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  • Boxing Club She’s Like the Wind Review

    Boxing Club She’s Like the Wind Review

    This band presents a rendition of the famous song made popular by the late Patrick Swayze as part of the “Dirty Dancing” soundtrack. The first notable aspect of this version is its significantly faster tempo compared to the original. The approach is more rock-oriented, with an intense beat that adds urgency to the performance. The singer’s delivery brings a sense of mystery and night to the song.

    Boxing Club She's Like the Wind

    This interpretation is generally more rock-infused and intense. It dresses the song in a fresh new outfit. Personally, I found this rendition to be quite enjoyable. It is clear that we are witnessing a band that is skilled at their craft. There is a strong chemistry among the members that enhances the overall experience.

    The rhythm section, featuring bass and drums, is tightly locked in. The guitars push forward with energy, supported by pads that expand the auditory landscape. The vocal timbre of the lead singer stands out. He possesses a warm tone combined with an alternative singing style, which is characteristic of the UK music scene.

    She’s Like the Wind – Sound and Atmosphere

    This rendition breathes new life into the original track. It is a refreshing update that gives listeners a chance to experience the song in a different light. The end of the song features an epic outro complete with a fantastic guitar solo.

    The arrangement emphasizes the urgency and intensity already pointed out. The driving force of the instrumentation complements the enigmatic vocals beautifully. The band successfully bridges the gap between nostalgia and a modern rock interpretation.

    The energy brought forth by this approach resonates well. Despite being a cover, the song feels original thanks to the band’s distinct stylistic choices. The new arrangement retains the emotional weight of the original while shaking off its sentimental softness.

    She’s Like the Wind – Performance and Production

    The upbeat tempo works wonders for a song that many associate with a romantic and sentimental era. Boxing Club turns this classic into a thrilling experience that is perfect for longtime fans and newcomers alike.

    There are elements of familiarity that unites the two versions. However, Boxing Club successfully claimed this song as their own. The blend of rock energy with the essence of the original creates a unique listening experience.

    Enthusiasts of rock and classic films should definitely check this out. It stands as a brilliant example of how a band can reinterpret music history. This version does not merely exist in the shadows of the original; it shines in its own right.

    With a stellar mix of elements, this single is sure to leave a mark. It’s a bold interpretation that will please both old and new fans alike.



    Energetic

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    Find Boxing Club here:
    Spotify | Instagram

    The post Boxing Club She’s Like the Wind Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • D.D.R. Never Forever Review

    D.D.R. Never Forever Review

    The song begins with an intense guitar riff accompanied by powerful, heavy drumming. This opening creates an energetic atmosphere, immersing the listener right from the start. A technical and rapid guitar solo enters, evoking feelings of a runaway train, suggesting movement and urgency. As the initial energy ebbs away, the vocals emerge, showcasing a beautiful quality reminiscent of 1980s hard rock. This combination of sound creates an urge to drive down winding roads, lost in thought.

    D.D.R. Never Forever

    The way the song develops shows that we are in the presence of a significant artist. Stephen Paul, who is behind this project, not only plays incredible guitar but also composes songs with coherent structures and appropriate developments. The verses are slightly subdued, building tension before unleashing total energy in the chorus. This dynamic contrast keeps the listener engaged, hinting at a thoughtful approach to songwriting.

    One cannot overlook the superb solos throughout the track. Particularly impressive is the solo after the three-minute mark, which brilliantly leads into a bridge. During this bridge, the song empties momentarily, creating a tense pause. It serves as a breath before launching into the grand finale, amplifying the emotional stakes.

    Never Forever – Sound and Atmosphere

    Lyrically, the song explores the theme of realizing that not every “forever” is truly eternal. This reflection aligns with a personal philosophy of “universal specificity.” The lyrics invite listeners to contemplate relationships and experiences, making for a relatable and engaging narrative.

    Instrumentation plays a key role in enriching the track. The heavy guitar riffs set the foundation, while the driving drums elevate the experience to new heights. The overall arrangement reflects a level of sophistication, wherein each element supports the other, creating an atmosphere that is both dynamic and reflective.

    Never Forever – Performance and Production

    With the transition from verses to choruses, the song maintains its momentum. The listener is constantly pulled along, feeling both the intensity of the music and the depth of the narrative. This blend of musical skill with lyrical introspection sets D.D.R. apart in a crowded genre.

    Overall, “Never Forever” proves to be a strong addition to D.D.R.’s discography, showcasing their artistic vision and musical capabilities. This is a song that will undoubtedly connect with a wide array of listeners, bringing nostalgia and a fresh perspective on timeless themes.



    Intense

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    Find D.D.R. here:
    Spotify | Instagram

    The post D.D.R. Never Forever Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • The Black Queen Announce ‘Fever Daydream’ 10th Anniversary Shows

    The Black Queen are making their way back to the UK later this year to celebrate a decade of their seminal debut album.

    A timeless record that predates so much of what we hear in modern heavy music, it still feels as fresh, fantastical, and fearless all these years later. And choosing to celebrate it and bring it flying into 2026 in this way is to demonstrate to people just how much of what it represents is wrapped up in modern technique and taste.

    Vocalist Greg Puciato had this to say about the tour announcement:

    “To all our fans in the UK, it’s been a minute, and we’re elated to be back. The UK has always been a special audience for me personally, and for this band. Revisiting our debut album Fever Daydream, with the addition of two new members (two of our best friends Danny Lohner (NIN, APC) and original DEP drummer Chris Pennie), before we release our new album, has brought so much light and life into our band and lives. We can’t wait to see you all in this new chapter of a band that’s so dear to Steve and I.”

    And here are the dates:

    10 – BRIGHTON Dust
    11 – LONDON The Underworld
    13 – NOTTINGHAM Bodega
    15 – GLASGOW Audio
    16 – MANCHESTER YES
    17 – BRISTOL Rough Trade

    The post The Black Queen Announce ‘Fever Daydream’ 10th Anniversary Shows appeared first on Rock Sound.

  • Downes Braide Association announce 6th studio album ‘Trauma’ and first single “Wonderland”

    Downes Braide Association (DBA), the studio collaboration of keyboard maestro Geoff Downes and multi award-winning songwriter Chris Braide (vocals), is set to release their 6th studio album titled Trauma, on September 25th via Cherry Red Records.

    Trauma is a return to the expansive DNA of classic DBA, with long-form pieces sitting comfortably alongside tracks, like the epic melodic rock and cinematic songwriting that have always defined with Chris Braide and Geoff Downes together.

    The road to Trauma began overlooking the River Thames in Richmond before taking on new life beneath the skies of Los Angeles. The songs ultimately found their true identity back in the Gloucestershire countryside and South Wales, while the album was completed with mastering in Devon. Fittingly, a record centred on resilience followed a journey of its own before reaching its final form.

    Chris Braide explains, “These songs emerged from the cracks. ‘Trauma’ is about the ghosts we inherit, the wounds we hide, and the light that still finds its way through. In the end, it is not an album about suffering, but survival. ‘Trauma’ isn’t an album about defeat—it’s about what happens after. It’s about carrying your scars with dignity, refusing to be diminished, and remembering that kindness and perseverance ultimately outlast cruelty and fear. Making music with Geoff continues to be one of the great privileges of my career.”

    Geoff Downes adds, “Working with Chris on our Downes Braide Association albums is always a great inspirational and joyous experience for me. In ‘Trauma,’ our 6th studio album, we have dug deep into our respective layers and reservoirs of emotion, a theme of darkness followed by light – something we both could relate to. And in particular on this album, we have explored numerous diverse influences characterising the contrast of these polarised emotions. For instance, our epic long track “Lake Of Memories” begins with a quasi-classical bombastic intro and immediately jumps into a fast trance-like up-tempo techno workout – It’s pomp-rock straight into pop-rock! And it’s Chris at his absolute best, grabbing my ideas and working them into some kind of intricate musical kaleidoscope. I think it’s what contributes to our uniqueness, and this album is one we are immensely proud of. Sit down, turn it up, listen and enjoy the ‘traumatic’ DBA journey!”

    About the new single, Downes says: “The notion of leaving behind something, someone, or your roots whilst retaining a nostalgic connection is a common recurring theme amongst a number of mine and Chris’s songs. Within ‘Wonderland’, we have aimed to convey hope and optimism in the musical sections leading up to and culminating in an uplifting chorus – “Wonderland” a discovery of a new and changing life. It’s a powerful statement, and a song we are proud to present to you.”

    Braide adds, “‘Wonderland’ is about the intense psychological friction of breaking away from rigid family hierarchies and institutional structures—the inescapable systems of control that dictate your life through school, work, and the society beyond. It’s a tribute to the resilience of my parents’ generation in the North West, but it also confronts the severe survivor’s guilt of permanently severing those chains. Walking away from those deep-rooted structures is a profound form of death and rebirth; you are forever followed by the ghosts of that old reality, constantly wondering if the people left behind ever found their own version of paradise amidst the struggle.”

    Trauma returns the band lineup of Dave Bainbridge (guitars), Andy Hodge (bass), and Ash Soan (drums) and additional drums from Tim Weller.

    The album features an impressive lineup of guest contributors, including Marc Almond on “Juliet,” and Emmi on “Love and Loss,” as well as narration from Delilah Barrett. The late David Longdon, a longtime DBA collaborator, also appears through flute performances recorded during the band’s 2018 sessions. Rounding out the guest appearances are Andy Partridge, Barney Ashton-Bullock, and Dean Johnson, each contributing original poems to the album booklet.

    About the album cover, Downes says, “With ‘Trauma’ as anticipated, Roger has come up with yet another blockbuster of his iconic artwork. Roger was working in parallel and getting inspiration from some of our song titles. The result is a starkness to the painting, but with a chink of light in there representing aspirations for the future, all overseen by a semi-concealed ‘wise’ owl – another of Roger’s signature nods to nature. It truly is an exceptional work of art, and we are most grateful to have such a genius in our midst collaborating, co-ordinating and combining our music with his visuals.”

    PRE-ORDER LINK HERE: https://cherryred.co/Trauma

    Tracklisting:

    1.Hello, Hello – 4:57
    2.Trauma – 8:20
    3.King of Karma – 4:53
    4.Wonderland – 5:12
    5.Love and Loss – 3:16
    6.I Wish I’d Known – 4:11
    7.Do You Remember? – 4:54
    8.Juliet – 2:24
    9.Lake of Memories – 14:29
    10.Wherever You Are Now – 5:44

    Written & Produced by Chris Braide & Geoff Downes. Paintings and logo by Roger Dean

    The post Downes Braide Association announce 6th studio album ‘Trauma’ and first single “Wonderland” appeared first on The Prog Report.

  • Fenix Flexin Responds To Viral Breakdown Claiming “Rubberz” Is “Fully” AI-Generated

    A few hours ago, Shoreline Mafia rapper Fenix Flexin responded to artist/producer Medasin’s detailed breakdown alleging his viral hit “Rubberz” is completely AI-generated.

    The post Fenix Flexin Responds To Viral Breakdown Claiming “Rubberz” Is “Fully” AI-Generated appeared first on Stereogum.

  • Porch Light – “Under”

    Porch Light, the young Minneapolis rock band, probably have a bone to pick with Noah Kahan. Type their band name into any DSP and you’re greeted with a song from Kahan’s recent blockbuster The Great Divide, a problem they weren’t facing six months ago. The good news is Porch Light have the juice, so they may outlast this Kahan obstacle the same way Wednesday outlasted Netflix’s Wednesday in the seach bar.

    The post Porch Light – “Under” appeared first on Stereogum.

  • 2 Cinderella Members ‘Ready’ for Band to Tour Again

    Cinderella drummer Fred Coury shares his hope that the band will reunite to play some shows together. Continue reading…
  • The Tortugas Rooks Review

    The Tortugas Rooks Review

    The EP opens with “The Passenger.” This track possesses a hint of nostalgia, driven by a sly yet intense rhythm. The theatrical vocal performance draws the listener in, creating an immersive experience. Occasionally, the lead voice is accompanied by a higher-pitched harmony, adding a distinctive quality to the song. The western atmospheres within the arrangement further enrich its atmosphere, providing a cinematic quality to the listening experience.

    Rooks The Tortugas EP

    Next is “Edge of Town,” which begins with a mysterious arpeggio. The rhythm here is subtle, as a unique vocal effect is introduced. The lead vocals again harmonize with a higher octave, lending a somewhat prophetic nature to the performance. The instrumentation is particularly notable; various elements come together in a way that reveals a wealth of details. A chime can be heard on the left side, while guitar and the rest of the groove reside on the right at various points throughout the song. This intentional separation opens the sonic space effectively. There are vocal embellishments that feel almost dreamlike, enhancing the overall texture of the track.

    “Fear Has Gone” follows, evoking an image of a ghost town. The slow, languid rhythm mimics the dry air of a desert landscape. The composition has a unique cadence, sincere and at times psychedelic in its approach. Each note is deliberate, contributing to an experience that feels immersive.

    Rooks – Sound and Atmosphere

    The track “America” reminds one of passages found in the work of Blind Melon. The vocal delivery stands out, as usual, showcasing great talent. The genuine sounds strike a chord, allowing the listener to feel the nuances of fingers moving along the guitar strings. The reverberation of the room adds a layer of authenticity that is hard to overlook.

    Closing the EP is “New York City,” a fantastic track infused with a nocturnal quality. It features a rhythm that resembles the ticking of time, creating a suspended feeling. This composition serves as an evocative ending to the collection. Throughout this EP, the band blends folk and alternative styles, showcasing an incredible vision.

    The Tortugas’ EP touches on various themes. It delves into lost love, political upheaval, and the unique beauty found in England’s eastern flatlands. The group achieves this through an exceptional instrumental palette that skillfully intermingles cello with resonator guitar. Notably, they incorporate found-object sound effects, which adds depth to their offering.

    Rooks – Performance and Production

    The band’s lineup includes Bob Meltones on bass, guitar, and engineering; Giles, who provides drums and percussion; and Drew Webster, responsible for slide guitar and lyrics. They welcome the enchanting Sophie Vaughan on vocals and cello, whose contributions elevate the overall sound.

    “Rooks” is a diverse musical exploration. Each track flows seamlessly into the next, ensuring a continuous journey that invites deep reflection. The unique voices and instrumental arrangements create a rich auditory experience that resonates on multiple levels.

    The Tortugas have crafted an EP that successfully captures complex emotions through lyrical content and musical composition. Their innovative approach encourages listeners to engage thoughtfully, reflecting on the narratives presented while enjoying the intricacies of their sound.



    Unique

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    Find The Tortugas here:
    Spotify | Instagram
    For fans of:

    Blind Melon


    The post The Tortugas Rooks Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • FILLER

    artwork by Albin Brunovsky (written by Islander) I don’t exactly remember when or why we fell into the pattern we have here for how the posting day goes, but the pattern is that we try to post a first thing at 7 a.m. Pacific Time (where I am) and follow that with two more posts, […]

    The post FILLER appeared first on NO CLEAN SINGING.

  • Five Finger Death Punch – New Album ‘Legacy’ Out Today

    Twenty years and 10 albums into one of the most successful hard rock careers of the modern era, Five Finger Death Punch today released ‘Legacy‘, the record the band regards as the definitive statement of everything they are. The album arrives on the heels of current single ‘Eye Of The Storm‘, delivering the band’s 18th […]

    The post Five Finger Death Punch – New Album ‘Legacy’ Out Today appeared first on ROCKPOSER DOT COM.