Category: news

  • Daughn Gibson – “Quang Nam”

    After bringing debut album All Hell back online a few months back, Daughn Gibson is now rolling out Lake Mary not mysterious, his first digitally available album in over a decade. (He released the limited-edition physical-only The Bergundy Daughns in 2024, but you didn’t hear that one, did you?) This week brings the second single…

    The post Daughn Gibson – “Quang Nam” appeared first on Stereogum.

  • Ian Roland The Real Thing Review

    Ian Roland The Real Thing Review

    The song launches directly into action without an introduction. Vocals quickly establish the melody over a delicate piano arpeggio. From the outset, there are hints of Paul McCartney in its style. Ian Roland once again showcases his signature refined melodies. Joined by his skilled band, the intensity of their performance evokes strong emotions. The members include Ian Roland on vocals and 12-string guitar, James Chapman on drums, Dave Coomber on bass and backing vocals, and Sonny Crowe on lead guitar, keys, and backing vocals.

    Ian Roland The Real Thing

    “The Real Thing” presents a powerful meditation on consumerism. As the lyrics unfold, they resonate with a sense of urgency. We live in an era where reality often feels obscured by material possessions. The song simultaneously addresses this issue while offering a glimmer of hope. Perhaps this optimism is infused in the music itself, which inspires listeners with its upbeat melodies.

    The chorus, with its harmonies and backing vocals, creates a delicate yet intense auditory experience. It feels almost like a mirage, attempting to awaken consciousness. The arrangement underscores the complexity of life in a materialistic society. A balance exists between addressing consumerism and suggesting a path forward. The use of instrumentation enhances the message, making it more relatable.

    The Real Thing – Sound and Atmosphere

    Ian Roland excels in evoking strong feelings through music. His sound is sophisticated and expressive, a hallmark of his artistry. The seamless integration of instruments amplifies the lyrical themes. Each section flows naturally into the next, maintaining listener engagement. The lead guitar adds layers, further enriching the listening experience. It serves as an emotional anchor, tying together the song’s core message.

    Drums pulse steadily, reinforcing the lyrical invitation to reflect on authenticity. Bass lines provide depth, grounding the track while allowing the melody to soar. The 12-string guitar adds a shimmering quality, enhancing the overall atmosphere. Roland’s vocals glide smoothly over the instrumentation, capturing attention.

    Roland does not shy away from exploring uncomfortable truths. Instead, he offers a voice of clarity and sincerity, challenging listeners to examine their surroundings. The song ultimately invites introspection and encourages a deeper understanding of life. There is a conscious effort to break through the facade that often surrounds us.

    The Real Thing – Performance and Production

    Ian Roland’s ability to combine technical skill with emotional honesty is notable. His music consistently manages to convey rich narratives. As listeners absorb the sounds and messages, they are likely to feel a connection. This song stands not only as a reflection of contemporary issues but as an artistic endeavor that inspires hope. The fusion of talent within the band elevates the track, making it memorable.

    “The Real Thing” showcases Ian Roland’s abilities as a songwriter and performer. The hope evident in the music encourages a quest for authenticity and meaning in everyday existence.



    Direct

    🔥 If you love this music: Discover More


    Find Ian Roland here:
    Spotify | Instagram

    For fans of:

    Paul McCartney


    The post Ian Roland The Real Thing Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • STATUS QUO’s First Boogie Period Gets Boxed

    STATUS QUO’s First Boogie Period Gets Boxed

    Two years have passed since STATUS QUO issued the “The Early Years 1966-69” collection that, as fans assumed, was a standalone dive into the British ensemble’s psychedelic era, yet they were wrong, because July 3rd will see the release of … Continue reading

    The post STATUS QUO’s First Boogie Period Gets Boxed appeared first on DMME.net.

  • STITCHED UP HEART Shares Lyric Video For “Beast” Featuring NONPOINT’s ELIAS SORIANO

    Los Angeles hard rock outfit Stitched Up Heart is set to release its next full-length record, Medusa, on June 12 through Judge & Jury Records, the label launched by producer Howard Benson and Three Days Grace drummer Neil Sanderson.

    The band has also rolled out a lyric video for the latest single, “Beast”, which features Nonpoint frontman Elias Soriano. The track leans into the group’s established mix of heavy guitar work and hook-driven songwriting, with an added vocal contrast from Soriano.

    Founded in 2010 by vocalist Alecia Demner, better known as Mixi, Stitched Up Heart has built its identity around a balance of aggressive instrumentation, strong melodic structure, and lyrics that focus on personal themes.

    On the live front, Stitched Up Heart closed out 2025 with a run alongside Eyes Set To Kill, Lauren Babic, and Lylvc. The band returned to touring earlier this spring, joining Sebastian Bach on the road.

    The post STITCHED UP HEART Shares Lyric Video For “Beast” Featuring NONPOINT’s ELIAS SORIANO appeared first on Sonic Perspectives.

  • Fanny Alexandra Innocence for Fire Review

    Fanny Alexandra Innocence for Fire Review

    The song opens with an atmospheric quality, featuring a few piano notes that establish a nocturnal mood. This introduces a solid vocal presence that channels a rock essence throughout the performance. The song gradually builds, slowly intensifying until it erupts into the chorus, where the vocals reach near-screaming heights, edging towards hard rock territory.

    Innocence for Fire Fanny Alexandra Single

    Strong dynamics characterize the piece, creating a rollercoaster effect that injects energy into the listener while also offering moments of emptiness that sustain engagement from start to finish. When the chorus bursts forth, it delivers an overwhelming surge of energy that envelops the audience completely.

    The production employs advanced technology, yet it retains a natural feel. This duality enhances the listening experience, making it modern and authentic. Beautiful synth pads emerge towards the end, adding an epic atmosphere to the finale. The result is a powerful and grand song that encapsulates strong themes and emotions, making it a must-listen for anyone.

    Innocence for Fire – Performance

    Fanny Alexandra’s delivery is particularly noteworthy. She combines emotional depth with a vibrant vocal tone, effectively conveying the intricacies of the lyrics. The way her voice transitions from soft, melodic moments to intense, powerful crescendos showcases her versatility as an artist.

    The lyrics mirror the song’s themes of nostalgia and emotional conflict, resonating with many listeners. Fanny Alexandra captures a sense of longing, reflecting on innocence lost and the intensity of past experiences. This lyrical depth pairs excellently with the dynamic production, driving the overall narrative of the song.

    The instrumentation is equally impressive. The piano notes at the beginning set a delicate tone that progresses into a complex arrangement. Guitars add layers, enhancing the rock essence, while the rhythm section drives the energy forward. The combination creates a rich auditory experience that feels both engaging and immersive.

    Innocence for Fire – Production

    Fanny Alexandra is not just another musical project; she demonstrates a keen understanding of music composition. Every element of “Innocence for Fire” is thoughtfully executed, contributing to its powerful impact.

    Moreover, the arrangement showcases a balance between simplicity and complexity. While the song begins with minimalist elements, it builds intricately, incorporating various instruments that add depth to the emotional landscape.

    The use of technology in production is commendable. Modern techniques are applied without compromising the organic feel of the music.

    As the song nears its conclusion, the pads introduce a majestic quality that elevates the listening experience. This final touch cements the song’s status as an epic anthem.

    “Innocence for Fire” is a robust piece of music. This single stands out for its dynamic range, emotional power, and innovative production.


    Energizing

    🔥 If you love dark music: Discover More

    Find Fanny Alexandra here:
    Spotify | Instagram

    The post Fanny Alexandra Innocence for Fire Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • DEVIL’S ISLAND featuring Jawfane

    DEVIL’S ISLAND featuring Jawfane

    Welcome to this weeks edition of Devil’s Island! Every week we maroon a band or artist on the island and see what they get up to, how they cope with being all alone on a small island in the middle of the ocean. It’s not your average desert island and we’ll see just how each person copes with the extreme conditions.

    This week when we arrived at Devil’s Island we find Jawfane sat on the beach. The island is far from their home, so how did they end up here and how did they cope with life on Devil’s Island? 

    Find out now…   

    Welcome to The Razors’e Edge and our somewhat lovely, warm desert island. Don’t worry about it’s name I’m sure it’s not as bad as that would suggest. 

    You’re marooned here on this island, but before you ended up shipwrecked you chose one album that you couldn’t live without. Which album did you each chose and why?

    Cory: Don Broco – Priorities. I found this record way way after it was released but there is something special about the way they capture what it’s really important, and there is a lot of hope in this record. Don Broco is hope.

    AJ: Razzmatazz by IDKHBTFM is a must have and I have a lot of memories with that album. Also, the whole album is really groovy.

    Chase: Tools Undertow album. It’s got headbangers, slow moments, and all kinds of technicality in the instruments. And some of Maynard’s best screams. Also can forget “Let the rabbits wear glasses” in the last song.

    Jesse: The Cardigans’ First Band on the Moon. It’s a bop is why. Happy Meal II is that shit.

    Just behind that palm tree is a shack for each of you to stay in, with enough space for you to put up a poster on the wall of one album cover. What album cover do you each chose?

    Cory: As Cities Burn, son I loved you at your darkest, the house with the giant foundation underneath is the kinda symbolism one is gonna need on desert island.

    AJ: The Jackpot Juicer album cover from Dance Gavin Dance is a real good one. From the colors to the overall party vibe I get by just looking at it. I wouldn’t mind an entire wallpaper dedicated to that art style.

    Chase: Primus’s Antipop album. And the longer you look at it, the more you can find, and it’s just a sick album altogether, and someone’s gotta bring the weird vibes to the table.

    Jesse: Aphex Twin – …I Care Because You Do

    There’s also a bar on this here island. But alas each of you only get to choose one drink for the entirety of your stay. What’s your tipple of choice?

    Cory: Jack and Coke, it’s simple, but perfect.

    AJ: Man it is so difficult to choose but it’d most likely be Patrón silver. Let’s just hope there’s some limes around this island then we’re in business.

    Chase: Well if we’re talking alcohol, I’m choosing the only pirate juice out there, Sailor Jerry’s. But if it’s nonalcoholic, I’d say Mountain Dew and or Water.

    Jesse: It’ll have to be Double whiskey, neat with a splash of water.

    Your suitcases were lost when your ship sank, but you each managed to salvage one item of band merch. What’s the merch and for what band?

    Cory: My Lorna shore hoodie, it’s personal I wear it with pride, and it’s my favorite hoodie

    AJ: Thanks to Cory, I now have a System of a Down shirt that’s very comfortable. Also one of the only SOAD merch I have outside a rubber bracelet.

    Chase: This is a hard one, but I love this band from Jersey called Float Omen, and the shirt and hat that I already have is what I wear a lot anyway, and shout out to those guys, they kick all kinds of ass.

    Jesse: My custom Carnifex Windsock.

    You’re sat on the island thinking “I’m stuck here on this island with my bandmates for eternity”… who would you rather have been shipwrecked with?

    Cory: My wife and my kid, though who would want wish a desert island on anyone, band mates at least we are used to suffering together. Chicago 2023

    AJ: mah wiiiiifffeee (sad Borat voice)

    Chase: Well I love my bois, but I’m gonna have to go with the cast from Stranger Things, say what you want but they seem like a fun group to get stuck with.

    Jesse: Goku. Maybe get some training in.

    DEVIL'S ISLAND featuring Jawfane

    There’s a walkman in your pocket, on the tape inside is the recording of the one live show that stands out for you. It could be any show, from any band, anywhere in the world. What show is on that walkman?

    Cory: Taking back Sunday live acoustic set, something about there songs stripped down like that just well, translates better then it should and in my opinion is better even for some songs.

    AJ: System of a Down in Sao Paulo. The pyro in the crowd must’ve been an amazing sight to see.

    Chase: Tools Salival album, it has my favorite song ever on there. And its all live, and its got all kinds of sick stuff happening there.

    Jesse: Tool at Kalamazoo, 1997. One of the best sets I’ve ever heard.

    You’re getting desperate, you decide the only course of action is to put a message in a bottle and hope someone finds it. Your message could be to any member of any band, but should be the most suitable for a rescue attempt. Who is it?

    Cory: Josh Overton from Hollow Wake. This mainly because I’m certain he will arrive with a mini liquor cabinet, but also that he would arrive at all.

    AJ: I think I heard James Hetfeild can fly. I mean at least they got money to spend to get us, hopefully.

    Chase: Well, since Les Claypool, is already a fishing guy, I think he’d enjoy the trip and get a fun album concept trying to save our punks ass’s lol.

    Jesse: Jay Kay from Jamiroquai. He knows how to fly a helicopter, he’s got this

    You’ve been stuck here a while and food supplies are running low. There’s only one thing for it… which fellow band member gets sacrificed to help the others survive?

    Cory: Me, I’m the oldest by enough for it to matter. And, sand, I hate sand, or whatever Darth Vader said.

    AJ: I don’t know man if you’re starving I assume anyone would look delicious. Jesse looking extra scrumptious though…

    Chase: Sorry Jesse, but I call dibs on your right leg.

    Jesse: It’s me, it’s gotta be. Chase is but skin and bones, and Cory can be pretty tenseso that’s some tough meat. I feel like AJ would taste faintly of either cumin or olives and I hate olives so that narrows it down quite a bit.

    Finally, when the ship sank you each managed to save one person from the wreckage. That person is the one musician that has influenced your career the most, shaped your way of thinking and your outlook on life. Who did you save?

    Cory: Eddie Reyes formerly of taking back Sunday, he knew when to take a risk on Adam, and that is kinda what I hope I get right about people, who I bet on. He also walked away so he could be around his family more and that says a lot about someone when they finally get to where they’re going, family first.

    AJ: My main man Jon Mess from Damce Gavin Dance. From lyrics to sheer vocal intensity he’s got everything I would want to embody as an artist. Plus his paintings are phenomenal.

    Chase: I feel like it would be more of them saving me, but Maynard James Keenan. He was in the army, he knows things right?

    Jesse: Holy cow, Yoko Shimomura, tf you doin’ out here?

    Thanks for your time. We hope you get back to dry land before you’re next due out on tour!

    AJ: Wait, so you’re not bringing us home..?

    Chase: Arg ye maties just as long as the rum’s not gone” I’m looking at you AJ, lol.

    Jesse: I will eat you alive.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post DEVIL’S ISLAND featuring Jawfane appeared first on The Razor's Edge.

  • AN NCS VIDEO PREMIERE: SCORDATURA — “LED INTO OBLIVION”

    (written by Islander) We heartily welcome the return of the Scottish death metal band Scordatura, whose music we’ve previously described as “a neck-wrecking, gut-churning, bowel-loosening bombardment of jagged riffs, technical twists, and gruesome, glass-gargling gutturals that floats like an atom bomb and stings like a beast,” and as “the kind of brutish and blistering treatment […]

    The post AN NCS VIDEO PREMIERE: SCORDATURA — “LED INTO OBLIVION” appeared first on NO CLEAN SINGING.

  • Hollie Rogers Releases ‘Bad Woman’ From Upcoming Album ‘Everything’s Fine’

    Hollie Rogers releases her fourth single & video ‘Bad Woman‘ taken from her forthcoming album ‘Everything’s Fine‘, due for release June 5th. ‘Bad Woman’ is out now on all digital platforms – here The new single follows the album’s title track ‘Everything’s Fine’, which won Classic Rock Magazine’s Track of the Week, while Americana UK […]

    The post Hollie Rogers Releases ‘Bad Woman’ From Upcoming Album ‘Everything’s Fine’ appeared first on ROCKPOSER DOT COM.

  • Filip Dahl Flying High Review

    Filip Dahl Flying High Review

    The music of Filip Dahl is always a gift. His songs consistently showcase refined and intense craftsmanship. This single, “Flying High,” reaffirms his technical and expressive abilities as a guitarist. Dahl’s music has the power to elevate listeners, transporting them to new emotional heights.

     Filip Dahl Flying High

    What stands out in Dahl’s style is his balance between technique and songwriting. He possesses an extensive knowledge of musical technique, yet he does not let it dominate any piece. Instead, he employs his skills to serve the song effectively. This restraint is crucial in maintaining harmony within the music, allowing it to take listeners on a journey.

    The delicate melodies in “Flying High” unfold with a grace reminiscent of David Gilmour’s style. The notes are often elongated, creating an expansive sound that seems to linger in the air. Each chord resonates deeply, creating an atmosphere that feels ethereal. Dahl’s guitar in this track truly communicates an intensity that stirs the soul.

    Flying High – Sound and Atmosphere

    The arrangement of the song is harmonically rich. The steady drum rhythm sets a consistent pace, which provides a solid foundation for the guitar work to shine. This rhythmic backdrop allows the music to flow seamlessly, giving space for exploration. Accompanying the guitar are pads that enhance the sonic landscape, compelling listeners to drift away into a dream-like state.

    Throughout “Flying High,” one can sense the emotional depth embedded in each note. The way Dahl conveys his feelings through his instrument is remarkable. His ability to articulate in melodies makes the whole experience palpable. It is as if he invites listeners to share in his journey, allowing them to see and feel what he perceives.

    The production quality of the track deserves commendation. Each element is meticulously placed, ensuring a clear hearing of both the guitar and the supporting instruments. The mix strikes a balance, ensuring that no single element overshadows another. This meticulous attention to detail is emblematic of Dahl’s artistry.

    Flying High – Performance and Production

    The song draws listeners in right from the start. The initial guitar riff sets a mood that is inviting and reflective. There is an immediate sense of anticipation as the rhythm kicks in. The seamless transition from the intro to the main body of the song feels organic and well-crafted.

    The dynamics within “Flying High” also play a key role in its emotional impact. Moments of subtlety contrast with intense bursts of melody. This ebb and flow keep the listener engaged throughout the duration of the track. It is a true journey through sound, where each twist and turn adds depth to the listening experience.

    “Flying High” is another exceptional addition to Filip Dahl’s discography. It showcases not only his technical skills but also his rich emotional expression. Each component of the song works harmoniously, creating a memorable experience for the audience. The refined arrangement and impactful melodies make this single a testament to his artistic vision.

    Dahl continues to prove that his music is more than just notes on a page; it becomes an atmosphere that resonates. He invites us to fly high, to dream, and to experience the transformative power of music. Listening to his work is an opportunity to step into a world filled with beauty and emotional resonance.



    Ethereal

    🔥 If you love this music: Discover More


    Find Filip Dahl here:
    Spotify | Instagram

    The post Filip Dahl Flying High Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • THEORY OF A DEADMAN Shares Lyric Video For New Single “Barricade”

    Theory Of A Deadman is back with a new single, “Barricade”, signaling a fresh phase for the band while sticking to the elements that built their following. The track leans into their familiar mix of heavy riffs, big hooks, and direct songwriting, but with a sharper edge.

    “Barricade” runs on a tense, controlled build before opening into a wide, release-heavy chorus. The contrast between the verses and the payoff keeps the song grounded while still aiming for a live setting.

    Frontman Tyler Connolly explains the meaning behind the track: “”Barricade” is about the frustration of a one-sided relationship with someone that just won’t let you in, is non-responsive and makes you want to rip your hair out.

    “I loved the idea of using the word ‘barricade’ in a song since we stare at them at every show. It made so much sense.”

    The single was produced by Chris Baseford and Tyler Connolly, with mixing handled by Baseford alongside Irene Genova at Lucky Dog Sound. Mastering was done by Ted Jensen at Sterling Sound.

    Over the years, Theory Of A Deadman has built a reputation for consistency and adaptability, balancing radio-ready songwriting with a more unfiltered tone. “Barricade” continues that trajectory and reinforces that the band is still actively pushing forward.

    New tour dates are expected to be revealed in early May. Check for an updated list of events here.

    With a catalog that includes tracks like “Santa Monica”, “All Or Nothing”, “Hate My Life”, “Bitch Came Back”, and “Not Meant To Be”, the band has maintained a steady presence on rock radio. They’ve notched twelve Top 10 hits on the Billboard Mainstream Rock chart, including four No. 1 singles: “Bad Girlfriend”, “Lowlife”, “History Of Violence” and “Rx (Medicate)”. The latter became their biggest hit and earned a nomination for “Rock Song Of The Year” at the iHeartRadio Music Awards.

    Beyond singles, Theory Of A Deadman has secured two Top 10 debuts on the Billboard 200 and four Top 5 entries on the Canadian Albums chart, along with multiple Juno Award nominations. Coverage from outlets like American Songwriter, Billboard, and Classic Rock magazine has followed their run, reflecting their staying power in modern rock.

    The post THEORY OF A DEADMAN Shares Lyric Video For New Single “Barricade” appeared first on Sonic Perspectives.