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This is a the debut album from Temple ov Ahriman, a solo black metal band from the US. Aided by a session drummer, this solo act delivers 43 minutes of well-crafted black metal on Heretics of Consensual Reality. The first record by Temple ov Ahriman is one that you should absolutely check out if you’re … Continue reading “Temple ov Ahriman – Heretics of Consensual Reality (Review)”

Marie Fjeldsted’s Fear is the Fire is a thoughtful and emotionally resonant indie pop offering that pairs dreamy melodies with timely social commentary. Built around warm, organic production and Fjeldsted’s unmistakably delicate vocal presence, the track explores themes of polarization, fear, and the erosion of meaningful dialogue in the digital age. Despite its weighty subject matter, the song remains inviting and deeply human, balancing vulnerability with quiet determination. Its memorable chorus and atmospheric arrangement allow the message to unfold naturally, creating a powerful listening experience. Fear is the Fire confirms Fjeldsted’s talent for transforming contemporary concerns into compelling, poetic songwriting.

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Southern California-based deathcore quartet Mark Of The Altar premiere a new single and animated music video by the name of “The Weeping Well”, streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

Beartooth have released their new single “Bullshit.” The track was originally set to debut alongside an elaborate lyric video, but those plans were abandoned on June 18th after the band discovered that the artist hired to animate the clip had used AI in its creation. As a result, vocalist Caleb Shomo and his brother Luke quickly assembled an al… Read More/Discuss on Metal Underground.com

Straight edge hardcore metal band No Cure have released their new single “Slowly Turning Blue.” Arriving alongside the track on streaming platforms is a newly premiered music video via YouTube. Frontman Blaythe Steuer commented on the song: Read More/Discuss on Metal Underground.com

MUANH’s already know is a dreamy and emotionally rich indie pop gem that effortlessly blends dream pop textures with cinematic songwriting. Soft, layered vocals drift across lush arrangements, creating an intimate atmosphere that feels tailor-made for late-night listening. The track balances nostalgic influences with a modern sensibility, pairing romantic undertones and subtle alt-pop flourishes with a memorable melodic core. Rather than relying on glossy production, already know thrives on mood, warmth, and emotional authenticity. Its hazy beauty and understated elegance make for a captivating listen, showcasing MUANH’s ability to craft songs that resonate long after they fade away.

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Flint, MI-based nü-metal experimentalists King 810 have extended their prolific run with the release of a new single, “Hungry Gods.” The track, which debuted online via YouTube and Spotify, was produced in collaboration with Josh Schroeder (Lorna Shore, Frozen Soul). In recent years, the band have remained highly active, issuing a series of … Read More/Discuss on Metal Underground.com

LOUDERSTAR’s debut single Flickering Lights is a beautifully crafted blend of melodic shoegaze and dream pop, wrapped in waves of shimmering guitars and ethereal atmosphere. Fiora’s expressive vocals float effortlessly above the lush instrumentation, bringing both warmth and emotional depth to the track. Beneath its hazy textures lies a heartfelt message about slowing down and appreciating the moments that often pass unnoticed. The band’s ability to balance immersive soundscapes with memorable melodies makes this debut particularly compelling. Flickering Lights captures the nostalgic, reflective essence of shoegaze while introducing a fresh voice that feels both intimate and expansive.

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Swedish black metal veterans Dark Funeral will release their new live album, “A Beast To Praise,” on August 21st through Century Media. The 13-track set was recorded during the band’s performance at Fållan in their hometown of Stockholm, Sweden, in 2022. Newly unveiled, is live footage of “The Arrival Of Satan’s Empire” taken from that show, st… Read More/Discuss on Metal Underground.com

Jean Elliot’s Lennon is a captivating blend of indie rock, Americana, and Australian gothic noir, combining cinematic storytelling with raw emotional depth. Driven by evocative lyricism and a subtle yet compelling indie rock energy, the track unfolds like a scene from a dark road movie, rich in atmosphere and character. Elliot’s vocal delivery shifts effortlessly between vulnerability and quiet defiance, bringing the song’s narrative to life. The balance of acoustic textures, understated rock elements, and haunting melodies creates a deeply immersive experience. Lennon highlights Jean Elliot’s distinctive songwriting voice, offering a memorable and authentic track that lingers long after the final note.

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