Blog

German metallers Powerwolf gear up for their biggest ever UK show at Wembley on Saturday, and promise some surprises

Swedish veterans The Quill are all set to unleash their next studio record, Master Of The Skies, on May 8th 2026 through Metalville. The band once again teamed up with Erik Nilsson at 491 Studios.
Read more…

The Airbourne Gutsy Tour rolled into London and blew away the winter cobwebs, injecting a full dose of spring‑loaded chaos into the Victorian‑era Roundhouse. Avalanche and Asomvel were the perfect warm‑up, two bands cut from the same beer‑soaked bar cloth as Airbourne, priming the venue for a night of pure, fist‑pumping rock ‘n’ roll.

Airbourne – Asomvel – Avalanche

Roundhouse, London – 28 February 2026

Words: Rhys Tagg

Photography: Robert Sutton

The heaving, pint‑sloshing, denim‑and‑leather‑clad crowd was packed tight into the Roundhouse, the air buzzing like a live wire underfoot. After Ralph Robinson closed the Asmovel carnage with The Nightmare Ain’t Over, by then the Roundhouse felt like it was bleeding.

And what do we know about Airbourne? If it bleeds, they can rock it, and they hit the Roundhouse like a bar fight in a cyclone.

Airbourne

Airbourne exploded onto the stage like they had been blasted out of a cannon, all sweat, riffs, and unfiltered Aussie mayhem. With pyro and fire erupting during opener Gutsy, there was never any doubt they would kick off the Gutsy Tour with anything else.

They tore headlong into a set built for maximum velocity. A barrage of classics Hungry, Back In The Game and crowd‑killers like Too Much, Too Young, Too Fast and Breakin’ Outta Hell landed with that trademark, lager‑sprayed ferocity.

The riffs felt like they were trying to punch straight through your ribcage. It was Airbourne doing what they do better than anyone in turning a venue into a pressure cooker and daring it to survive the night.

Beer flew through the air, the crowd surged with wild energy, and at one point, even a jumper was being tossed around like a beach ball. Whoever lost it probably went home freezing, but the Roundhouse temperature more than made up for it.

Midway through the set, they unveiled a new track, Alive After Death. Joel O’Keeffe addressed the online chatter, the criticism that Airbourne have played the same set for a decade. But is that not the beauty of Airbourne?

You know exactly what you are signing up for. Joel will dive into the crowd for Raise The Flag and shred from the middle of the chaos. A can will get smashed against his head. Anthems will roar out of one of the largest Marshall amp walls you will ever see, and your ears will ring for days thanks to the grit, the energy, and the sweat‑on‑the‑walls atmosphere.

At the Roundhouse, he pushed it even further. During encore Ready To Rock, he climbed onto the balcony, stopped beside a fan, and delivered a personal, face‑melting solo before handing over a plectrum they will probably frame. Pure reckless Joel charm, Aussie showmanship and total devotion to the crowd.

Airbourne closed with Running Wild, leaving the stage the same way they arrived, full throttle, no brakes, no apologies. The crowd stood there grinning, drenched, breathless, and absolutely wrecked in the best possible way.

Say what you like about the setlist, nights like this prove why it does not need to change. When Airbourne roll through town, you do not come for surprises. You come for the chaos, the carnage, the beer‑in‑the‑air madness, and that unstoppable Aussie spirit.

Walking out into the cool London air, ears ringing and clothes sticking to your skin, you realise the truth. Gigs like this do not just stay with you. They cling to you like sweat long after the lights go out.

Avalanche

Show openers Avalanche, a four‑piece rock ‘n’ roll act from Sydney, hit like a pipe bomb, a blast of youthful fire that snapped the Roundhouse to attention.

A shirtless Steven Campbell and the wild, unstoppable Veronica Campbell channelled their inner Joel O’Keeffe, with Veronica getting down into the pit mid‑set to shred On The Bags Again as the crowd swarmed around her.

Thick riffs and heavy hooks propelled the pub rockers into full‑force, brewery‑sized swagger, turning the Roundhouse into a sweat‑slicked blowout. From opener Blondie to the closing roar of Ride Or Die, they cruised through a set that felt far too short. You could watch Veronica tear through those monster riffs all night.

Asomvel

If Avalanche shook the walls, Asomvel tried to bring them down. With a setlist boasting Born To Rock ‘N’ Roll and If It’s Too Loud, You’re Too Old, you knew exactly what kind of night you were in for.

The leather‑clad main support tore into King Of The World and never let up, fast ‘n’ dirty, heavy and loud, the kind of rock that rattles your sternum.

Crowd‑pleaser Luck Is For Losers hit like a steel‑toed boot, and somewhere around newer tracks Light’ Em Up and Take You to Hell, a beer‑drenched mosh pit erupted, lager flying everywhere.

The post Airbourne Hit The Roundhouse Like A Bar Fight In A Cyclone first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.

Those who are “trained to go” are those who get ahead in life, thanks to the singular focus that is implicit in being such. Fast-rising hardcore band SOUTHPAW FLHC — Alan King, guitar; Harrison Linder, drums; Marc Laroche, bass; and Daryn LaMontagne, vocals — have today dropped the video for explosive new single “TTG.”  The song clocks in under three minutes but […]

Those who are “trained to go” are those who get ahead in life, thanks to the singular focus that is implicit in being such. Fast-rising hardcore band SOUTHPAW FLHC — Alan King, guitar; Harrison Linder, drums; Marc Laroche, bass; and Daryn LaMontagne, vocals — have today dropped the video for explosive new single “TTG.”  The song clocks in under three minutes but […]

Posted on March 4th 2026, 10:33a.m.

Hypnosaur is a polish, Warsaw-based quartet operating in the style of heavy and melodic rock’n’roll, which the band describes as ‘jurassic punk’. Founded in 2017, Hypnosaur has since released two EPs (“Illusion” in 2019 and “Undead Invaders Born to Die in a Maze” in 2024) and the full-length album “Doomsday” (2022). The single ‘Danger’ is the first new […]

Hypnosaur is a polish, Warsaw-based quartet operating in the style of heavy and melodic rock’n’roll, which the band describes as ‘jurassic punk’. Founded in 2017, Hypnosaur has since released two EPs (“Illusion” in 2019 and “Undead Invaders Born to Die in a Maze” in 2024) and the full-length album “Doomsday” (2022). The single ‘Danger’ is the first new […]

Twenty One Pilots’ Josh Dun has uploaded a drum cover of one of Underøath’s classic tracks, and it is awesome.

The track that he has focused on is ‘I Don’t Feel Very Receptive Today’, taken from the band’s 2004 classic, ‘They’re Only Chasing Safety’. A song that showcases not just how frantic and furious Underøath were at such a pivotal time in their career, but also what an exceptional and creative drummer Aaron Gillespie is, serving as a blueprint for many a sticksman that followed him.

That seems to be the case with Josh, who approaches the song with respect and also showcases how similar his style is. Though quite different to anything that he conjures alongside Tyler Joseph, it’s clear how extensive his toolbelt really is, and that a position in a post-hardcore project would be light work.

You can also see just how much fun he is having, which, at the end of the day, is the most important thing.

As Josh puts it, “I’ve toured with Aaron Gillespie a few times, dating back to 2009. One drummer I’ll always watch perform every time I can. Monster.”

In terms of his day job, Twenty One Pilots recently released ‘Drag Path’, a track previously available only on a special digital expansion of their album ‘Breach’. Now, a slightly different version is available everywhere, alongside a stunning, thoughtful, beautifully constructed music video.

They are also set to make their return to the UK for an exclusive show at All Points East on August 30. On top of their headline performance, they will also be joined by the likes of Wunderhorse, REN, BBNO$, PVRIS, Nova Twins, Dead Pony, Kid Kapachi, and LEAP. Tickets are available right now from right here.

The post WATCH: Twenty One Pilots’ Josh Dun Cover Underøath’s ‘I Don’t Feel Very Receptive Today’ appeared first on Rock Sound.

Penthouse is a seven-piece lineup operating within alt-rock and retro aesthetics. The foundation of their sound is the juxtaposition of two female voices with a male lead, alongside a fusion of rock’n’roll, soul, and funk. The band’s work is rooted in 1960s style, presented in a dark, dense setting. The group was formed in Puławy, Poland […]