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  • The Black Dahlia Murder: Photos and Concert Review

    The Black Dahlia Murder: Photos and Concert Review

    The Black Dahlia Murder – House of Blues Anaheim – April 24, 2026

    Michigan based melodic death metal trendsetters The Black Dahlia Murder hit Anaheim California’s House of Blues on Friday night, and the main room might never be the same.  By the time the lights came up and the music started to blare, all 1700 people in attendance were fully warmed up and ready to go after sets by The Acacia Strain, Disembodied Tyrant, and Corpse Pile. 

    The Black Dahlia Murder

    The Black Dahlia Murder’s show had a little of everything – mosh pits, crowd surfers, heavy-ass music played at ear-shattering volume, pure mayhem, and a bubble machine.  While the bubble machine remained on for only one steady burst, and seemed a little out of place, the mayhem remained until the last note was played. 

    Guitarist Brian Eshbach took over vocals in 2022 after the untimely death of Trevor Strnad, and has been firmly planted in that role since the band’s tenth album, 2024’s album Servitude.  Brian killed it on Friday night, and spent much of the show on the lip of the stage extending his hand toward the crowd, coaxing them without words to participate…something that didn’t need any encouragement.  Security had their hands full keeping crowd surfers safe, and the steady stream of floating bodies came fast and furious towards the stage in much the same way as the music. 

    The majority of songs played were from Servitude (2024), Nocturnal (2007), and Miasma (2005) records, with songs from four other albums also represented in a great cross-section of the band’s history.  Fans up front were on the younger side, which seemed surprising for a band twenty-five years old – the fact that the youth are embracing heavy bands like The Black Dahlia Murder is encouraging, and apparently Gene Simmons of KISS was wrong when he stated in 2014 that rock was dead.  It was very much alive, well, and in good hands on this night. 

    The Black Dahlia Murder is: 

    • Brian Eschbach – Vocals
    • Ryan Knight – Guitar
    • Alan Cassidy – Drums
    • Max Lavellie – Bass
    • Wes Hauch – Guitar

    Setlist:

    1) Unhallowed

    2) Funeral Thirst

    3) Nightbringers

    4) Panic Hysteric

    5) Contagion

    6) A Vulgar Picture

    7) Mammoth's Hand

    8) Flies

    9) Malenchantments of the Necrosphere

    10) Aftermath

    11) Kings of the Nightworld

    12) Evening Ephemeral

    13) Cursed Creator

    14) Statutory Ape

    15) Everything Went Black

    16) What a Horrible Night to Have a Curse

    17) Warborn

    18) Nocturnal

    19) Miasma

    20) Utopia Black

    21) I Will Return

    22) Deathmask Divine

    The Acacia Strain

    This was my first time seeing The Acacia Strain, and when vocalist Vincent Bennett hit the stage, he initially reminded me of a high school football coach from the 1980’s that you might catch smoking and drinking Coors in the parking lot after practice before hopping in his tricked out Camaro and peeling out…except for the tattoos and huge voice…then he reminded me nothing of any coach I’d ever had.  These guys were no joke, and came to fuck shit up.  Over the course of their fourteen-song set, that’s exactly what they did. 

    The Albany New York metalcore/deathcore band The Acacia Strain is hard hitting and very interactive live.  Vince raced around the stage seemingly playing to every single individual fan in attendance – and the audience responded by mass crowd surfing, and moshing like their lives depended on it.  Bodies were flying everywhere, and by the end of the set, thin and flexible 8’ glowsticks also started flying.  I didn’t see where they were first introduced, but within seconds they were everywhere you looked, with people on the floor throwing them up to the viewers on the balcony, only to have them immediately thrown back down. 

    Halfway through their set, Vincent gave an impassioned talk about friends, and how important they are to our well-being.  “They are the family you pick – check in on them – you never know when the last time you see them will be.”  The hard rock/metal community is always good about looking out for people, but sometimes the simple things can be forgotten or put off until later.  Some might argue that bands should use their time on stage to play songs and not lecture, but the 30 seconds the speech took could have made the difference in someone’s life, and I always appreciate hearing positive reinforcement, as well as having a short break in the action to catch my breath…before getting throttled by the sonic bombast coming from the stage.

    The Acacia Strain is: 

    • Vincent Bennett – Vocals
    • Devin Shidaker – Guitar
    • Griffin Landa – Bass
    • Mikael Mulholland – Guitar
    • Matt Guglielmo – Drums

    Disembodied Tyrant

    Disembodied Tyrant is a Missouri deathcore band formed in 2020 during the pandemic, and they were extremely hard-hitting.  Finding your voice on a night like this with four talented bands sharing the same stage can be difficult, and standing out from the crowd even harder.  Disembodied Tyrant pulled it off with aplomb – sonically relentless, their performance didn’t give the audience the opportunity to take a breather before the next wave of aural bludgeoning began.

    During their last song, they called for a wall of death, and fans absolutely delivered when the breakdown kicked in.  I found out a few minutes later while waiting in the photo pit for The Acacia Strain to go on that a photographer friend happened to be crossing the main floor just as that happened, and had a moment of absolute terror, as he tried to escape with 1) his life, and 2) his cameras intact.  What a way to wrap up a set – it certainly left the audience with a visceral memory to remember Disembodied Tyrant by. 

    Disembodied Tyrant is:

    • Blake Mullens – Guitar/Vocals
    • Dominic Petrocelli – Guitar
    • Lucas Koughan – Bass
    • Kevin Alexander – Drums

    Corpse Pile

    Corpse Pile was established in Houston Texas in 2019, and brought the heat to Southern California.  The House of Blues wasn’t yet completely full, but those there early will definitely remember Corpse Pile for the brutal show they put on.  They used their platform to both play amazingly hard music, and talk about the state of the world, blaming neither political side directly, but instead the billionaires that run things behind the scenes and divide us because it’s profitable to do so.  Vocalist Jason Lionel Frazier said, “It’s not about left or right, liberal or conservative – fuck that – it’s about us versus them!”.  A moment later, while firing up the early arrivals to the venue, he added, “Push it front to back, back to front…all that community bullshit is out the window…”, before launching into the next song causing the main-floor crowd to swirl and tear up the place.  Corpse Pile’s set was an excellent precursor and great way to start off a long night of metal madness.

    Corpse Pile is:

    • Jason Lionel Frazier – Vocals
    • Landry Arredondo – Guitar
    • Davis Pryse Snyder – Bass
    • Alex Covarrubias – Drums
    The Black Dahlia Murder: Photos and Concert Review
    Brooks Robinson Photographer & Writer

    Brooks Robinson is an LA-based concert photographer, and 30+ year freelance camera operator for film, television, and music videos. He has photographed some of the largest film/TV projects in history, and hundreds of music videos in MTV's heyday.

    Thanks for reading!

  • Nick Oliveri Joins Queens of the Stone Age On Stage for the First Time in Over a Decade

    Screenshot 2026-04-26 at 10.52

    This past Friday was a dream that so many of us probably wish we could’ve experienced in real time. The lucky sons-o’-bitches who were at Queens of the Stone Age‘s set on April 24 at the Joshua Tree Retreat center in Joshua Tree, CA got a fucking treat, because they brought out Nick Oliveri on stage. Yes! That Nick Oliveri: their former bassist and vocalist who joined the band in 1998 and rocked with the for six years. Watch some fan-filmed footage below.

    There was a bit of drama surrounding why he left QOTSA though—he played naked on stage in Brazil and got arrested for it, along with doing some other concerning things. The band kicked him out for it, understandably.

    Despite all that hubbub and turmoil, Oliveri and QOTSA did continue to work together in certain ways. They collaborated on QOTSA’s 2013 album …Like Clockwork, which then led to them taking Oliveri’s band at the time, Uncontrollable, on the …Like Clockwork tour with them.

    Queens of the Stone Age 2026 tour dates:

    April 25 – Rancho Mirage, CA @ Agua Caliente Rancho Mirage
    April 27 – Portland, OR @ Arlene Schnitzer Concert Hall
    April 29 – Seattle, WA @ Paramount Theatre
    May 1 – Lincoln, CA @ Thunder Valley Casino Resort

    The post Nick Oliveri Joins Queens of the Stone Age On Stage for the First Time in Over a Decade appeared first on MetalSucks.

  • Gig Review: Taylor Acorn / wilt – Slay, Glasgow (21st May 2026)

    A meme question thingy popped up on Twitter earlier this week asking “which acts have you seen more than once?”. Well, courtesy of her opening slot for All Time Low back in January, Taylor Acorn was about to make my version of that fairly long list one performer longer. Prior to her appearance in front … Continue reading Gig Review: Taylor Acorn / wilt – Slay, Glasgow (21st May 2026)
  • Madonna Debuts New Song Alongside A Masked Addison Rae In West Hollywood

    A new Madonna album rollout is officially underway. Confessions II, the sequel to 2005’s Confessions On A Dance Floor, is arriving in July, and so far she’s released the single “I Feel So Free” and performed the yet-to-be-released “Bring Your Love” with Sabrina Carpenter during the latter’s Coachella Weekend 2 headlining set. Last night, Madge made a surprise appearance at the invite-only event Club Confessions Los Angeles at the the LGBTQ+ club the Abbey in West Hollywood, where she unveiled some more new music alongside another pop star, Addison Rae.

    The post Madonna Debuts New Song Alongside A Masked Addison Rae In West Hollywood appeared first on Stereogum.

  • Review: Alicate – Too Bad To Be Good

    Review: Alicate – Too Bad To Be Good Pride & Joy Music – April 24th, 2026 Reviewer – Chris O’Connor Alicate are something of a delightful contradiction: a Scandinavian AOR outfit that, at times, sounds as though it has been lifted straight from the golden era of American melodic rock. The reason becomes immediately apparent. […]

    The post Review: Alicate – Too Bad To Be Good appeared first on ROCKPOSER DOT COM.

  • THE FINAL FAREWELL: At The Gates’ Jonas Björler on the Legacy of Tomas Lindberg, the Future of the Band and More on The Loaded Radio Podcast

    jonas-bjorler-the-loaded-radio

    Melodic death metal didn’t just lose a singer when Tomas Lindberg died in 2025; it lost its heartbeat. But as the April 24 release of The Ghost Of A Future Dead looms like a spectral shadow, we’re learning that Tomas didn’t leave without a fight. This record isn’t some scavenged collection of basement demos—it is a meticulously directed, posthumous middle finger to mortality, overseen by Lindberg down to the very last scream.

    This week on The Loaded Radio Podcast, we’re joined by founding bassist Jonas Björler for an absolute gut-punch of an interview. We’re talking about the final sessions, the crushing reality of losing a brother, and the terrifying question every fan is whispering: Is this the end of At The Gates?

    The “Future Dead” Cheat Sheet

    • The Record: The Ghost Of A Future Dead dropped April 24, 2026 via Century Media.
    • The Legacy: Every detail—the mix, the art, the tracklist—was personally finalized by Tomas Lindberg before his 2025 passing.
    • The Podcast: Jonas Björler joins The Loaded Radio Podcast to discuss if the band can even exist in a world without Tomas.
    • The Stats: 12 tracks, 42 minutes, recorded by the legendary Jens Bogren.

    Hear The Full Jonas Björler Interview On The Loaded Radio Podcast

     

    A Masterpiece Directed From The Other Side

    Most “posthumous” albums feel like a cash grab. Not this one. Jonas Björler reveals on The Loaded Radio Podcast that The Ghost Of A Future Dead was actually completed two years ago. The band sat on it, waiting, hoping for a recovery that never came. Because of that delay, what we’re getting is 100% pure, unfiltered Lindberg. He wasn’t just the singer; he was the director. From the “In Dark Distortion” atmosphere to the crushing weight of “Parasitical Hive,” Tomas’s fingerprints are all over the glass.

    “Nothing was left to chance,” the band says. “This album is Tomas’s legacy.” If you’ve been following the Gothenburg scene since the 90s, this isn’t just an album—it’s a funeral rite played at 200 BPM.

    We Also Recommend – Riffs That Weep: An Essential Guide to the Gothenburg Sound

    “The Fever Mask”: A Haunting First Contact

    The lead single, “The Fever Mask,” is exactly what you want from At The Gates: raw, melodic, and lyrically devastating. Jonas tells us it was one of the last songs written for the album, and it stands as a testament to Tomas’s ability to find beauty in the dissonance even while facing the end.

    at-the-gates-2026

    The End of an Era: What’s Left for the Björler Brothers?

    We didn’t pull any punches on The Loaded Radio Podcast. We asked Jonas straight up: Can At The Gates survive this? Replacing a vocalist is one thing; replacing a philosopher and a pioneer like Tomas Lindberg is a different beast entirely. Jonas is candid about the “unfathomable” grief and the logistical nightmare of moving forward. While the album title The Ghost Of A Future Dead suggests a sense of finality, the conversation on the show proves that the band’s impact is immortal, even if the lineup isn’t.

    Check This Out – We Ranked Melodeath’s 13 Essentials (And Our #1 Will Start an Argument)

    The Final Word from Loaded Radio

    But wait, the metal onslaught doesn’t stop with the Gothenburg legends. In the second half of this episode, Scott Penfold takes the mic to tear through the week’s most explosive headlines. We’re breaking down the holy grail discovery of Black Sabbath’s legendary “Earth” tapes, giving you the latest on ex-KISS shredder Bruce Kulick’s recovery following successful heart surgery, and dissecting the controversial new touring lineup for Marilyn Manson. From medical miracles to unearthed doom history, we’ve got the full report on The Loaded Radio Podcast.

    TL;DR:

    The Bottom Line At The Gates returns on April 24, 2026, with The Ghost Of A Future Dead, featuring the final recordings of the late Tomas Lindberg. Jonas Björler joined The Loaded Radio Podcast to break down the 12-track masterpiece, the emotional weight of Lindberg’s 2025 passing, and the uncertain future of the Swedish legends. Additionally, Scott Penfold discusses the latest news regarding Black Sabbath, Bruce Kulick, and Marilyn Manson.

    The post THE FINAL FAREWELL: At The Gates’ Jonas Björler on the Legacy of Tomas Lindberg, the Future of the Band and More on The Loaded Radio Podcast appeared first on Loaded Radio.

  • Sepultura’s Derrick Green is Starting Another Band

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    Damn, Derrick, we see you! Derrick Green, that is—the vocalist of Sepultura. As if he hasn’t been busy enough on the band’s farewell tour, he’s also been working behind the scenes, scheming and plotting on what he’s going to do once the band wraps up. Apparently, he’s got a whole new band in the works.

    Green sat down for a new interview with Heavy Matters where he spoke about his plans, post farewell tour:

    “I will continue doing music. I definitely would love to do another band. And I’m putting that together as we speak.

    “Trying to align with certain people, it’s like starting from scratch, well, not necessarily from scratch, but it’s definitely a challenge to form that connection with people again, different people. After being with a band for so long — I’ve been especially with Andreas and Paulo for so many years, since like 1998, so it’s interesting to think back and then now be where we’re at, where it’s just, like, ‘Okay, I’ll try to find other people to jam with.’ It’s exciting, I have to say.”

    Green then went a little more in depth about what he feels the potential is for the new project, saying:

    “I was able to learn so much and take away so much being with Sepultura, and I will use different elements from that. Then, the hardcore, of course, it’s always flowing in my blood. And then also a lot of melodical-type stuff I was doing. I felt that I’ve grown and evolved in being able to do that. So I wanna have a mix of that, and for sure have a heavy groove on whatever it is I’m gonna do in the future. So I’m looking forward to really combining all those different elements.”

    Good for you, Derrick. A true artist never stops, or whatever that saying is (that is a saying, right?). Sepultura is currently finishing the North American leg of their final tour cycle, currently with Exodus, Biohazard, and Tribal Gaze in tow. They’ll be starting the European leg in June.

    Remaining Sepultura Farewell 2026 North American tour dates:

    4/29 – Montclair, NJ @ The Wellmont Theater
    5/01 – Montreal, QC @ MTELUS
    5/02 – London, ON @ London Music Hall
    5/04 – Detroit, MI @ Royal Oak Music Theatre
    5/05 – Louisville, KY @ Old Forester’s Paristown Hall
    5/06 – Nashville, TN @ Brooklyn Bowl
    5/07 – Atlanta, GA @ The Masquarade
    5/08 – New Orleans, LA @ The Civic Theatre
    5/10 – Daytona Beach, FL @ Welcome To Rockville
    5/11 – Charleston, SC @ Music Farm
    5/12 – Greensboro, NC @ Piedmont Hall
    5/13 – Reading, PA @ Reverb
    5/15 – Chicago, IL @ Ramova Theatre
    5/16 – Columbus, OH @ Sonic Temple
    5/17 – Milwaukee, WI @ The Rave
    5/19 – Des Moines, IA @ Val Air Ballroom
    5/21 – Denver, CO @ The Ogden Theatre
    5/22 – Salt Lake City, UT @ The Depot
    5/23 – Boise, ID @ Shrine Social Club
    5/25 – Las Vegas, NV @ House Of Blues
    5/26 – San Diego, CA @ The Observatory North Park
    5/28 – Berkeley, CA @ UC Theatre

    European tour dates:

    6/06 – Maastricht, NL @ South Of Heaven
    6/07 – Plzen, CZ @ MetalFest
    6/08 – Zagreb, HR @ Tvornica Kulture
    6/09 – Milan, IT @ Circolo Magnolia
    6/10 – Rome, IT @ Eur Social Park
    6/12 – Interlaken, CH @ Greenfield
    6/13 – Nickelsdorf, AT @ Nova Rock
    6/14 – Wuerzburg, DE @ Posthalle
    6/17 – Saarbrucken, DE @ Garage
    6/19 – Clisson, FR @ Hellfest
    6/20 – Dessel, BE @ Graspop Metal Meeting
    6/21 – Lisbon, PT @ Rock In Rio Lisboa
    6/23 – Oberhausen, DE @ Turbinenhalle
    6/24 – Potsdam, DE @ Waschhaus Potsdam
    6/25 – Copenhagen, DK @ Copenhell
    6/26 – Huskvarna, SE @ Folkets Park
    6/27 – Oslo, NO @ Tons Of Rock
    7/29 – Wacken, DE @ Wacken Open Air
    8/01 – Helsinki, FI @ Tavastia
    8/02 – Tallinn, EE @ Tallinn Rock Festival
    8/05 – Villena, ES @ Leyendas del Rock
    8/07 – Walton-on-Trent, GB @ Bloodstock Festival
    8/09 – Dublin, IE @ 3Arena

    The post Sepultura’s Derrick Green is Starting Another Band appeared first on MetalSucks.