Plus Combust, XCOMM and more.
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Plus Combust, XCOMM and more.
The post August Burns Red, Bad Brains, Black Flag, Varials, Narrow Head, Etc. Added To ‘Skate.’ Video Game Soundtrack appeared first on Theprp.com.

The carefully guarded psychological walls behind one of the most successful elite vocalists in modern metalcore history have officially been dismantled. Fresh off the blockbuster global drop of their monumental eleventh studio album, Season of Surrender, August Burns Red frontman Jake Luhrs has stepped directly into the studio for an exclusive, deeply intimate appearance on the Loaded Radio Podcast.In a conversation that shifts rapidly from triumphant musical milestone to harrowing human survival, Luhrs exposes the terrifying depths of his battle with clinical depression, the brutal self-examination that reshaped his entire life, and the extreme physical adjustments required to morph his voice to accommodate the absolute heaviest music the band has written in over a decade.
Want to hear the raw, unedited master tape of this historic conversation? Stream the full, exclusive episode of the Loaded Radio Podcast featuring Jake Luhrs directly through the embedded audio player above, or download the free Loaded Radio App across all mobile formats to listen on demand 24/7.
When Lancaster, Pennsylvania’s multi-Grammy-nominated metalcore kings officially unleashed Season of Surrender via Fearless Records on Friday, June 5, 2026, the global metal community immediately recognized a stark sonic evolution. The record—packed with punishing, technical features alongside peers from The Devil Wears Prada, Polaris, and Make Them Suffer—deliberately bypasses fleeting internet trends to deliver an unfiltered display of structural aggression.
Speaking to Loaded Radio host Scott Penfold, Luhrs explaines that the record’s title isn’t an admission of defeat; rather, it represents the terrifying act of psychological surrender required to heal.
As the founder of the globally celebrated mental health nonprofit HeartSupport, Luhrs has spent over a decade helping fans navigate their darkest hours. Yet, the vocalist admits that when tracking sessions for the new album commenced alongside rhythm guitarist Brent Rambler and vocal engineer Grant McFarland, he found himself trapped inside his own paralyzing battle with severe depression and acute self-hatred.
By shifting his internal pain into raw, external vocal tracks, Luhrs managed to transmute debilitating emotional isolation into heavy proactive therapy. The resulting musical pieces explicitly dissect structural topics that heavy music often glosses over, including deep-seated betrayal, narcissism, grief, and the exhausting reality of living with chronic depression.
Because the instrumentation crafted by guitarists JB Brubaker, Brent Rambler, bassist Dustin Davidson, and technical drumming icon Matt Greiner leaned so heavily into punishing, old-school thrash patterns and mid-2000s metalcore breakdowns, Luhrs was forced to rethink his entire physical approach behind the studio microphone.
To match the sonic density of standout tracks like “The Nameless” and “Behemoth,” Jake had to structurally re-engineer his vocal placement, pushing his clean-to-harsh vocal delivery into a much wider, throat-shredding emotional register to maintain absolute sonic dominance over the crushing instrumentation.

Beyond the immediate psychological landscape of the new studio record, Luhrs also utilized his exclusive appearance on Loaded Radio to directly update the fan base on the group’s highly anticipated annual holiday celebration. For years, the band’s massive, hometown Christmas show in Lancaster, Pennsylvania has functioned as a legendary, high-decibel rite of passage for metalheads traveling from all corners of the globe.
Jake confirmed that planning for the 2026 production is already moving forward at full throttle, promising that the setlists will uniquely blend the timeless, festive shredding of their classic holiday tracking alongside the bludgeoning live debuts of the Season of Surrender material.
The band’s tenth full-length studio album is titled Season of Surrender, which was officially released globally on June 5, 2026, via Fearless Records.
Jake Luhrs is the founder of HeartSupport, a globally recognized, non-profit digital community dedicated to providing mental health accountability, encouragement, and resources for the heavy music scene.
The album features high-profile guest vocal spots from Mike Hranica (The Devil Wears Prada) on “Legions,” Jamie Hails (Polaris) on “Sonic Salvation,” and the vocal team of Make Them Suffer on the track “Cerebral Malfunction.”
Formed in Lancaster, Pennsylvania in March 2003 while the members were still attending high school, August Burns Red spent over two decades completely reshaping the boundaries of technical metalcore. Bursting into the mainstream with 2007’s genre-defining masterpiece Messengers and solidified by 2009’s monumental Constellations, the band established an iron-clad reputation for shifting time signatures, complex progressive guitar lines, and absolute sonic consistency.
Earning consecutive Grammy Award nominations in 2016 for “Identity” and 2018 for “Invisible Enemy,” the group has bypassed fleeting commercial trends, retaining the exact same core line-up for nearly twenty years. Their current 2026 era marks a band that has completely mastered their sonic footprint while choosing absolute emotional transparency over commercial compromises.
Now that Jake Luhrs has laid his entire soul bare regarding the dark realities that birthed this new record, the floor belongs to the Loaded Radio family. Does Season of Surrender rank as the absolute heaviest piece of art the band has dropped since the Messengers era, or are you still processing the emotional weight of Jake’s lyrics? Let us know your thoughts and podcast reviews in the comments section below!
Never miss an exclusive podcast drop, a breaking album leak, or an official headlining tour routing announcement. Download the free Loaded Radio App for [iOS App Store] and [Google Play Store] today to command our live 24/7 high-decibel audio broadcast and listen to the daily show on demand.
The post August Burns Red Frontman Jake Luhrs Reveals Overcoming Brutal Depression, Altering His Voice for Heaviest Album Ever, and More on The Loaded Radio Podcast appeared first on Loaded Radio.
No lead single yet, but pre-orders are up.
The post Ignea’s New Album “Monumental” Due In October appeared first on Theprp.com.
A few months back we offered you a full stream of Texas noiseniks Kallohonka‘s debut album, Lazer Blood (which you can revisit here). We hope you’ve recovered sufficiently from that exposure and are prepared for a video from one of the tracks, “Psychic Surgery,” on said long player. In this video, seemingly shot at a gig at the Double Wide club in Dallas, features not only the band—Amie Carson (vocals), James Magruder (bass/howls/auxiliary whatever), Jason Mullins (guitars), Alec Rabb (drums)—in full regalia, but you may also spot a trumpet player and some additional vocalists screaming/yodeling/wailing in agony. It’s a psychedelic nightmare of Butthole Surfers-level insanity. The video for “Psychic Surgery” was shot by Justin Powers, Magruder and Bryan “Wally” Walior, and edited by Justin Powers.

Lazer Blood was issued in March via Memory Terminal Records. It’s available for purchase here and here.
Bassist James Magruder offered this cryptic description of Kallohonka’s new video:
“Witness the Chaos, Exultation, and Catharsis of Kallohonka. Become a corvine wizard! An anarchist shopping cart! A 12-foot teetering wheel of pizza! You can be anything, really.”
The post Video Premiere: Kallohonka – “Psychic Surgery” appeared first on Decibel Magazine.
Sturgill Simpson’s Mutiny After Midnight — released under his Johnny Blue Skies alias — was one of the best albums of the year. At first it was only available physically (though it was briefly on YouTube), but today is the country-rock maverick’s birthday and to celebrate he put it on streaming with a bonus cover.
The post Sturgill Simpson Puts Johnny Blue Skies’ <em>Mutiny After Midnight</em> On Streaming With A Bonus Cover appeared first on Stereogum.

Uhhhh… Well, this one caught me completely off guard.
When I saw Blood Incantation had released the soundtrack to their own documentary, I honestly wasn’t expecting to spend much time with it. A soundtrack album from a death metal band isn’t usually something that ends up in regular rotation. Then I put it on.
The first surprise is how little this feels like a soundtrack. The second is how little it feels like Blood Incantation, at least on the surface. There are no riffs, no growls, no moments where the band suddenly remembers they’re supposed to be one of the most talked-about death metal acts of the last decade. Instead, All Gates Open drifts through more than an hour of analog synths, slow-moving melodies and long stretches of atmosphere.
“Balance” takes its time getting anywhere, but that’s exactly why it works. Nothing feels rushed. The music unfolds so gradually that after ten minutes you almost stop paying attention to individual sounds and start following the overall mood instead. “Flight” introduces a little more tension, while “Dawn” might be the most understated piece here. By the time “Rain” arrives, the album feels completely detached from the world outside your headphones.
What struck me most is how warm the whole thing sounds. A lot of modern ambient music can feel distant or clinical. This doesn’t. Everything breathes. The analog recording approach gives the album a soft, organic character that suits the material perfectly.
I kept thinking back to Timewave Zero while listening. That record already hinted that Blood Incantation were interested in exploring territory far beyond death metal, but All Gates Open feels even more comfortable in its own skin. There’s no sense that the band is trying to prove anything. They simply follow the music wherever it wants to go.
I also wouldn’t call this challenging ambient music. Plenty of artists working in the genre aim for discomfort, tension or abstraction. Blood Incantation seem more interested in creating space. There were moments when I realized several minutes had passed without me really thinking about anything at all, which is probably the highest compliment I can give a record like this.
Will every Blood Incantation fan enjoy it? Probably not. Anyone showing up expecting Absolute Elsewhere Part II is likely going to be confused. But for listeners who appreciate the band’s more exploratory side, there’s a lot to enjoy here.
More than anything, All Gates Open feels honest. Not like a side project, not like an experiment, and definitely not like a contractual soundtrack release. It feels like music the band genuinely wanted to make. That’s probably why it works so well.
Why the hell did I write this review when I’m not a fan of this kind of music at all? Hell if I know! Maybe it’s because I’m a fan of the band’s death metal albums, so I was curious to see what the hell they decided to do this time in their history.
https://www.facebook.com/BloodIncantationOfficial
