Vince Staples, a persistently provocative artist, is no longer in business with Def Jam or Netflix. If there was ever anything holding him back, that’s gone now. Later this week, Staples will release Cry Baby, his first album for new label home Loma Vista. Staples messed around with guitar-rock signifiers in interesting ways on early…
Black Bananas are back. Led by Royal Trux and RTX’s Jennifer Herrema, the band last released a record in 2014 with their sophomore effort Electric Brick Wall on Drag City. Today, the trio is announcing their signing to Fire Records and a new album called Bad Bunch.
For all the links tying them to KING CRIMSON – Trey Gunn and Pat Mastelotto having served in the band and Markus Reuter having been part of – the members of TU-NER were never eager to delve into that legacy … Continue reading →
At the end of this week Death Cab For Cutie will release I Built You A Tower. It’s their first album for new label home Anti, which means it’s their first album on an indie label since Transatlanticism in 2003. The group has dropped two promising singles so far, “Riptides” and “Punching The Flowers,” and…
Butcher Babies have released their powerful new single Blame it on the Wind, produced by Howard Benson. This marks the fourth release from their forthcoming album via Judge & Jury Records. The track serves as a key chapter in an album that functions as a deeply personal love letter to vocalist Heidi Shepherd’s past, reflecting […]
Armored Saint today presents their video for “Every Man-Any Man.” The track comes off the band’s critically-lauded new full-length, Emotion Factory Reset, out now on Metal Blade Records.
“‘Any man has his price’ is a more familiar phrase and that’s the theme, but we didn’t want to call it that,” recalls vocalist John Bush on the track, “It was too obvious. We said, ‘How about we call the first part of the line ‘every man-any man’ and then stop there.’ The intro guitar part almost has this Andy Summers/Police vibe. Then [Joey Vera] goes into the cool bass groove. That’s vintage Joey; he’s such a grooving bass player, and it sounds super unique; you probably won’t hear a groove like that from too many metal bands.
“Combined with [drummer] Gonzo [Sandoval], sometimes the grooves that they combine on are essential to ARMORED SAINT’s sound and have been for years. When those two guys are locked in, it’s pretty awesome, because it’s like they could be playing in the Commodores. That’s the feeling that, I think, is the beauty of ARMORED SAINT; it takes it to another place that a lot of bands can’t go to in the metal world. That’s a perfect example of it.”
Adds Vera, “I liked the idea of having the verse, music, and chorus be the same music parts, but with different vocal parts. This idea was inspired by a song by the band The Police. I also wanted to add all the kitchen sink ingredients, so there are nods to Foo Fighters, Thin Lizzy, and it all ends with a crushing ARMORED SAINT riff.”
Emotion Factory Reset, ARMORED SAINT’s ninth studio album, is a resurrection of sorts, a tearing down and a rebuilding in eleven songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by bassist Joey Vera and mixed by Jay Ruston (Anthrax, Stone Sour), the record finds the quintet challenging themselves. Songs like “Close To The Bone,” “Hit A Moonshot,” and “Every Man-Any Man” have ARMORED SAINT honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.
Emotion Factory Reset was recorded across several studios including 606 Studios, Secret Hand Studios, Skullseven Studios, Constantine Studios, and Bridge Recording, engineered by Oliver Roman, Bill Metoyer, Joey Vera, and Jason Constantine, and features cover art by DDKing.