Category: news

  • Slipknot’s Jim Root Says You Shouldn’t Have Believed Him Either On Sid Wilson

    sid-wilson-promo

    A comment attributed to Slipknot guitarist Jim Root has been circulating through the band’s fan communities since Friday, addressing the post he made two weeks ago telling people not to believe everything they read about Sid Wilson’s exit. In it, Root reportedly says that at the time he wrote it, he didn’t know what to believe — while standing by the sentiment and acknowledging the post didn’t age well. It follows Slipknot’s own confirmation on Friday that Wilson is out after 28 years, in a statement they deleted the same day.

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    What the comment says

    First, the sourcing, because it matters and most outlets are glossing over it.

    This is not a post from Root’s verified account. It’s a comment attributed to him that has spread widely through Slipknot fan communities — traced back to a Reddit thread — in the hours after the band’s announcement. It has not been independently confirmed.

    With that stated plainly, here’s the substance of it: you couldn’t even believe what he wrote. At the time he wrote it, he didn’t know what to believe. He stands by it anyway. He still doesn’t think anyone should believe everything they read. Time will tell — as it did for his post, which he concedes didn’t age well.

    If that’s genuinely Root, it’s a more honest position than most bands manage in this situation. He wasn’t lying to fans two weeks ago. He was a guy inside a mess that hadn’t resolved yet, telling people to wait, because he was waiting too.

    Worth remembering these two go back a long way beyond the day job. Root and Wilson were half of the four-man core — with Corey Taylor and Clown — behind Look Outside Your Window, the experimental 2008 side record that finally saw daylight this year after more than a decade of delays. Whatever this is, it isn’t a distant colleague reacting to a headline.

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    Rewind: what he actually posted

    On July 31, the day TMZ first reported Wilson’s removal, Root posted to Instagram Stories soundtracked by Slipknot’s “‘Til We Die.”

    The message: don’t believe everything you read. Stop. Think. Take a breath. Sit with it for a while. Maybe even wait until there’s more information.

    A large chunk of the fanbase read that as a flat denial — as Root telling everyone the TMZ report was wrong. Read again now, it says something narrower. It says wait. It never says it’s false.

    That distinction is the whole story of the last two weeks.

    It also fits the pattern of a band that has never handled member news cleanly. Wilson himself was the one teasing fans to say goodbye ahead of the 25th anniversary era, and the rollout of the new masks and the two unnamed members played out the same way — drip-fed, half-confirmed, and largely decoded by fans before the band said anything.

    Sid Wilson of Slipknot

    The Ferris Bueller detour

    The other piece of this involves Stacy Thomson, wife of Slipknot guitarist Mick Thomson, and unlike the Root comment, these posts are verifiable — they came from her own accounts.

    In the immediate aftermath of the TMZ report, she posted the famous rumour-mill monologue from Ferris Bueller’s Day Off — the one about a best friend’s sister’s boyfriend’s brother’s girlfriend hearing from a guy who knows a kid. Then she followed it with a note telling people not to believe everything they read on the internet, and a defence of the film’s quality.

    After Friday’s confirmation, she got called out for it. Her reply: it wasn’t true when TMZ posted it, and she assured the person that the guys always give chances.

    Which is its own kind of answer. The suggestion isn’t that the report was fabricated — it’s that at the moment it published, the outcome hadn’t been finalised. Read alongside the Root comment, a picture forms of a band that hadn’t landed on a decision when the story broke, and lost control of the timeline from that point forward.

    TMZ themselves reported that Slipknot had been planning to announce it in the first week of August and lost the rollout when the story landed first.

    We Also Recommend – Slipknot Members 2026: Current Lineup And Who’s In The Band Now

    The one voice still missing

    Sid Wilson hasn’t said anything.

    He brushed off questions when approached in person. He promoted a merch store. On Wednesday he stood at the World Scratch Invitational and introduced himself as Sid, DJ Starscream, number zero, from the world famous Slipknot — present tense, two days before the band said otherwise.

    Since Friday’s announcement, nothing.

    There’s also been a separate strand running through this involving pointed social media posts from his former fiancée Kelly Osbourne, which many have assumed were aimed at him. Neither has confirmed that, and it’s personal territory rather than band business, so we’ll leave it there.

    What’s left is a 28-year member removed with no public explanation, a guitarist walking back a post he says he never fully believed himself, a bandmate’s spouse arguing the report was premature rather than wrong, and the man at the centre of it saying nothing at all.

    Slipknot haven’t played live since Inkcarceration in July 2025. At some point somebody in that organisation is going to have to say more than one sentence.

    Wilson’s exit is the fourth departure since 2019 — after Chris Fehn, Craig Jones and Jay Weinberg — and it leaves only four members of the original numbered #0 to #8 lineup still in the band: Root, Clown, Mick Thomson and Corey Taylor. Our full breakdown of who’s actually in Slipknot right now has been updated to reflect Wilson’s removal, and if you want the longer arc, we’ve traced every lineup change in the band’s history from the Des Moines days forward.

    Check This Out – Slipknot Albums Ranked: Every Masked Masterpiece From Worst to Best

    TL;DR

    • What’s new: a comment attributed to Jim Root, circulating in Slipknot fan communities, addresses his July 31 “don’t believe everything you read” post — saying he didn’t know what to believe when he wrote it and that it didn’t age well.
    • Sourcing caution: the comment has not been confirmed by Root or any verified account. It surfaced via fan communities and Reddit.
    • What his original post said: don’t believe everything you read; stop, think, wait for more information. It never stated the TMZ report was false.
    • Stacy Thomson’s role: the wife of guitarist Mick Thomson posted a Ferris Bueller rumour-mill quote after the initial report, and later said it wasn’t true when TMZ posted it, adding that the band always give chances.
    • Still silent: Sid Wilson has not publicly addressed his removal.
    • Unchanged: Slipknot’s own statement gave no reason, and was deleted the same day it went up.

    Also – The 13 Most Brutal Slipknot Songs Ever Recorded (Ranked)

    FAQ

    What did Jim Root say about Sid Wilson?

    On July 31, following TMZ’s initial report, Root posted to Instagram Stories telling fans not to believe everything they read, and to stop, think and wait for more information. After Slipknot confirmed Wilson’s departure on August 14, a comment attributed to Root began circulating in fan communities in which he says he didn’t know what to believe when he wrote the original post, stands by the sentiment regardless, and acknowledges it didn’t age well. That comment has not been confirmed by a verified account.

    Did Jim Root deny that Sid Wilson was fired?

    Not explicitly. His original post asked fans to withhold judgement and wait for more information rather than stating the report was untrue — a distinction that became significant once the band confirmed Wilson’s exit two weeks later.

    Why did Slipknot part ways with Sid Wilson?

    The band have not given a reason. Their statement, posted and then deleted on August 14, 2026, said only that they would no longer be associated with Wilson effective immediately and wished him well. TMZ reported that the decision followed the band’s dissatisfaction with how Wilson treated his bandmates, but that characterisation is TMZ’s and has not been confirmed by Slipknot.

    Has Sid Wilson responded?

    No. As of publication he has not publicly addressed his removal from the band. He declined to answer questions when approached in person earlier in August, and on August 12 introduced himself as a current member of Slipknot at the World Scratch Invitational — two days before the band’s announcement.

    Who is Stacy Thomson?

    She is the wife of Slipknot guitarist Mick Thomson. After TMZ’s initial report she posted a quote from Ferris Bueller’s Day Off about rumours spreading second-hand, followed by a note advising people not to believe everything they read online. After the band’s confirmation she responded to criticism by saying the report wasn’t true at the time TMZ published it.

    Two weeks of cryptic posts and one deleted statement, and the only person who hasn’t spoken is Sid. What do you think actually happened here? Tell us below, and keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Slipknot’s Jim Root Says You Shouldn’t Have Believed Him Either On Sid Wilson appeared first on Loaded Radio.

  • Now & Then: Silverada’s Living Proof and the reach of Against the Wind

    Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.
  • Watch Will Wilde jam with King King in special U.S. appearance

    Will Wilde made his United States debut at Playing With Fire in Omaha, Nebraska, on Thursday, August 14. Wilde was a featured artist prior to the headlining King King, which made its one-off United States appearance for the third straight year at Playing With Fire.

    Alan Nimmo asked Wilde to join King King towards the end of the set, and you can watch the performance below.

    Make sure to subscribe to Blues Rock Review on YouTube to catch full length performances from Playing With Fire coming soon.

    The post Watch Will Wilde jam with King King in special U.S. appearance appeared first on Blues Rock Review.

  • Listening Now : Treverse The World – GOD IN ME

    Treverse The World delivers GOD IN ME as an introspective piece of Christian rap built around self-examination, guilt, and the struggle to confront personal demons. Rather than avoiding uncomfortable subjects, the track turns inward, addressing destructive habits, doubt, rejection, and the consequences of poor decisions through a raw internal dialogue. Written during a period of personal turmoil, the song reflects the tension between recognizing a destructive path and finding the strength to change it. As part of No Rest for the Blessed, a concept album divided between spiritual and more secular perspectives, GOD IN ME represents the heavier side of its first half. Its direct writing and confessional approach give the track a deeply personal quality, framing faith as a process of confronting weakness, taking responsibility, and moving forward.

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  • Hollywood Vampires + The Jesus and Mary Chain @ The O2

    Hollywood Vampires + The Jesus and Mary Chain @ The O2 12 August 2026 Review by Pumpkin Chi Photography by Manu Volpina The O2 welcomed […]

    The post Hollywood Vampires + The Jesus and Mary Chain @ The O2 appeared first on Metal-Rules.com.

  • Unearthing the Metal Underground: Germany’s Godslave

    Yes, America’s “Big Four” and beyond are rightfully revered, but there is much more to thrash on the global scale. Germany is one of the true homes of thrash metal. Sodom, Destruction, Kreator and, to a lesser extent, Tankard have helped define the core essence of the sub-genre. Throughout the years, others have further cemented the legacy of that … Read More/Discuss on Metal Underground.com
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  • SonicBlast 2026 Day Three – One Last Assault Before The Atlantic Falls Silent

    1000mods - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk

    The final day of a Metal fest is always one where you wake up with new bruises and questions bouncing around your brain. The main one being, what sort of fuel is left in the tank? For SonicBlast 2026 attendees, the answer was plenty.

    SonicBlast 2026 – Day Three

    Viana do Castelo, Portugal – 6-8 August 2026

    Words And Photography: Tim Bugbee

    Summer Of Hate - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Summer Of Hate – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    The day started with a late fill-in for Levitation Room, another band from Portugal called Summer Of Hate. They hit all the right notes of bands like Spacemen 3, Black Rebel Motorcycle Club, Mazzy Star and even Shiva Burlesque, the obscure band that predated Grant Lee Buffalo.

    Summer Of Hate - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Summer Of Hate – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    Proof that dark, moody material can indeed work just fine in the blinding daylight hours. Solid set, but someone needs to do some sartorial coordination, as the six-piece looked like they were from three different bands.

    It had been eleven years since I last saw Fuzz, the off-the-rails garage rock trio where Ty Segall takes the drum seat and hands over guitar duties to Charlie Moothart.

    Primitive Ring - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Primitive Ring – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    I had no idea that Primitive Ring was his new band, along with members of Hooveriii, including Jon Modaff, who saw action on Friday playing keyboards for Frankie And The Witch Fingers. Moothart is a completely underrated guitar player, cranking out killer riffs with interesting twists and no wasted movement. 

    Margarita Witch Cult - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Margarita Witch Cult – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    The next three bands were vastly different from each other but made it work like the tastiest BLT sandwich. Margarita Witch Cult brought Doom Metal and uptempo rhythms together like long-lost cousins.

    Necrot - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Necrot – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    Necrot was old-school Death Metal that did not blink in the blazing sky, and 1000 Mods stoked the riff machine that bands such as Kyuss and Clutch do, probably the best Greek band at the moment. 

    1000mods - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    1000mods – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    After the thunderous electro-punk rock action of duo Teen Mortgage, the main stage served up the heavy hitters of Saturday. “After a couple of days of loud Metal, thanks for putting up with our prog bullshit,” Nick DiSalvo self-deprecatingly stated from the stage.

    Teen Mortgage - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Teen Mortgage – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    No need for any sort of excuses. The people showed up to see a band that, while always super tight, are arguably in their prime. Adding touring keyboardist Fabien de Menou was a great decision, allowing guitarists DiSalvo and Michael Risberg plenty of room to lock in together or let each other roam out into the outer reaches of the cosmos.

    Not a single wasted note, anchored by the steadfast rhythm section of Jack Donovan and Georg Edert. They played a few from their most recent record, Through Zero, and when Halcyon brought a close to their set, DiSalvo’s offhand prog comment made perfect sense as the song’s ending was reminiscent of Würm, the final passage from Yes’ Starship Trooper.

    I have watched this band since their days of playing tiny clubs in Boston in the late 2000s, and the progress they have made has been remarkable. Get on the train while the getting’s good.

    High On Fire - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    High On Fire – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    The last band to grace the main SonicBlast stage was High On Fire, the familiar tattooed torso of Matt Pike throwing frenzied fretboard runs out while Jeff Matz and Converge’s Ben Koller kept a steady hand on the tiller.

    While their last record, Cometh The Storm, is their strongest effort in a while, they also dug deep into their past with some nuggets from the first three records, such as Baghdad, Hung, Drawn and Quartered and 10,000 Years. The familiar riff of Snakes From The Divine used to signal the close of their set, but Darker Fleece is a worthy replacement as a finale. 

    High On Fire - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    High On Fire – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    It is tough to follow that sonic assault, so it’s a good thing that ADULT. did not try to fight fire with fire. This duo consists of partners Adam Lee Miller behind the keyboard banks and Nicola Kuperus manning one or two mics.

    ADULT - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    ADULT – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    Throbbing Gristle mixed with HEALTH? I could be way off here. Gotta say it has been a while since I have seen someone walk into a hair stylist and ask for Die Antwoord. 

    By now, it had been dark for hours, and a gentle, insistent rain began to fall when Early Moods took the stage, befitting their dark, Doom-tinged songs. Albert Alcaraz definitely has the best hair, and it was a miracle that his headbanging did not cause his sunglasses to fly off his head immediately.

    Early Moods - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Early Moods – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    If you like Pentagram but would rather not have the baggage that comes with Leibling, get yourself a healthy serving. 

    My energy levels were dipping dangerously low, and while I was bummed to miss Jon Davis’ closing set as Ungraven, I was not about to stay up to 4:30 AM.

    High On Fire - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk

    It is a marathon, not a sprint, and you have to call the race when you see fit. But I will be lacing up the track shoes and plan on returning next year.

    SonicBlast Festival mastermind Ricardo Rios and his partner Telma have put together quite the special event in a tremendous location, and I can see why so many pilgrims make the annual trek out to the seaside every August.

    Count me in. 

    SonicBlast Fest 2027 marks the 15th anniversary of the festival. It will take place 12-14 August 2027, with a traditional warm-up party on 11 August 2027, at Praia da Duna do Caldeirão in Caminha, Portugal. For more details, visit here. You can read all our coverage from SonicBlast 2026 here.

    Albert Alcaraz and Ron Holzner - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Albert Alcaraz and Ron Holzner – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    Summer Of Hate - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Summer Of Hate – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    Primitive Ring - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Primitive Ring – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    Necrot - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Necrot – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    Margarita Witch Cult - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    Margarita Witch Cult – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    High On Fire - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    High On Fire – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    High On Fire - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    High On Fire – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    1000mods - SonicBlast 2026 - Photo: Tim Bugbee/MetalTalk
    1000mods – SonicBlast 2026 – Photo: Tim Bugbee/MetalTalk
    The post SonicBlast 2026 Day Three – One Last Assault Before The Atlantic Falls Silent first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Album review : GRAND – Guilty Pleasure

    GRAND 150 Guilty Pleasure imageFrontiers [Release date : 21.08.26] We asked 3 separate AI sources… Gemini, Co pilot and Claude: “describe the melodic rock / AOR music of the eighties, specifically 1984”. We’ll publish the results sometime. Then we took this new release from … Continue reading

    The post Album review : GRAND – Guilty Pleasure appeared first on Get Ready to ROCK!.

  • Vomitory – Guitarist Leaves The Ranks

    Swedish death metal masters Vomitory revealed that, due to personal reasons, their guitarist Christian Fredriksson has decided to leave the band.
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