Category: news

  • Blast Worship: Bladda

    Where they from?
    Dallas, Texas. The New York Jets have lost three in a row but the New York Rangers are 3-1, you gotta take what you can get. New York’s goaltender, the legendary Igor Shesterkin, even scored a goal! That surely makes up for the fact that Aaron Glenn has no idea what he’s doing, right? RIGHT?!

    Why the hype?
    The state of Texas right now is home to a thriving mince/grindcore scene that rivals anywhere else in the world currently, and Bladda remain at the heart of the movement. The band churns out a putrid whirlwind of slimy west coast-influenced crusty grindcore that knows when to stop and take a moment to pound you into submission with some seriously tasty OOMPA-OOMPA beats. Combine that with some off-putting samples and a delightfully absurdist name and WA LA, we have a winner.

    Latest release?
    Heinous Methods of Cranial Disposal, self-released. This is low IQ-music in the best way possible: just all blasts and then lumbering crust breakdowns, all mixed together in a putrid stew of down-shifted vocals. This is the sort of stuff cavemen would bash each other’s skulls into after killing a whale. Were they alive at the same time? IDK, DOESN’T MATTER!

    The post Blast Worship: Bladda appeared first on Decibel Magazine.

  • Dan Patlansky: Live at the Daisy Jones Review

    I am always a sucker for live music, and live music recordings just seem to make my heart and ears smile. They are raw and provide listeners with a realistic and honest way to enjoy what an artist or band is all about and how much talent that artist or band actually possesses.

    That being the case, I can honestly attest that Dan Patlansky is killing it on his brand-new live album release, Live at the Daisy Jones. There’s no “white out” used on this recording. It’s just like it was played live.

    One thing is obvious from the outset: Dan Patlansky can play. In a world full of exceptional guitarists, he stands out among the very best. His three-piece band includes Andy Maritz on drums and Greg van Kerkhof on bass, and this backing band is just as great as Patlansky.

    For curiosity’s sake, The Daisy Jones Bar is a live music and entertainment venue in Stellenbosch, South Africa, and typically can accommodate 150 to 200 people. So, The Daisy Jones Bar is an intimate setting, which is another thing that I love about this recording.

    Patlansky is a South African native who was born in Johannesburg. He grew up being exposed to all kinds of music through his parents’ record collection and was a fan of Pink Floyd before gaining an appreciation for Stevie Ray Vaughan’s music. He was in his first band at around age sixteen and released his first album at age nineteen. Ten other albums followed.

    Along the way, he has shared stages with the likes of Joe Satriani, Joanne Shaw Taylor, Bruce Springsteen, Walter Trout, and others. He has been nominated for many awards for his music and guitar skills and has also been the recipient of awards such as #1 album of the year in 2014 and 2016 from Blues Rock Review.

    This live recording is the latest step in Dan Patlansky’s already amazing career, and it’s a step that he has wanted to take for a long time.

    If grabbing a listening audience’s attention with the first few notes played is important so that they’ll be tuned in throughout a concert, Dan Patlansky and the band can check the block that reads “mission accomplished.”

    “Red Velvet Suit” is a rocking little number that just had to have gotten the Daisy Jones crowd up, moving and grooving. There’s some really great guitar work on this one and a funky little break about midway through the song before returning to the musical theme of the song.

    This song is a tribute to Patlansky’s greatest influence, Stevie Ray Vaughan, and you can hear a lot of “SRV” in this song. The actual title of the song is about an outfit that Vaughan wore to his 30th birthday concert at Carnegie Hall. I can just about guarantee that he would be pleased with this opening number and smiling at the band’s performance here.

    Cut number three of Live at the Daisy Jones is “Baby’s Packin’ Heat,” and it’s firing away right out of the gate with some searing six-string heat of its own. “Love how you make me croon. Set me on fire girl. Let’s make all your petals bloom.” Whew, it’s getting a little warm in this one.

    Then, a little more than halfway through, this song takes a little jazzy-sounding detour before returning to its blues roots. Patlansky sings, “Got a deadly weapon, baby you’re packing heat.”

    “Born Under a Bad Sign” pays tribute to the great Albert King, and I’ll make this risky statement as honestly as I can: Dan Patlansky could stand right beside Albert King and Stevie Ray Vaughan on this one, and they’d create one of the greatest blues trios ever created in the blues music world. Dan Patlansky’s playing is really that skilled and expressive.

    Please allow me to just mention here that you should check out “At the Roof of the Boat” (track five) just so you can understand what a skilled guitarist Patlansky really is.

    The last song on Live at the Daisy Jones is “Movin’ On,” and this one seems to be about past mistakes and dealing with them. Patlansky sings, “Looking for answers; searching for truth; in all the wrong places, wasted my youth.”

    This cut offers a look and listen to a softer side of Patlansky as he sings, “Tears might fall, bones might crack. Got to carry on, past is gone. Wounds won’t scar. You keep movin’ on. Gotta keep movin’ on.” What a perfect way to end this live recording.

    If you want the true measurement of an artist or band, listen to them live. While many of us may struggle with catching our favorites at a concert venue, many times because of our personal logistics, it is rewarding to discover well-done live albums. This is one of those albums.

    Patlansky and his band will be playing dates in October through November in Europe. After that, make sure to check social media for upcoming concert opportunities. And, in the meantime, grab this new album, Live at the Daisy Jones, and remember to crank that volume up.


    The Review: 9.5/10

    Can’t Miss Tracks

    – Red Velvet Suit
    – Baby’s Packin’ Heat
    – Born Under a Bad Sign
    – Movin’ On

    The Big Hit

    – Born Under A Bad Sign

    The post Dan Patlansky: Live at the Daisy Jones Review appeared first on Blues Rock Review.

  • AN NCS PREMIERE: “ERADICATION FROM THE TAINT”

    (written by Islander) Earlier today my friend and NCS comrade DGR made an observation about certain kinds of brutal death metal that coincidentally turns out to be quite relevant to the song from Australia’s Caution that we’re about to premiere. In the context of reviewing an album by New York’s Thaetas, he pointed to “a […]

    The post AN NCS PREMIERE: “ERADICATION FROM THE TAINT” appeared first on NO CLEAN SINGING.

  • Winter Weather Alert: 18 Inches of Snow, 120 mph Winds Arriving This Week

    Get ready for a taste of winter early, as snow and cold are heading to certain areas of the country this week.

    The post Winter Weather Alert: 18 Inches of Snow, 120 mph Winds Arriving This Week appeared first on Audio Ink Radio.

  • The Great American Nightmare: An Oral History Of The Howard Stern Show – Book Excerpt

    By Greg Prato

    Few radio personalities have changed the medium as dramatically as Howard Stern. Long before he became the nationally syndicated “King of All Media” and eventually made the leap to SiriusXM, Stern was already making an impression on listeners with an approach that seemed almost completely foreign to traditional radio. He didn’t simply introduce records or play the role of a polished disc jockey — he spoke his mind, challenged the conventions of the format, and made listeners feel as though they were hearing a real person rather than a carefully constructed radio personality. For many aspiring broadcasters, that honesty and unpredictability proved enormously influential.

    The following recollections, drawn from The Great American Nightmare: An Oral History Of The Howard Stern Show, capture the impact Stern had on those who heard him, worked alongside him, or found themselves competing against him. Matt Pinfield, Eddie Trunk, Keith Roth, Jimmy Fink, Danny Bonaduce, and others offer firsthand memories of Stern at different stages of his career — from his early days at WNBC to the period when his influence was becoming impossible to ignore. Together, their stories reveal why Stern wasn’t simply another “shock jock,” but a singular radio personality who fundamentally changed what listeners expected from the medium.

    *

    MATT PINFIELD [Radio personality, DJ, former MTV VJ]: I first heard him in the ’80s. And I absolutely liked him. I thought Howard was entertaining, and I was a fan really early on.

    EDDIE TRUNK [Radio personality, DJ, co-host of That Metal Show]: One of the things that was really eye-opening to me – and very influential to me growing up and getting into radio – was the fact that you hear somebody on the radio and they present like they love every single song that they’re playing. And I used to always as a kid be like, “Can somebody really like every single song that they’re playing?”

    And then I remember clearly one day listening to Howard on WNBC — back in the days when he played records — and he came out of a record, I forget who the artist was. He goes, “Geez, that song really sucked.” I was like, “Oh my God, somebody actually just said how they really felt about something on the radio!” You just didn’t get that at that time.

    KEITH ROTH [Radio personality, DJ]: I remember one time, this order came in from that auto parts place. And usually our jurisdiction…this was in Metuchen, New Jersey. So, if people know the area, about as far north as Edison, and maybe as far south as New Brunswick. And an order for some part came in, and it was like, right when it closed. And they’re like, “Who wants to take a ride down to so and so for overtime?” So, I volunteer to do it, because overtime is $3.35 an hour. “Man, I’m going to make five bucks for this trip!”

    But I remember Howard was going overtime. And he was doing this whole thing with Peau de Soie, and “You shave that thing.” And he had a woman on the phone. And meanwhile, I got to the destination, and I could see the mechanics and all these people waiting for this part…and I couldn’t drop it off, man. I was circling the block until he finished his schtick. And they were fuming, because that was probably another 20 minutes. But that’s how addicting he was — to at least 17-year-old Keith.

    JIMMY FINK [Radio personality, DJ]: I was working the 10am to 2pm shift mid-days when Howard came in. And so, this is how I became “part” of The Howard Stern Show – because my shift started at 10:00 in the morning, even though Howard would keep going until maybe 11:00 some days. Nevertheless, at 10am, I walked into the studio. That was my studio. I walked in, and as a result, I sort of became a character for a while on The Howard Stern Show.

    And that was a career-changing experience for me. Because after 15 years of being on the radio in New York, I never had more people coming up to me, telling me that they heard me on the radio than when I was part of The Howard Stern Show.

    When you’re in the studio with him and he has this twinkle in his eye, no matter what he says about you or anything, it’s just like a friend busting your balls. It’s not really something that you take personally or take offense to. And I was happy to be part of it. And also it sort of changed the way I approached radio. I had been on the air for 15 years already.

    I had a style, but that style changed after being part of Howard’s thing. Because Howard was just a real person on the radio — he wasn’t a disc jockey, in that sense. And I think I just became more real on the air and also freer.

    DANNY BONADUCE [Radio personality, actor (Danny Partridge on The Partridge Family)]: I was on against him in Philadelphia. And one of the things Howard complained about from beginning to end is about all these disc jockeys ripping off his material. Well, I was going to a CHR station [WEGX] — that’s contemporary hit radio, top-40. So, I wasn’t going to do any of the kind of things that Howard Stern did.

    But just to be smart — because it was my first job, and now I’m against Howard Stern – I actually pulled over while driving to Philadelphia to start the show. I called Howard Stern on the air and said, “Listen, I just want to thank you…because I’m going to rip off all your best bits.” And he said, “Oh, that’s great! If you’re going to steal from me, you’re stealing from the best.” So, I didn’t really steal anything because you couldn’t do it on CHR radio. But it was a smart move — because he never went after me, after that.

    MATT PINFIELD: I never really thought of him so much as a “shock jock.” I think that’s when people need a label, and you’re easily lumped in. But I think Howard was definitely in a league of his own. And his longevity and just the reach and audience has always proven that. He’s such a fascinating human being. But I also think there’s that part of him that was self-deprecating, that we loved.

    Purchase The Great American Nightmare: An Oral History Of The Howard Stern Show

     

  • Baby Wave – “The Scene Is Changing”

    Most of us over here dig Soccer Mommy, right? Now, try to imagine how Soccer Mommy’s earlier records might’ve sounded if they had really big ’90s-style fuzz-pop choruses. If that were to happen, you might get something like the new single from Baby Wave, a Nashville trio who just signed a brand new deal with Saddle Creek.

    The post Baby Wave – “The Scene Is Changing” appeared first on Stereogum.

  • OBSCURA Drop Brand New Music Video For “The Prolonging”

    Metal masters Obscura have surprised fans today with a brand-new music video for “The Prolonging”, a standout track from their latest album, A Sonication. The video was once more directed by Mirko Witzki (Arch Enemy, Powerwolf, Kreator).

    The surprise release drops just days before the band heads across the Atlantic to kick off the next leg of their A Sonication World Tour in Mexico.

    Steffen Kummerer comments: “”The Prolonging” became one of the shortest and fastest tracks we have delivered to date — and quickly turned into a fan favourite during the recent tours supporting our latest album, A Sonication. We are looking forward to bringing “The Prolonging” back to the stage on our upcoming tours across North America, Europe & the UK. See you on tour — and don’t miss out.“

    For a complete list of dates and to purchase tickets, check here.

    The post OBSCURA Drop Brand New Music Video For “The Prolonging” appeared first on Sonic Perspectives.

  • Shane Butler (Quilt, Olden Yolk) Announces Debut Solo Album Heavy Debt: Hear “Ringfinger”

    Shane Butler is a member of the great New England psych/folk/pop/rock band Quilt, which technically still exists per Wikipedia but hasn’t released any music in a decade. After Quilt’s most recent album Plaza dropped in 2016, Butler teamed with Caity Shaffer in the similarly oriented duo Olden Yolk. Now, after a seven-year absence, he’s back under his own name.

    The post Shane Butler (Quilt, Olden Yolk) Announces Debut Solo Album <em>Heavy Debt</em>: Hear “Ringfinger” appeared first on Stereogum.

  • GHOST PIPE OPENS THE DOOR TO THE UNKNOWN WITH NEW SINGLE FROM UPCOMING ALBUM THE AWAKENING – @thebeast

    FOR IMMEDIATE RELEASE
    GHOST PIPE OPENS THE DOOR TO THE UNKNOWN WITH NEW SINGLE FROM UPCOMING ALBUM THE AWAKENING
    Grand Rapids, Michigan Stoner/Doom Outfit Delivers a Dense, Psychedelic Journey Into Darkness, Transformation, and Self-Discovery

    GRAND RAPIDS, MI — Grand Rapids, Michigan stoner/doom metal outfit Ghost Pipe has unleashed a new single from its forthcoming full-length album The Awakening , offering listeners a first glimpse into a record built around crushing riffs, swirling psychedelia, introspection, and the darker corners of the human experience.
    Blending elements of stoner rock, heavy psych, doom metal, sludge, and doomgaze , Ghost Pipe creates a sound that feels equally at home in a smoke-filled basement, a windswept forest, or somewhere far beyond the known universe. For fans of Acid Bath, Monster Magnet, and Monolord , the band’s music moves between massive fuzz-driven grooves and expansive atmospheric passages, creating a sonic landscape that is heavy without sacrificing depth or imagination.
    The new single serves as an introduction to the world of The Awakening , an album that challenges listeners to look beyond the surface and confront the parts of themselves that are often left unexplored.


    “The Awakening is a journey beneath the surface, into the dark roots of the self. It asks you to open your mind, confront what lies hidden within, and face the parts of yourself that are easier to leave in the shadows. Like roots growing unseen beneath the earth, the deepest knowledge often comes from places we rarely choose to explore. These songs move through darkness, transformation, and the strange spaces between the known and unknown. What you find down there is yours to carry, and yours to grow from.”


    Rather than simply delivering another collection of heavy songs, Ghost Pipe approaches The Awakening as a cerebral experience , encouraging the listener to open their mind, look inward, and grow through the knowledge discovered along the way.
    The album was recorded and mixed by Joel Ferguson of The Verve Pipe at Planet Sunday Studio and mastered by Carl Saff at Saff Mastering , whose extensive credits include mastering and remastering work for artists including Elder. The record’s visual identity comes through artwork by Nathan Galusa , with photography by Jessica Taboada .
    Ghost Pipe’s lineup features:
    Allen Milbourne – Vocals, Effects
    Travis Federau – Guitar, Vocals
    Wyatt Federau – Guitar, Samples
    Georg Rumpf – Bass, Synthesizer
    Simon Hill – Drums
    All music by Ghost Pipe.
    The Awakening will be released through Black Doomba Records on November 20, 2026 , with the album’s pre-sale beginning October 30, 2026 .
    For Ghost Pipe, The Awakening is an invitation to go deeper. Beneath the distortion, the feedback, the massive grooves, and the psychedelic haze is a record about confronting what lives beneath the surface and emerging with something new.
    The journey has begun.
    Ghost Pipe – The Awakening
    Genre: Stoner/Doom Metal
    Pre-Sale: October 30, 2026
    Global Release: November 20, 2026
    Label: Black Doomba Records
    New Single: Out Now
    For Fans Of: Acid Bath, Monster Magnet, Monolord
    Production Credits

    Recorded and Mixed by Joel Ferguson at Planet Sunday Studio
    Mastered by Carl Saff at Saff Mastering
    Album Artwork by Nathan Galusa
    Photography by Jessica Taboada
    Released by Black Doomba Records
    Wanderer (single from ‘The Awakening’) by Ghost Pipe

    Contact: 
    https://www.instagram.com/ghostpipe1/
    https://ghostpiperocks.bandcamp.com/track/wanderer-2
    https://www.facebook.com/GhostPipe1/


    Contact

    Travis Federau
    Ghost Pipe
    federaut@yahoo.com
  • Hollywood Undead Announce 2027 UK/EU Headline Tour

    Hollywood Undead have announced that they are making their way back to the UK and Europe for a big headline tour next year.

    Following a triumphant festival season on this side of the pond, including a stellar display at Download Festival, the collective will be making their way through 15 countries at the start of 2027.

    The band had this to say about the announcement:

    “Europe and the UK have always been a huge part of Hollywood Undead’s story, and every time we tour there, it’s unforgettable. We played a handful of shows and festivals in Europe this summer, but there are still so many fans and cities we haven’t seen in years. It’s been way too long, and we’re ready to see all of you again.”

    Here are all of the dates:

    JANUARY 2027

    27 – TILBURG 013
    28 – ZURICH X-Tra
    29 – MUNICH Tonhalle
    31 – VIENNA Raiffeisen Halle im Gasometer

    FEBRUARY 2027

    02 – ZAGREB Tvornica Kulture
    03 – BUDAPEST Barba Negra
    05 – PRAGUE O2 Universum
    06 – BERLIN Huxleys Neue Walt
    08 – WARSAW COS Torwar
    09 – RIGA Palladium
    10 – TALLINN Helitehas
    11 – HELSINKI Ice Hall
    13 – STOCKHOLM Fållan
    14 – GOTHENBURG Filmstudion
    16 – OSLO Sentrum Scene
    17 – COPENHAGEN Store Vega
    18 – HAMBURG Inselpark Arena
    20 – HANNOVER Capitol Hannover
    21 – COLOGNE Palladium
    23 – BIRMINGHAM O2 Academy
    24 – LONDON O2 Forum Kentish Town
    26 – MANCHESTER Manchester Academy
    27 – GLASGOW O2 Academy
    28 – LEEDS O2 Academy


    2026 has seen Hollywood Undead share a whole host of new singles, all via their new home of Sumerian Records.

    Here is the latest, ‘Feels Like Home’:

    The post Hollywood Undead Announce 2027 UK/EU Headline Tour appeared first on Rock Sound.