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  • Midge Ure: A Man Of Two Worlds – Album Review

    Midge Ure: A Man Of Two Worlds (Chrysalis Records) Released 8 May 2026 CD | Vinyl | DL | Streaming Could soft be the new hard? Sound-wise, Midge Ure’s new album is the gentlest comeback imaginable, but there’s real lyrical bite smuggled in with the meditative vibes. Robert Plummer fans the flame. Slik, Visage, Ultravox, […]

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  • Listening Now : William Bleak – Black and Blue

    William Bleak trades shadows for neon on Black and Blue, a nocturnal surge where gothic weight meets a strangely euphoric pulse. Emerging from Berlin’s after-hours undercurrent—graveyards, backstreets, and bodies in motion—the track captures that fleeting moment where despair flips into reckless vitality. Driven by cold electronic rhythms and charged with live-wire intensity, it feels like dancing through emotional wreckage with a smirk instead of surrender. There’s a sense of rebirth buried beneath the grit, as Bleak reshapes darkness into something strangely luminous—an anthem for those who come alive when the world falls quiet.

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  • Into The Strange – when bands momentarily go weird (part two)

    In the second part of this article focusing on the strange and unexpected, we take a look at some further examples of bands confounding their fans’ expectations. So what exactly is the definition of ‘strange’? Is it alluding to something that is out of the ordinary, or something that is unorthodox and unfamiliar, or is […]

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  • Listening Now : Theo Black – Plans

    Theo Black taps into a raw, bass-driven minimalism on Plans, a DIY post punk cut that thrives on restraint and tension. Emerging from the eclectic South Florida scene—where rock, Latin rhythms, and club culture blur into one humid nocturnal haze—Black channels that collision into something lean yet evocative. The track’s steady, pulsing low-end acts as its backbone, while skeletal guitars and shadowy textures circle around it with quiet menace.

    There’s a deliberate simplicity here, but it never feels empty—more like a late-night transmission echoing between concrete walls, intimate yet detached, and strangely hypnotic in its repetition.

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  • Listening Now : Goth Disco – Echoes

    Goth Disco, the solo project of an Australian songwriter and producer, delivers a dark, driving pulse with Echoes, a track rooted firmly in post-punk and new wave traditions. Built around a melodic bassline, sharp hi-hats, and chorus-soaked guitars, the song carries a restless energy that feels both urgent and atmospheric. Layers of synths add depth without overpowering the raw, band-oriented feel, while the repeated vocal hooks reinforce its hypnotic pull. Self-produced and part of an ongoing monthly release series, Echoes captures that tension between introspection and momentum, making it equally suited for late-night listening or dimly lit dancefloors.

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  • Cyclist – the wreck: Single Review 

    Cyclist – the wreck Esco Romanesco Out now Just like the rule of thumb for buses, the new project from Ben Parry (former frontman of Fuzz Lightyear) represents the bustling multi-headed talent throughout Leeds, with – over a few short years – several enthralling acts featuring the guitarist and vocalist arriving almost simultaneously. Recent times […]

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  • Listening Now : Final Days Society – Feel Something

    Final Days Society, formed in southern Sweden back in 2006, set the emotional tone for their recently released album YOU CAN with Feel Something, a cinematic opener that lives up to its name. Built on swelling post-rock dynamics, delay-soaked guitars, and ambient textures, the track gradually unfolds into powerful crescendos while maintaining a melancholic core. The vocals add a human fragility to the expansive sound, grounding its atmospheric reach in something deeply personal. Blending elements of shoegaze, indie, and post-rock, it’s a slow-burning piece that pulls you inward before lifting you up.

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  • The 30 Greatest Living American Songwriters

    Taylor Swift, Jay-Z and other music legends in their own words.
  • Listening Now : Nightkites – Destinations

    Nightkites, the project of Brighton-based composer Murray Stockdale, crafts a fluid and immersive soundscape with Destinations, an epic melodic house piece inspired by travel and shifting emotional states. Drawing from influences like Burial and Four Tet, the track blends ambient textures with subtle rhythmic pulses, creating a sense of movement without urgency. It unfolds like a quiet journey—layer by layer—balancing introspection with a gentle forward momentum.

    Atmospheric yet grounded, Destinations feels like drifting through memories of places both real and imagined.

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  • A View From The Back Of The Room: Solence (Alex Tobias)

    Solence, Dream State & Written By Wolves, The Fleece, Bristol, 28.04.26



    I popped over the bridge tonight to catch Swedish metal band Solence on their Angels Calling UK tour as it rolled into Bristol. With support from Wales’ own Dream State and New Zealand rockers Written by Wolves, the weather was good and the queue was already stretching around the building—always a promising sign. Let’s get inside and see how it all went down.

    First up were Written By Wolves (7). I’d never seen or even heard of this band before, but that definitely won’t be the case going forward. The venue wasn’t at full capacity yet, but the crowd that had arrived gave them a warm welcome as they launched straight into their set. Right away, I was struck by a sound that was pure fun—groovy, energetic, and infectious.

    There’s a clear nu-metal influence, especially in the big, singalong choruses, but the band bring a lot more depth than that. Expect big rock riffs, heavy breakdowns, and plenty of variety. Vocalist Michael Murphy shows off an impressive range, shifting effortlessly between powerful screams and clean vocals that sit perfectly in the mix. Between songs, he shares how grateful they are to be playing their first-ever UK show: “We’ve been a band for 14 years—this proves hard work pays off.” The crowd responds with loud appreciation.

    A standout track was Genius from their 2025 album The Archives—a song that’s almost impossible not to move to. It’s packed with catchy hooks and gives off hints of Fall Out Boy in the chorus. There’s something special about seeing a band for the first time live without any expectations, and Written by Wolves absolutely delivered. A fantastic way to kick off the night.

    After a short break, it was time for Dream State (7). This was my second time seeing them—the first being on a massive stage at Cardiff Castle—and I’d been keen to see how their sound translated to a smaller, more intimate venue. I’m happy to say it worked just as well, if not better.

    From the opening song, the pit was alive. Dream State wasted no time getting the crowd moving. Jessie Powell’s vocals are a highlight once again, blending aggression and melody seamlessly. Even after revealing mid-set that she’s battling flu, there’s no drop in energy—she powers through impressively, and the band match her intensity throughout.

    Still Dreaming, from their 2024 album of the same name, was a standout moment. It perfectly captures what the band are about: chunky riffs, atmospheric melodies, crushing screams, and beats that hit hard enough to keep the pit going strong. Dream State are a tight, talented group who clearly love what they do, and it shows in every second of their performance.

    After the sweat and chaos of that set, a bit of fresh air was needed. As everyone caught their breath, the atmosphere shifted—lights dimmed, and the crowd belted out Dancing Queen at full volume before Solence (8) took the stage to huge cheers.

    They kicked things off with Angels Calling and immediately followed it with Good Fkin Music, setting the tone with relentless energy. The crowd responded in kind, with pits opening up across the floor. The band’s chemistry is obvious—they’re clearly having a great time on stage. Guitarist David Strääf frequently interacts with the front row, fist-bumping fans between riffs, while vocalist Markus Videsäter keeps the energy high and thanks the crowd for bringing it all night.

    There were plenty of standout moments. Death Do Us Part delivered a powerful mid-section that sent chills through the room, while “Heaven”—a track I’ve had on repeat lately—was even better live, packed with energy and passion. The crowd clearly agreed, singing along loudly.

    The set also featured a solid cover of Imagine Dragons’ Warriors, before wrapping up with Animal In Me. The encore, Who You Gonna Call (Solence), sent everyone home buzzing. After a band photo, hugs, and fist bumps, the night closed out with ABBA’s Mamma Mia playing over the speakers—an oddly perfect ending.

    Solence proved exactly why they’re gaining momentum: high energy, catchy songs, and a performance that guarantees a good time.