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  • Rotten Resurrection Premiere New Single & Music Video “Swamp Dawg”

    Lake County, FL-based death metal band Rotten Resurrection premiere a new single and music video titled "Swamp Dawg", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • Halestorm, Testament, Ex-Pearl Jam, Etc. Members Unite On King Ultramega’S Cover Of Soundgarden’S “Loud Love”

    King Ultramega, a tribute project dedicated to the late Soundgarden, Audioslave, etc. frontman Chris Cornell, have released their latest cover. The project is led by Mark Menghi of Metal Allegiance and has previously featured contributions from members of Mastodon, Big Wreck, Anthrax, and even Soundgarden, among others. The newest re… Read More/Discuss on Metal Underground.com
  • GORGE: Italian Death Metallers to Release Deeds of Horror Debut LP via Time To Kill Records

    Italian death metal act GORGE announce the release of their debut full-length album Deeds of Horror, set to arrive on August 27, 2026 via Time To Kill Records. The band also unveils the first single taken from the record, “Visions Before Dying”, now available on all digital platforms.

    YouTube: https://youtu.be/xgAgZJPxMFU

    Streaming: https://ffm.to/gorge-visions-before-dying

    “Visions Before Dying” is a relentless death metal assault, driven by blistering speed and suffocating intensity reminiscent of the classic brutality associated with bands like Suffocation and Dying Fetus. The song moves between ferocious blastdriven passages and crushing, cavernous grooves, creating a violent dynamic that feels both chaotic and oppressive.

    Lyrically, the track explores the mysterious threshold between life and death. Inspired by psychological and metaphysical films such as Altered States and Jacob’s Ladder, the song dives into the unsettling visions and dreamlike experiences that might occur in the final moments before the body gives out. 

    “Visions Before Dying” imagines the mind drifting through fragments of memories, distorted realities, and unknown dimensions, where dreams, hallucinations, and subconscious fears merge into a final sequence of surreal revelations, a descent into the last visions the brain may conjure as consciousness slowly fades into darkness.

    Track-list:

    1. Sacred Misconception
    2. Visions Before Dying
    3. Mortal Decimation (Deeds Of Horror)
    4. Interlude
    5. Unhinged Punishment (ft. Angel Ochoa)
    6. Without Inheritance
    7. Fear Of Losing Another Vital Limb
    8. Repetition Of The Kill

    Preorders:

    https://timetokillrecords.com/collections/gorge

    https://gorgepv.bandcamp.com/album/deeds-of-horror

    Formed in 2025 by Edoardo Nicoloso (Fulci, Jorelia, TV-Crimes) and Roberto Sava (Jorelia), GORGE were created with the intent of exploring death metal in its most direct and uncompromising form, drawing inspiration from the raw energy of the genre’s foundational years while developing a personal and dynamic approach.

    The band’s approach is rooted in a direct, riff-driven philosophy that draws heavily from the foundational era of Suffocation, Dying Fetus, Gorguts and Malevolent Creation, updated with just the right amount of modern weight without compromising its original identity. 

    GORGE blends death metal with a gritty hardcore sensibility, resulting in a groovy yet ferocious sound that avoids overused slam dynamics in favour of tighter songwriting and internal rhythmic variation. At the centre of everything lies the riff, treated as the primary narrative force across all compositions, supported by a constant attention to structural tension and release.

    Line-up:

    Edoardo Nicoloso – Guitar, Vocals, Drum Programming
    Roberto Sava – Guitar, Vocals

    GORGE:

    https://www.instagram.com/gorgebrutality

    Time To Kill Records:

    https://timetokillrecords.bandcamp.com/

    https://www.instagram.com/timetokillrecords/

    https://www.facebook.com/timetokillrecords/

    https://www.youtube.com/c/TIMETOKILLRECORDS

    https://timetokillrecords.com/

  • Dogma Premiere New Single & Music Video “My Matricidal”

    Dogma have released their new track “My Matricidal,” accompanied by an official music video. The group has remained a polarizing presence in recent months following allegations that the band was effectively being controlled by its management. The controversy ultimately led to Dogma being removed from an Australian tour, with the dates instead g… Read More/Discuss on Metal Underground.com
  • Chelsea Wolfe Premirere Two New Tracks “The Dark” & “Death Is Not The End”

    Chelsea Wolfe has released two new singles, “The Dark” and “Death Is Not The End.” The experimental folk doom artist previewed the new material through a collaboration with Heretic Parfum. According to a press release, the songs mark the beginning of a new creative chapter for Wolfe, with additional new music expected to arrive later this su… Read More/Discuss on Metal Underground.com
  • HALF ME Premiere New Single & Music Video “Built On Your Blood”

    German metalcore band HALF ME have premiered a music video for their new single, “Built On Your Blood.” The video was directed by Chris Hesse and is now available for streaming. The band were also announced as the opening act for an upcoming U.S. tour alongside thrown, Norma Jean, and BOLTCUTTER. The trek is set to begin on October… Read More/Discuss on Metal Underground.com
  • Saliva Premiere New Single & Music Video “Edge Of A Knife” From Upcoming New Album “Breaking Through”

    Saliva have released their new single “Edge Of A Knife,” which arrives as the fifth preview from the platinum-certified hard rock/nü-metal band’s upcoming album, “Breaking Through.” The new record is scheduled for release on August 14th through Judge And Jury Records. For the accompanying video, the band once again teamed up with director To… Read More/Discuss on Metal Underground.com
  • Loathe Premiere New Single “Fangs” From Upcoming New Album “A Stranger To You”

    British alternative metal band Loathe have released another new track, “Fangs.” The song is the latest preview of the group’s long-awaited follow-up to their acclaimed 2020 album, “I Let It In And It Took Everything.” Back in April, the band officially announced the new record, “A Stranger To You,” which is set for release on July 17th throu… Read More/Discuss on Metal Underground.com
  • Remembering that time Rush’s Alex Lifeson trolled the Rock And Roll Hall Of Fame with the most ridiculous awards speech ever

    Awards shows can be a tiresome old thing. We sit for hours on end, watching celebrities be wheeled out one after the other to give carefully scripted introductory speeches, before handing awards to their celebrity mates, who give carefully planned, endlessly long speeches of their own, thanking everyone they’ve ever met in their decades of existence, before finally walking off with a gong that’ll inevitably end up in a draw or on a toilet shelf somewhere.

    Alright, maybe that’s a little over the top – when done right, awards shows can be a legitimate and emotional way to pay tribute to our heroes – but whether it’s an overly sanitised Brit Awards or a Rock And Roll Hall Of Fame that can’t seem to go a year without pissing off a fanbase or two, it certainly feels like, for the most part, when it comes to awards, we’ve just seen it all before.

    It’s perhaps why legendary Rush guitarist Alex Lifeson decided to take matters into his own hands when Rush were inducted into the Rock And Roll Hall Of Fame in 2013. The induction was widely accepted in the rock community as a huge victory for prog music, and a moment of vindication for a band who had often been treated snidely by certain corners of the rock media and fanbase.

    This didn’t stop Lifeson, however, deciding to undermine the whole shindig in the most hilarious way possible. Following warm, eloquent and heartfelt speeches by his Rush bandmates, bassist/vocalist Geddy Lee and drummer Neil Peart, the guitarist proceeded to spend no less than two and a half minutes ‘blah blah blah’-ing into the microphone.

    We’re not being facetious. He literally spends his entire speech saying ‘blah’ in more ways that we ever thought possible, from imitating instruments to pretending to have a phone call and, most brilliantly of all, mocking the teary-eyed acceptance speeches of many an awards show gone by.

    As it dawns on the star-filled audience that this isn’t merely an opening gag, Lifeson’s bandmates look on in amusement, and a ludicrous moment of Rock And Roll Hall Of Fame history is born.

    Years later, Lifeson would comment on the speech, telling Rolling Stone: “Well, it just seemed like a good idea at the time. I had a speech written and I was trying to memorize it and I couldn’t remember it. And I thought I might as well just [go] ‘blah blah blah.’ And I thought, ‘Well, that’s a good idea.’ And so I thought it would tell the story of our history and how we got to that stage without using any words. And the interesting thing is that everybody remembers my speech.”

    Watch the iconic moment below.