Category: news

  • Gradience: Danish Metallers Present “Undone” Video/Single as Debut Full-Length, “Anomaly”, Nears September 4th Release

    – August 13th, 2026 –

    Photo by GRADIENCE

    Watch/stream GRADIENCE’s “Undone” HERE

    Undone” is the latest single from Danish metal outfit, GRADIENCE. The track appears on the band’s debut full-length, Anomaly, set for release on September 4th via Metal Blade Records.

    Issues vocalist Gavin Mistry, “‘Undone’ is about not keeping my negative thoughts unspoken – about saying them out loud when I’m trapped in a dark thought pattern. It’s about realizing you don’t have to deal alone with finding and fixing all your flaws but allowing your friends and loved ones to be there for you. To let them help you and not stand in the way of others helping you navigate your negative mind.”

    Watch GRADIENCE‘s “Undone” video HERE.

    Watch GRADIENCE‘s previously released video for “DeathwishHERE, “Master To The Slave,” HERE, and “White NoiseHERE.

    On the inaugural full-length from this shrewdly named Danish duo, the usually clear-cut boundary between apocalyptic, sludgy blackened death metal and dark urban trap-rap is thrillingly pulverized. Lines of musical convention are further blurred by disarmingly emotive and intimate vocal lines, and a vibrant sound picture heaving with glacial synths and hypnotic sonic details. At first, it might daunt and confuse those who like their boundaries clear-cut, but at the heart of GRADIENCE‘s brash and radical new sound is an authentic and heartwarming new friendship.

    In 2022, Gavin and guitarist Jakob Lærke Harris struck up an immediate creative rapport at a Copenhagen show for local deathcore heroes Cabal. Gavin had been signed to Sony in Denmark with his “grunge/rock/trap duoKXDS – a project stymied by the COVID disaster. Before that, he’d been involved with an underground hip-hop label/collective. “I had gained a little performance experience and was known as the authentic trap-rapper with emotional and melodic bits,” says Gavin.

    His efforts attracted the ear of Jakob, who knew he’d found a kindred soul, with a voice that he was keen to work with. “It was an immediate musical and creative match,” enthuses Jakob. “I admired Gavin’s vivid lyrics and his ease, switching between delicate melody lines and hard flows; it just opened so many doors to explore in the songwriting process.”

    GRADIENCE audibly generates real “planets aligning” energy. The tension and turbulence of Jakob’s extreme metal growl finds counterintuitive new context alongside Gavin’s fierce rhythms and rhymes, further enlivened by the spontaneous crackle to the performances – not least drummer Frederik Kjelstrup Hansen’s and bassist Patrick Petersen’s hammering rhythm section.

    Lauds Metal Hammer Germany in an advance review of the record, “With a skillful blend of rap, metalcore, and black metal, the quartet goes a step further than well-known rap metal acts and weaves dark, atmospheric black metal riffs into trap beats and powerful breakdowns.” Adds Rock Hard Germany, “The raw power of the guitars and double bass meets hard-hitting flows, emotional melodies, and hypnotic electronic elements. In terms of quality, GRADIENCE can easily hold their own against the bigger names in the genre.”

    Anomaly will be released on CD, LP and digital formats.

    Find pre-orders at: metalblade.com/gradience

    Anomaly Track Listing:
    01. Vermin
    02. Blame Me
    03. Agony
    04. Master to the Slave
    05. Stains
    06. Deathwish
    07. Slow
    08. Undone
    09. A Witness
    10. White Noise
    11. Grimey Potential

    GRADIENCE:
    Gavin Mistry – vocals
    Jakob Lærke Harris – guitars, vocals
    Frederik Kjelstrup Hansen – drums
    Patrick Petersen – bass

    https://www.instagram.com/gradiencedk
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  • Retrospective: Reel Big Fish – ‘Turn The Radio Off’

    Imagine the taste of a Slush Puppy when you’re a kid whose mum doesn’t let them have sugar, or the sensation of a teenager who’s just worked out that they can just about have that house party and clean up before their family get home. A Saturday spent at the skate park with your mates and that one guy who’s had puberty a bit early picks up a four pack of Smirnoff Ice in plastic bottles to share. That’s the feeling of listening to Reel Big Fish’s ‘Turn The Radio Off’ for the first time in 1996; so vivid and so alive, yet so specific to a time and place. Along with Less Than Jake’s ‘Losing Streak’, it was one of the albums that made the world seem more Technicolor – like we were Dorothy and we’d just crashed into the land of Oz. 

    Let’s not think about Reel Big Fish as they are now; Aaron Barrett and a rotating cast of pals covering Phil Collins and self-releasing, when they haven’t loaned their brass section to Ice Nine Kills that is. Let’s remember them in the nineties, when they popped up in the movie ‘Baseketball’, with perfect hair and hyperactive dance moves, in that brief, golden few years when ska and ska-punk ruled the charts. It was the era when I, as a teenager, dated the male equivalent of a punk Manic Pixie Dream Girl. We listened to Flogging Molly in his parents’ garden, debated which was the best Bad Religion song endlessly, and wondered if we could write Matt Freeman a letter to ask if he could teach us the bassline to ‘Maxwell Murder’. While that relationship hit the dust when I went to university (and refused to give up bacon sandwiches for him), ‘Turn The Radio Off’ will always hold that kind of idyllic, bright energy of a time when life was more straightforward and skanking at the Cartoon in Croydon at the All-Ages night was the solution to all your problems. 

    Part of what makes ‘Turn The Radio Off’ so great is that if it came out now, it’d be slated. Putting a huge banger next to three minutes of noodling around, next to a song which feels weirdly personal about getting dumped, next to a mini Rock Opera (or should that be ska opera?), should be the recipe for a shiny brass disaster. But that’s the point; this is the sound of freedom, of a band throwing spaghetti at the wall and seeing what sticks. ’S.R.’ got reworked into a multi-genre medley at live shows, and ‘Sell Out’ has officially acquired Ska Icon status. The song that’s stuck around the most, however, and assumed the two-tone mantle of the song that represents Reel Big Fish, has to be ‘Beer’. It feels like the sequel to The Offspring’s ‘Self Esteem’; our jaded protagonist has given up on the girl he’s been making dessert for and has decided to find the solution to his crush at the bottom of a pint glass. From the taut, dark intro through to the self-destructive, stripped back bridge and the disturbingly upbeat ‘woo-hoo-hoo’, this is the blueprint for the sugar-coated misery which is the trademark of this era of Ska-punk. The worst part is how relatable it is. Sometimes, to paraphrase ‘How I Met Your Mother’, you just need to be a ‘Woo Girl’, and this song captures that rollercoaster of needing to party out your self-loathing for just a few minutes. ‘Sell Out’ does this too, and it does it so incredibly well. As if someone’s only two paths in life were working fast food or signing a major label deal…but that doesn’t matter. That’s how it would have felt in that moment to someone considering making a life changing career decision, and these very specific young adult experiences are what Reel Big Fish bring to life musically. 

    Ska-Punk historians will probably agree that 2002’s ‘Cheer Up!’ is a far better album, spawning the very petty ‘Ban The Tube Top’ and arguably a better loser anthem in the form of ‘Where Have You Been?’, but that came when as one last magnificent Ska swan song, just as the boom was finishing. ‘Turn The Radio Off’ was still experimental, and feels like a band grappling with suddenly being flavour of the moment. Each song is an individual, and there’s no reliance on eighties covers to jazz up their set. We feel like Reel Big Fish are our sarcastic, sometimes inappropriate, but charismatic friends by the end of ‘Turn The Radio Off’… maybe friends we’ve lost touch with, or friends we should call more often, but friends all the same, who were there with us in our formative years and still have a whole lot to offer. 

    KATE ALLVEY

  • FFO: Chillin – “All I Know”

    Over the next week, a band called FFO: Chillin will open five shows for Joyce Manor and Glitterer. FFO: Chillin hail from Concord, New Hampshire, they have a couple EPs to their name (which is great, by the way), and they play hard, melodic rock music that I guess I’d call post-hardcore? New single “All I Know” is out on Daze, the Connecticut hardcore label that has put out ultra-heavy bands like Pain Of Truth, Torture, and Balmora, but this group’s approach is closer to Drug Church and Militarie Gun, where the chunky guitars are deployed in service of ultra-catchy songs. There’s some Deftones in their pop-minded low-end churn, too.

    The post FFO: Chillin – “All I Know” appeared first on Stereogum.

  • Indie Shows Still Happening At Chicago Cemetery Accused Of Mishandling Human Remains

    Chicago’s sprawling Bohemian National Cemetery was first founded in 1877, and since 2013, local promoters Empty Bottle Presents have been using it as the the venue for their Beyond The Gate concert series. Over the years, acts like Grouper, Cindy Lee, Kim Gordon, and Godspeed You! Black Emperor have played at the cemetery, and more shows are planned. Those shows are reportedly still happening even though the cemetery is currently facing accusations of mishandling human remains.

    The post Indie Shows Still Happening At Chicago Cemetery Accused Of Mishandling Human Remains appeared first on Stereogum.

  • Mastodon release animated video for “In The Ruins”

    The latest single from their upcoming album ‘Marrow Deep’

    Source

  • We Complained About These 24 Meals as Kids. Now We Miss Them

    Meatloaf, Chef Boyardee on bread, pigs in a blanket — the meals we complained about at the dinner table are exactly what we miss most now. Continue reading…
  • Dave Grohl, Slash, Ringo Starr, Gene Simmons & more spill the beans on LA’s notorious party pad, the Sunset Marquis – here’s how to watch If These Walls Could Rock from anywhere

    If These Walls Could Rock – At A Glance

    When: From Friday, August 14
    Where: Purchase via Apple TV/Amazon Prime Video
    Watch anywhere: With Nord VPN’s 30-day trial

    If These Walls Could Rock is a new documentary about the legendary Sunset Marquis in West Hollywood – and the story of the famous rock’n’roll hotel will hit streaming services later this week.

    The Tyler Measom and Craig A. Williams-directed film lifts the lid on the famous LA resort and will dive “deep into the debauchery, the music, and the magic that made the Marquis the heartbeat of rock’n’roll for over six decades.”

    Along with archival footage and animation, If These Walls Could Rock also features interviews with rock royalty including Slash, Bruce Springsteen, Ringo Starr, Nancy Wilson, Joe Elliott, Phil Collen, Lzzy Hale, Gene Simmons, Dave Grohl, Billy Gibbons, Roger Daltrey, Chris Robinson and Matt Sorum.

    Sharon and Kelly Osbourne also feature to talk about Ozzy.

    A synopsis reads: “Featuring an all-star rock’n’roll cast unlike any before it, If These Walls Could Rock is the outrageous story of West Hollywood’s Sunset Marquis, a secret sanctuary for rock icons for more than 60 years. But at its core is the emotional journey between the father who founded the place, and the son who saved it.”

    The film will be available to purchase on Apple TV and Amazon Prime Video from Friday, August 14 – the same day it premieres at the Landmark Sunset theatre in Los Angeles.

    The release of If These Walls Could Rock comes just 24 hours after Travis Barker: Louder Than Fear hit Disney+/Hulu. The Justin Krook and Michael Dwyer-directed flick charts the Blink-182 drummer’s rise to fame and his recovery after the horrific 2008 South Carolina plane crash that claimed the life of four of the six passengers onboard.

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    How to watch If These Walls Could Rock

    If you want to watch the star-studded documentary, it’ll be available to purchase through a selection of streaming services including Apple TV and Amazon Prime Video.

    If you’d like to subscribe to either network, here are the details:

    Apple TV: $12.99/£9.99 per month
    Free trial?: Yes – one week

    Amazon Prime Video: $8.99/£7.99 per month (standalone), $14.99/£8.99 per month (with Amazon Prime), $7.49/£4.49 per month (Student)
    Free trial: Yes – 30 days (how to watch Prime Video from anywhere)

    How to watch from anywhere

    If you’re going to be out of the country on holiday and want to watch If These Walls Could Rock as soon as it’s available, you’ll need a VPN to help you.

    Virtual Private Networks are used to change the location of your IP address, enabling you to watch the film no matter where you are. Nord VPN is Louder’s service of choice and it’s currently available with 75% off the usual price – and there’s a 30-day money back guarantee.

    How to use a VPN

    1. Install a VPN. As we’ve mentioned above, Nord VPN is Louder’s favourite.

    2. Choose the location you wish to connect to in the VPN. If you’re currently outside of the country and don’t want to miss the film, just select your country from the list, then log on to your Apple TV or Prime Video account.

    3. Kick back and relax: That’s it – you’re all set.

    If These Walls Could Rock official poster

    (Image credit: If These Walls Could Rock)
  • Gloryhammer – Drop ‘Die With A Sword In My Hand’ Single

    Gloryhammer are unveiling an Alex Henderson-animated/directed video clip for “Die With A Sword In My Hand”, the latest new single from their upcoming opus Space 1993: Wrath Of Kor-Virliath, to be released on October 16, 2026 via Napalm Records.
    Read more…
  • Steve Hackett and Steve Rothery Interview – The Roaring Waves

    Two titans of progressive music, Steve Hackett (Genesis) and Steve Rothery (Marillion), come together on ‘The Roaring Waves’ – a striking and deeply atmospheric instrumental album shaped by memory, imagination, and the elemental power of the sea. The record has been much talked about over the years, and it will now finally see the day on August 28th, 2026 via InsideOutMusic.

    On this new podcast, the two guitar legends join the podcast to talk about their new album ‘The Roaring Waves,’ and each shares their 5 favorite instrumental tracks.

    Check out the podcast on these services:
    AppleSpotifyAmazonPodBeanYouTube

    Written and recorded intermittently over nearly a decade – with sessions at Racket Club and the duo’s home studios – the album emerged from an organic, improvisational process. Jams and shared ideas form the backbone of the music, allowing both players to explore a collaborative dynamic defined by sensitivity and mutual respect.

    Throughout ‘The Roaring Waves’, the duo embrace a painterly, almost filmic approach to composition – crafting music that invites listeners to drift, imagine, and immerse themselves. “You’re trying to create an atmosphere… like painting a picture,” says Rothery. “Taking people on a journey.”

    The album is also available to pre-order on several formats, including a Ltd CD+Blu-ray mediabook edition including Dolby Atmos (by Andy Bradfield) & High Resolution Stereo mixes. The album will also be available as a Standard CD & a Gatefold 180g LP, cut at half-speed at Abbey Road Studios by Miles Showell. All feature artwork and layouts by Simon Ward. Pre-order now here: https://stevehackettsteverothery.lnk.to/TheRoaringWaves-Album

    The full tracklisting is as follows:
    1. The Storm
    2. Sandsend
    3. Red Dragon
    4. The Roaring Waves
    5. K-129
    6. The Black Sea
    7. Pacific Coast Highway

    The post Steve Hackett and Steve Rothery Interview – The Roaring Waves appeared first on The Prog Report.

  • Green Lung Share Timeless New Track ‘Black Magick Radio’

    Green Lung have shared a track set to appear on their upcoming new album ‘Necropolitan’, and it is pulled straight outta the heart of the Satanic Panic.

    Titled ‘Black Magick Radio’, it is a song that bristles with all of the rock and roll devilment and wonderfully catchy heart and soul that made metal such a phenomenon 50 years ago and still lingers heavy today. The band embody the atmosphere of the time perfectly, as they do with everything that they release, but there is so much fun being had in zooming in on this particular part of history.

    Occult, audacious and overtly heavy, it’s an absolutely timeless banger.

    The band had this to say about the song:

    ‘’Black Magick Radio’ is our love letter to occult rock itself, and a promise to spread its gospel as widely as we possibly can. All together now… Eko Eko Azarak, Eko Eko Zomelak…”

    The tune is taken from the band’s upcoming new album ‘Necropolitan’, maybe the best album name of 2026, which will be released on September 11 via Nuclear Blast.

    The artwork looks like this:

    Whilst the tracklisting is more like this:

    01. Open the Hellmouth
    02. Dance to the Grave
    03. Black Magick Radio
    04. Necopolitan Line
    5. Evil In This House
    06. Together in Death
    07. Ozymandias
    08. Alostrael (Be My Babalon)
    09. To the Gallows Born

    You will be able to catch the band celebrating the album’s release on tour across the UK and Europe later this year, with support coming from High On Fire and Gnome.

    DECEMBER

    03 – ANTWERP Trix
    04 – FRANKFURT Batschkapp
    05 – MUNICH Backstage
    07 – VIENNA Arena
    08 -LEIPZIG Anker
    10 – HAMBURG Große Freiheit 36
    11 – BERLIN Astra Kulturhaus
    12 – COLOGNE Carlswerk Victoria
    13 – TILBURG O13
    14 – PARIS Bataclan
    16 – LONDON The Roundhouse
    17 – BRISTOL Bristol Electric
    18 – MANCHESTER Manchester Academy
    19 – DUBLIN The Academy
    20 – GLASGOW SWG3 Galvanizers

    The post Green Lung Share Timeless New Track ‘Black Magick Radio’ appeared first on Rock Sound.