Now with even more nü.
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Now with even more nü.
The post Silly Goose Added To Drowning Pool & Spineshank’s June UK Tour appeared first on Theprp.com.
Setting sail from Miami in April 2027.
The post A Day To Remember To Launch ‘Big Ole Boat Show’ Cruise With Knocked Loose, The Devil Wears Prada & More In 2027 appeared first on Theprp.com.
Blues Rock Weekly highlights new music from Samantha Fish, Joe Bonamassa, and Taj Mahal.
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Part of Frampton’s first new album in 16 years.
The post Rage Against The Machine’s Tom Morello Guests On Peter Frampton’s New Protest Song “Lions At The Gate” appeared first on Theprp.com.
A new Purity Ring single? I’m not about to pass on that. As soon as Megan James’ voice beams into “lemonlime,” I’m locked in. It’s a long way from the eerie sound of Shrines, but there’s still something extraterrestrial about the way James’ voice moves amidst Corin Roddick’s synthetic computer-pop environment. They’re calling the sound…
The post Purity Ring – “lemonlime” appeared first on Stereogum.

New album Primal Repetition out today
Colombian quartet Argovia (Presagio Records), one of the most distinctive voices in Latin American progressive rock, have unveiled their newest single ‘Unstoppable’.
‘Unstoppable’ is the final glimpse of the band’s new album Primal Repetition, due tomorrow 10th April, marking a bold step forward in their evolving sonic identity.
Watch the video for ‘Unstoppable’: https://youtu.be/tbxJCk51Sd
Primal Repetition digital and physical pre-orders: https://argovia.bandcamp.com/album/primal-repetition
Streaming and digital pre-save: https://music.argoviaband.com/primal-repetition
Blending cinematic atmospheres, Latin American rhythmic influences and emotionally driven songwriting, Primal Repetition positions Argovia as one of the most distinctive emerging voices in the contemporary prog scene.
At its core, the album explores the tension between what we try to leave behind and what inevitably returns. Moving through themes of life, loss, healing and emotional memory, Primal Repetition questions whether we are capable of breaking the cycles that define us — or whether repetition itself becomes a form of reconstruction.
The album was developed over an 18-month production process, with key recording sessions taking place at Sandlane Recording Facilities in the Netherlands — known for its work with artists such as Epica, Ayreon, Anneke van Giersbergen and Floor Jansen — alongside additional production in Bogotá and Santiago.
Founded in 2013 by multi-instrumentalist Ani Guillén (guitars, drums, bass, vocals) and keyboardist/music producer Carlos Arminio, Argovia are a progressive rock band from Bogotá, Colombia. Hailed as one of the most promising acts in Latin American prog, they are poised to make their mark on the international scene. The band released their debut EP Lost Letters (2014), which earned them a nomination for EP of the Year at the Unión Rock Show awards. Three years later came their first full-length album Distant Present (2017), mastered by Tony Lindgren (Fascination Street Studios, Opeth, Leprous, Katatonia, and more). The record led them to tour several Colombian cities, including Cali and Medellín, and secured their participation in Prog in Motion 2017, the country’s only progressive rock festival.
In 2024, they released the EP Who We Are, which was mixed by Alejandro Londoño (Cultura Tres, Delain, Sepultura), mastered by Steve Kitch (The Pineapple Thief), and featuring drums by Felipe Candia (Aisles). With this release, the band moved away from symphonic and digital sounds, embracing a heavier, rawer, and more mature style, drawing inspiration from Riverside, The Gathering, VOLA, Steven Wilson, and Karnivool. The EP earned them an invitation to open for Norwegian band Circus Maximus during their Bogotá show in September 2024. In addition, vocalist Ani Gillén participated in the choral recording of the song ‘Faceless’ for Leprous, included in their album Melodies of Atonement.
The current lineup features Ani Guillén, Carlos Arminio, Mauricio Sanabria (drums), and Nicolás Paredes (bass).
British guitarist, singer, and songwriter Billy Morrison says the filming of the video for “Becoming”—his new collaboration with Sully Erna (Godsmack) on lead vocals and Nuno Bettencourt (Extreme) on lead guitar—was nothing less than intense and, well, extreme.
“The ‘Becoming video’ is a pure performance video that utilizes the skill and aesthetic that our director Ivo Raza brings to the table,” begins Morrison. “Sully [Erna] and Nuno [Bettencourt] both travelled to Los Angeles and we filmed in two locations: a rain room—where we shot for hours through a sheet of water!!—and a disused warehouse in South L.A. with a backdrop of a wall of lights. I added Erik Eldenius on drums, who played on the song, and Brett Scallions on bass, a co-writer on the song, and we used ghost lenses and other distortion techniques to represent the transition through the song that Sully’s lyrics talk about.
“The shoot was hot, sweaty and very long, and every person, band and crew alike could not have been more accommodating,” he continues. “The goal was to make a kick-ass rock video and we achieved that and much more!!”
“Becoming” arrived at radio on March 27 as the first single from Morrison’s upcoming album Hollow due out sometime in August via TLG | ZOID/Virgin Music Group. The powerhouse track was written by Morrison, Sully Erna, and Brett Scallions.
According to Morrison, “Becoming” is about “transforming out of the darkness and negativity of certain lifestyle choices and becoming a strong, positive and powerful force. For an in-depth description, you would have to ask Sully about the lyrics that he wrote.”
Two years ago, Billy Morrison released The Morrison Project via TLG | ZOID/Virgin Music Group. It marked his third solo album (and first since 2015) and produced the #1 Active Rock Song (Mediabase) in America: “Crack Cocaine” featuring Ozzy Osbourne and Steve Stevens and co-written by all three artists. A deluxe edition of the album followed in 2025 and bonus track, “Gods Of Rock and Roll (Orchestral)”—another seismic collaboration with Osbourne and Stevens—landed in the Active Rock Top Ten (Mediabase).
The upcoming Hollow will follow the success of 2024’s The Morrison Project format with 12 songs, half sung by Morrison and half sung by a handful of ‘MORRISON’s‘s friends. Guests include Dexter Holland, Marilyn Manson, Chuck D, B Real, Duff McKagan, Steve Stevens, DMC, and the above-mentioned Sully Erna and Nuno Bettencourt, among others. “Forgive Me,” “The Tailor,” “No Suspects,” “Another Day,” “Leave No Trace,” and “Becoming” are among the song titles.
Billy Morrison is a British guitarist, singer, and songwriter, widely known as Billy Idol’s rhythm guitar player for the past 17 years alongside lead guitarist Steve Stevens. He is also a solo recording artist in his right having released three albums. Morrison is also a former member of The Cult and Circus Diablo and currently also performs with the superstar cover band known as The Royal Machines. In addition, Morrison is a contemporary fine artist whose Warhol-inspired work has been shown at top galleries. He also has a regular show, “Influenced,” on SiriusXM’s Ozzy’s Boneyard (ch. 38), where he delves deep into the dynamic relationship between art and music.
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