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  • LIVE RECAP: Yungblud Fires Up the Crowd at Stir

    REVIEW BY DAVID TAYLOR | Go Venue Magazine

    It was a gloomy night in Council Bluffs, Iowa on Tuesday, August 4, 2026. But the show must go on as Yungblud made their sold-out Omaha metro debut playing Stir Cove at Harrah’s. Many people packed the venue for this one-of-a-kind performer.

    Return to Dust opened the gig. This was my second time seeing these guys and they always bring it live. It was amazing getting to see them perform to this big of crowd. They have incredible musicianship and they bring something we’ve seen before, but with a fresh new attitude. They even did a cover of OutKast’s “Hey Ya”. You can tell they have the best time on stage. Looking forward to seeing these guys, again, when they open up for Theory of a Deadman and Sevendust.

    Finally, the crowd was ready for Yungblud. I was not too familiar with him until he performed and stole the show last year at the Back to the Beginning event honoring the legend, Ozzy Osbourne. It was also the eve of Dominic’s birthday and the fans did not forget about that. The man is saving rock n roll. The energy he brings to his live show is impeccable. It’s like he was born to perform to the masses. It’s been a while we had a rock n roll sex symbol of this magnitude before. He also had a great band of players behind him, including a duo of string players. And hearing the crowd sing to every word was quite remarkable. It shows that people are really engaged with this guy and the art he puts out. A stand out moment was when during “Fleabag” he pulled a woman from the crowd who knew how to play the song on guitar. Another stand out moment was his cover of Black Sabbath’s “Changes”, which he nails vocally. He ended his concert with “Zombie”, his hit song, and then right after that it started to storm. Talk about perfect timing. Yungblud is going to be one of those artists that will keep on getting bigger and bigger and you’ll remember him playing in front of a couple thousand people in Iowa. I’m excited to see where his career goes.

    Yungblud

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    Return to Dust

    [See image gallery at www.govenuemagazine.com]

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    The post LIVE RECAP: Yungblud Fires Up the Crowd at Stir appeared first on Go Venue Magazine.

  • THE MEANIES & DAD FIGHT Announce Melbourne and Frankston Shows

    The Meanies and Dad Fight are set to rock Melbourne and Frankston.
  • Magenta Ray A Kiss Like This Review

    Magenta Ray A Kiss Like This Review

    From the first strum of the guitar, this song hooks you with its dark, psychedelic rhythm. The music surrounds you, creating an engaging and immersive atmosphere. The voice of the artist wraps around the listener like a hypnotic serpent. There is something sensual and ritualistic in this track, evoking the desire to escape in a car, wandering on rain-soaked streets where neon signs reflect on the wet pavement.

    Magenta Ray A Kiss Like This

    This song creates vivid imagery, enchanting like the sirens’ song that lured Odysseus. The vibe is reminiscent of the 1990s, channeling alternative rock influences. It blends elements that draw comparisons to the likes of prominent bands of that era. One can distinctly hear nuances reminiscent of both Garbage and Hole, weaving a tapestry that feels both nostalgic and fresh.

    This track has moments of intensity that erupt dramatically, displaying a depth that goes beyond surface-level appeal. Yet, there is an underlying magic and ancestral quality that resonates throughout the composition. As the song unfolds, particularly around the 2:50 mark, the vocals transition into a celestial and ethereal realm. It becomes clear that this artist possesses a remarkable personality and a magnetic presence, akin to legends such as Jim Morrison.

    A Kiss Like This – Sound and Atmosphere

    The production of the song enhances its impact, balancing darker tones with brighter melodies. This approach adds to the overall mystique, inviting listeners to explore their deeper emotions. Every note feels intentional, crafting a narrative that unfolds with each listen. The fusion of different musical elements ensures that the song remains dynamic.

    Instrumentation plays a crucial role in this single’s identity. The guitar tones provide a rich foundation, setting a moody yet exhilarating backdrop. The drums punctuate the rhythm, driving the energy forward while allowing the vocals to soar above. The interplay between these elements keeps listeners engaged from start to finish.

    A Kiss Like This – Performance and Production

    The artist’s vocal delivery is particularly impressive. With each verse, there is a genuine sense of emotion that captivates the audience. Her ability to switch between soft whispers and powerful declarations showcases a range that enhances the song’s depth. This dynamic performance is undoubtedly a highlight.

    This song is a remarkable piece. It is a blend of nostalgia, elegance, and raw emotion. It invokes the spirit of those alternative rock bands from the 90s while establishing its own unique identity. This single is not just a casual listen; it invites the audience into a journey filled with emotion and intensity.

    In a world where many songs fade quickly from memory, this one lingers. It ignites a sense of nostalgia, and at the same time, feels refreshingly modern. The artistry displayed here is remarkable; it showcases the potential of the artist to transcend genres, appealing to a wide audience. This is a single that deserves to be recognized and celebrated.

    This track is a great offering from Magenta Ray, showcasing her talent. I highly recommend giving it a listen.



    Mystique

    🔥 If you love this music: Discover More


    Find Magenta Ray here:
    Spotify | Instagram

    For fans of:

    Garbage • Hole


    The post Magenta Ray A Kiss Like This Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • STELLAR CIRCUITS Release New Single

    Stellar Circuits have just released In The Smoke.
  • Sleep announce first new album in nearly eight years, share “The Morrisist”

    The band have announced ‘Hempispheres,’ due digitally on September 3

    Source

  • YNGWIE MALMSTEEN To Release New Album

    Yngwie Malmsteen has just announced a new album.
  • To The Grave drop new single “Torture Porn,” reveal new album ‘Liberation Front’

    The new record arrives October 2, with the band also set to launch a North American tour

    Source

  • How Photograph transformed Def Leppard into global pop-metal megastars: “I was this geeky twat who liked music and wasn’t living in the real world. All I ever wanted was to be a star.”

    In January 1982, Def Leppard entered Park Gate Studios in Battle, East Sussex to make the follow-up to their breakthrough album High ’N’ Dry. Under the aegis of producer ‘Mutt’ Lange, they pieced together a record the likes of which had never been heard before: the gleaming pop-metal behemoth Pyromania. And Photograph was the perfect single with which to launch it.

    Photograph embodied Leppard’s brave new sonic world. Gone were the gritty AC/DC-isms of High ’N’ Dry, replaced by machine-tooled melodies and Lange’s hi-finish gloss, oven-ready for brand new music channel MTV.

    Lange himself came up with the song’s lyrical hook. “Mutt had the line ‘All I’ve got is a photograph,’” said Elliott. “I said, “That’s a Ringo Starr song.” He went, ‘Nobody will ever notice.’ For Elliott, the song title referred to an unobtainable someone.

    “I said to Mutt, ‘Wouldn’t it be great to write a song about a woman who’s the ultimate woman, but also a woman you could never have?’ He said, ‘What do you mean, never?’ And I said, ‘Because she’s fucking dead!”

    The video featured footage of Marilyn Monroe, suggesting the iconic Hollywood star was its subject. “Over the years it’s become exaggerated to Biblical proportions that Photograph was written about her,” said Elliott. “I don’t want to break anybody’s heart here, but Marilyn Monroe was just another average actress to me.”

    “I used to live in a little basement apartment on the outskirts of London, toward Heathrow,” he told Rolling Stone. “It was a real dump – there was a hole in the wall with a poster covering it up, kind of like in The Shawshank Redemption. It wasn’t an escape hatch, but it looked like one! And the poster that was over this hole was Marilyn Monroe.”

    “Def Leppard’s Photograph looked different from anything at the time,” said the video’s famed director, David Mallet, who’d previously worked with David Bowie, Queen, Blondie, the Rolling Stones and more. “Different colours, mood, visuals, editing, photography. It’s hard to believe now, because it looks like every heavy metal video ever made. But nothing had ever looked like that before.”

    “When we did Photograph, we went mental,” said Elliot, who frosted his hair for the first time on the morning of the shoot. “Phil wore a polka-dot top. Steve wore all white. The day before the shoot, I had £25 in my pocket, and I went down Kings Road in London to get some clothes. I found a pair of black pleather trousers that were too short by about four inches, so I bought them, and some leg warmers, which I’d seen in the TV show Fame.

    “When I was done buying the pants and the effeminate leggings, I had £8 left. I walked past a punk rock shop, and they had a red, white and blue Union Jack shirt in the window for £7.99. It was all I could afford, and it was loud. After that video, the shirt became so iconic that we sold almost 100,000 of them on tour that summer.”

    The reception to Pyromania in Britain was decidedly cool, a hangover from Leppard allegedly “selling out” to America a few years earlier. In the US it was a different story: Photograph was a huge hit on radio and MTV. “Photograph blew out the door the way More Than A Feeling or Radar Love or Black Betty did,” says Elliott. “I met George Michael, and he said: ‘I bought Photograph – great song!’ That’s when you know you’re crossing over.”

    Not everyone appreciated it. Photograph was one of the videos that spurred Tipper Gore to form the PMRC, the organisation that advocated for increased parental control over children’s access to music, after she watched it on MTV alongside videos by Van Halen, Mötley Crüe and Scorpions. “The images frightened my children; they frightened me,” said Gore. “The graphic sex and violence were too much for us to handle.”

    Nevertheless, the single was the first proper stepping stone on Def Leppard’s journey to megastardom, helping to push the sales of Pyromania into the multi-millions. It remains a staple of the band’s live set today.

    “When I was a kid in Sheffield,” Elliott says, “I was this geeky twat who liked music and wasn’t living in the real world. All I ever wanted was to be a star.”

    It was Photograph that helped him achieve that dream.