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Following 2023's reflective 'But Here We Are,' Dave Grohl and band plug in and get loud for their 12th LP. Continue reading…

“We refuse to be silent. We refuse to be complicit”

Posted on April 21st 2026, 1:00p.m.

Posted on April 21st 2026, 12:55p.m.

Wives, Steve Perry's mother, two bandmates, an agreed-upon LP title, and even the tapes themselves were lost along the way. Continue reading…

VENUS GRRRLS have shared the next taste of their new era, and it’s a gorgeous industrial-infused banger.

Titled ‘Eve’, it’s a powerful track that’s been described by the band as “the love child of Nine Inch Nails and Fleetwood Mac, that grew up to be deeply passionate about women.”

Coming shortly after the band returned with the empowering ‘333’, their first release via new label Killabop, they’re on a roll right now.

Speaking more about the story behind their latest song, vocalist GK has shared:

“With the use of industrial textures juxtaposed with lush guitars and synths, we wanted to really communicate the duality of a bisexual awakening, and how it is as much a beautiful thing as it is turbulent. It was deeply important for us to write a song that conveyed true romantic attraction towards women rather than a platonic appreciation. They are entirely different, which is a pivotal message to the song.”

The official music video for ‘Eve’ is set to drop at. 6pm BST this Friday (April 24).

The band have a handful of shows lined up for 2026 so far, including an appearance at 2000trees Festival.

Take a look at where you can catch them below:

MAY

20–24: DERBY Bearded Theory
24: SUNDERLAND BBC Radio 1 Big Weekend

JUNE

13: HRADEC KRÁLOVÉ Rock for People

JULY

8: CHELTENHAM 2000trees

The post VENUS GRRRLS Share Industrial Infused New Track ‘Eve’ appeared first on Rock Sound.

Australia’s independent rock scene is set to ignite once again as Rock Is Not Dead 3 storms into Melbourne for a massive two-day celebration of homegrown rock and hard rock talent.

After a string of successful events across Queensland, Dunwell Touring And Promotions proudly brings the RIND festival to the spiritual home of Australian rock culture — Melbourne. Taking over the iconic Prince Hotel Band Room on August 28 and 29, RIND 3 promises a stacked line-up of emerging heavy hitters and established names from across the country.

This is more than a festival — it’s a statement. Australian rock is alive, thriving, and louder than ever.

Tickets Here

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FRIDAY NIGHT – AUGUST 28

Headlining Friday is the unstoppable Cassidy Paris, returning home after conquering Europe and performing at the legendary Monsters of Rock Cruise. With her powerful voice and modern take on classic hard rock, this homecoming set is set to be something special.

Joining her:

• Riff Raiders – Serving up high-energy rock since 2017, the band continues to turn heads with their explosive single Nothing To Lose and unmistakable sound.
• Empress+Aces – Fresh off winning “Rock Song of the Year” for The Greatest Plan, this Albury outfit is riding serious momentum into 2026.
• Karly Jewell Band – A rising star with heart, soul, and chart success, bringing feel-good energy and standout song writing to the stage.

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SATURDAY – AUGUST 29

Saturday delivers a powerhouse line-up topped by heavy rock contenders and scene legends alike.

Leading the charge:

• Wicked Smile – Returning from Europe and launching their highly anticipated album When Night Falls, this is their first Australian show back. Expect fireworks.
• Audio Reign – ARIA-charting heavyweights returning after blowing audiences away at RIND 2.

Also featuring:

• Warbirds – Groove-heavy riffs and tight musicianship from a rising power trio.
• Electric State – One of WA’s most talked-about live acts, delivering a ferocious blend of grunge, punk, and hard rock.
• The Dreadful Tides – A modern take on classic ‘70s rock with big riffs and even bigger sound.

• Kalatone – Bringing raw emotion, dynamic songwriting, and fresh material from their upcoming release.
• Parabelum – Cinematic, melodic metal with crushing intensity — a band on the rise.
• Bengal Tigers – Pioneers of Australian metal, still dominating with their 2025 release Cry Havoc and international tours ahead.

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DON’T MISS IT

With artists travelling from every corner of the country, Rock Is Not Dead 3 is a must-attend event for any fan of Australian rock music. From rising stars to seasoned veterans, this is where the scene comes together to celebrate everything loud, proud, and unmistakably Aussie.

Tickets, line up updates, and further announcements coming soon.

Rock Is Not Dead — it’s just getting started.

Tickets Here

The Rockpit will be catching up with all the artists for interviews in the lead up to the festival, so watch this space.

The post ROCK IS NOT DEAD 3 (RIND 3) Announce Melbourne Line-Up appeared first on The Rockpit.

Buildings, bridges and monuments across the world were bathed in purple lights in honor of the music star. Continue reading…

Adrian Erlandsson admits he hasn’t yet read the lyrics of the Gothenburg innovators’ upcoming record, The Ghost Of A Future Dead

Look at that cover. It looks like the sort of neon-drenched fever dream burst straight from the mind of an unmedicated, hyperactive toddler whose special interests are cyborg dinosaurs and laser-wielding ninjas that promises the sort of maximalist, power cheese pungent enough to stink up any room. Luckily for us, German fromagers Victorius have been honing their brand of hook-forward, Saturday-morning-cartoon power metal for years. Their 7th album, World War Dinosaur, is a continuation of the band’s deeply unserious “space ninjas vs. holy dinosaurs” storyline showcased on records like Dinosaur Warfare – Legend of the Power Saurus, Space Ninjas From Hell,and Dinosaur Warfare Pt. 2 – The Great Ninja War. I’m all for ridiculous imagery and album concepts, as long as they don’t overshadow the compositions themselves. Can Victorius manage to avoid being crushed under the weight of their own cheese?

On World War Dinosaur, Victorius demonstrates a seasoned knack for crafting straightforward, yet satisfying, dinosaur-themed power metal bangers. The band’s execution of their over-the-top subject matter is less garish than one might expect, eschewing lengthy spoken-word sections or lore-heavy character backstories in favor of poppy power metal with dinosaur-specific hooks. Tracks are fast-paced and built around the tried-and-true power formula of hyper-melodic guitar/synth hooks over galloping drums, with huge, festival-ready singalong choruses, and Victorius are masters at transitioning seamlessly between the expected sections. It’s easy to get lost in the Galneryus-esque haze of dino rippers on songs like “Raptor Squad Attack,” “Brachio Bazooka Battalion,” and “Dino Power Resistance,” which fully lean into their concept. There’s a simple joyousness to be had in listening to well-executed, catchy power metal, and it’s only made more fun by the blatantly absurd subject matter.

Luckily, Victorius aren’t just coasting on a dumb (read: brilliant) gimmick; they actually play like a band that’s been around the block. Vocalist David Bassin, who’s sounded a bit weightless in the past, finally shows up swinging. Here, he sounds confident and inspired, helped by stacked vocal harmonies and gang shouts, which appropriately heighten big moments. Bassin’s soaring tenor absolutely shines while belting out ludicrous lines on ridiculous choruses (“World War Dinosaur,” “Dino Race From Outer Space), leading the charge and treating the “dino vs. ninja” subject matter as if his life depended on it. Beyond the choruses, it’s the truly infectious non-vocal melodic lines that stand out on repeated listens. Guitarists Dirk Scharsich and Flo serve up sharp, memorable leads that weave throughout the songs, with the opening fanfare of “Kingdom of the Strong” and “Lost Legacy” serving as highlights. Throw in the usual bombastic orchestration and gloriously tacky synth work, and suddenly these compositions coalesce into something that’s still sugary and familiar, but hit just a bit harder than your typical middling power metal.

I only wish World War Dinosaur saw Victorius take more musical and conceptual risks. Every song is in the 3-4 minute range, and nearly all of them follow the tried and true power metal formula. There are some mid-tempo cuts like “Evil Mean Megalodon” about a cybernetic shark/submarine of all things, but most tracks feel incredibly similar. This extends to the concept as well, which seems to exist primarily as dinosaur-covered wrapping paper over some standard power metal lyrics about war and battles. There seems to be very little about the actual dinosaur-ninja war as promised, with no narrative progression present, just several songs about dinosaur war units (“Raptor Squad Attack,” “Brachio Bazooka Battalion,” “Prehistoric Panzer Power”), one song about laser ninjas (“Lazer Ninja Thunderstorm”) and a vague conclusion about “fighting forever” (“Lost Legacy”). None of this really detracts from the fun, chorus-focused power metal on display, but it does feel like a minor missed opportunity to elevate the record beyond the sum of its parts.

Nonetheless, World War Dinosaur is a well-crafted, entertaining and incredibly campy slab of power metal. Victorius aren’t charting particularly novel territory, but they’re clearly familiar with the elements that make this style so enjoyable and the over-the-top concept helps to make the whole package more exciting. For those in search of some accessible power cheese to brighten their day, look no further.

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Rating: Good!
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Perception Records
Websites: victoriusmetal.net | facebook.com/victoriusmetal
Releases Worldwide: April 17th, 2026

The post Victorius – World War Dinosaur Review appeared first on Angry Metal Guy.