Reviewed: May 1, 2026 Released: May 29, 2026, Pulverized Records Rating: 5/5 Reviewer: The Elitist Metalhead 2026 is the year of death metal. I think […]
The post Funebrarum – Beckoning the Void of Eternal Silence appeared first on Metal-Rules.com.
Reviewed: May 1, 2026 Released: May 29, 2026, Pulverized Records Rating: 5/5 Reviewer: The Elitist Metalhead 2026 is the year of death metal. I think […]
The post Funebrarum – Beckoning the Void of Eternal Silence appeared first on Metal-Rules.com.
You might know actress and comedian Meg Stalter for her roles in Hacks and Lena Dunham’s Too Much. She’s decided to try being a pop star, and her debut single “Prettiest Girl In America” is out today. You’re not going to believe this, but Stalter took inspiration from early 2000s pop for her forthcoming debut…
The post Meg Stalter Announces Debut Album <em>Crave</em>: Hear “Prettiest Girl In America” appeared first on Stereogum.
Who’s not going to be feeling that? The sentiment is simple yet incredibly relatable. And then that chorus comes along and hits like a ton of bricks. It’s not just the words but also the conviction with which they’re delivered that makes this song so powerful. The ability to turn personal frustration and hardship into something this thrilling and energizing is a true gift, and these four bad-ass women have blessed us with a bona fide anthem. However loud you’ve got your volume set at will not be loud enough once you push play on the video! A couple more singles are due before Static releases. In the meantime, you might as well pre-order the record on nifty colored vinyl. This is gonna be a Taxi Girls summer! And by the way: Go Habs Go!
KERRY KING is giving fans more. The iconic SLAYER songwriter/guitarist is releasing an Extended Deluxe Edition of his acclaimed debut solo album From Hell I […]
The post KERRY KING Announces From Hell I Rise: Extended Deluxe Edition Arriving On June 19 appeared first on Metal-Rules.com.
Violent empathy
Bloodline destiny
Obsession atrocity
Murder ideology
BLXCKFLAMINGO’s latest single, Last Rites, arrives like a black car idling outside an abandoned church, engine coughing, headlights sickly, somebody in the back seat muttering prayers they no longer believe. The Jersey City duo: Kevin Garetz on vocals, guitar, and synth, Roberto Miranda on bass, vocals, and synth, work in that cold corner where darkwave pops its coat collar up and walks straight into the pea soup fog.
Last Rites is a song built on drum-machine insistence, with bass that moves like a threat in a hallway, and synths that spread out in pale, poisonous sheets. Garetz’s baritone comes through with priestly rot and club-bathroom menace, whispered from behind a locked door. The track has the black-glass polish of Drab Majesty, the funereal romance of Clan of Xymox and Lebanon Hanover, the western-goth dread of Fields of the Nephilim, and a touch of Molchat Doma’s Brutalist apartment-block chill, but BLXCKFLAMINGO keep the ritual close to home. Jersey City never sounded so much like a candlelit basement under a collapsing republic.
The lyrics are all appetite and alarm: morbid curiosity, erotic violence, obsession turned into ideology, ritual desire repeating like a curse someone keeps enjoying too much to break. There is a political sickness implied here, a sense that power has its private ceremonies and its polished knives, while the rest of us get the sermon, the spectacle, and the bill. The song leans into occult imagery; its altar is psychological as much as ceremonial, a place where lust, control, dread, and devotion get smeared together until the difference stops mattering.
Last Rites refuses to tidy up the ugliness where modern anxiety has gone feral. The news cycle already feels like ritual abuse performed by men in expensive rooms; BLXCKFLAMINGO simply turns that atmosphere into a coldwave cut with enough bite to leave a mark. The beat keeps pushing forward, strict and sleepless, while the guitars and synths blur into a fevered haze around it.
By the time the final invocation lands, Last Rites feels less like a song about death than a song about what people will do when they think the old gods, old laws, and old moral brakes have stopped working. Decadence sounds dangerous, which is rarer than it should be.
Listen to Last Rites below and order the single here.
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The post “Ritual Desire” — NJ Coldwave Duo BLXCKFLAMINGO Unveil Morbid New Single “Last Rites” appeared first on Post-Punk.com.