PROX Intake – Page 1560

Static Dress Announce New Album ‘injury episode’

Static Dress have announced the details of their sophomore full-length album, their first for new label Sumerian Records.

Titled ‘injury episode’, it will be released on May 29. It serves as the follow-up to their 2022 debut ‘Rouge Carpet Disaster’.

The artwork looks like this:

Whilst the tracklisting, whilst actually still being a secret, looks like this:

1. 01110100 01101000 01100101 01111001
2. 01110011 01100001 01110110 01100101 01100100
3. 01000101 01101101 01101100 01101001 01100101
4. 01100110 01110010 01101111 01101101
5. Nostalgia Kills ft. Underoath
6. 01110100 01101000 01100101
7. 01100110 01101100 01101111 01101111 01110010
8. 01110100 01101000 01100101 01110010 01100101 01110011
9. 01101110 01101111
10. 01100011 01101111 01101101 01101001 01101110 01100111 00100000 01100010 01100001 01100011 01101011
11. 01100110 01110010 01101111 01101101
12. 01100010 01101100 01100001 01100011 01101011
13. human props
14. 01101111 01110010 01100011 01101000 01101001 01100100
15. 01100101 01101101 01110000 01101001 01110010 01100101

Whilst ‘human props‘ was released earlier this year, ‘Nostalgia Kills’ has been freshly unleashed. A caustic, catchy and calloused piece of post-hardcore majesty, it also serves as a collaboration with the legendary Underoath, with Spencer Chamberlain and Aaron Gillespie channelling the intense energy that defined their 2006 classic ‘Define The Great Line’ once more. Both a mission statement and a celebration of this scene and the great emotional power that resides within it.

The post Static Dress Announce New Album ‘injury episode’ appeared first on Rock Sound.

April 2, 2026

“This song is going to change the world”: The Callous Daoboys drop new single, Gigantic Parasite Tongue

Posted on April 2nd 2026, 10:19a.m.

April 2, 2026

Everybody Wants to Sing Nate Amos’s Songs

This Is Lorelei, the solo project from the Water From Your Eyes guitarist, has become an indie-rock phenomenon in the past year.

April 2, 2026

Shooting Daggers drop new single, Glow, featuring Dennis Lyxzén

Posted on April 2nd 2026, 10:00a.m.

April 2, 2026

“It takes me back to my schooldays.” Peter Gabriel shares his latest single Till Your Mind Is Shining

Peter Gabriel is releasing a new single every full moon at midnight in the build-up to new studio album o\i.

April 2, 2026

Roulette Release ‘Answer To My Prayers’ Single

The legendary Swedish melodic rock band Roulette continue their remarkable journey. Formed in Sundsvall in 1985, the band quickly became a household name with appearances on the biggest Swedish TV shows and shared stages with giants like Status Quo. Early recordings led to the single ‘Only The Strong‘ on Cupol Records, but it wasn‘t until […]

The post Roulette Release ‘Answer To My Prayers’ Single appeared first on ROCKPOSER DOT COM.

April 2, 2026

BLACK ROYALÂ | Finnish Death-Sludge Quartet Return with New SingleÂ âWATER OF THE CROWâ

Following the success of their previous LP,Â Earthbound, the Finnish sludge metal savants join forces with M-Theory Audio for another descent into the darker realms of heavy music…

The post BLACK ROYALÂ | Finnish Death-Sludge Quartet Return with New SingleÂ âWATER OF THE CROWâ appeared first on INFRARED MAGAZINE.

April 2, 2026

Live Review: Waterparks – Leeds

Live Review: Waterparks – O2 Academy, Leeds

23rd March 2026
Support: Greywind

Words & Photos: Martin Hingley

Returning to the UK for the first time in a few years, Waterparks roll into Leeds with their Prowler 2026 tour hosted at the o2 Academy.

Tonight’s support comes from Greywind, hailing from Killarney, Ireland. With the stage doused in reds and purples, Greywind arrive with a point to prove, that they can put on one hell of a rock show. From the moment Steph O’Sullivan steps on stage, looking very much like Debbie Harry in her prime, she leads the band with energy and vocal power.

Backed by her brother Paul and the rest of the band, Greywind control the set well. From the high energy of Here’s Your Deathwish to slowing things down and connecting with the audience during the beautiful Swing and Sway, they show all the signs of a band that understands its fanbase. As they move towards the end of their set, the band don nurses’ hats before closing with Antidote, finishing their performance with Waterfall from their latest release Severed Heart City, which arrived in January.

It’s safe to say Greywind are one to keep an eye on over the next few years, and fans won’t have to wait long to catch them again, with support slots lined up for Tonight Alive’s UK dates later this summer.

Photo Credit: Martin Hingley Photography

“It’s been the longest time that Waterparks have been away from UK venues,” Awsten Knight declares during tonight’s performance, but it certainly doesn’t feel that way from the crowd. As the stage goes dark and the backdrop lights up with a city skyline, the words Welcome To The Waterparks Show appear, prompting a huge roar. Opening with the super catchy sing-along Blonde, it doesn’t take long for the venue to start bouncing, with the audience often as loud, if not louder, than Knight himself.

A few songs in, the band briefly leave the stage and a video introduces the first emotion of the night: happiness. Returning to play the anthemic Stupid For You, they then offer the crowd a choice between Peaches (Lobotomy) and Telephone, with Peaches getting the nod. Visually, Waterparks deliver an impressive production, with lyric videos, vibrant colours and lighting effects giving each song its own feel. There’s also a fun moment during Dream Boy when Knight, having slipped from the riser earlier in the track, jokingly denies it ever happened, showing the band’s playful interaction with fans.

Photo Credit: Martin Hingley Photography

Moving into the “sadness” portion of the set, the mood shifts, though the energy remains. Another fan vote leads into an acoustic segment, with Geoff Wigington and Otto Wood stepping off stage while Knight takes centre stage. He explains how much they enjoyed performing more intimate shows recently and wanted to bring that feeling into this tour. The stripped-back section features fan favourites and rarities including Lowkey As Hell, Fuzzy and 21 Questions, before the full band returns.

As the show moves through themes of anticipation and anger, Waterparks continue to impress with their versatility and seamless transitions. Fans also get a sneak peek of new material with Prowler, whose heavier riff sparks the first real mosh pits of the night. Knight then reveals they won’t be away for long, confirming a new album later this year alongside another UK tour.

Closing the night with Turbulent and LIKE IT, Waterparks send fans home on a high after a performance packed with energy, humour and crowd interaction.

With a show that’s visually striking, catchy and carefully crafted with fans in mind, Waterparks continue to cement themselves as one of the defining bands of the new generation of pop-punk and if you haven’t seen them yet, you probably should.