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Vilnius, Lithuania-based slamming brutal death metal band Infestation premiere a new single titled "Gaze at the Everburning", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

Walter Trout protoge Danny Bryant has survived alcoholism, divorce and liver disease, but new album Nothing Left Behind is the exorcism he needed

Italian deathcore outfit STMN premiere a new single and visualizer titled "0XDEADFAITH", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

Courtney Elle’s JUKE is a vibrant, theatrical pop/R&B cut that bursts with personality and groove. Built on funk-driven rhythms and playful, vintage-inspired arrangements, the track leans into its 80s influences while keeping a fresh, modern edge. Elle’s vocal performance is dynamic and expressive, shifting between sass, charm, and control with ease, matching the song’s sense of movement and character. There’s a cinematic quality to it all—like stepping into a stylized world where humor and precision coexist. Infectious and bold, JUKE thrives on its flair, proving that fun and craftsmanship can go hand in hand.

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Tulsa, OK-based modern hardcore/metalcore outfit TAKER premiere a new single and lyric video by the name of "TEETH", streaming via YouTube and Spotify for you now below. John Matalone of VCTMS guests on this particular track. Read More/Discuss on Metal Underground.com

Atlanta Georgia/East Alabama-based deathcore septet Necrofear US premiere a new single and music video by the name of "Alchemy", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

Montreal, Canada-based technical deathcore unit Nhlfan90 premieres a new single and lyric video titled "hors d’oeuvres", streaming via YouTube and Spotify for you now below. The track features guest appearances by Oracle Spectre and Big Chef. Read More/Discuss on Metal Underground.com

neuroboy’s everywhere really does hit like Autechre on meth—jittery, hyperactive, and constantly mutating. The track refuses to settle, with glitchy rhythms snapping and reforming while fragmented textures flicker in and out like corrupted signals. There’s a wired intensity to it, as if the whole thing is running slightly too fast for its own logic, yet never fully breaking down. Beneath the chaos, though, there’s precision—each twitch and stutter feels intentional.

It’s disorienting, edgy, and oddly addictive, capturing that manic edge where experimental electronics become both thrilling and unstable.

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Cut Throat Finches’ American Subway Blues carries a heartfelt, road-worn sincerity, blending Americana warmth with a subtle, reflective melancholy. Rooted in a Dylan/Springsteen spirit, the track moves with a steady, unhurried groove, allowing its narrative to unfold naturally. The songwriting feels deeply personal, capturing that quiet ache of letting someone go while still holding onto hope and belief in their journey. There’s a comforting resilience beneath the bittersweet tone, as if the song itself becomes a reminder of home. Honest and unpretentious, it resonates through its emotional clarity and timeless storytelling.

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Panthercaps’ Hoo! and What Were They? is a delightfully off-kilter slice of indie garage that thrives on its rough edges and restless energy. Built on wiry guitars, punchy drums, and a loose, almost chaotic structure, the track leans into its “unpolished” ethos without ever losing its grip. The vocals carry a detached, slightly surreal tone, matching the song’s fragmented, questioning feel. There’s a sense of controlled disorder throughout—like a jam that could fall apart at any moment but never quite does.

Quirky, raw, and instinct-driven, it captures the thrill of embracing imperfection.

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