajian started bringing in rock and pop acts. Over the next four years the Excelsior House hosted a succession of notable house bands.
The Knickerbockers: Jimmy, Beau, John, Buddy, at the Excelsior House, The Troy Record, May 1, 1965
The Knickerbockers made the Excelsior House their second home, with frequent months-long bookings from August 1964 until December 1965, and occasional monthly residencies in 1966 and 1967.
The Sundowners, from Lake George, held down monthly gigs in 1965 into 1966, and the Good Times were regulars from April through July 1966 (billed early on as “Direct from Harlow’s in N.Y.C.”) and again in September and December 1966, and January 1967.
The Kynds and the Good Times, Excelsior House, The Troy Record, 1966, April 9
I am not certain if this is the Goodtimes from Providence, RI, who also recorded as the Tradewinds, or more likely the band from Newburgh who recorded two albums of pop on Meteor as the Goodtimes III. This group comprised Johnny Babb, Timmy Jones, Dave Kennedy and Bobby Lonie, among others, and cut some good unreleased songs, possibly recorded at Earl Kennett’s studio, as Dave Kennedy recommended the studio to the Jelly Bean Bandits to make their first demos.
Below is a compendium of the acts that played, compiled mainly from ads in the Troy Record newspaper (which became the Times Record).
Bands were usually booked Friday and Saturday evenings. Over time, early Sunday shows were added, then Wednesdays and Thursdays as well.
1964:
February: Tino and the Revlons
April 18: the James K4
June: Tino and the Revlons, the Act III
July: the Capris (“direct from Miami Beach”), and the Continental Twisters
August: the Act III and the James K4
August 3: Buddy Randell and the Knickerbockers
August: the Mystics and the Continentals
September through December: the Knickerbockers
1965:
Sundowners with Eddie Brick and Bobby Dickson, Excelsior House, The Troy Record, 1966, Nov 12January: the Knickerbockers
February: the Sundowners
March: Tino and the Revlons (“Troy’s Own Beetles”), the Blue Counts and the Motions
April: the Motions, the Vi-Cleefs
April and May: the Knickerbockers
Nick Brignola and His Modern Jazz Quartet: Thursdays in June and July
July 31: Jay and the Americans plus the Knickerbockers
July: the Knickerbockers
August: the Knickerbockers
September: Don Sohl and the Road Runners (Nebraska band who cut great sax & guitar instrumentals like “Voo Doo” on Palms and “Rampage” on Dreem).
September: the Road-ents, the Progressions
October: the 4 Synns
Cordels at the Excelsior House, The Troy Record. 1965, Oct 9
October 16: the Classics and the Chessmen
November: the Cordels
December 23: the Knickerbockers and the Sundowners
December: Sundowners
1966:
The Chartbusters, the Sundowners, and the Big Bear Revue, the Troy Record, 1966, Feb. 12By 1966 the Excelsior had two venues on the same compound: the main building with pop, rock and soul bands, and another called the Corral specializing in country music and square dancing, such as Rob Horton and the Friendly Travelers or Pete Williams and His Ranchers, but I have not compiled an extensive list of those c&w groups.
January – February: the Sundowners
February 19, 20: the Big Bear Revue (“Big Bear” / “People” on Cuppy Records)
February 25, 26: the Check Mates
March: Snoopy’s Crew
March 5: the Fugitives
March 12: the “ever popular” Esquires
March 25: the Fireballs
April 3: the Group 4
April 9, 10: the Kynds
April 14 had a special show, Jerry Lee Lewis and his Review!
May and June: Knickerbockers and Good Times
On July 29, the Souls Inc. “12 Man Group” took over through August, sometimes with Lord X and his X Chords
August 27 (Saturday): Tim Rose Trio
The Critters and the Good Times, Excelsior House, The Troy Record, September 23, 1966
The Good Times resumed house band status for September but there were a number of interesting featured acts that month and October:
September 2, 3 and 4: the Younger Boys (I don’t know anything about this group)
September 23: the Critters
September 28, 29, 30, 31 & October 5, 6, 7, 8 and 9: the Liverpool Set
The Myddle Class, Excelsior House, The Troy Record, 1966, Oct 22
October 14, 15 and 16 and 21, 22 and 23: the Myddle Class (billed in some ads as the Middle Class)
October 26, 28, 29 and 30: the Cleaners
November: the Sundowners with Eddie Brick
December: the Knickerbockers, The Good Times
Ricardo and the 4 Most, Excelsior House, The Times Record, Feb. 10, 1967
1967:
January: the Good Times
February: Ricardo the the Fore Most (4 Most)
March: the Sundowners and the O’Royals (the Fabulous Royals)
March 26: Roger Freeman with the Spoiled Brats
April 1: the Night Watch
April: the Liverpool Set
May: the Knickerbockers
Ricardo and the 4 Most, Excelsior House, The Troy Times Record, February 3, 1967The Cleaners, Excelsior House, The Troy Record, October 29, 1966
1968:
February: the Shades of Brass, the Legends of Sound
Eva’s Towpath II, formerly Excelsior House, Imperials, The Troy Record, 1969, Nov 16
In September, 1969, the Excelsior House was taken over by Eva Varaday and renamed Eva’s Towpath II, but it only continued for a few months before it was shut down by the Rensselaer County Health Department for the same reason the previous owner lost his liquor license: the Excelsior House, like most of the other residences on the lake, had been sending raw sewage into Snyder’s Lake, a tiny 1/8 of a square mile (approximately) in area! It did reopen in the mid-’70s for a short time as a meeting place, but burned down in 2009.
If anyone has photos of the Excelsior House please contact me!
Travis Scott is the latest contemporary musician to get college course curriculum in his honor. The Creative Enterprise – Learning From Cactus Jack is a new class at the University Of Southern California’s Annenberg School For Communication And Journalism, and it sounds like it’ll take a broad look at how the rapper/producer/business mogul built recognition through his Cactus Jack imprint and other ventures (ofwhichtherearemany).
Montreal progressive rock powerhouse Karcius have just unveiled the official video for their new single “Rise”. The track serves as the third and final teaser before the band drop their highly anticipated seventh studio album, Black Soul Sickness, on 8th May. The new record marks the conclusion of a conceptual trilogy that began with 2018’s … Continue reading Karcius descent into the storm with new single and video “Rise”
North East alt-rockers Fine Night Elements have officially dropped their debut EP, All We Know, along with its title track as a lead single. Released on 24th April via Kycker, the new material sees the working-class outfit blending their gritty rock roots with electronic textures and a cinematic atmosphere that’s hard to pin down to … Continue reading Fine Night Elements release debut EP and new single “All We Know”
For fans of traditional sweeping but slower-paced black metal in the style of Enslaved and Graveland, but with a homebrew twist that calls to mind the most abstract of death metal structuralism, Armophophallus Titanum delivers an album of saturating experiences.
Named after the scientific nomenclature for the giant corpse flower, this band aims to make black metal that is deliberately cerebral but creates a visceral experience through Jungian and Schopenhauerian unconscious symbolism of existential nodal points in the life of someone striving for awareness in a world gone silent.
Brooding, dark, but playful this sweeping black metal eschews blasting madness for a dense mood that gains layers as melodies emerge from contrary impulses that at first appear chaotic, leaving us with a vision like a silent landscape in the subconscious, shrouded in fog and echoing with unheard cries.
Interview by Kris Peters REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension – out May 8 via Black Lodge – delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals. Formed in 2016 in Småland, Sweden, REXORIA quickly evolved into something distinct within the metal landscape, embarking on […]
