Category: news

Finnish modern death metal newcomers MONARCH OF HATE burst onto the scene with a force that is impossible to ignore. The band is releasing their debut single, “There Goes the Sun,” which showcases an uncompromising blend of groovy heaviness, modern production, and the dark intensity of melodic death metal. At the heart of the track […]

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RUDE AWAKENING RECORDS is glad to announce the signing of the Italian legendary band AYDRA. AYDRA, pioneers of Italian technical death metal, formed in 1985 evolving from thrash roots into an increasingly complex and aggressive sound. After the acclaimed “Icon of Sin” (1999) and “Hyperlogical Non-sense” (2004), the band returned in 2024 with “Leave to Nowhere” – […]

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STREAM/DOWNLOAD “ELECTRIC GYPSY” HERE WATCH THE VIDEO HERE June 3, 2026 — July 3 sees the release of one of the most anticipated live albums […]

The post L.A. GUNS Bring The “Electric Gypsy” Back From The Guild Theatre With New ‘Live From The Guild Theatre’ Album Out July 3 appeared first on Metal-Rules.com.

Six stops have been announced for the summer.

The post Ingested Announce West Coast U.S. Headlining Shows appeared first on Theprp.com.

Look who’s back! Well, no, that’s not quite right. Captain Murphy can’t really be “back” because he’s not a real person. He’s the rap alter-ego for Flying Lotus, the visionary producer who has continued making music while transitioning into a new career as a horror-flick auteur. Earlier this year, FlyLo released his joyously experimental EP…

The post Captain Murphy – “Mudhole” (Feat. Little Snake) appeared first on Stereogum.

The Who have released the official video for “Won’t Get Fooled Again”, taken from their newly issued live album Live At Eden Project, available now through earMUSIC.

Few rock bands can match the influence and longevity of The Who, and the new release captures a significant performance from the band’s later years. Recorded during their July 2023 appearance at Cornwall’s Eden Project, Live At Eden Project documents a concert that paired the group’s classic material with orchestral arrangements performed alongside the Heart of England Philharmonic Orchestra.

The show featured founding members Pete Townshend and Roger Daltrey, who delivered a set that combined the power of the band’s catalog with the added depth of a full orchestra. The unique setting of the Eden Project, known for its striking biomes and environmentally focused mission, provided an intimate atmosphere and acoustics that differed greatly from the arenas and stadiums where The Who have traditionally performed.

The recording captures that environment, allowing listeners to experience the connection between the band and audience in a venue with a smaller capacity than many of the group’s recent performances. The result is a live document that highlights both the scale of the orchestral arrangements and the details of the band’s performance.

The setlist draws from multiple eras of The Who‘s career. Alongside well-known songs such as “Baba O’Riley”, “Pinball Wizard”, and “Won’t Get Fooled Again”, the album also includes less frequently performed tracks including “Cry If You Want”, “Anyway, Anyhow, Anywhere”, and “The Rock”.

Live At Eden Project is available in several formats, including a 2CD digipak, a limited three-LP gatefold edition pressed on recycled vinyl and packaged without plastic shrink wrap, a standard three-LP gatefold version, and digital editions.

For fans of The Who, the release offers a detailed snapshot of the band’s orchestral era, showcasing a performance that balances classic rock energy with the expanded dynamics of a full symphonic backing. The combination of the Eden Project’s distinctive setting, a carefully selected setlist, and the band’s veteran lineup makes Live At Eden Project a notable addition to The Who‘s extensive live catalog.

The post THE WHO Shares Video For “Won’t Get Fooled Again” From Their Latest Album “Live At Eden Project” appeared first on Sonic Perspectives.

Ireland’s most incendiary dissenting voice returns

Brazilian metal veterans Eminence return with “Silent March,” the crushing new single and music video that introduce the band’s heaviest and most uncompromising era to date. The track serves as the title song for their upcoming EP, arriving later this year, and features a special guest performance from Andreas Kisser of Sepultura, whose unmistakable guitar work elevates the band’s already explosive sound.

Recorded at Denmark’s legendary AntFarm Studios with world‑renowned producer Tue Madsen, “Silent March” marks a defining moment in Eminence’s nearly three‑decade career, a fusion of Brazilian metal identity, modern heaviness, and global production excellence.

The creation of the new EP began in late 2024, sparked by bassist Davidson Mainart, whose early riffs for “Silent March” allowed the band to complete the track in just two weeks. By early 2025, Eminence entered pre‑production at Audio One Studios in Belo Horizonte, collaborating remotely with Madsen in Denmark to shape the EP’s sonic direction.

Guitarist and founding member Alan Wallace describes the release as the band’s most intense work yet:

“I feel like we’ve captured the essence of Eminence while bringing in a heavier, more modern vibe. The guitars are especially intense on this one. The theme of the EP itself exposes structures, questions symbols and confronts the idea that faith, power and truth walk hand in hand. Here, there are no kings. There are no gods. Only the constant sound of humanity marching, in silence, through its own ruin.”

Lyrically and thematically, the single and title track “Silent March” is a brutal portrait of corrupted faith, blind obedience, and violence transformed into a system. The song depicts a voiceless procession marching under power structures built on lies, gold, and suffering, a world where martyrdom becomes industrial, and pain is mass‑produced.

Musically, it blends industrial metal, thrash, metalcore and death metal, delivering a modern, groove‑driven assault shaped by Wallace’s songwriting and the band’s collaborative approach.

The single includes a standout guest appearance from Andreas Kisser, whose contribution adds a layer of legacy and intensity to the track. His involvement reflects Eminence’s long‑standing connection to the Brazilian metal lineage and its ongoing role in shaping its future.

The “Silent March” music video expands the EP’s themes through stark, symbolic imagery, a world where identity dissolves, faith becomes a weapon and humanity marches toward its own collapse. The visuals mirror the EP’s narrative arc: the system collapses into mutation, a cycle with no clear beginning or end.

The single’s artwork, created by Brazilian designer Rafael Moco, continues the band’s tradition of powerful visual storytelling. Known for his work on Dark Echoes, Moco delivers another striking concept that reflects the EP’s themes of corruption, dehumanization, and transformation.

Recommended for fans of Machine Head, Slipknot, Gojira, Sepultura, and Architects. Watch and listen to the music video for “Silent March” featuring Sepultura’s Andrea Kisser at: https://www.youtube.com/watch?v=vy_uNvGff3o

Add to your Spotify Playlist – https://open.spotify.com/track/6WHCXUjFFbAhaiNwzJlfMO

Lineup:
Alan Wallace – Guitars & Synths
Bruno Paraguay – Vocals
Davidson Mainart – Bass
Thiago Caeiro – Drums

About: Formed in Belo Horizonte, Minas Gerais, Eminence has spent nearly 30 years forging a sound that blends extreme heaviness, technical nuance, and modern aggression while honoring the legacy of the Brazilian metal scene. Led by guitarist Alan Wallace, the band has completed over 30 international tours, performing across Europe, Asia, Oceania, the Middle East, and the Americas.

Their resume includes appearances at Rock in Rio, Woodstock Festival (Poland), SXSW, CMJ, Summer Breeze Brazil, Knotfest Brazil, Rock Al Parque, and a historic invitation to join Sepultura’s farewell tour.

Eminence has shared stages with Motörhead, Sepultura, Amon Amarth, Mercyful Fate, Immolation, Krisiun, Nervosa, and many more.

More info: 

​https://www.eminence.com.br/​

​https://www.instagram.com/eminenceband​

​https://www.facebook.com/eminenceband​

https://www.tiktok.com/@eminenceband

Source: ASHER MEDIA RELATIONS

RushCon has announced a special fan event to coincide with the opening night of Rush‘s upcoming tour.

The Rush Tour Opening Night Fan Watch Party will take place on Sunday, June 7 at 6:30 p.m. PT / 9:30 p.m. ET, giving fans a chance to follow the first show of the tour in real time, whether they are attending the concert or watching from home.

A message from RushCon states: “Rush is back. Are you ready? The tour opens Sunday at The Forum in LA. Whether you’ll be in the crowd or watching from home, we’re celebrating the moment with you. Can’t make it to LA? Get spoiled with us instead.

RushCon is hosting a live fan watch party on YouTube with Chaz N Schatz from the Rush Rash podcast. Our correspondents at the Forum will feed us the setlist song by song, photos from inside, and real-time reactions while our hosts react live the whole night. It’s the next best thing to being there.

Head here on Sunday at 6:30 PM – PT. Subscribe and turn on notifications to get a reminder the moment we go live.

Going to the show? We’re looking for fans at the Forum to be our eyes and ears. Send us photos, the setlist as it happens, your reactions from inside, whatever you want to share, and we’ll feature it live on the stream.”

Fans interested in contributing updates from inside the venue can sign up at info@rushcon.org.

RushCon also reminded fans about another upcoming gathering connected to the tour: “Kick off the tour with us in New York City on Saturday, August 1, our exclusive RushCon Pre-Show Party at a private rooftop bar before the Madison Square Garden show. Snacks, drinks, games, prizes, and a high-energy fan hang to start the night together.

Tickets for both events are going fast and some packages are already nearly gone. If you’ve been thinking about coming, this is the moment to lock it in. We can’t wait to see you there.” Get your tickets here.

The watch party is designed to give Rush fans immediate access to setlist updates, photos, and reactions from the opening night performance at The Forum, while the New York gathering offers another opportunity for fans to connect ahead of the band’s Madison Square Garden appearance later in the tour.

The post Celebrate RUSH’s Tour Launch With RushCon’s Live Fan Watch Party appeared first on Sonic Perspectives.

The ultimate battleground for gothic metal purists has officially been upended by the surviving members of the band themselves. While corporate media outlets continually push the same predictable mainstream consensus, an exclusive video feature has emerged where guitarist Kenny Hickey and drummer Johnny Kelly break their silence to deliver a shocking, filter-free breakdown of every Type O Negative album ranked from worst to best.

This definitive insider revelation completely rewrites heavy music history, stripping away commercial sales figures to expose the raw artistic truth behind Peter Steele’s legendary catalog.

TL;DR:

Ranking the Type O Negative discography is a brutal task—the band never made a bad record. But while most legacy publications permanently point to Bloody Kisses or October Rust as the definitive masterworks, we’re smashing the corporate consensus. Backed by exclusive video footage of guitarist Kenny Hickey and drummer Johnny Kelly officially ranking their own discography, this updated guide flips the script. Scroll down to see why the band unanimously dislikes Life Is Killing Me, why World Coming Down is our undisputed #1, and where the surviving members place the records.

The legacy of Brooklyn’s legendary “Drab Four,” Type O Negative, has remained an active battleground for heavy music purists since the tragic passing of frontman Peter Steele in 2010. For decades, legacy publications have controlled the narrative, continuously trading the top spots between the platinum-selling gothic breakthrough Bloody Kisses (1993) and the lush, atmospheric romanticism of October Rust (1996).

Now, the debate has been completely upended. In an exclusive video feature, Type O Negative guitarist Kenny Hickey and drummer Johnny Kelly broke their silence to deliver their definitive, filter-free album rankings from worst to best. The insider revelation completely shatters conventional critical consensus, directly challenging mainstream music tier lists by exposing what the musicians themselves actually think of their own historic catalog.

The Shocking Consensus: Why ‘Life Is Killing Me’ Lands at the Bottom

In a move that will catch casual gothic metal fans completely off guard, both surviving members independently locked in Life Is Killing Me (2003) as their least favorite studio effort. While mainstream outlets frequently praise the record for its catchy, upbeat punk energy and streaming hits like “I Don’t Wanna Be Me,” the men who tracked it view the era with distinct artistic dissatisfaction.

Hickey went down the list off the top of his head, explicitly placing Life Is Killing Me at the absolute back of the line. Johnny Kelly instantly backed up his longtime bandmate, confirming the 2003 release represents the lowest point of his personal ranking. Kelly admitted that trying to rank the records is incredibly difficult because each distinct studio era represents a highly specific, deeply personal emotional chapter for the band. However, when pressed to name the absolute least favorite, Kelly stated without hesitation that Life Is Killing Me takes the bottom spot.

• Total Official Albums: 7 (6 Studio + 1 Pseudo-Live)
• The Critical Masterpiece: Bloody Kisses (1993)
• The Memorial Bookend: Dead Again (2007)
• The Unanimous Bottom Spot: Life Is Killing Me (2003)

The True Hierarchy: Kenny Hickey’s Worst-To-Best Breakdown

While Johnny Kelly noted that his personal preference shifts heavily depending on his mood and the specific tracks he wants to hear, Kenny Hickey laid down a definitive chronological and qualitative trajectory.

Hickey’s structural ranking cuts right past commercial sales figures, prioritizing raw sonic identity and historical weight over platinum plaques:

• The Bottom Tier: Life Is Killing Me (2003) sits firmly at the lowest spot for its disjointed execution.
• The Transition Era: Dead Again (2007) and the hyper-polished gothic atmosphere of October Rust (1996) populate his middle tier.
• The Top Flight: The suffocating, real-world despair of World Coming Down (1999) and the iconic, genre-defining structures of Bloody Kisses (1993) comfortably make up his upper tier.
• The Supreme Peak: Landing right at number one for Hickey is the band’s raw, primal 1991 debut masterpiece, Slow, Deep and Hard.

Additionally, Hickey threw a curveball at the purists by highly praising the band’s infamous 1992 pseudo-live album, The Origin of the Feces, declaring his genuine love for the record and placing it securely within his top four favorite Type O releases.

Loaded Radio recommends: Check out Loaded Radio’s exclusive interview with Type O Negative’s Kenny Hickey and Johnny Kelly.

The Official Loaded Radio Definitive Album Ranking

By factoring in the exclusive band testimony alongside decades of airplay analytics, the updated definitive ranking shifts the spotlight away from safe corporate answers to honor the absolute emotional truth of Peter Steele’s creative arc.

7. Life Is Killing Me (2003)

Arriving four years after the exhausting emotional toll of their previous record, Life Is Killing Me represented a deliberate tonal shift. The album recaptures a massive part of the band’s trademark humor, leaning heavily into their prominent Beatles influences, upbeat punk-rock tempos, and a bright, highly accessible production style. Standalone bangers like the self-deprecating anthem “I Don’t Wanna Be Me,” “I Like Goils,” and the sprawling, beautiful “Anesthesia” remain permanent crowd favorites and dominate streaming platforms today.

However, when looking at the complete body of work, the record exposes an undeniable lack of overall structural cohesion. Rather than playing like a holistic, deeply unified masterpiece, it plays more like a fragmented collection of individual tracks, weighed down by noticeable filler toward the back half of the tracklist. This sentiment isn’t just critical speculation—it is shared by the musicians themselves. Johnny Kelly has candidly pointed to this era as the most disjointed and lacking in their entire catalog. In our exclusive video, both Kelly and Kenny Hickey independently and instantly named Life Is Killing Me as their absolute least favorite Type O Negative studio album.

6. The Origin of the Feces (1992)

Conceptually, The Origin of the Feces might be the most pure distillation of Type O Negative’s identity ever captured on a physical release. Tasked by Roadrunner Records to deliver a standard live album, the band famously took the budget, spent it on a massive bender, and entered a sterile studio environment instead. They re-recorded the aggressive tracks from their debut album, deliberately doctored the audio with layers of fake, highly hostile crowd noise, staged a chaotic evacuation bomb threat, and recorded Peter Steele hilariously trading graphic insults with a non-existent audience.

While it functions primarily as a legendary, anti-commercial middle finger to the music industry—complete with a darkly humorous, murder-fantasy cover of Billy Roberts’ “Hey Joe” reimagined as “Hey Pete”—it remains a non-essential studio artifact musically. The tracking is raw, reckless, and deliberately unpolished. Yet, despite landing near the bottom of critical charts due to its nature as a pseudo-live parody, Kenny Hickey threw a massive curveball in our exclusive feature, proudly declaring his genuine love for this record and cementing it securely within his top four personal favorites.

5. Dead Again (2007)

The final studio curtain. Dead Again stands as a heavy, deeply emotional monument, representing the definitive creative bookend for the band prior to Peter Steele’s tragic death from heart failure in 2010. Created during a period of immense personal turmoil, with Steele navigating severe addiction and isolating himself as a virtual shut-in, the recording sessions were frequently acrimonious and volatile. Yet, out of that chaos, the band managed to capture lightning in a bottle, staging a brilliant return to their raw, stoner-doom roots.

Musically, the record breaks completely away from the polished, heavily programmed studio sheen of their mid-career masterpieces. It is the only studio album in the catalog to feature Johnny Kelly’s live, un-programmed drumming from start to finish, giving the arrangements a gritty, garage-rock urgency. Sprawling epics like the 11-minute lead single “The Profit of Doom,” the thrashy blast of “Some Stupid Tomorrow,” and the hauntingly dynamic Dimebag Darrell tribute “Halloween in Heaven” prove the band was still finding new ways to innovate. It is a well-rounded, gut-wrenching, and beautifully unpolished farewell.

4. Slow, Deep and Hard (1991)

The unhinged, violent foundation that started it all. Born directly from the ashes of Peter Steele’s primal, caveman thrash metal outfit Carnivore, Slow, Deep and Hard is a glorious, gritty, and intentionally uncomfortable listening experience. This isn’t the lush, romantic gothic metal that the group would eventually pioneer and perfect; this is pure, punk-fueled, NYHC-spiked doom. The album carries an immense amount of visceral angst, blending crushing, crawling sludge riffs with frantic thrash outbursts.

The record is defined by its long, multi-part theatrical structures, evidenced by legendary tracks like “Unsuccessfully Coping with the Natural Beauty of Infidelity,” “Prelude to Agony,” and “Der Untermensch.” Steele’s infamous, black-hearted wit and politically incorrect humor are on full display here, drawing fierce controversy from reactionaries who completely missed the underlying satire. For those with a taste for raw, abrasive, and uncompromised heavy music, this debut is a masterclass. In our exclusive video, Kenny Hickey shattered standard critical tradition by proudly ranking this historic debut as his number one favorite Type O Negative album of all time.

3. October Rust (1996)

Simply put, October Rust is Type O Negative’s sexiest, most atmospheric masterpiece. Following the massive global breakthrough of their previous record, the band made a highly calculated pivot away from the aggressive New York hardcore grit of their youth. They aimed directly at a newfound, candle-lit demographic, fully embracing their “Green Man” aesthetic to craft the ultimate, lush soundtrack for the autumn season.

This is the exact album a certain type of fan instantly envisions when they think of the band’s identity. From the twinkling keyboard intro of “Love You to Death” and the sultry, melodic pulse of “My Girlfriend’s Girlfriend,” to the heavy, spellbinding grooves of “Be My Druidess” and their iconic cover of Neil Young’s “Cinnamon Girl,” the record is drenched in dark romanticism and cheeky sexual innuendo. It is famous for its smooth, polished studio feel, utilizing heavily programmed drum tracks arranged by Steele to achieve a uniform, otherworldly tone. While other publications rank this as the absolute number one peak of their vision, we place it at number three because its flawless commercial polish edges out the raw, bleeding emotional honesty of their finest work.

2. Bloody Kisses (1993)

The undisputed cultural monolith that changed the landscape of heavy music forever. Bloody Kisses is the cinematic magnum opus that defined an entire subculture, successfully serving as the historic first-ever release on the Roadrunner Records roster to achieve RIAA platinum status. The album represents a flawless, genius synthesis of incredibly wide-ranging influences, seamlessly fusing crushing Black Sabbath doom and New Wave melodies with pop sensibilities, gothic atmosphere, and a hard-edged sense of sarcasm.

The timeless singles on this record are monumental. “Black No. 1 (Little Miss Scare-All)” became an immediate global anthem, brilliantly infectious while simultaneously skewering the very self-conscious goth demographic that adopted it. The sweeping, 11-minute title track delivers a shuddering, morose wall of doom, while “Christian Woman” stands as arguably the single finest, most dynamic song the band ever composed. Backed by raw punk throwbacks like “We Hate Everyone” and “Kill All White People,” it is a flawless piece of art. Mainstream critics at Revolver state that no other record could ever claim the top spot, but at Loaded Radio, we know that commercial perfection must bow to absolute truth.

1. World Coming Down (1999)

This is the absolute summit of Type O Negative’s creative history. After tasting massive mainstream success with Bloody Kisses and swimming through the lush romanticism of October Rust, Peter Steele was spiraling heavily through severe substance abuse, profound depression, and the agonizing real-world loss of multiple close family members. The resulting record is the single blackest, most suffocating, and devastatingly honest piece of music they ever put to tape.

There are no radio-friendly singles, catchy pop hooks, or playful sexual jokes to offer reprieve here. What is left is pure, unadulterated, Sabbathian doom metal. Masterpieces like “Everything Dies,” “Everyone I Love Is Dead,” and the drug-fueled dread of “White Slavery” are harrowing, deeply pained windows into a man actively drowning in grief.

Musically, it brings the group’s heaviest, most crushing sonic weight directly to the forefront. Despite the relentless, bleak darkness of the material, both Johnny Kelly and Kenny Hickey hold this era in the highest artistic regard, with Kelly citing it as his favorite and Hickey ranking it as his second favorite. It is an unmatched work of profound tragic art, the unfiltered heart of the band, and the undisputed number one Type O Negative album. Period.

Loaded Radio Recommends: Check out our list of 13 Things You Didn’t Know About Type O Negative’s Peter Steele

The Loaded Radio Perspective: Why “Correct” Isn’t Always “Best”

I’ve spent 20 years in the booth, and I’ve watched the “Drab Four” evolve from Brooklyn hardcore outcasts to gothic metal royalty. I’ve seen the rankings, and I get it—Bloody Kisses is the “safe” corporate answer. It’s the record that gave us “Black No. 1” and put Roadrunner Records on the map. But here’s the thing: after decades of spinning these tracks and interviewing Kenny Hickey and Johnny Kelly, you realize that Bloody Kisses was the breakthrough, but World Coming Down was the unfiltered truth.

I’ve had many late-night conversations about the pain that went into the 1999 sessions. Steele was spiraling, and the band was capturing lightning in a bottle while the bottle was shattering. At Loaded Radio, we don’t just look at sales figures; we look at the music that still haunts you at 3:00 AM. That’s why our top spots line up with what Kenny and Johnny have stated behind the scenes—perfection will always take a backseat to raw honesty.

FAQ: Type O Negative’s Inside Roster Realities

Why do Kenny Hickey and Johnny Kelly rank ‘Life Is Killing Me’ so low? Both musicians feel the 2003 record lacks cohesive sequencing and structural focus, with Kelly previously noting that the recording sessions felt highly disjointed compared to the rest of the band’s unified catalog.

Did Type O Negative use real drums on ‘October Rust’? No. While Johnny Kelly is fully credited and pictured on the release, the drum tracks were entirely programmed by Peter Steele on a drum machine to achieve a cold, mechanical, and perfectly uniform atmospheric tone.

What was Type O Negative’s highest-selling album? Their 1993 masterpiece Bloody Kisses holds the record. It made music history by officially becoming the first album on the Roadrunner Records roster to be certified platinum by the RIAA.

What is the meaning of the album title “The Origin of the Feces”? The title is a savage satirical parody of Charles Darwin’s famous scientific text, The Origin of Species. The album, its original artwork, and its engineered track layout were created as a chaotic joke regarding standard record label operational demands.

STAY LOUD: Now that Kenny Hickey and Johnny Kelly have completely blown up the standard debate by putting Slow, Deep and Hard at the top and Life Is Killing Me at the absolute bottom, where does your loyalty lie? Are you riding with the musicians’ picks, or does Bloody Kisses still hold your top spot? Cast your official vote in our fan poll and leave a comment! And as always subscribe to the Loaded Radio Podcast for TONS more content like this!

Band Bio: Type O Negative

Formed in Brooklyn in 1989, Type O Negative became the leaders of the gothic metal movement. Affectionately known as the “Drab Four,” the band combined atmospheric keyboards, crushing doom riffs, and Peter Steele’s deep baritone with a signature dark humor. They released seven official albums before the band officially ended following Steele’s tragic death from sepsis in 2010. Their legacy as the kings of “Riffissippi” sludge and gothic gloom remains unmatched.

The post Type O Negative Albums Ranked: Members Johnny Kelly & Kenny Hickey Shatter Legacy Debates [Exclusive Video] appeared first on Loaded Radio.