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There are moments in a band’s trajectory when everything shifts. Souls of Diotima seem to have reached one of them.

The Italian act has officially announced Arcade, their fifth studio album, set for release on October 2, 2026 via Diotima Records. Yet this is more than just a new record — the band openly frames it as the beginning of a new era, a transformation that reaches beyond sound into the very core of their artistic identity.

Described in their own words as something “mysterious, bold and completely different,” Arcade hints at a decisive break from the past, embracing darker and more uncharted creative territory.

The first glimpse into this new chapter will arrive on June 5 with the release of the single “Run Away,” offering a gateway into this evolving sonic landscape.

To shape this transformation, the band traveled to Sweden, recording the album at Studio Bohus under the guidance of producers Oscar Nilsson, Thomas “Plec” Johansson, and Mikko Viitala. Their involvement suggests a sharper, more contemporary and potentially heavier sound — one that aligns with the band’s recent hints toward evolution and reinvention.

Arcade will feature eleven tracks:

1. Warning!

2. Revenge

3. Deadline

4. Black Rose

5. Run Away

6. Time is a Flame

7. A Child

8. Senza Rancore

9. Head Up, Guard Up

10. Cage

11. Nocturnal Vibe

Even the track titles evoke a shift in atmosphere — moving away from traditional symphonic tropes and toward something more nocturnal, introspective, and perhaps urban in tone.

The visual dimension of the album, crafted by artist Rhett Padersoo, further reinforces this transition, suggesting that Arcade is not merely an album, but a fully realized aesthetic statement.

The post Souls of Diotima unveil “Arcade” and usher in a new era first appeared on FemMetal – Goddesses of Metal.

Italian artist Giovanni Santolla’s project, The Spoiled, presents “Not My Cure”, the third and final single ahead of the highly anticipated second album, When It Rains, set for release on April 17, 2026 via Avant! Records.

After two previous singles exploring more atmospheric and cinematic sounds, “Not My Cure” bursts in with renewed intensity. The track showcases The Spoiled’s most aggressive and frenzied side yet, combining fast-paced electronic rhythms, pounding basslines, and reverb-heavy guitars to create a soundscape that is as immersive as it is unsettling.

The song is a nonstop emotional torrent: anxiety, urgency, and unease intertwine in a track that offers no respite, plunging the listener into an almost claustrophobic experience. This sonic evolution highlights The Spoiled’s stylistic shift toward a rawer blend of post-punk, electrogaze, and dark electronic music.

The release is accompanied by an official music video that visually translates this inner tension, reinforcing the introspective and solitary narrative defining this new era.

When It Rains will be available in digital format, CD digipak, and a limited white vinyl edition. Test pressings on black vinyl with alternate artwork have also been released in an extremely limited run.

With this final single, The Spoiled not only previews one of the most solid works of his career but also confirms his evolution toward a more direct, and emotionally incisive sound.

“Not My Cure” is now available on all digital platforms.

• Bandcamp
• Instagram
• Facebook

The post The Spoiled Releases “Not My Cure”, Final Single From Upcoming Album When It Rains first appeared on FemMetal – Goddesses of Metal.

MANHATTAN, NY — In a bombshell ruling delivered today, April 15, 2026, a federal jury has found Live Nation Entertainment and its subsidiary Ticketmaster liable for operating an illegal monopoly. The decision marks the most significant blow to corporate control in the live music industry since the two giants merged in 2010.

The verdict concludes a high-stakes civil case that saw a coalition of 30 states take up the mantle after the U.S. Department of Justice initially settled earlier this year. The jury agreed with allegations that the corporate entity used “strongarm” tactics to lock out rival promoters, abuse exclusivity agreements, and pressure venues into using Ticketmaster exclusively.

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The “15% Fee Cap” and the March Settlement

While today’s liability ruling is a fresh defeat, the groundwork was laid this past March when a settlement was reached over initial antitrust claims. That agreement forced the following structural changes:

• Mandatory Fee Caps: Service fees must now be capped at 15%.
• Divestiture: The company was ordered to divest exclusive booking arrangements in 13 major venues.
• Venue Freedom: Select venues are now legally obligated to be allowed to use ticketing services outside of the Live Nation ecosystem.

Rhythmic Carnage: Why the 2026 Verdict Matters

TL;DR: A Manhattan jury has officially labeled Live Nation/Ticketmaster an “illegal monopoly.” This follows a 2024 DOJ lawsuit and a $280 million settlement that instituted a 15% cap on service fees. With 30 states now backing the victory, the era of exclusive venue “strongarming” may finally be over.

The Kid Rock Testimony: “Let 12 People Decide”

A surprising figurehead in the investigation was rap-rock veteran Kid Rock, a longtime associate of U.S. President Donald J. Trump. Rock served as a consultant early in the probe and provided key testimony.

Despite his fierce condemnation of the company’s “illegal conduct” and his disappointment that the DOJ settled rather than letting the case go to a jury, Rock notably made headlines for continuing to utilize Ticketmaster for his 2026 touring plans, illustrating the very lack of market competition the lawsuit aimed to address.

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State Leaders Hail “Victory for the Average Joe”

California’s Attorney General Rob Bonta hailed the Manhattan verdict as a win for American residents who have been “ripped off” by corporate power.

“In the face of dwindling antitrust enforcement by the Trump Administration, this verdict shows just how far states can go to protect our residents,” Bonta stated. He emphasized that the coalition of “red and blue states” proved that consumer protection remains a unified priority.

While the liability is now a matter of federal record, the specific implications and potential “break-up” discussions for the company remain pending in the Manhattan courts.

The post ‘WE ARE BEING RIPPED OFF’: Federal Jury Smashing Ticketmaster Monopoly as 15% Fee Cap Becomes Law appeared first on Loaded Radio.

Independent project Balduvian Bears surprises fans with the release of its latest single, HILL (PAST DREAM), officially launched on March 20, 2026 through the label Dark Tunes Music Group. The track delves into nostalgia and the loss of innocence, delivering an introspective atmosphere that defines the project’s signature post‑punk, coldwave, and darkwave sound.

The song stems from a personal experience of project leader Zachary Anderson, who recalls being told at the age of 13 that his dream of flying would never come true. According to the official description, HILL (PAST DREAM) captures “the moment the sky closes forever, when childhood dreams are crushed, and innocence is replaced by doubt,” becoming an anthem for anyone who has felt their wings break before they could take flight.

Musically, the single blends ethereal synthesizers, enveloping guitars, and vulnerable vocals, creating a sonic landscape that immerses the listener in a melancholic and deeply introspective emotional world.

HILL (PAST DREAM) is now available on Bandcamp, Spotify, Apple Music, and other digital platforms.

• Bandcamp
• Instagram
• Facebook

The post Balduvian Bears Releases New Single “HILL (PAST DREAM)” via Dark Tunes Music Group first appeared on FemMetal – Goddesses of Metal.

Dutch vocalist Dianne van Giersbergen continues to expand her solo project DIANNE with the release of her new single, “The Quietude”, out on April 3, 2026. The track marks another step forward in her ongoing conceptual work “Soulward Bound”, a project she has been developing gradually over the past few years. 

Additionally, the single is accompanied by a music video.

With “The Quietude”, DIANNE leans into a more introspective and emotionally driven sound, moving slightly away from heavier metal elements in favor of a neoclassical and cinematic atmosphere. The composition places a strong emphasis on vocal performance, allowing Dianne’s expressive range to take center stage.

The single features soprano Elena Vink, whose presence creates a compelling vocal dialogue that enhances the song’s narrative concept: an imagined encounter between different versions of the self across time — past, present, and future. This idea is reflected in the track’s ethereal and reflective mood, highlighting a new layer of depth within the “Soulward Bound” universe.

Instrumentally, the song is enriched by contributions from renowned musicians such as Perttu Kivilaakso (Apocalyptica) on cello and Ben Mathot on violin, adding texture and emotional weight to the arrangement.

As the seventh release within this ambitious project, “The Quietude” further cements DIANNE’s artistic identity, showcasing a more personal, narrative-driven direction that prioritizes atmosphere, emotion, and musical storytelling.

“The Quietude” is now available on all major streaming platforms.

• Bandcamp
• Facebook
• Instagram

The post DIANNE unveils “The Quietude”, a deeply introspective new chapter of “Soulward Bound” first appeared on FemMetal – Goddesses of Metal.

That elaborate set will be out in May.

The post Unboxing Video Released For 40th Anniversary Box Set Of Slayer’s “Hell Awaits” appeared first on Theprp.com.

The Halo Effect have announced a headlining European tour in early 2027 with support coming from Lacuna Coil and Omnium Gatherum.
Read more…

“A Night Under A Crimson Moons Lament”, the second single from Witching Hour‘s upcoming music output Descending … Where Time Has Ceased To Exist, has premiered online.
Read more…

Finally, some good news. A federal jury in Manhattan has found that Live Nation, the massive corporation that merged with Ticketmaster in 2010, holds a harmful monopoly over large entertainment venues. Because of that decision, Live Nation could be on the hook for hundreds of millions of dollars. The jury found that Ticketmaster overcharged customers for $1.72 per ticket in 22 states, and it could also face penalties and sanctions, and it could be forced to give up ownership of at least some of the venues in which it owns a stake, as the Associated Press reports.

The post Jury Finds That Live Nation/Ticketmaster Is Illegal Monopoly appeared first on Stereogum.

Find out for your self.

The post Enter Shikari Launch “Find Out The Hard Way…” Video appeared first on Theprp.com.