Category: news

  • The Tallest Man On Earth Announces New Album Just Beyond Endless Mountain: Hear “Deliver Me From Trying”

    For 20 solid years, the Swedish folk musician Kristian Matsson has been releasing records while calling himself the Tallest Man On Earth. I should be used to it by now. I am not. That stage name is supposed to be ironic. Matsson is not tall at all. He is certainly not the tallest man on Earth. (I’m not the tallest man on Earth, either. Google tells me that that distinction currently belongs to the 8’3″ Turkish gentleman Sultan Kösen. I am merely the tallest man in rock criticism.) Anyway! The false Tallest Man On Earth has a new album on the way, and he’d like you to know about it.

    The post The Tallest Man On Earth Announces New Album <em>Just Beyond Endless Mountain</em>: Hear “Deliver Me From Trying” appeared first on Stereogum.

  • Mali Obomsawin Announces New Album Automatic: Hear The Title Track

    Though Mali Obomsawin came onto our radar as a member of the indie rock band Deerlady, she’s one of those prolific artists who stays active in many corners of the music world. In addition to further avant-folk explorations like her album with Jake Blount, Obomsawin is a fixture in the world of jazz and experimental music, and our metal columnist Brad Sanders caught her bringing the heaviness alongside Raven Chacone with the metal-esque ensemble Lazyhorse at Big Ears.

    The post Mali Obomsawin Announces New Album <em>Automatic</em>: Hear The Title Track appeared first on Stereogum.

  • Why Cemeteries Feel Peaceful: The Psychology of Sacred Silence

    Why Cemeteries Feel Peaceful: The Psychology of Sacred Silence

    On a quiet afternoon, an old cemetery can feel more peaceful than a park.

    It is a strange observation.

    After all, cemeteries are places associated with death, grief, and loss. Yet many people who wander through historic graveyards describe a feeling that is surprisingly calm and comforting.

    The noise of everyday life begins to fade. Conversations become quieter. Thoughts slow down. Even time itself seems to move differently among weathered headstones and ancient trees.

    Some visitors arrive carrying stress from work. Others come burdened by personal worries. Many leave feeling lighter than when they arrived.

    Why does this happen?

    The answer reveals something fascinating about the human mind.

    Modern life rarely gives us an opportunity to pause. Phones vibrate, screens glow, and information follows us wherever we go. Even moments of solitude are often filled with distractions.

    A cemetery offers the opposite experience.

    It invites us to slow down, observe our surroundings, and reflect on questions that daily life encourages us to ignore. In doing so, it provides a kind of psychological relief that many people do not realize they need.

    Perhaps this explains why artists, writers, philosophers, and dreamers have been drawn to graveyards for centuries.

    These places quietly remind us of a truth that modern society often tries to avoid.

    Life is temporary.

    Strangely enough, accepting that fact can be deeply comforting.

    cemetery peace gothic noir illustration

    Why Cemeteries Feel Peaceful: The Psychology of Sacred Silence


    The Silence Modern Life Forgot

    Silence has become one of the rarest experiences in modern life.

    Even when we are physically alone, our attention is usually occupied. Music plays in the background, messages arrive constantly, and countless digital distractions compete for space inside our minds.

    The human brain evolved in a world that contained long periods of quiet. Today, those moments are increasingly difficult to find.

    Cemeteries provide something that few places still offer. They create a natural boundary between everyday activity and contemplation.

    Visitors instinctively lower their voices and slow their pace. Instead of rushing toward a destination, they begin noticing details that normally go unnoticed.

    A blackbird perched on an old monument. Wind moving through leaves overhead. Stone inscriptions softened by decades of rain and sunlight.

    These small observations anchor attention in the present moment. As a result, worries about tomorrow and regrets about yesterday temporarily lose their power.

    Psychologists often describe this state as mindful awareness. Many people spend years learning meditation techniques to achieve it.

    A cemetery often encourages the same mental state naturally.


    A Place Where Time Slows Down

    There is another reason cemeteries feel different from ordinary public spaces.

    They exist outside the usual rhythm of modern life.

    Cities are designed around movement. Roads move people from one destination to another. Stores encourage activity. Offices reward productivity and speed.

    A cemetery asks for none of these things.

    There is nowhere you need to be. There is nothing you need to buy. No deadlines are waiting around the next corner.

    The environment itself encourages stillness.

    Many visitors describe the sensation as stepping outside of time. A ten-minute walk can feel much longer because the mind is no longer racing ahead to the next task.

    This unusual relationship with time helps explain why so many people leave feeling calmer than when they arrived. For a brief moment, the pressure of everyday life loosens its grip.

    The result is not sadness.

    More often, it is peace.


    Why Thinking About Death Can Reduce Anxiety

    At first, the idea sounds counterintuitive.

    How could a place devoted to death make people feel calmer?

    Yet psychologists have long observed a curious pattern. Avoiding thoughts of mortality often increases anxiety, while accepting them can reduce it.

    Modern culture spends enormous energy hiding death from view. We celebrate youth, fear aging, and often avoid conversations about mortality altogether.

    Cemeteries quietly reject that illusion.

    Every headstone tells the same story. Every life, regardless of wealth, status, or achievement, eventually reaches the same destination.

    Many people find unexpected comfort in this realization. Daily frustrations seem smaller. Endless competition appears less important. Attention shifts toward relationships, memories, and meaning.

    A missed email no longer feels like a crisis. A minor disagreement suddenly appears less significant. The things that truly matter become easier to recognize.

    In this way, cemeteries do not merely remind us of death.

    They remind us how precious life really is.


    When Cemeteries Became Places of Beauty

    The peaceful atmosphere of modern cemeteries was not created by accident.

    For much of history, burial grounds were practical places. Graves were often crowded around churches, and their purpose was straightforward. They provided a place for the dead to rest.

    Everything changed during the nineteenth century.

    As cities expanded and populations increased, reformers began searching for a better solution. Their answer transformed cemeteries into something entirely new.

    The garden cemetery was born.

    Places such as Père Lachaise in Paris and Highgate Cemetery in London combined burial grounds with carefully designed landscapes. Visitors encountered winding paths, ancient trees, elegant sculptures, and monuments that felt more artistic than functional.

    These spaces did not resemble the crowded graveyards of earlier centuries.

    They felt like sanctuaries.

    One detail often surprises modern readers.

    Victorians frequently visited cemeteries for leisure.

    Families walked among the monuments on Sunday afternoons. Couples strolled beneath tree-lined paths. Some visitors even brought food and enjoyed picnics in the grounds.

    Today that might sound unusual, but public parks were still uncommon during much of the nineteenth century. Cemeteries were often among the most beautiful green spaces available.

    Many visitors knew the names of famous monuments and family tombs just as people today recognize landmarks in public parks.

    They came to remember loved ones, but they also came to escape the noise of the city.

    More than a century later, people continue searching for the same sense of calm.


    The Architecture of Reflection

    Old cemeteries are designed differently from most modern spaces.

    Their pathways rarely follow straight lines. Trees soften the landscape. Monuments appear gradually between branches and shadows.

    Everything encourages a slower pace.

    Even the statues seem to communicate stillness. Angels lower their eyes. Stone figures appear lost in thought. Weathered faces gaze silently toward distant horizons.

    Unlike modern architecture, which often emphasizes speed and efficiency, cemetery architecture encourages reflection.

    A visitor may turn a corner and discover an ivy-covered monument that has stood undisturbed for more than a hundred years. Another path might reveal a marble angel watching over graves beneath towering trees.

    These moments feel unexpectedly personal.

    They slow the mind and encourage contemplation without demanding it.

    Perhaps this explains why a walk through an old cemetery often feels restorative. The environment itself gently guides visitors toward introspection.


    Why Gothic Writers Loved Graveyards

    Few literary movements understood the emotional power of cemeteries better than Gothic writers.

    To them, graveyards were far more than burial places. They were spaces where the deepest mysteries of existence became impossible to ignore.

    Life and death existed side by side. Beauty lived beside decay. Memory survived long after physical life had ended.

    A cemetery naturally contains all of these contradictions.

    Birds sing among graves. Flowers bloom beside monuments. Trees continue growing while generations come and go beneath them.

    This contrast fascinated Gothic writers because it reflected one of humanity’s oldest questions.

    What remains after we are gone?

    The cemetery never provides a direct answer.

    Instead, it invites reflection.

    That invitation lies at the heart of Gothic literature.


    Edgar Allan Poe and the Beauty of Melancholy

    Few writers explored the relationship between memory and loss more beautifully than Edgar Allan Poe.

    His stories and poems are filled with characters haunted by remembrance. Yet Poe rarely presents sorrow as something purely negative.

    In works such as Annabel Lee, Ulalume, and The Raven, grief becomes intertwined with beauty. The past may be painful, but it also preserves what was once loved.

    That emotional complexity mirrors the experience many people have when visiting cemeteries.

    A person may arrive carrying sadness.

    Then they notice fresh flowers resting beside a century-old grave.

    Someone still remembers.

    Someone still returns.

    In that simple gesture, loss and love become impossible to separate.

    Poe understood this truth better than almost anyone.

    Perhaps that is why his work continues to resonate with readers who find beauty in melancholy.

    The cemetery becomes more than a place of death.

    It becomes a place where memory remains alive.


    The Comfort of Shared Humanity

    There is another reason cemeteries often feel peaceful.

    They remind us that every human life, no matter how different it appears, follows a remarkably similar path.

    Modern society encourages constant comparison. Social media presents endless images of success, wealth, beauty, and achievement. It can create the illusion that everyone else is moving faster, living better, and accomplishing more.

    A cemetery quietly dismantles that illusion.

    Among the graves, titles lose their importance. Wealth becomes irrelevant. The competition that dominates so much of modern life suddenly feels distant.

    Every headstone tells a familiar story.

    Someone was born, and someone loved.

    Someone struggled, and someone was remembered.

    The details change, but the human experience remains remarkably similar.

    Many visitors find comfort in that realization. Problems that seemed overwhelming a few hours earlier begin to shrink when viewed from a broader perspective.

    The cemetery does not erase anxiety.

    It simply reminds us that we are not alone.


    A Conversation Across Time

    Old cemeteries are filled with stories.

    Walk through a historic graveyard and you will find names carved into stone, dates separated by centuries, and messages left behind by grieving families.

    Some inscriptions contain only a name and two dates. Others include poems, prayers, or words of affection preserved for generations.

    Visitors often stop to read these memorials and wonder about the people behind them.

    Who were they?

    What dreams did they pursue, and what fears kept them awake at night?

    What moments brought them joy?

    The questions rarely receive answers, yet that uncertainty is part of the experience.

    A cemetery becomes a conversation between the living and the past.

    Each monument preserves a fragment of memory, allowing voices from another era to continue speaking long after they have fallen silent.

    Perhaps this is why old graveyards rarely feel empty.

    They are filled with stories waiting to be imagined.


    Why We Keep Returning

    People often assume cemeteries exist only for mourning.

    In reality, many visitors arrive for very different reasons.

    Some seek solitude. Others look for inspiration. Many simply need a place where the noise of the world feels far away.

    This helps explain why cemeteries continue attracting artists, writers, photographers, historians, and dreamers.

    They offer something that has become increasingly rare in modern life.

    Perspective.

    Within a cemetery, everyday worries begin to shrink. Deadlines seem less urgent. Petty arguments lose significance. The endless rush of modern life becomes easier to question.

    The experience is not depressing.

    It can be surprisingly liberating.

    By confronting mortality, we are reminded of the value of the time we still possess.

    A visitor may enter thinking about a stressful week at work. They leave wondering whether they are spending enough time with the people they love.

    That shift in perspective is one of the cemetery’s greatest gifts.


    The Lasting Peace of Cemeteries

    At first glance, a cemetery appears to be an unlikely place to find tranquility.

    It is, after all, a place devoted to death.

    Yet the deeper we look, the more understandable its peacefulness becomes.

    Cemeteries provide silence in a world filled with noise. They encourage reflection in a culture obsessed with speed. They remind us that life is temporary and therefore precious.

    Most importantly, they place our personal concerns within a much larger human story.

    That perspective can be profoundly calming.

    Perhaps this is why so many people leave cemeteries feeling lighter than when they arrived.

    They do not visit to celebrate death.

    They visit to reconnect with life.

    Among weathered stones, silent pathways, and ancient trees, they discover something modern life rarely provides.

    A moment to slow down and a moment to remember.

    A moment of peace.


    Wear the Darkness

    If Gothic culture, Edgar Allan Poe, and the beauty of forgotten places inspire you, explore the Edgar Allan Poets store and discover apparel created for lovers of mystery, literature, and the macabre.


    Edgar Allan Poe Gothic apparel and noir-inspired fashion


    Frequently Asked Questions

    Why do cemeteries feel peaceful?

    They combine silence, nature, reflection, and perspective, creating an environment that encourages calm and mindfulness.

    Why do people enjoy visiting cemeteries?

    Many visitors appreciate their beauty, history, architecture, and the opportunity to disconnect from daily distractions.

    What are garden cemeteries?

    Garden cemeteries emerged during the nineteenth century and combined burial grounds with landscaped parks designed for reflection and remembrance.

    Why are cemeteries important in Gothic literature?

    They symbolize mortality, memory, beauty, and mystery, making them powerful settings for Gothic stories and poetry.

    Can visiting cemeteries reduce stress?

    Many people report feeling calmer after visiting cemeteries because these spaces encourage reflection, mindfulness, and perspective.


    The post Why Cemeteries Feel Peaceful: The Psychology of Sacred Silence appeared first on Edgar Allan Poets – Noir Rock Band.

  • Blink-182 drummer Travis Barker recalls his suicidal thoughts following the horrific 2008 plane crash in which his security guard and assistant died: “There was no light at the end of the tunnel”

    Travis Barker: Louder Than Fear – At A Glance

    Travis Barker: Louder Than Fear

    (Image credit: Disney/Hulu)

    When: From today, Thursday August 13
    Where: Disney+ & Hulu
    Watch anywhere: With Nord VPN’s 30-day trial

    Blink-182 drummer Travis Barker has spoken about his darkest days following the 2008 plane crash which claimed the lives of his security guard and personal assistant.

    Barker discusses the aftermath of the crash during a conversation with British podcaster and life coach Jay Shetty for the On Purpose podcast, ahead of the release of his forthcoming documentary Travis Barker: Louder Than Fear, which is coming to streaming services this week.

    Barker, his friend Adam ‘DJ AM’ Goldstein, Barker’s security guard Charles Still, and his personal assistant Chris Baker, were on a private jet which crashed during take-off from South Carolina’s Columbia Metropolitan Airport on September 19, 2008. The plane’s pilot and co-pilot died from smoke inhalation and burns, and Still and Baker were killed upon impact. Travis Barker survived, but had burns on 65% of his. body, and was kept in hospital for skin grafts and follow-up treatments for 11 weeks. Barker didn’t board another flight for 13 years.

    In his conversation with the drummer, Shetty mentions a section of the Louder Than Fear documentary where Barker recollects feeling suicidal in hospital, and recalled saying, “I’ll transfer you any amount of money, just kill me.”

    “There was no light at the end of the tunnel,” Barker admits. “I was like, I can’t do this, I feel like [I’m] literally living in hell… it was just desperation.”

    After his recovery, Barker recalls that his friend DJ AM looked into getting treatment “where we could retrain our brains, where we’d hopefully forget what happened.”

    “I think he actually did the treatment,” he tells Shetty, “and I said, There’s no way I’m ever going to look down at my hands, or my legs, or forget what happened, because I lost my two best friends. There’s not a scenario where I’ll forget how how they left me.”

    Barker also speaks about the survivor’s guilt he felt in the wake of his recovery, and says that it was only recently that he came to accept that he should live in his friends’ honour, and make them proud.

    You can watch the full podcast interview below.

    Travis Barker: Louder Than Fear will be streamed globally from August 13 on Disney+.

    “This documentary started over 10 years ago,” Barker revealed to Billboard earlier this year, “and it’s been a wild, wild ride and I can’t wait to share it with the world.”

    A synopsis for the film reads: “After surviving a devastating plane crash that nearly took his life, legendary and electrifying drummer Travis Barker embarks on a raw and redemptive journey. Once a trash collector in Laguna Beach, his life changed when he stepped in as a replacement for Blink-182’s drummer — igniting a meteoric rise that would make him the driving pulse of a generation.

    “Yet beneath the spectacle of fame, the film reveals a complex man battling pain, grief and the thin line between survival and surrender. Featuring appearances from collaborators, cultural icons and those closest to him. This is the story of the man behind the tattoos. A tribute to those who keep going when the music almost stops.”

    Directed by Justin Krook and Michael Dwyer, the 90-minute film received its world premiere on June 13 at the Tribeca Festival.

  • “It was never funny or clever. I was uncomfortable recording it”: Barclay James Harvest, The Moody Blues and one of prog rock’s few diss tracks

    After a 32-year run, Barclay James Harvest split into two different bands in 1998. Bassist and vocalist Les Holroyd leads one while John Lees fronts the other. In 2016 Holroyd looked back on their early days, including one moment involving The Moody Blues that he’d rather hadn’t happened.

    Les Holroyd remembers the time when he, John Lees, Mel Pritchard and Stuart ‘Woolly’ Wolstenholm were left to develop their own style without interference.

    “Harvest, to whom we were signed at the time, really didn’t have much of an idea of what to expect from us,” he says. “The idea of progressive music was totally new, and we were right at the forefront of what was happening.

    “So we were left to our own devices to write songs and create albums. We stayed in our farmhouse and just got on with the job of writing.”

    He feels the music business wasn’t prepared for the progressive explosion. “The labels were all used to dealing with commercial, mainstream artists. There were so few who appreciated how to handle a band like us.”

    While a lot of musicians in the late 60s and early 70s had a strong bond, BJH were a little removed from any notion of a movement. In fact, Holroyd recalls, there was just one band with whom they had any rapport.

    “We got on really well with Argent. We did a lot of gigs with them. But we had very little to do with others like Yes, Genesis or any of the names getting attention at the time.

    “We were often regarded as a cross between Genesis and Pink Floyd. Personally I never quite got that comparison. We were also seen as being close to The Moody Blues – but a lot of that was down to the fact that both bands used the Mellotron.”

    BJH were sometimes referred to as a second-rate version of the Moodies. That led to the writing and recording of 1977 song Poor Man’s Moody Blues.

    One of prog rock’s few diss tracks, it lampooned elements of the Moodies’ Nights In White Satin, with a similar pace and feel. The lyrics referenced nights, missing and loving someone – just as the 1967 song had.

    Poor Man’s Moody Blues appeared on BJH’s eighth album, Gone To Earth, whih became their biggest-selling release. Eventually, perhaps predictably, there was a reckoning over the song in the form of Holroyd’s uncomfortable encounter with the other band’s vocalist, Justin Hayward.

    “I met Justin a long time after we’d done that song and we had a chat about it. He wasn’t too pleased about that song. I can understand why.

    “For me, it was never funny or clever in the first place. John Lees wrote it, and I was uncomfortable recording the song. I wish we’d never done it.”

    Still, Holroyd regards that period as being highly successful. “We followed our own musical journey. Being commercial never worried us. All that mattered was being true to our vision.”

  • Protest The Hero Announce Fall Canadian Tour

    Touring within their home country this November/December.

    The post Protest The Hero Announce Fall Canadian Tour appeared first on Theprp.com.

  • ONLY DEATH IS REAL: GODAGAINST / IMPERATHRON / SEPULCRUM

    (Andy Synn takes us on a trip to the Death Metal underground of Chile today) It’s been suggested, perhaps not unfairly, that I’ve been neglecting the Death Metal side of things recently. So to make up for this (while acknowledging that I’ve definitely covered stuff from Carbon Tomb, Altarage, and a bunch of other short form […]

    The post ONLY DEATH IS REAL: GODAGAINST / IMPERATHRON / SEPULCRUM appeared first on NO CLEAN SINGING.

  • Abysmal Dawn – Drop Off ‘The Tech It Easy European Tour’

    California death metal outfit Abysmal Dawn have withdrawn from next month’s “The Tech It Easy” tour of Europe and the UK with co-headliners Allegaeon and Gorod, citing medical issues involving loved ones at home.
    Read more…
  • Queen Of Jeans Announce New Album hard/SWEET: Hear “Sweet Devotion”

    In 2024, Queen Of Jeans released All Again, which we named our Album Of The Week. The Philly band released “Still Learning” in June, and now they’re announcing a new record called hard/SWEET arriving this fall.

    The post Queen Of Jeans Announce New Album <em>hard/SWEET</em>: Hear “Sweet Devotion” appeared first on Stereogum.

  • Chat Pile Unveil “Same Rules” Music Video

    Self-described as a failed attempt at writing a ‘trip hop song’.

    The post Chat Pile Unveil “Same Rules” Music Video appeared first on Theprp.com.