Another hollowing experience.
The post Crown Magnetar Premiere “Shut Up And Bleed” Music Video appeared first on Theprp.com.
Category: news
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Crown Magnetar Unleash New Single and Video “Shut Up and Bleed” Ahead of Brutal New Album The Hollowing of Godflesh – @thebeast
Crown Magnetar Unleash New Single and Video “Shut Up and Bleed” Ahead of Brutal New Album The Hollowing of Godflesh
Colorado deathcore wrecking crew Crown Magnetar are turning up the violence with their latest single and video, “Shut Up and Bleed,” the newest preview of their upcoming third full-length album, The Hollowing of Godflesh .
Set for release September 25, 2026 via Unique Leader Records , The Hollowing of Godflesh finds Crown Magnetar pushing their already ferocious brand of deathcore even further into the realms of brutal death metal and technical extremity.
Watch the official video for “Shut Up and Bleed” here:
Pre-order The Hollowing of Godflesh and stream the new single here:
http://orcd.co/THEHOLLOWINGOFGODFLESH
The new track delivers exactly what its title promises: a relentless, groove-heavy assault packed with crushing riffs, savage vocals, technical precision, and the kind of rhythmic punishment that Crown Magnetar have built their reputation on.
Vocalist Dan Tucker describes the song in appropriately horrifying terms:
“Corruption made permanent. A corrupt entity is condemned within its own form. Its hollow interior filled and hardened until flesh becomes a living tomb. Unable to move, unable to die, it remains conscious and imprisoned in the exact moment of agony. A being with no escape and no reprieve. Shut up and bleed.”
Crown Magnetar Sharpen the Blade
While Crown Magnetar have never been shy about delivering devastating deathcore, The Hollowing of Godflesh represents an evolution of the band’s sound rather than a simple repeat of what came before.
According to Tucker, the album is the most complete representation of Crown Magnetar to date.
“We pushed every aspect of our songwriting further without losing the intensity and rawness that defines the band.”
The goal was to take the elements listeners already expect from Crown Magnetar and push them beyond their previous limits, bringing in greater atmosphere, bigger moments, more aggression, and an even heavier emphasis on riffing.
A major part of that evolution comes from guitarist Rob Maramonte , whose arrival marks his recorded debut with Crown Magnetar.
Maramonte brings serious technical metal credentials to the equation, having previously spent time as a member of Fallujah and The Zenith Passage , while also performing live with Thy Art Is Murder and All Shall Perish .
His influence is immediately apparent in the increasingly technical edge of Crown Magnetar’s material.
“I’ve spent time in a lot of great bands, but this is the first time I’ve felt a gelling of my vision with that of the band,” says Maramonte. “Crown is based on relentless brutality and raw power, and it’s an honor they’ve allowed me to sharpen that into the most deadly version yet.”
That’s a pretty damn good mission statement for a death metal band.
Brutal Death Metal Roots Run Deep
Crown Magnetar aren’t simply following the modern deathcore blueprint. Their sound reaches further back into the brutal death metal that helped establish the genre’s heavier foundations.
The influence of bands such as Suffocation, Dying Fetus, Putridity, Brodequin, and Defeated Sanity can be heard throughout The Hollowing of Godflesh , alongside the deathcore attack of The Red Shore, I Declare War, and Thy Art Is Murder .
That combination gives Crown Magnetar a particularly nasty balance between technical riffing, crushing grooves, speed, and breakdown-driven brutality.
Tucker has pointed increasingly toward brutal death metal as a major part of his listening habits, and the influence is clearly bleeding into the band’s songwriting.
The result is a record that doesn’t abandon Crown Magnetar’s deathcore identity. Instead, it makes that identity considerably more dangerous.
Previously released tracks “Desecrate Infinite,” “Impaled Genesis,” and “Godkiller” have already offered listeners a glimpse of what’s coming.
“Desecrate Infinite” became the band’s biggest streaming track to date, surpassing even their massive 2025 Punishment EP. Live performances of “Desecrate Infinite” and “Impaled Genesis” also helped the band win over audiences while touring alongside acts including Archspire and Undeath.
Now “Shut Up and Bleed” adds another piece to the puzzle.
The album once again features producer and bassist Michael Sahm , who has been behind the desk for Crown Magnetar’s releases throughout the band’s career.
From their early releases The Prophet of Disgust and The Codex of Flesh through Alone In Death , Everything Bleeds , and Punishment , Crown Magnetar have steadily pushed their sound toward an increasingly maximalist form of deathcore.
That relentless progression has been accompanied by an equally relentless touring schedule.
The Road Gets Even More Brutal
Crown Magnetar will hit the road this fall for “The Sawed Off Suffering Tour,” a massive co-headlining run with To The Grave .
The tour kicks off September 17 in Chicago and runs through October 17 in Denver, with support from Face Yourself and a rotating lineup featuring I Declare War, Ameonna, Tracheotomy, Backbiter, and Squelching .
The Sawed Off Suffering Tour
September 17, 2026 – Chicago, IL @ Subterranean
September 18 – Detroit, MI @ Catacombs at The Sanctuary
September 19 – Cleveland, OH @ Mahall’s
September 20 – Pittsburgh, PA @ Preserving Underground
September 22 – Toronto, ON @ Lee’s Palace
September 23 – Montreal, QC @ Foufounes Électriques
September 24 – Hartford, CT @ Webster Underground
September 25 – Brooklyn, NY @ The Meadows
September 26 – Harrisburg, PA @ Capital City Music Hall
September 27 – Worcester, MA @ The Palladium
September 28 – Baltimore, MD @ Metro Gallery
September 30 – Asheville, NC @ Revival
October 1 – Nashville, TN @ The End
October 2 – Atlanta, GA @ The Masquerade (Purgatory)
October 3 – Jacksonville, FL @ The Albatross
October 4 – West Palm Beach, FL @ The Banyan Live
October 6 – Dallas, TX @ Club Dada
October 7 – Austin, TX @ Come and Take It Live
October 9 – Mesa, AZ @ Rosetta Room
October 10 – Los Angeles, CA @ Echoplex
October 11 – Roseville, CA @ Goldfield Trading Post
October 13 – Portland, OR @ The Hawthorne Theatre
October 14 – Seattle, WA @ El Corazon
October 16 – Salt Lake City, UT @ Soundwell
October 17 – Denver, CO @ HQ
Tickets are available here:
https://bnds.us/lv9ika
And Crown Magnetar aren’t slowing down after North America.
Crown Magnetar Head to Europe With Archspire
Following the North American run, Crown Magnetar will head across the Atlantic as part of the Archspire “European Vacation Tour,” joining Archspire, The Zenith Passage, and Analepsy for an extensive European and UK run.
The tour begins October 23 in Köln, Germany and continues through November 21 in Helsinki, Finland.
Archspire “European Vacation Tour”
October 23 – Köln, Germany @ Essigfabrik
October 24 – Nijmegen, Netherlands @ Doornroosje
October 26 – London, UK @ Electric Ballroom
October 27 – Manchester, UK @ Academy 2
October 28 – Glasgow, UK @ Slay
October 29 – Dublin, Ireland @ Academy
October 30 – Birmingham, UK @ Academy 2
October 31 – Bristol, UK @ Electric Bristol
November 2 – Antwerp, Belgium @ Kavka Zappa
November 3 – Paris, France @ La Machine du Moulin Rouge
November 5 – Madrid, Spain @ Revi Live
November 6 – Barcelona, Spain @ Salamandra
November 7 – Toulouse, France @ Bascala
November 8 – Aarau, Switzerland @ Kiff
November 9 – Milan, Italy @ Legend Club
November 10 – München, Germany @ Backstage
November 11 – Karlsruhe, Germany @ Substage
November 12 – Prague, Czechia @ Meet Factory
November 13 – Berlin, Germany @ Columbia Theater
November 14 – Jena, Germany @ F-Haus
November 16 – Hamburg, Germany @ Gruenspan
November 17 – Copenhagen, Denmark @ Vega
November 18 – Oslo, Norway @ John Dee
November 19 – Stockholm, Sweden @ Kollektivet Livet
November 21 – Helsinki, Finland @ Ääniwallä
Ten Years of Relentless Crown Magnetar
Crown Magnetar have been grinding away since 2016, and their growth has been anything but accidental.
The band landed a major opportunity in 2021 when they joined Lorna Shore on tour following the explosion of “To the Hellfire.” Since then, Crown Magnetar have shared stages with heavyweight acts including Dying Fetus, Archspire, Chelsea Grin, Signs of the Swarm, Aborted, Spite, and others.
Now, with The Hollowing of Godflesh , the band appears ready to take another substantial step forward.
Behind the kit on the road will be Matt Kilner , known for his work with Nithing and Iniquitous Deeds, as well as his previous performances with Gorgasm and Vitriol.
The current Crown Magnetar lineup is:
Dan Tucker – Vocals
Rob Maramonte – Guitar
Michael Sahm – Bass
Matt Kilner – Live Drums
With a new album on the way, a new guitarist bringing additional technical firepower, a brutal new single and video, and two major tours lined up, Crown Magnetar are entering another chapter with the same philosophy that has carried them this far:
Make it heavier. Make it faster. Make it hurt.
The Hollowing of Godflesh arrives September 25, 2026 via Unique Leader Records .
Listen to Crown Magnetar
Instagram: https://www.instagram.com/crownmagnetar
X: https://x.com/crownmagnetar
Facebook: https://www.facebook.com/crownmagnetar
YouTube: https://www.youtube.com/@crownmagnetar
Spotify: https://open.spotify.com/artist/0DlST2L7efoM5Lb0uxG3Tx
Photo Credit: Dylan Gould
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Otoboke Beaver Apologize For Guitar-Tossing Incident That Hospitalized Fan
Things happen at rock ‘n’ roll shows. Objects go flying. Ideally, those flying objects don’t injure anyone. Yoyoyoshie, guitarist for the chaotic Japanese punk band Otoboke Beaver, apparently has a history of tossing her instrument into the audience without accidentally injuring anyone, but a recent show at Osaka’s Umeda Club Quattro did not turn out so well.
The post Otoboke Beaver Apologize For Guitar-Tossing Incident That Hospitalized Fan appeared first on Stereogum.
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Best Content Creation Tools Every DIY Rock Artist Should Try – @thebeast
Best Content Creation Tools Every DIY Rock Artist Should Try
Source
Getting content out as a DIY rock artist used to mean either hiring someone or spending weeks learning tools that weren’t built with musicians in mind. That’s shifted significantly, and today’s best content creation tools make it possible to handle design, video, and audio promotion without a label budget or a dedicated creative team.
For artists starting from scratch, a handful of tools consistently stand out across every format. Canva handles graphic design for release artwork and social assets. CapCut and Descript cover video editing for rehearsal clips and short-form content. Audacity keeps audio editing accessible and free. ChatGPT accelerates content ideation for captions, bio copy, and post ideas. Together, these five form a reliable starter stack that covers the widest range of promotional needs without overlap. Each one earns its place by being fast to learn, affordable or free, and genuinely suited to the rhythm of music releases and fan-facing promotion.
Quick Picks for a DIY Rock Content Stack
If you’re building a content workflow from the ground up, the goal isn’t to collect every tool available. It’s to cover the core formats, design, video, audio, and ideation, with tools that are fast to learn and easy to sustain.
Here’s a snapshot of where each category lands:
Audio-to-video automation: Freebeat turns a finished track into ready-to-post videos fast, which is ideal when you want more volume without spending hours syncing edits.
Design: Canva is the fastest all-around option for non-designers handling release artwork, flyers, and thumbnails.
Video: CapCut leads for short-form content, while Descript handles spoken and interview-style clips.
Audio: Audacity covers free multi-track editing, and GarageBand suits Mac users who want more production depth.
AI and ideation: ChatGPT helps generate post concepts, caption angles, and content calendars tied to specific release moments.
These picks prioritize speed, low cost, and multi-format use. They’re built around the actual rhythm of music releases, rehearsal clips, and fan-facing promotion rather than generic creator workflows.
Tools That Turn Songs into Social Video
Converting a finished track into platform-ready video content is one of the most time-intensive parts of DIY promotion, and the right tools cut that process down significantly.
When Audio-to-Video Automation Saves Time
Freebeat Audio to Video AI generates video content directly from an audio file, which removes the need for manual syncing altogether. This is great for artists with limited editing time, automation tools handle the heaviest lifting. This kind of workflow fits naturally into broader rock artist promotion strategies where volume and consistency matter as much as polish.
Best Apps for Reels, Clips, and Lyric Videos
CapCut is the most practical starting point for short-form video. Its template library is built around TikTok and Reels formats, and artists can sync audio, add text overlays, and export directly without touching a desktop editor.
InShot works well for quick live snippets and announcement posts. It handles aspect ratio switching cleanly, which matters when the same clip needs to go out across three different platforms.
Adobe Premiere Pro sits at the other end of the spectrum. It’s the right choice when a music video or a more produced YouTube piece needs precise cuts, color grading, and layered audio. The learning curve is steeper, but the output quality reflects it.
Descript fills a specific gap: it lets artists edit video by editing a transcript, which is especially useful for interview clips, podcast-style content, or anything with spoken word alongside music.
Design Tools That Keep Your Band Look Sharp
A band’s visual identity works the same way its sound does: inconsistency across releases makes it harder for listeners to recognize and remember who they’re looking at. Graphic design tools close that gap, giving DIY artists a way to build a consistent look without hiring a designer for every post.
Fast Artwork for Posts, Covers, and Flyers
Canva is the fastest all-around option for artists who aren’t trained designers. It offers ready-made templates sized for single covers, event flyers, Instagram posts, and YouTube thumbnails, all editable without any technical background. The free tier covers most needs, and the paid version adds brand kit features that help lock in consistent fonts and colors across every release.
For artists who want finer control over their visuals, Adobe Photoshop and Illustrator remain the standard. These tools make sense when a campaign needs custom typography, layered textures, or artwork that will be printed at scale.
Whichever tool an artist uses, the goal is the same: keeping the visual language consistent enough that fans instantly recognize new content as theirs. That consistency matters whether the asset is a story post or a full-length cover.
For artists building toward visibility in the underground metal scene, pairing strong visuals with underground metal scene coverage adds another layer of exposure beyond social media alone. Visual consistency, as discussed here, carries directly into the audio side of content creation as well.
Source
Audio Tools for Demos, Clips, and Podcasts
Audio is the part of DIY content creation that gets skipped most often, but for rock artists putting out rehearsal clips, demo snippets, or spoken promotion, the quality of what listeners hear shapes whether they stay engaged.
Best Low-Cost Editors for DIY Recording
Audacity is the most accessible starting point. It’s free, handles multi-track recording, and covers the basics of noise reduction and level balancing without a subscription. For artists who just need clean audio editing without a steep learning curve, it delivers.
GarageBand is the better option for Mac users who want something closer to a full production environment. It handles podcast editing naturally and works well when a demo snippet needs light arrangement or layering alongside the audio.
Descript sits in a different lane. It’s built around transcript-based editing, which makes it practical for interview content, spoken promos, or any clip where the words matter as much as the sound. Artists already using it for video editing will find the audio workflow familiar.
Why Your Microphone Still Matters
The editing tool only controls what’s already been recorded. A poor source recording limits what any software can fix, which is why even budget-friendly setups benefit from a decent microphone.
RØDE offers entry-level USB microphones that are widely used for home recording and podcast work. Pairing a reliable microphone with any of the three editors above closes most of the quality gap between DIY audio and professionally produced content.
AI and Planning Tools for Content Consistency
Staying consistent on social media is one of the harder parts of DIY promotion, and academic research on musician marketing confirms that irregular posting directly affects audience retention and discoverability.
AI content creation tools, particularly ChatGPT, help artists break out of that cycle by generating a steady stream of post concepts tailored to specific moments in a release cycle. An artist can prompt it with a gig date, a new rehearsal session, or an upcoming single drop, and get back a list of caption angles, story ideas, or fan engagement questions in under a minute.
The key is keeping prompts musician-specific. Asking ChatGPT to brainstorm content around a song release produces more usable output than treating it as a general writing tool. Content ideation works best when the inputs are concrete.
Once the ideas are in place, social media management tools like Buffer or Later handle the scheduling side, keeping posts going out at consistent intervals without requiring daily attention. The combination of AI-generated ideas and scheduled publishing removes the two biggest friction points DIY artists face when trying to stay active online.
Where Royalty-Free Media Actually Helps
Royalty-free music libraries like Artlist serve a different purpose than most DIY rock artists expect when they first encounter them.
For original music creators, the licensing question is usually reversed: the goal is protecting their own songs, not sourcing someone else’s. Where platforms like Artlist genuinely fit into a band workflow is in video content creation that sits outside the music itself.
Intro animations, lyric video backgrounds, teaser reels, and promo content often need supporting audio or visual elements that aren’t original recordings. Using unlicensed material in those assets creates distribution problems, particularly on YouTube. Royalty-free media solves that cleanly.
Artists who only release original music rarely need a full subscription. Those producing regular supporting content will find it earns its cost.
Start with the Tools That Match Your Workflow
The tools that work best are the ones that fit how an artist actually operates, not the ones with the most features or the loudest reputation. A band releasing content once a month has different needs than one posting weekly across multiple platforms.
Starter tools like Canva, CapCut, and Audacity cover graphic design, video editing, and audio editing without a significant time or financial investment. As output grows, more capable options become worth the learning curve.
Social media management and AI planning tools are the natural next layer once the core creative workflow is stable. Build from what’s already working, and add complexity only when the basics are running smoothly. -
Raunchy – Prisoner Review
Holy shit, I thought these dudes were gone forever! A guilty pleasure, Raunchy hasn’t released an album since I last reviewed them in my first year as an idiotic dumbassAngry Metal writer. But no one has heard from them in a long fucking time. When I first discovered their impressive 2008 release, Wasteland Discotheque, I was on a kick to explore the underground who’s who of Danish metal. During that time, I not only came across Raunchy but also Mercenary, Panzerchrist, and Dominus.1 Spread across so many varying musical styles, each band’s discog at the time was on regular rotation in the Grier household. While all but Dominus remain, only Raunchy continues to prove they can make their tried-and-true sound remain relevant.With this year’s Prisoner, Raunchy remains the best of the bunch—the rest of these Danes reached their peak in the early aughts. But that depends on the ears of the beholder. Raunchy are the masters of one of the strangest combinations of genres, unapologetically mixing groove, melodic death, metalcore, and industrial rock/metal. They are also a rare breed for a band that’s been in existence for over thirty years: they have refused to surrender their core lineup (having replaced two members in their thirty-four years of existence), nor have they ever swayed from their style. Love it or hate it, Raunchy is one of the best of the style, and they are back to take you Prisoner.
Right away, you know Raunchy hasn’t lost a step since 2014’s Vices.Virtues.Visions.. “Frostbite” kicks off with an industrial introduction before the guitars take over the rhythm and punch it forward in a Mercenary way. It’s a safe song to begin the album because it has all of the band’s classic elements: ooo’s and awww’s, cleans and harshies, ferocity and melody, and some of the best choruses out there. The follow-up track, “Stranded,” follows in its predecessor’s shoes, delivering an Evergrey-esque mid-paced groove before alternating between calm verses and harsh pre-choruses. With each iteration, the chorus’s emotion and power grow stronger until the tension finally erupts at the end.
One of my favorite parts about the album is the flow. You might get a half-second after one song before the next begins, making it as fluid as possible. While Vices.Virtues.Visions. was emotionally heavy, some Prisoner’s tracks pack a hefty punch. “Revealing I” is a Fear Factory-infused blast attack that somehow balances each heavy riff with the absolute beauty of the chorus. While not as continuously ferocious, the back half of “Vanishing Act” fuses badassery with tripletty. Its chorus is probably the least memorable on the album, but it’s still very strong. It’s also impressive that this chorus is the “worst,” because each one is worth the time.
For example, the only good quality of the cringey, pop-synth, bitchy-emo “Darkest Self” is the chorus. And, goddamn, it’s a good one. But each time it restarts with its verse and pre-chorus pattern, I’m not sure I can make it through. “Masquerade” doesn’t have the same flaws, but it’s unique to the band, requiring a few listens to appreciate nuances. To conclude this journey of societal growth, missteps, and seclusion, the title track’s breathtaking beauty and hopefulness cap Prisoner perfectly. This new record is at the same level as Vices.Virtues.Visions. in quality and memorability. But what makes them equals is their perfect pairing: one to tear at your heartstrings and the other to empower you to get through it.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Mighty Music
Websites: raunchydk.bandcamp.com | facebook.com/ronniband
Releases Worldwide: August 14th, 2026The post Raunchy – Prisoner Review appeared first on Angry Metal Guy.
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Listening Now : Aching Pine – Treat Yourself
Aching Pine deliver a beautifully melodic indie folk piece with Treat Yourself, blending warm acoustic textures with gentle folk-rock touches and an inviting sense of intimacy. The songwriting feels natural and unforced, allowing the melody to remain at the heart of the arrangement while subtle instrumental details add warmth and depth. There is something comforting about the track’s understated approach, balancing thoughtful lyricism with an easygoing musical flow. Tender, melodic, and refreshingly organic, Treat Yourself captures the softer side of contemporary indie folk while showcasing a songwriter with a clear instinct for memorable melodies and emotionally resonant storytelling.
Connect:
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Abraham Manticore Dust on Tounge Review
Abraham Manticore Dust on Tounge Review
The single “Dust on Tongue” opens with an intense rhythm. It merges elements reminiscent of Depeche Mode with futuristic sounds. This combination creates a dystopian and industrial atmosphere. The listener feels as if wandering through the night streets of Berlin. Dark tones and industrial vibes are prevalent throughout the track. It transports you into venues where dancing feels rebellious and free-spirited.
What stands out in this song are the guitar riffs. They introduce a hints of a desert influence that adds an intriguing texture. At times, this creates almost Western-like details. These elements contrast sharply with the song’s dark rock electronic core. The intensity of the rhythm is powerful, keeping the listener engaged from start to finish.
Lyrically, the song tackles themes of repentance, surrender, and spiritual rebirth. The narrator reflects on a life that has been filled with pride, mistakes, and regret. This introspection is deeply felt in the verses. The decision to let go of the past becomes a central theme. The act of asking for forgiveness is portrayed with sincerity.
Dust on Tounge – Sound and Atmosphere
The repeated use of the word “repent” acts almost like a prayer. This repetition emphasizes the desire to break free from old habits. It highlights a wish to return to a place of comfort and safety. The narrator yearns to start anew, embracing grace and redemption. This lyrical journey resonates with anyone who has faced internal struggles.
The blend of musical styles creates a unique experience. Manticore’s production choices showcase an understanding of modern music trends. At the same time, there is a respect for traditional influences that form the backbone of the song. The combination of the dark electronic elements with the Western guitar nuances provides depth. Each listen reveals new insights and nuances to appreciate.
The atmosphere of the song invites the listener into a reflective state. It encourages a focus on personal growth and transformation. The arrangement leaves the audience feeling energized and contemplative. The powerful rhythm matched with profound lyrics offers a holistic musical experience.
Dust on Tounge – Performance and Production
Every aspect of “Dust on Tongue” reflects a deep engagement with the human experience. Whether it is the beat, the lyrics, or the textures, each element adds to the overall narrative. This single encourages listeners to confront their past and look toward the future. The final message in the song is one of hope and renewal. It reminds us that while the journey may be painful, it is also deeply valuable.
“Dust on Tongue” is a remarkable single from Abraham Manticore. It combines intense rhythms with thought-provoking lyrics in a seamless manner. The song is not just an auditory experience; it’s a journey of self-discovery and resilience. This track is highly recommended for anyone who appreciates music that resonates on multiple levels.
Deep
If you love this music: Discover More
The post Abraham Manticore Dust on Tounge Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Dave Lombardo (Mr. Bungle, Ex-Slayer, Etc.) & Lustmord Unite As Lustmord Lombardo, Debut “Paleomagnetic Resonance”
Their debut album “The Pulse Of Atoms” will be arriving in October through Ipecac.
The post Dave Lombardo (Mr. Bungle, Ex-Slayer, Etc.) & Lustmord Unite As Lustmord Lombardo, Debut “Paleomagnetic Resonance” appeared first on Theprp.com.
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NEIL PEART’s Documentary To Premiere At Toronto International Film Festival
A new documentary chronicling the life of the late Rush drummer Neil Peart is headed to Toronto. Neil Peart: No One’s Disciple will receive its world premiere at the Toronto International Film Festival next month.
The film comes from directors Scot McFadyen and Sam Dunn, the pair behind 2010’s Beyond the Lighted Stage, still considered the definitive Rush documentary by most of the band’s fan base. Running 96 minutes, the new film premieres September 16, with a public screening following on September 19. It’s also set to air on Canada’s CBC network as part of its The Passionate Eye series on September 23.
No One’s Disciple traces Peart‘s difficult early years as a young musician through his eventual rise to becoming one of rock’s most revered drummers. The film features interviews with Rush co-founders Geddy Lee and Alex Lifeson, along with input from a roster of acclaimed drummers reflecting on Peart‘s legacy. It also captures Lee and Lifeson performing new live versions of Rush classics, with the drum stool filled on different songs by Chad Smith of Red Hot Chili Peppers, Stewart Copeland of The Police, and Danny Carey of Tool.
TIFF’s official synopsis for the film reads: “Geddy Lee and Alex Lifeson team up with four revered drummers — Stewart Copeland, Danny Carey, Chad Smith, and Gavin Harrison — for an exhilarating and poignant tribute to late Rush legend Neil Peart.” This year’s festival runs September 10 through September 20.
Peart died on January 7, 2020, in Santa Monica, California, following a three-year battle with glioblastoma, an aggressive form of brain cancer. He was 67. Rush confirmed his death three days later, prompting an outpouring of grief from fans and fellow musicians across the industry.
Rush itself is currently back on the road, touring with German drummer Anika Nilles, who previously toured with Jeff Beck in 2022, and keyboardist Loren Gold, best known for touring work with The Who and Chicago. The band’s June 7 show at the Kia Forum in Los Angeles kicked off the “Fifty Something” tour, marking the first run for this reconfigured lineup of Lee on vocals and bass and Lifeson on guitar, joined by Nilles and Gold.
The tour spans multiple cities across Canada, the United States and Mexico, built around “evening with” shows featuring two full sets a night. Rush is drawing from a catalog of roughly 40 songs, meaning no two setlists on the run look quite the same. The dates sold out almost immediately after Lee and Lifeson announced the initial run in October 2025, prompting the band to double the tour’s length and then tack on even more shows to keep up with demand.
The post NEIL PEART’s Documentary To Premiere At Toronto International Film Festival appeared first on Sonic Perspectives.
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HAKEN – announce UK & Ireland headline tour for February 2027
HAKEN – announce UK & Ireland headline tour for February 2027
Photo credit: Oli Kember
UK progressive, alternative metal band HAKEN recently released the ‘in a fever dream’ EP, out right now digitally, and physically as CD and vinyl on the 18th September. With the band set to tour Europe later this year, they are now pleased to finally reveal a headline UK tour for February 2027.
The band comments: “Don’t worry – we were never going to desert you. We can’t wait to bring ‘in a fever dream’ to the UK and Ireland in February 2027. 7 shows, culminating in our hometown of London. Will you join us in the fever dream?”
The list of dates are as follows:
1st February – The Limelight 2, Belfast
2nd February – Academy, Dublin
3rd February – Slay, Glasgow
4th February – Academy 2, Manchester
5th February – Trinity, Bristol
6th February – Institute 2, Birmingham
7th February – Islington Assembly Hall, London
Support comes from IHLO & Black Orchid Empire on all dates.
O2 Presale (Birmingham only) – Wednesday 12th August @ 10am BST
Action! Presale (Manchester, Bristol, Birmingham, London only) – 13th August @ 10am BST
General Sale – 14th August @ 10am BST
The band recently launched a making of documentary for the ‘in a fever dream’ EP. Filmed & edited by Oliver Kember, you can watch it in full here: https://www.youtube.com/watch?v=usHTkn_6L-A
Co-produced and mixed by George Lever (Loathe, Sleep Token), and featuring bass contributions from Bryan Beller (Joe Satriani, The Aristocrats) & Adam ‘Nolly’ Getgood (Periphery), the EP sees the band crafting some of the most emotionally direct material of their career so far.
“ ‘in a fever dream’ is both a brave step away from the expected and a strident consolidation of everything that the band have achieved to date. Ingenious and classy, as ever.” – Blabbermouth.net
“The EP is packed with moments of classic Haken style, and the songs should be accessible to curious new listeners too.” – The Prog Report
The band comments: “This EP was born from a period of reflection and rediscovery. Over the last few years, we’ve faced challenges that forced us to look inward, both as musicians and as people, and the songs on this record are the result of that journey.
We allowed ourselves to be completely honest in the writing process, digging into real experiences, doubts, and emotions rather than hiding behind them. That vulnerability gave these songs a weight and purpose unlike anything we’ve created before.
Musically, we pushed ourselves into new territory, embracing fresh influences while holding onto the intensity and identity that define this band. Working with producer George Lever helped us sharpen that vision, and Vada Studios provided the perfect environment to collaborate and bring it to life.
This EP captures a moment in time of us finding our feet again – moving forward, taking risks, and creating from a place that feels as genuine as we have ever been.”
‘in a fever dream’ will be available as CD, Deep Blood Red LP (in Europe), Lotus White LP (in the US) and as a very limited clear LP edition available only from the bands store. Pre-order now here: https://haken.lnk.to/inafeverdream-EP
HAKEN are:
Ross Jennings
Richard Henshall
Pete Jones
Ray Hearne
HAKEN online:
www.hakenmusic.com
www.twitter.com/Haken_Official
http://www.facebook.com/HakenOfficialhttps://www.instagram.com/haken_official/
INSIDEOUTMUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.insideoutshop.de
