Category: news

  • Country Rock’s Top 30 Albums

    A back-to-roots movement in the '60s spurred a popular genre that's crossed generations. Continue reading…
  • Bloodstock Bound: Chekhov’s Gun

    Bloodstock Bound: Chekhov’s Gun

    As Bloodstock gets closer, we delve deep into the line up to find out more about some of the bands playing the New Blood and EMP stages at this years event.

    Today we chat with Chekhov’s Gun

    We are Chekhov’s Gun! A six-piece progressive metal band hailing from the recesses of Edinburgh, Scotland. The lineup includes Lithuanian frontman and ballroom dancer Ignas Sakuro, Scottish guitarist Joshua Roberts and bassist James Muir, Geordie drummer Ruben Hope, Polish violinist Kasia Jurek and Cockney geezer … and cellist Lara Andrews. For our unique performance on the Newblood Stage, we shall be joined by ballroom dancer and sword bearer Aimee Brown.

    Our style of metal builds upon the shoulders of the great metal classics, taking inspiration from Black Sabbath, Metallica, Death and Opeth through the lens of progressive rock such as Rush, King Crimson and Yes. Our sound and visual style is transformed by classical and romantic influences creating an enticing amalgamation.

    To achieve our spot on this years Bloodstock bill, we fought our way through the Scottish Metal 2 The Masses competition. We used this opportunity to massively progress our live show with theatrics and a solidified image in mind. We continued to perfect our stage identity throughout the rounds ultimately manifesting in our M2TM final performance, complete with atmospheric interludes, reoccurring themes, dance and swordplay. The outcome being victory at the grand final.

    It’s always a tough competition, having participated multiple times, this year was no joke. Every band we faced off against gave us a run for our money and gave us motivation to improve. Dread Persephone, Permacrisis, High Noon, Bruxa, Lupine Rain, Late Landing, and the list goes on. Scotland has many talented musicians who all deserve to be heard. We highly recommend popping into one of Edinburgh’s local metal bars to check them out.

    For us Bloodstock is recognition for all the hard work we’ve put into the band and an opportunity to establish ourselves in the wider metal community. The chance to play alongside the very best of Metal at an independent festival is quite unique in the music world.

    We bring theatrics, strings and dancing twisted amongst heavy riffs and haunting melodies. We are here to immerse and most importantly entertain.

    We are performing Sunday the 9th August.

    Amongst the giants we can’t wait to see Sepultura, Judas Priest and Party Cannon! Our friends from Edinburgh, Hammer hit the Sophie Lancaster Stage, which is great for the Edinburgh scene. We can’t wait to see Thrasher Wolf, Microtonal and SUNK on the Newblood.

    We are in the writing stage of our debut concept album. Over the months following Bloodstock we hope to complete writing and recording with a release set for 2027.

    We are going to camp in the artists’ campsite.

    Our resident Geordie loves a Newcastle Brown Ale or a coffee. Our guitarist Joshua is also a caffeine fiend and our Scottish bassist loves a tenants! Ignas lives off of Hules and Kasia drinks any kind of herbal tea she can brew. Lara loves the pub.

    WE CAN’T WAIT!

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Bloodstock Bound: Chekhov’s Gun appeared first on The Razor's Edge.

  • “It went pretty well – meltdown aside!” Blaze Bayley remembers the notorious gig where Iron Maiden were pelted with spit

    Blaze Bayley has looked back on the notorious 1996 gig where Iron Maiden were pelted with spit.

    The UK metal legends performed at Teatro Monumental in Santiago, Chile on August 29, 1996 – their first time in the country, due to the Catholic Church previously pressuring the government to stop them playing there.

    With Bayley up front during the globe-trotting 1995–96 X Factour, the band were spat on while performing The Trooper, which caused the singer to angrily confront one fan and demand them to “fuck off”.

    Bayley reflects on the incident in the new issue of Metal Hammer, saying that six people spat on the band during the show. He also revealed that the gig was filmed for a Chilean TV channel without the members’ consent.

    “Maiden had never played there – they’d been banned by the church,” Bayley recalls. “But [in 1996], after Bon Jovi, Metallica, Black Sabbath… all the big bands had come, the greatest metal band of them all was going to Chile. So you can imagine the expectation, and these guys were ruining it for everyone.”

    He adds: “But the Chilean equivalent of the BBC set up in the theatre and filmed that whole gig without permission. Because the police there were wearing guns and it was all a bit edgy, nobody felt like we could say, ‘You can’t film this.’ So I think there is one full gig. It went pretty well and I sounded good – meltdown aside!”

    Bayley joined Maiden in 1994, replacing longtime singer Bruce Dickinson, and stayed with the band until 1999, when Dickinson returned to the lineup. He appeared on two albums during his tenure: The X Factor (1996) and Virtual XI (1998). Although The X Factor’s lead single Man On The Edge charted at number 10 in the UK, the period was one of commercial and critical disappointment for the band, with Virtual XI being the lowest-charting album of their whole career.

    Despite the turmoil of the Bayley era, Maiden have kept some of its material in their setlists. Man On The Edge and Virtual XI cuts Futureal and The Clansman were part of the setlist on Dickinson’s first tour back with the band in 1999. The Clansman and The X Factor’s The Sign Of The Cross were played during the Legacy Of The Beast tour from 2019 to 2022, as well.

    This weekend, Maiden will host Eddfest, a two-day festival dedicated to the band, at Knebworth House in Stevenage. They will headline the weekend on Saturday, July 11, with The Darkness, The Hu, The Almighty and Airbourne opening. Bayley and his solo band will play the warm-up day on Friday, July 10.

    Bayley is also preparing to be inducted into the Rock And Roll Hall Of Fame later this year alongside his ex-bandmates. Although the current members of Maiden will miss the ceremony in Cleveland, Ohio due to touring commitments, Bayley plans to attend the event.

    As well as the interview with Bayley, the new Hammer is a blockbuster Eddfest preview featuring interviews with Dickinson and Harris. Order your copy now, with an exclusive Eddfest water bottle, and get it delivered directly to your door.

    Iron Maiden magazine and water bottle

    (Image credit: Future)
  • Accept – Reveal Second Single From 50th Anniversary Album

    German heavy metal legends Accept have revealed the second single, a newly recorded version of the song “Balls To The Wal” (originally released in 1983 in the Balls To The Wall album), featuring Rob Halford (Judas Priest), Matthias Jabs (Scorpions), Rex Brown (Pantera), Jason Bowld (Pitchshifter), as part of their upcoming special double 50th anniversary album, Teutonic Titans 1976-2026.
    Read more…
  • Arise from Worms – A Bleeding Tree Hanging Self Destruction Review

    If unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?

    Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.

    Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.

    Unfortunately, despite the wizardry dripping off Arise from WormsA Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allow each other plenty of room within the mix.

    As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.


    Rating: Mixed
    DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
    Label: Church Road Records
    Websites: Bandcamp | Facebook
    Releases Worldwide: July 10th, 2026

    The post Arise from Worms – A Bleeding Tree Hanging Self Destruction Review appeared first on Angry Metal Guy.

  • Lifesick: Danish Death/Metallic Hardcore Crew Presents “At War with You” Video/Single

    – July 8th, 2026 –

    Photo by Jakob Harris

    Danish death/metallic hardcore outfit LIFESICK returns with another stand-alone single, “At War With You,” a raucous and driving auditory assault that matches the band’s reputation for ferocious, emotionally charged music.

    The band comments, “‘At War With You’ opens with a death metal-inspired bass riff before the full band crashes in with relentless double-kick energy. The track moves through dark, heavy sections before breaking into crushing breakdowns that close the song with pure impact. Lyrically, it’s about being pushed into a personal war with someone who thinks they know who you are.”

    Watch LIFESICK‘s “At War With You” video HERE.

    Watch the band’s previously released video for “Die With MeHERE.

    Stand by for more news on LIFESICK in the weeks to come.

    LIFESICK:
    Simon Shoshan – vocals
    Nicolai Lindegaard – guitar
    Nikolai Lund – guitar
    Jeppe Riis Frausing – bass
    Lasse Skyttegaard – drums

    https://lifesick.dk
    https://www.facebook.com/lifesick
    https://www.instagram.com/lifesickhc
    https://x.com/lifesickhc

    iTunes Artist Page Artist News

  • Xasthur – Next Studio Album Detailed, Release New Single

    Xasthur have premiered the track ”Put You Out Of Your Misery” as the first advance single taken from their forthcoming new album, Open To Misinterpretation. The new record from the black metal band will be released on October 2nd, 2026 via Prophecy Productions. For now, listen to the new song here.
    Read more…
  • “Story after story and it’s all true, all life experience.” Skunk Anansie’s Skin on why Amy Winehouse’s Back To Black is one of her favourite albums, but why she can’t listen to its biggest hit

    Given her band’s eclectic sound, it should come as no surprise that Skunk Anansie vocalist Skin has diverse and wide-ranging musical tastes, with Nina Simone, Stevie Wonder, Sepultura, Rage Against The Machine and Underworld among the artists who have played a part in providing the soundtrack to her life.

    One modern-day artist who the singer holds close to her heart is fellow Londoner Amy Winehouse, who Skin calls “a genius singer and songwriter”, and whose critically-acclaimed and hugely successful 2006 album Back To Black she has cited as one of her favourite albums.

    In a 2019 interview with The Quietus, the singer shared her recollections of the very first time she heard Winehouse singing a song from the 20-million-selling record.

    “I was ironing and one of them dry morning television shows was on in the background,” she remembered.”I went to the bathroom but I had the TV on and suddenly this voice came on. Wow, she was singing some old jazz standard. I hadn’t heard a voice like that since, I don’t know. I thought it was some old black woman.

    “I wasn’t into that first album [20033’s Frank] but then the second album came out and everyone went mad about it,” she continued. “I was really late to the game and then once I got into it, wow. I had to be told by quite a few people that I’d like that album and I hate that, so I was almost negative about it. But then I got into it and that album is, again, story after story and it’s all true, all life experience. The voice is what really got me. That never fucking happens to me where I’ve been in one room, heard a voice and had to run into the second room to see who it was. That’s a once in a lifetime thing and will probably never happen again.”

    In a 2022 interview with The Guardian, however, Skin nominated the album’s first single and best-known song Rehab as a song she can no longer listen to.

    “It’s amazing that Amy Winehouse wrote Rehab when she was on such a downward spiral,” she noted. “It makes me sad because if only she had gone to rehab again, she might still be here now.”

    Skunk Anansie have enjoyed a busy summer, playing UK arenas with Garbage and Alanis Morissette. They have further dates booked through to August 22.

  • Don Broco Add More Shows To UK Headline Tour

    Don Broco have added even more shows to their already stacked ‘Nightmare Tripping’ UK tour later this year.

    The band are fresh off supporting Biffy Clyro at their massive Finsbury Park show last week, and are preparing for a last minute headline slot at 2000trees, replacing Alkaline Trio.

    So with the wind firmly in their sale, they have stuck five more shows into their Autumn headline run, where support will be coming from Unpeople and Ando San. Hell of a line-up.

    That means a load of this:

    Before loads of this:

    And then loads and loads of this:

    Here is the full tour listing, with new dates added in bold:

    SEPTEMBER

    27 – WATFORD Watford Colosseum
    28 – LINCOLN Engine Shed
    29 – SHEFFIELD Octagon

    OCTOBER

    01 – EDINBURGH Corn Exchange, Edinburgh
    02 – MANCHESTER Academy, Manchester
    03 – LIVERPOOL Guild of Students
    04 – NEWCASTLE City Hall
    06 – CAMBRIDGE Corn Exchange
    07 – BIRMINGHAM O2 Academy
    08 – PORTSMOUTH Guildhall
    10 – NORWICH UEA, Norwich
    11 – FOLKSTONE Leas Cliff Hall
    12 – LONDON Here At Outernet

    14 – BRISTOL The Prospect Building

    Rock Sound have an exclusive transparent green cassette edition of the album for you. Limited to just 300 units worldwide, you can pick yours up now – here.

    The post Don Broco Add More Shows To UK Headline Tour appeared first on Rock Sound.