Category: news

  • Utilize the Remains – Meaningless Existence Review

    It is summer, and summer is for MOAR SLAMS!!! 2026 hasn’t seen the most plentiful harvest from the most cavebrained of death metal subsets, but with choice items from acts like Glassbone, Utter Scorn, Onchocerciasis Esophagogastroduodenoscopy, and Gravecrawler, I’ve been able to keep my slam cravings moderately maintained. Alas, the hunger grows perpetually. I needed MOAR, and it needed to be good. Enter New Zealand’s verb-the-noun slam quartet Utilize the Remains and their sophomore LP, Meaningless Existence. With a fully fleshed-out lineup as of 2023, can these Pacific rimmers sate my thirst for dummy unga-bunga death?

    The short answer is yes! Featuring members of War Saw, Abhor, and known slammers Organectomy, Utilize the Remains slam and chug and gurgle their way relentlessly through 36 minutes of tightly wound, stomping material that fits neatly inside genre conventions. They do exactly 0 things to push the envelope or challenge expectations the same way artists like Wormhole or Devourment regularly endeavor, and yet their work satisfies the prompt with comprehensive ease and infallible competence. Moments of intelligence flash before me as numbers like “Devouring Neuropathy” and “Biochemical Emptiness” continually evolve into ballistic variants of its main theme. Nevertheless, consistency and adherence to the classic slam formula—a formula with one ingredient: skull-bashing riffs—take first priority at all times.

    Meaningless Existence may not be the most innovative slam record, but it is great fun and sure to be a hit in any pit. Huge grooves that require an intimidating stride to traverse give top cuts “Biochemical Existence,” “Vicious Redemption,” “Flesh Ripped from Bone,” “Sadistic Manipulation,” and closer “Into Eternal Oblivion” a devastating swing and swagger liable to shatter bones and burst blood vessels en masse. Highly indicative of Organectomy’s album arrangements, instrumental “Encoded Within” shines a spotlight on the instrumental team constructing these destructive payloads in fine fashion, and leads me directly into the raucous, double-bass-heavy “Vicious Redemption.” Tightly arranged, Meaningless Existence boasts a level of compositional consistency that allows its best moments to shine without leaving the rest to flounder and stumble, but there’s enough variety in pacing and patterns to keep things from getting boring before the end. For a genre with as limited a palette as slam is often provided, that feat is admirable.

    Nonetheless, stronger examples of the genre have done more with the same restricted toolkit. Opening salvos “Sealed Fate” and “Necrotic Chambers of Decay” don’t leave lasting impressions to help hype me up during the first quarter, instead fading gradually out of memory as Meaningless Existence progresses. “Keep Them All Docile” similarly exhibits well in the moment, but leaves no mark in the wake of the two huge bangers that bookend its placement in the runtime. Even Meaningless Existence’s strongest moments, like “Flesh Ripped from Bone,” leave some creative potential on the table. While there are clear opportunities to twist and bend riffs into novel shapes and take unorthodox paths to something exciting and uncommonly captivating, Utilize the Remains instead tows the company line without much in the way of deviation. This adherence to slam’s established blueprint affords Meaningless Existence a familiarity and a reliable fun factor that can’t be denied. By that same coin, however, Utilize the Remains rob their audience of a more fulfilling creative experience that those familiar with the band members’ pedigrees might reasonably hope to hear.

    In the end, Meaningless Existence is a perfect summer album. Simple, dependable, muscular slamming death that offers no bells and no brain cells. It’s dumb as rocks and is liable to rock the house at any venue with metric fucktons of stomping, hammering fun. It could’ve been more interesting and adventurous without sullying slam’s caveman reputation, of course—and it would’ve been easy for these musicians to write it that way, too. They didn’t. While that’s a far cry from a disappointment in this arena, I find myself fondly imagining small changes, minor alterations, and little twists that might make Meaningless Existence a more surprising release nonetheless. Still, it’s hard to go wrong with something done well, and Utilize the Remains cleared that bar with ease.


    Rating: Good
    DR: 6 | Format Reviewed: PCM
    Label: Self-Released
    Websites: Bandcamp | Facebook
    Releases Worldwide: August 18th, 2026

    The post Utilize the Remains – Meaningless Existence Review appeared first on Angry Metal Guy.

  • Slam Dunk Festival Confirm 2027 Dates

    Slam Dunk Festival has taken the first steps towards 2027, confirming the dates for when North and South will take place.

    Photo by Corrine Cumming for Rock Sound

    Slam Dunk has shared that the days each festival takes place have switched around, with North now on the Saturday of the weekend and South on the Sunday.

    Here are the dates for your diary:

    MAY 2027

    29 – LEEDS Temple Newsam Park
    30 – HATFIELD Hatfield Park

    The first band announcement will be coming soon, and you can be the first to know by signing up for updates at slamdunkfestival.com.

    The post Slam Dunk Festival Confirm 2027 Dates appeared first on Rock Sound.

  • Top 10 Little River Band Songs

    Little River Band Songs

    Our Top 10 Little River Band Songs list looks at a band that had a magnificent string of pop hits in the late 1970s and early 1980s. The band was formed in Melbourne, Australia, in the mid-1970s. The band’s sound bordered somewhere between rock and pop with light touches of jazz, Southern, and some Cajun soul mixed. Think of the organic sound of a band like Little Feat meeting the slick, polished sound of a group like Level 42. It was a unique sound fueled by great musicians. Regardless of genre or musician, bands need to write great songs to

    The post Top 10 Little River Band Songs appeared first on ClassicRockHistory.com.

  • MUNDI MUNDI BASH To Go Ahead Despite Record Rainfalls

    Thousands of festivalgoers are set to experience the 2026 Broken Hill Mundi Mundi Bash, with the iconic outback festival going ahead from 20–22 August at Belmont Station on the spectacular Mundi Mundi Plains. Now in its fifth year, the Bash has become a major fixture on Australia’s outback events calendar, attracting music lovers and families […]
  • Brat – ‘Trophy Hunting’ Track Premieres

    US grindcore maniacs Brat present a brand new single, “Trophy Hunting”, from their forthcoming studio record Manslayer. The latter drops September 25.
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  • Erja Lyytinen Announces ’50th Birthday Live 2026′ + New Single

    Finland´s own “Queen of the Slide Guitar” Erja Lyytinen is celebrating her 50th Birthday with a lavish live album package consisting of a double CD, double vinyl and a full-length DVD, which was recorded at the prestigious House of Culture, known as “Kultsa” in Helsinki Finland on 21st March 2026. The venue House of Culture […]

    The post Erja Lyytinen Announces ’50th Birthday Live 2026′ + New Single appeared first on ROCKPOSER DOT COM.

  • THE STATION & JEFF COSCO Pre-Orders Available

    PRE-ORDERS OPEN NOW   www.melodicrockclassics.com  
  • THE STATION Gather Pre-House Of Shakira Material on Archive Set

      MelodicRock Classics is proud to bring another chapter of AOR history to light in partnering with Swedish band The Station, to bring their unreleased archives to fans September 25. The Station are of course, the pre-cursor to the much-loved House Of Shakira.   ‘Once Upon A Time (1989-1993)’ features some glorious Scandi anthemic melodic rock, some songs will be familiar to HoS fans, while others help show the origins of the band’s sound.   In 1989 all band members agreed on a rule. They vowed to musically “try every new idea with an open mind”. This approach boosted creativity and made for a versatile and dynamic songwriting. It was a simple golden rule that shaped The Station- both then and there, and for the future.   The songs are Engineered by Peter Edlund & Göran Elmquist; Mixed by: Peter Edlund, Göran Elmquist and The Station and Mastered by: Mats Hallstensson @ Room of Doom Stockholm   The Station are: Mikael Zifa Eriksson – Vocals Mats Hallstensson – Guitar, keyboards, vocals Anders Lundström – Guitar, keyboards Bernt Ek – Bass, vocals Henrik Andreasson – Drums, percussion   Track Listing: 01. Warm Me Up 04:10 (1989) 02. Life’s Magical Ball 03:52 (1989) 03. The Morning After 04:27 (1989) 04. You Touched Me 03:36 (1991) 05. Susan 05:09 (1992) 06. The Twin Tree 04:41 (1990) 07. Angel Of Love 03:30 (1992) 08. Love Was Good 04:24 (1992) 09. American Dreamer 04:08 (1992) 10. Open Eyes 04:23 (1990) 11. Big Time Bomb Revolution 03:37 (1993) 12. Icaro’s Flight 02:36 (1993)   Bonus Track 13. You’re The One I Care For 05:13 (1990)  
    Categories: 
    MelodicRock Classics Label
  • WATCH: The Emotional Trailer For Oasis’ New Documentary ‘Don’t Look Back In Anger’

    Oasis have released the trailer for their upcoming documentary all about their triumphant comeback last year, and it is set to be something pretty special.

    Combining footage of the build-up and rehearsals for their huge series of shows that took place across the UK, Asia and North and South America before taking you into the heart of those performances, the film looks to peel back every layer of what it took to get Liam and Noel Gallagher back on stage together.

    Candid, revealing and awe-inspiring, it already feels like it is going to be an emotional tour-de-force, one that doesn’t hold back in its honesty of such a pivotal moment in cultural history.

    Oh, and it looks beautiful, thanks to the directing duo of Will Lovelace and Dylan Southern.

    Get stuck in.


    ‘Don’t Look Back In Anger’ will be released in select cinemas on September 09 in the UK and September 11 in the US before making it onto Disney+ later in the year.

    The post WATCH: The Emotional Trailer For Oasis’ New Documentary ‘Don’t Look Back In Anger’ appeared first on Rock Sound.

  • Game Over – Confirm European Tour Dates

    In support of their upcoming When Darkness Falls album release, Italian thrashers Game Over have confirmed a first batch of tour dates across the European lands.
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