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Though they announced their intention to play the ProgPower USA festival this September, Nevermore had to backtrack that announcement over the weekend because of bureaucratic bullshit. More specifically, U.S. work visa problems.

According to a post on the band’s Instagram page, their plan to come to the U.S. got the kibosh when they were unable to secure a work permit in time for their new vocalist Berzan Önen. Though Nevermore is a Seattle-based band, Önen is a Turkish citizen and as such is required to obtain a permit to work in the U.S. if Nevermore decides to tour this part of the world.

Though everyone else seemingly managed to get their visas, including Önen’s countryman and Nevermore bassist Semir Özerkan, for some reason the vocalist’s passage was taking longer than folks had hoped.

Rather than mince their words, here’s Nevermore’s official explanation:

“A MESSAGE FOR OUR US FANS

“We hear your requests for a US tour loud and clear, and we want it to happen just as much as you do. The reason it hasn’t yet is simple – getting the work permit for our singer is taking much longer than anticipated. We’ll get it done, but unfortunately we aren’t quite there yet.

“Sadly, it also means that we won’t be able to perform at ProgPower USA this year.

“Sincere apologies to Glenn, the ProgPower USA crew and our US fans, and thanks for understanding.

“New music is forthcoming, and we’ll finally be back on stages in the states performing it live in 2027. We owe it to all of you and promise we’ll make it worth the wait.

“In light of all of this, we are actively booking more international shows for later this year. Announcements for those will happen soon.”

This isn’t the first time a band has had to alter their touring plans thanks to the U.S. visa process. There have been numerous times in recent memory where bands either can’t get their visas processed in time or the costs became too expensive to make the trip viable. Either way, you hate to see something like this happen — especially when there’s so much hype for this new iteration of Nevermore.

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The post Nevermore Forced to Pull Out of Festival Over U.S. Work Permit appeared first on MetalSucks.

San Diego, CA death metal band Condemned premiere a new single and music video by the name of "Devils Feast". The track is taken from their album "Daemonium", which was recorded and mixed by John Haddad and mastered by Zack Ohren (Machine Head, Pathology). Check out "Devils Feast" streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

A Massive Anthem With a Modern Twist!

A new chapter has begun: Finnish melodic metal force ARION return with a bang, launching the album cycle for their upcoming fifth studio album with the brand-new single “Hurricane”, released via RPM. The track is a fast-paced, modern melodic metal anthem that stands out with its theme of cathartic empowerment, a massive chorus hook, and the band’s signature infectious riffing.

Driven by an arena-ready chorus and sharp songwriting, “Hurricane” initially feels like a classic hit in the making. Yet ARION add a clever twist, breaking away from predictable structures and injecting a fresh, modern edge that keeps listeners on their toes. More singles will follow throughout 2026, with the full album scheduled for release at the beginning of 2027, following their European tour with GLORYHAMMER and MAJESTICA in October 2026. 

Stream “Hurricane”: https://arion.rpm.link/hurricanePR

A visualizer video is streaming here: 

https://www.youtube.com/watch?v=dTO6Q6dJuVY

Guitarist Iivo Kaipainen comments: “We are happy to come back with this new fantastic single called ‘Hurricane’! The song features an especially massive and catchy chorus and infectious main riff, which are both long time trademarks for the band. Sounds like a traditional hit format song? WRONG! There’s a cool modern twist waiting to break the linear true and tried hit song formula that will definitely catch every listener off guard. See for yourself!”

About ARION:

ARION are among Finland’s most exciting modern melodic metal exports. Known for their high-impact songwriting, technical skill and engaging stage presence, the band continues to bridge the gap between classic and modern metal.

Over the years, ARION have toured extensively across Europe and Japan with acts such as DREAM THEATER, GLORYHAMMER, BATTLE BEAST, BLOODBOUND and SONATA ARCTICA. They have also collaborated with renowned vocalists including Elize Ryd (AMARANTHE), Noora Louhimo and Melissa Bonny (AD INFINITUM / KAMELOT).

With tens of millions of streams to their name, including the standout track At The Break Of Dawn surpassing 20 million streams and achieving gold status in Finland, ARION have firmly established themselves as one of the most important new wave metal export acts from the country. Their continued evolution and international presence underline their growing importance in the global metal scene.

ARION:
Lassi Vääränen – Vocals
Iivo Kaipainen – Guitar
Topias Kupiainen – Drums
Arttu Vauhkonen – Keys
Georgi Velinov – Bass

Connect With ARION: 

Website | https://arion.fi/ 

Facebook | https://www.facebook.com/OfficialArion/ 

Instagram | https://www.instagram.com/arionfinland/  

Spotify | https://open.spotify.com/intl-de/artist/0c09mxGbMHuFLpPJMY6JdA

More on RPM:

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Source: C Squared Music

Are Bee’s Change My Mind (Radio Edit) delivers a clean, high-energy techno cut built for movement and momentum. The track wastes no time, locking into a driving groove before opening up into sharp, well-timed drops that keep the energy flowing without overcomplicating the structure. There is a polished, modern feel throughout, with crisp production and a focus on rhythm and impact rather than excess detail. Are Bee keeps things direct and effective, letting the shifts in intensity do the work.

It’s a straightforward but engaging track that fits easily into peak-time sets while maintaining a tight, controlled atmosphere.

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Fugue State’s Dark leans into repetition as both structure and tension, building a hypnotic atmosphere that slowly shifts in tone the longer it lingers. Driven by sharp synth stabs, processed sax textures, and looping vocal lines, the track creates a sense of unease beneath its initially seductive surface. What starts as controlled and minimal gradually intensifies, with subtle variations pulling the listener deeper into its orbit. Fugue State, alongside Ethan Woods and Maia Friedman, shape the track with precision, letting the repetition evolve rather than stagnate.

By the end, it feels suspended and unresolved, leaving a lingering, almost disorienting emotional afterglow.

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The group delivered a surprise performance of “Finding My Way”.

The post Prog Rock Legends Rush Kicked Off Their Live Reunion At The 2026 ‘Juno Awards’ appeared first on Theprp.com.

Unwed Sailor’s West Coast Prism glows with a bright, melodic pulse that feels both uplifting and quietly reflective. Built around a jangly, bass-led core and steady, upbeat drums, the track gradually expands into a more vibrant, driving section without losing its sense of ease. There’s a gentle push and pull between energy and atmosphere, with spacious synths and soft vocal textures adding a dreamy, almost coastal haze. Unwed Sailor keep the progression fluid and organic, letting the hook guide the journey.

It’s a colorful, immersive instrumental that captures movement, light, and a subtle undercurrent of nostalgia.

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SUMiT teams up with Cory Gunz on On the Run, delivering a sharp, cinematic hip hop cut that balances storytelling with technical precision. The track opens with a Western-tinged atmosphere before locking into a hypnotic, hard-hitting groove, setting the stage for tightly structured verses and layered rhyme schemes. SUMiT brings a focused intensity, weaving introspection with themes of confrontation and control, while Cory Gunz elevates the momentum with his signature rapid-fire delivery and intricate wordplay.

There’s a sense of urgency throughout, but it never feels rushed. Instead, it stays controlled and deliberate, making its impact through clarity, skill, and a strong narrative edge.

Blvckhndz’s I AM YOUR NEIGHBOR moves with a bright, synth-driven pulse that feels immediately inviting, balancing playful energy with something more reflective underneath. The production leans into clean, melodic textures and a steady groove, giving the track an accessible, almost carefree surface. But as it unfolds, there’s a quiet tension in the lyrics, questioning connection, attention, and what people actually take in. Blvckhndz navigates that contrast well, keeping the flow hook-focused while letting the message linger just beneath.

It’s catchy without being empty, a track that pulls you in easily but leaves you thinking a little longer.

P.S.: Fuck ICE!

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Kylpyvesi Records has today released Via Dolorosa, an unreleased album recorded in 1990 by cult Melbourne band These Future Kings, a band whose founding members both grew up in migrant families in the city’s outer South-Eastern suburbs, and whose co-songwriter, lyricist and vocalist Perry A. White passed away in 2025. Recorded in 1990 and intended […]