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  • New Book Marks 50 Years of RAMONES Debut and Lasting Influence

    April 2026 marks fifty years since Ramones dropped their self-titled debut, a record that helped define what punk rock became. To mark the milestone, a new book titled All Good Cretins Go To Heaven: The Enduring Spirit Of The Ramones digs into the band’s history through firsthand accounts and detailed research.

    Written by Jenn L. Beckwith and published by DiWulf Publishing in the U.S. and Earth Island Books in the U.K., the 280-page release looks at the group’s origins, impact, and the mark they left on music and culture.

    The story traces back to 1974 in New York City’s Bowery. Four musicians from Forest Hills, Queens—soon to be known as Ramones—played an early show to a nearly empty room, reportedly attended by the bar owner and his dog. From that point, things moved fast. With a unified image, simple but aggressive songs, and constant touring, Ramones built a following that stuck with them for decades and helped push punk into the spotlight.

    All Good Cretins Go To Heaven: The Enduring Spirit Of The Ramones leans heavily on that fan connection. It collects photos, stories, artwork, and memories submitted by fans, alongside interviews with people close to the band. It also covers the band’s full history, individual member backgrounds, the roots of rock and roll, and how punk took shape, including what it meant to identify with that scene.

    The book is set for a worldwide release on April 23, 2026, lining up with the 50th anniversary of Ramones.

    To understand the impact, it helps to look at the landscape at the time. By the early ‘70s, rock had become increasingly elaborate. Yes released Close To The Edge in 1972, Genesis followed with Selling England By The Pound, and Led Zeppelin delivered Houses Of The Holy in 1973. The genre leaned toward complexity and polish.

    Meanwhile, in downtown New York, something else was forming. At CBGB’s on August 16, 1974, Ramones played their debut show. The set was loud, fast, and direct. Songs were short, built on a few chords, and played with little concern for precision. That approach cut against what rock had become and set the stage for a shift.

    Ramones went on to become one of the most recognizable American punk bands, shaping the sound and attitude of the genre. Their stripped-down style—three chords, direct lyrics, and high energy—came into focus with Ramones in 1976 and carried forward across their career.

    Their influence reached far beyond punk. Bands like Black Flag, Nirvana, Metallica, Circle Jerks, White Zombie, Pearl Jam, and Guns N’ Roses all drew from that foundation in different ways. Even Motörhead paid tribute with a song dedicated to them.

    Through it all, Ramones stayed consistent. They kept their sound and identity intact, built a lasting connection with fans, and secured their place in music history. Commercial success on a massive scale never came, but their impact has held up across generations.

    All Good Cretins Go To Heaven: The Enduring Spirit Of The Ramones is available here.

    The post New Book Marks 50 Years of RAMONES Debut and Lasting Influence appeared first on Sonic Perspectives.

  • Jinjer – Announce Extensive North American Tour

    Jinjer have confirmed an extensive touring plan across the North American continent. Booked in June and July, this trek marks the final touring chapter of the Du​é​l album cycle. Crystal Lake and Entheos will serve as support on majority of dates.
    Read more…
  • Geoff Tate Shares New Details About ‘Operation: Mindcrime III’

    The former Queensryche vocalist has released a track listing for the album. He tells UCR about the legendary saga's next chapter and why he's not doing it with his past bandmates. Continue reading…
  • Video Premiere: Antihælix – ‘Snorting the Ashes of Dead Planets’

    Philadelphia black metal duo Antihælix released their debut album, A Serpentine Staircase into Oblivion, last year. Though it fell under the radar for many listeners, it was one of the year’s strongest releases. There’s a new chance to discover Antihælix today, with the premiere of their new music video.

    “Snorting the Ashes of Dead Planets” is the third track on A Serpentine Staircase, diving right into the band’s psychedelic, twisting black metal. The accompanying video, filmed and produced by Justin Mahesh Kost, leans into the theatrical and ritualistic side of black metal, accompanied by hallucinogenic visuals. 

    “We are proud to bring you our first visual accompaniment for our track, ‘Snorting The Ashes of Dead Planets,’ a celebratory anthem about the embrace of a decaying cosmos,” drummer Omega tells Decibel. “The ethereal realm has been met by the deconstruction of the useless. In a swift breathe they’re all gone. In a swift breathe they’re all consumed.”

    You can watch the new video below; A Serpentine Staircase into Oblivion is out digitally and on CD via Putrid Hammer Conspiracies, and on tape via Heelhookvlt.

    The post Video Premiere: Antihælix – ‘Snorting the Ashes of Dead Planets’ appeared first on Decibel Magazine.

  • Exclusive Premiere: Trip Villain Pay Homage to Early 2000s Industrial Metal with “Villain Maw”

    TRIP VILLAIN 1 by Robby Grodin

    If you’ve ever had the inclination to turn a metal show into a rave or vice versa, then you may have just stumbled upon the perfect soundtrack for that sort of subversion. Brooklyn-based electronic-infused metal band Trip Villain are gearing up to release their sophomore album Dose in May, so they’ve dropped their new single “Villain Maw” and its accompanying music video, which we’ve got the exclusive right to premiere.

    Described as a “teleportational whirlwind of inspiration that sucks the listener into a Bushwick alley for a pop-up rave hosted in the center of a circle pit at 4am on a Tuesday with the cross-pollution of stimulants coalescing in the best way possible,” this track hits on all cylinders.

    What’s interesting about this cross-genre track in particular is the fact that it’s a collaborative effort between Vixen Maw and Trip Villain. Featuring Vixen Maw vocalist Jake Cannavale, “Villain Maw” thumps and hits hard all the same. Cannavale said the song will compel you to do some wild shit in the pit.

    “‘Villain Maw’ is a collaborative effort by two born and raised New York bands that combines the fury of our city’s metal underbelly with the industrial thump of its’ techno renaissance. The result is absolutely incendiary and will make you want to breakdance in the eye of a circle pit.”

    Trip Villain’s Josh Musto, who also directed the music video, explained how this particular track came to be.

    “The main riff in ‘Villain Maw’ came out of a jam I had in 2023 with my homies in Vixen Maw. Jon [Ehlers] then added a clubby synthbass line, which is probably my favorite thing he’s ever written. We started opening our shows with this song because those two riffs back-to-back are a perfect encapsulation of the genre-crossover on this album. I knew I needed to get my brother Jacob singing on it, so I sent him the track and a few days later he came in with the whole song written as a frantic back-and-forth duet. I’ve always wanted to use the word ‘abacinate’ in a song, and Jacob finally made it happen – Slayer fans, IYKYK.”adsss

    Dose will be released on LP and digital formats on May 8 via Seeing Red Records, but you can preorder your copy today.

    TRIP VILLAIN Live:

    3/20/2026 TV Eye – Queens, NY w/ MK Ultra
    5/15/2026 TV Eye – Queens, NY w/ Rickshaw Billie’s Burger Patrol 

    The post Exclusive Premiere: Trip Villain Pay Homage to Early 2000s Industrial Metal with “Villain Maw” appeared first on MetalSucks.

  • Gibson Custom Reveals Michael Schenker 1971 Flying V Collector’s Edition

    A faithful recreation—limited to only 50 guitars worldwide, each signed by Michael Schenker—modeled after the unforgettable black-and-white Flying V he used to record UFO’s first three albums, influencing countless guitarists across the globe

     

    Gibson Custom is proud to announce the release of the Michael Schenker 1971 Flying V Collector’s Edition, a meticulously crafted recreation of one of the most influential guitars in hard rock and heavy metal history. Known for his work with UFO, Scorpions, and the Michael Schenker Group, Schenker helped define the sound and tone of a generation. Inspired by Michael Schenker’s iconic 1971 Medallion Flying V, originally in Cherry Red, later in black, and ultimately transformed into the unforgettable black-and-white design that became his signature, this limited-edition model captures every detail of the instrument used to record the first three UFO albums. This limited run of 50 guitars, each hand-signed by Schenker himself, is available worldwide at authorized Gibson Custom dealers, Gibson Garage locations, and on www.gibson.com.

     

    Few guitars have left a mark on hard rock and heavy metal like Michael Schenker’s iconic 1971 Flying V™. Now part of Kirk Hammett’s renowned guitar collection, Gibson Custom created the Schenker 1971 Flying V Collector’s Edition based on precise 3D scans of the original instrument. This Collector’s Edition features a mahogany body with a partially painted white pickguard, a three-piece mahogany neck with a slim artist profile and volute, and a one-piece rosewood fretboard with 22 medium jumbo frets and cellulose dot inlays. The Flying V headstock continues the signature split-color motif and is fitted with Schaller M6 tuners and a Corian nut. A pair of uncovered T-Top humbuckers with Alnico 5 magnets delivers the unmistakable clarity and bite of the era, each wired to its own volume control with a shared tone knob using 500k CTS® potentiometers, along with a Switchcraft® three-way toggle and ¼ inch output jack, rounds out the electronics.

    Michael Schenker

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition

    Limited to just 50 pieces worldwide, each guitar is hand-signed by Michael Schenker on the back of the headstock and comes housed in a custom replica flight case adorned with Michael Schenker Group graphics. Also included is a commemorative mahogany display block featuring a #56 Medallion, and a Certificate of Authenticity presented in a matching black-and-white folio. This is a rare opportunity to own a replica of what many consider the most influential Flying V ever made—crafted in honor of one of rock’s most iconic guitarists.

    Watch/share the new interview with Michael Schenker for the new Gibson Custom 1971 Flying V Collector’s Edition HERE.

    Click on the above image to play the interview.

    Check out more photos of the new Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition:

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition hand-signed by Michael Schenker on the back of the headstock.

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition

    Gibson Custom Michael Schenker 1971 Flying V Collector’s Edition

    The post Gibson Custom Reveals Michael Schenker 1971 Flying V Collector’s Edition appeared first on Mayhem Music Magazine.

  • EXODUS Ignite Chaos With Third Single “Promise You This,” Video Premieres March 18 at 4:00pm CET

    12th Studio Album, Goliath, Out March 20, 2026, via Napalm Records | Pre-Order NOW! ‘’A relentless, uncompromising collection of thrash metal anthems – a pure […]

    The post EXODUS Ignite Chaos With Third Single “Promise You This,” Video Premieres March 18 at 4:00pm CET appeared first on Metal-Rules.com.

  • Kiss’ Future Plans: Cartoon Show, a Second Las Vegas ‘Kruise’

    Simmons and Paul Stanley will also open a new restaurant in Detroit this week. Continue reading…
  • Archaic Oath – Share New Single

    German melodic black metallers Archaic Oath have revealed “Into The Temple Of Light”, their second advance single from their upcoming debut record Determined To Death And Beyond due out on April 24th 2026 via Art Of Propaganda.
    Read more…
  • FIT FOR AN AUTOPSY Release Video Visualizer For “The Wretch”

    No rest for the wicked. Since the release of their latest full-length, The Nothing That Is, Fit For An Autopsy has remained in constant motion. Today, the band marks the kickoff of their massive US tour alongside headliners Lamb Of God by unleashing a brand-new standalone single “The Wretch”.

    Driven by relentless galloping riffs and punishing percussion, “The Wretch” features the band’s trademark earth-shattering breakdowns balanced by haunting, melodic layers in the chorus. It’s the definitive soundtrack for their return to the stage.

    Fit For An Autopsy‘s Will Putney states: “True to our general nature, “The Wretch” is another relatively pessimistic and grim glimpse into our worldly outlook. In a time where nothing seems to be getting any better at home or abroad, we find there can always be a moment of comfort in the thought of burning it all down. We hope this song is that temporary oasis for you as well. Thank you for listening.”

    Fit For An Autopsy has confirmed the following North American tour dates. The trek includes a major run supporting Lamb Of God, alongside Kublai Khan TX and Sanguisugabogg, as well as several headlining performances. For tickets, VIP packages, and full tour dates, visit here.

    Fit For An Autopsy released their seventh studio album The Nothing That Is ( stream or purchase here) which featured the singles “Hostage”, “Savior Of None / Ashes Of All”, “Lower Purpose”, and “Red Horizon”.

    The post FIT FOR AN AUTOPSY Release Video Visualizer For “The Wretch” appeared first on Sonic Perspectives.