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NYC indie rockers unveil 2026 tour itinerary

The blood loss at one point caused a mic to short out.

The post Silly Goose Vocalist Jackson Foster’s Nose Got Broken Onstage In Madison, WI Over The Weekend appeared first on Theprp.com.

A Slipknot fan got an early copy of the long-awaited album 'Look Outside Your Window' and shared their first thoughts on it on Reddit. Continue reading…

Original members guitarist Jonas Petersson – Glorious Bankrobbers Interviewed by: Anders Sandvall Thanks to Johan Haller at Sound Pollution for setting up this interview. Thanks […]

The post Glorious Bankrobbers – original members guitarist Jonas Petersson appeared first on Metal-Rules.com.

Hypocrisy, Suffocation & Hulder will be opening the run.

The post Dimmu Borgir’s First North American Tour Since 2018 Set For August appeared first on Theprp.com.

Montréal’s landmark tech-death debut returns on limited-edition coloured vinyl, as the band prepares to perform it live in full for the first time. From the beginning, it was clear that BEYOND CREATION possessed a special aura. Back in 2011, the Montréal four-piece quickly proved they were the next progressive evolution in technical death metal with their very […]

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What is the definitive Judas Priest albums ranked list, and why is Painkiller considered one of the greatest metal albums of all time?

The Loaded Radio experts have excavated all 19 studio albums—from the controversial “Ripper” Owens era and the overblown Nostradamus to the sheer brilliance of Invincible Shield. In 2026, Priest is no longer just a “heritage act”; they are a living masterclass in heavy metal longevity. This ranking settles the debate, rewards the risks, and crowns the undisputed king of the Priest catalog.

TL;DR: The Metal God Hierarchy

The Hidden Gem: Stained Class remains the purist’s choice for the best metal album of the 70s.

The King of Steel: Painkiller takes the top spot for its era-defining ferocity.

The Modern Masterpieces: Firepower and Invincible Shield have shattered the “old band” stigma.

The “Ripper” Years: Analyzed as a misguided attempt at Pantera-style aggression.

We Also Recommend – Judas Priest’s Enduring Legacy: 13 Fascinating Facts About The Heavy Metal Gods

Judas Priest Albums Ranked: From Worst To Best

19. Demolition (2001)

Let’s be honest: Demolition is a soulless, nu-metal-tinged disaster. Coming at the tail end of the Tim “Ripper” Owens era, it’s the sound of a legendary band chasing trends they fundamentally didn’t understand. The production is thin, the riffs are uninspired, and tracks like “Machine Man” feel like a bar band trying to secure an Ozzfest second-stage slot. It is the absolute bottom-of-the-barrel moment for the Priest legacy.

Fans looking to catch Judas Priest live in 2026 can click here for passes and availability.

18. Nostradamus (2008)

The ambition was noble, but the execution was a slog. Following the triumphant return of Rob Halford on Angel of Retribution, the band took a hard left into a bloated, two-disc concept album about a 16th-century doomsayer. In 2026, Nostradamus is remembered more as a “prog-rock experiment gone wrong” than a metal classic. While there are cool moments buried in the orchestration, finding them requires a level of patience that most metal fans—and the band’s own setlists—simply don’t have.

17. Rocka Rolla (1974)

This barely counts as a Judas Priest album. It’s a hippie-rock, proto-metal debut that sounds nothing like the “Metal Gods” we know. Produced on a shoestring budget for Gull Records, the songs are meandering and the band hadn’t found their leather-and-studs identity yet. It’s a historical curiosity for the completionists, but the real Priest didn’t arrive until they took their “Sad Wings.”

16. Jugulator (1997)

This album splits the fan base down the middle. While Tim “Ripper” Owens is an undeniable vocal powerhouse, Jugulator suffered from the band trying too hard to compete with the “Groove Metal” explosion of the 90s. K.K. Downing and Glenn Tipton were clearly listening to a lot of Pantera, resulting in a down-tuned, relentlessly aggressive record that forgot to include the soaring melodies that make Priest… Priest.

15. Ram It Down (1988)

A major misfire in the middle of their peak. After the synth-heavy Turbo, the label demanded a “return to metal.” What fans got was a hollow, clanking, drum-machine-fueled album that sounds “cheap” by today’s standards. While the title track is a 10/10 thrash masterpiece, the rest is filler—and that cover of “Johnny B. Goode” remains a baffling stain on an otherwise legendary run.

14. Point of Entry (1981)

The “Hangover” album. Coming off the world-beating success of British Steel, Priest tried to bottle lightning twice with a simpler, radio-friendly formula. “Heading Out to the Highway” is a god-tier driving anthem, but the rest of the record feels like the band was treading water. It’s a “pleasant” listen, but it lacks the razor-sharp edge found on the surrounding releases.

13. Turbo (1986)

In 2026, Turbo has seen a massive resurgence among younger fans who embrace the “Retrowave” aesthetic. Yes, the guitar synths are loud and the lyrics are cheesy, but “Turbo Lover” has aged into an indestructible stadium anthem. It was a bold, experimental move that proved Priest wasn’t afraid to evolve, even if the “true metal” crowd hated it at the time.

12. Redeemer of Souls (2014)

The ultimate “Dad Metal” album. After the Nostradamus debacle, Redeemer was a necessary course correction. It’s a solid, meat-and-potatoes metal record that introduced Richie Faulkner to the world. Its only real crime is its length; at 62 minutes, it’s about 15 minutes too long. It’s good, but the “greatness” was still a few years away.

11. Angel of Retribution (2005)

The “Rob Halford is Back” celebration. The relief metal fans felt upon hearing “Judas Rising” for the first time cannot be overstated. This album proved the Metal Gods were still vital. While tracks like “Lochness” are a bit of a slog, the high points (“Hellrider,” “Deal with the Devil”) confirmed that the Halford/Tipton/Downing chemistry was the industry standard.

10. Killing Machine / Hell Bent for Leather (1978)

This is where the Judas Priest visual identity was born. The prog-metal fantasies were traded for leather, studs, and motorcycles. With “Delivering the Goods” and “The Green Manalishi,” the band created the blueprint for the entire “New Wave of British Heavy Metal.” It’s punchy, aggressive, and iconic.

9. Invincible Shield (2024)

After 50 years, they have no business being this good. Invincible Shield isn’t just “good for their age”; it’s a genuinely fantastic metal album. It takes the molten-hot production of Firepower and adds a layer of 70s technicality. Tracks like “Panic Attack” and “The Serpent and the King” prove that Rob Halford’s voice is a freak of nature that defies biological aging.

8. Firepower (2018)

The benchmark for every legacy band. With Andy Sneap’s surgical production, Priest sounded heavier and more energized than they had since 1990. There isn’t a single “skippable” track on this record. From “Lightning Strike” to “Evil Never Dies,” Firepower was the album that finally silenced the “Richie vs. K.K.” debate for most fans.

7. Sin After Sin (1977)

Their major-label debut and the moment they became “Dark Lords.” Featuring a young Simon Phillips on drums, the band got technical and heavy. “Starbreaker” is a beast, and their haunting cover of “Diamonds and Rust” became a signature moment. This is where the “Classic Era” truly begins to take shape.

6. Stained Class (1978)

The “Die-Hard” favorite. If you know, you know. Stained Class is the darkest and fastest of their 70s records. The opener “Exciter” is arguably the first-ever speed metal song, and “Beyond the Realms of Death” is arguably the greatest metal ballad ever written. This is the intellectual peak of their early career.

THE GOD TIER: THE TOP 5

5. British Steel (1980)

The populist masterpiece. This is the album that took metal to the masses. By simplifying their sound into punchy, three-minute anthems like “Breaking the Law” and “Living After Midnight,” Priest became a global household name. It’s not their most complex record, but it is undoubtedly their most influential in terms of genre-wide commercial success.

4. Defenders of the Faith (1984)

The quintessential 80s heavy metal record. It’s polished, arrogant, and relentless. From the blistering speed of “Freewheel Burning” to the atmospheric majesty of “The Sentinel,” Defenders represents a band at the absolute zenith of their power. This is 40 minutes of pure, uncut, no-filler heavy metal.

3. Sad Wings of Destiny (1976)

The “Old Testament.” This is the album that invented heavy metal as we know it today. All the themes—the riffs, the high-velocity vocals, the dark atmosphere—were forged here. “Victim of Changes” is a staggering 8-minute epic that remains the gold standard for the genre. Without this album, the rest of this list doesn’t exist.

2. Screaming for Vengeance (1982)

The “Perfect” Priest album. It has the iconic opener (“Electric Eye”), the massive hit (“You’ve Got Another Thing Comin’”), and the deep-cut bangers. This was the record that conquered America and balanced commercial appeal with razor-sharp metal precision. It’s a flawless victory from start to finish.

1. Painkiller (1990)

The Verdict: Painkiller is the single greatest heavy metal album of all time. After the commercial fumbles of the late 80s, Priest was on the ropes. Instead of fading away, they recruited Scott Travis, turned the volume to 11, and unleashed a ferocious, technical, and “pants-on-head” insane assault. From the opening drum solo to Halford’s glass-shattering shrieks, the title track redefined what heavy metal could be. It didn’t just save their career—it saved the entire genre from the incoming grunge wave.

Check This Out – The British Metal Invasion: 13 NWOBHM Bands That Revolutionized Heavy Music Forever

Information Gain: The Richie Faulkner Era & The Health of the ‘Metal God’

In 2026, we have to look at the Richie Faulkner era through a different lens. While K.K. Downing’s shadow loomed large for years, Faulkner’s recent health battles (specifically his recovery from an aortic aneurysm on stage in 2021) have endeared him to the fan base as a true “Priest.”

Furthermore, the “Information Gain” regarding the band’s longevity lies in Andy Sneap. By stepping in as a touring guitarist and producer, Sneap has given the band a “molten-hot” sonic signature that allows them to compete with modern acts like Sleep Token or Spiritbox in terms of production weight. In 2026, Judas Priest isn’t just surviving; they are flourishing because they realized that the “Brand” of the Metal God is bigger than any single member. This ranking reflects a band that has survived literal death to remain at the top of the mountain.

Stream the entire Judas Priest catalog 24/7 on Loaded Radio.

The post ‘STILL REIGNING’: The Definitive Judas Priest Albums Ranked List That Crowns the True #1 appeared first on Loaded Radio.

It’s been over 15 years since we last heard new music from Parts & Labor, the New York City noise rockers who played their farewell show in 2012. But they’ll be making up for that lost time soon: Set Of All Sets, a double album and their first LP since 2011’s Constant Future, is out…

The post Parts & Labor Announce First New Album In 15 Years <em>Set Of All Sets</em>, Reunion Tour appeared first on Stereogum.

Today, Norwegian black metallers Ildfar reveal the new track “Der ligger et land.” The track is the third to be revealed from the band’s highly anticipated fourth album, Der ligger et land, set for international release on April 12th via Purity ThroughFire. Hear Ildfar‘s title track “Der ligger et land” in its entirety HERE at Purity Through Fire‘s official YouTube channel. Norway’s Ildfar are something of an enigma. The band formed […]

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Here are the new releases for April 12th to 18th. Releases reflect proposed North American scheduling, if available.

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Upcoming Metal Releases: 4/12/26 – 4/18/26

Darkthrone — As Wolves Among Sheep…Live in Oslo | Peaceville Records | Death Metal | Norway (Kolbotn)

It is truly a great time to be an unrepentant Darkthrone stan. Appearing as part of an avalanche of new Darkthrone product this spring, As Wolves Among Sheep…Live in Oslo occupies a special place in Peaceville’s pre-Pre-Historic Metal fusilade because it’s the Norwegian legends’ first official standalone live release. This potent slice of primordial ‘Throne, which has been coursing through the underground for a while as a raw, crusty video boot, is unique in that it’s an active archival snapshot of the original four-piece version of the band featuring Zephyrous on guitar and bassist Dag Nilsen alongside the eternal Fenriz/Nocturno core. The November 1990 set features a young group enthusiastically grinding through the mauling, off-kilter death metal that would soon appear on Soulside Journey. You can also hear nascent versions of songs that would resurface years later on Goatlord. The audio has been amply punched up by Patrick over at Temple of Disharmony. Act quickly, if interested, because this Record Store Day release on ‘Petrol Blue’ vinyl is limited to 3000 copies worldwide.

–Dennis J. Seese

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Reeking Aura — On the Promise of the Moon | Profound Lore Records | Death Metal | United States (New Jersey)

Straight from the Dirty Jerz, Reeking Aura returns this week with their sophomore album. Their melodic, doomy take on death metal is once again bursting with earworm riffs, but this time, it suggests a wider array of influences, including black metal (“What Only Worms Witness”) and even some rollicking d-beat action (“Sifting for Fungal Inheritance,” “Forlorn and Frozen Vapor”). Plus, you’ve got the inimitable Big Will bringing the gurgles and growls, so you know you’re in for some primo nastiness.

–Alex Chan

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Mylingar — Út | Amor Fati Productions | Black Metal + Death Metal | Sweden

Mylingar is one of those bands with a perfect name–not in the sense that it rolls off the tongue any better than any other three-syllable word, but for its thematic relevance to the band’s sound. These Swedish noisemakers take their name from Scandinavian folklore, specifically the spirits of children who were murdered or left to die. This is all to say that their third full-length, Út, goes far beyond standard black metal “grimness”, and if lead single “rækta” is any indicator, the record will be a spiralling, dissonant descent into the profoundest sort of (in)human suffering.

–Alex Chan

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Pilori — Sans Adieu | Frozen Records | Grindcore | France (Rouen)

French extremists Pilori are poised to drop Sans Adieu, the follow-up to 2022’s Quand bien meme l’enfer et le deluge s’abattraient sur nous. Purveyors of bleak pitch-black hardcore with occasional feints and nods towards death metal and grind–Pilori spew a poisonous mist of spiteful noise rock bile on “Lese-Majeste.” Harsh vokills, twisted cyclonic riffs and a punishing doomy tempo magnified by absolutely massive thick-as-a-brick production from Cyrille Gachet lend “La Presence des Absents” a sinister, suffocating vibe that shows Pilori have the ways and means to be heavy on multiple fronts.

–Dennis J. Seese

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Pissrot — Absolute Form | Iron Fortress Records | Death Metal | United States (Kingsport, TN)

Pissrot definitely sound like what you’d expect a band named Pissrot to sound like–dim and pounding death metal that draws from black metal’s gatekeeping sonic proclivities (in other words, Absolute Form sounds better the shittier your speakers are).

–Colin Dempsey

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Beneath Purgatory — …Of the Depths | Frozen Gate Kult | Black Metal + Thrash Metal | United States (Worchester, MA)

Thrash metal’s colorful side plays a large role in Beneath Purgatory’s fifth album since 2019. While presenting as a gloomy black metal record, …Of the Depths lets loose through exuberant solos and melodies, developing a (relatively) more “fun” veneer that USBM typically lacks.

–Colin Dempsey

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Lividus — Scarabaeus | Nameless Grave | Progressive Death Metal + Thrash Metal | United States (Portland, OR)

Those who get defensive when a hot dog is deemed a sandwich should steer clear of Lividus. The Portland group’s take on death metal is pointy and technically-minded, absent of the heft and gruffness that OSDM champions. Want more eccentricity? How about the dual vocalists duelling with operatic cleans and high-pitched growls, never quite on the same page as one another, mimicking the music’s aversion to tradition? Scarabaeus has more under the hood than that, but its parameters expand beyond the tracks that are currently available.

–Colin Dempsey

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