A week ago today, Ukraine’s Stoned Jesus released this gem of an album.
This opening track drew me in hard; lots of great stuff going on here:
These guys have been playing for quite a while, and it shows. Excellent musicians and songwriters, these guys never disappoint.
Stoned Jesus are (l-r):
Yurii Ciel – drums, backing vocals
Igor Sydorenko – vocals, guitars, bass, keyboards Andrew Rodin – bass, backing vocals
You can check out the rest of the album, as well as a music video, here.
And released today, newly released tracks by Elder:
ELDER: LIMINALITY/DREAM STATE RETURN
The band describes these two tracks as fragments written between the Omens and Innate Passage albums, reworked last winter. Both tracks are immense, but I’m posting the shorter, second track:
Elder are originally from Massachusetts, but now reside in Berlin. The lineup here is:
Nicholas DiSalvo Jack Donovan Michael Risberg Georg Edert
A week ago today, Ukraine’s Stoned Jesus released this gem of an album.
This opening track drew me in hard; lots of great stuff going on here:
These guys have been playing for quite a while, and it shows. Excellent musicians and songwriters, these guys never disappoint.
Stoned Jesus are (l-r):
Yurii Ciel – drums, backing vocals
Igor Sydorenko – vocals, guitars, bass, keyboards Andrew Rodin – bass, backing vocals
You can check out the rest of the album, as well as a music video, here.
And released today, newly released tracks by Elder:
ELDER: LIMINALITY/DREAM STATE RETURN
The band describes these two tracks as fragments written between the Omens and Innate Passage albums, reworked last winter. Both tracks are immense, but I’m posting the shorter, second track:
Elder are originally from Massachusetts, but now reside in Berlin. The lineup here is:
Nicholas DiSalvo Jack Donovan Michael Risberg Georg Edert
The 90s punk rock scene was more than just a sound. It was a movement that broke barriers, challenged norms, and gave a voice to an entire generation. Emerging from underground clubs and DIY shows, the genre quickly made its way into mainstream culture. Its raw energy, political edge, and rebellious spirit shaped both music and fashion throughout the decade.
Bands like Green Day, The Offspring, and Rancid helped fuel this revolution with records that still define the era today. Their success brought punk into the spotlight without stripping away its authenticity. At the same time, smaller acts maintained the underground fire that inspired countless new musicians.
The 90s became a golden age for punk, blending catchy hooks with anthems of resistance. In this article, we’ll look at 7 iconic bands that not only defined 90s punk rock but also influenced generations to come.
1. Green Day
Green Day 90s Punk Rock – Credit: Tom Field
Few bands shaped the mainstream rise of 90s punk rock like Green Day. Their 1994 album Dookie changed everything. With hits like “Basket Case”, “When I Come Around”, and “Longview”, they brought punk to radio and MTV.
What made them stand out was their balance between rebellion and melody. Their sound mixed catchy pop hooks with raw punk riffs. Frontman Billie Joe Armstrong gave a voice to disillusioned youth, while drummer Tré Cool and bassist Mike Dirnt powered the music with infectious energy.
Dookie sold millions of copies worldwide, winning a Grammy and pushing punk into the mainstream. Yet, despite success, the band maintained credibility within the scene. They kept the spirit of punk alive while opening doors for others.
Green Day’s influence continues today. From arena tours to political albums like American Idiot, their legacy proves how powerful 90s punk rock was in shaping modern music.
2. The Offspring
The Offspring 90s Punk Rock – Credit: Getty Images
When The Offspring released Smash in 1994, they redefined what independent punk could achieve. The album sold over 10 million copies worldwide, making it one of the best-selling independent records ever. Songs like “Come Out and Play” and “Self Esteem” became cultural anthems.
Their music combined high-energy riffs with humor, angst, and unforgettable hooks. Frontman Dexter Holland’s sharp vocals and Noodles’ guitar work gave them a distinct edge. Unlike many bands of the time, they balanced aggressive punk with radio-friendly appeal.
The band’s DIY ethic never disappeared. Even after signing to a major label, they carried forward the raw energy of their early days. Albums like Ixnay on the Hombre and Americana produced more classics, including “Pretty Fly (for a White Guy)”.
By blending fun, rebellion, and sharp songwriting, The Offspring became a cornerstone of 90s punk rock. Their influence stretched across punk, alternative rock, and even pop-punk scenes.
3. Rancid
Rancid 90s Punk Rock – Credit: Bing Images
Born from the ashes of Operation Ivy, Rancid carried the ska-punk torch into the 90s. Their 1995 album …And Out Come the Wolves remains one of the most celebrated punk records of the era. Tracks like “Ruby Soho” and “Time Bomb” perfectly captured the decade’s rebellious pulse.
Led by Tim Armstrong and Lars Frederiksen, the band blended street punk, ska, and hardcore influences. Their gritty style connected deeply with fans who craved authenticity. Unlike some peers who leaned pop, Rancid kept the raw, working-class spirit alive.
Their songs addressed real struggles—poverty, identity, and resistance—while keeping the music upbeat and powerful. This honesty made them anthems for outsiders.
Even as punk hit the mainstream, Rancid remained loyal to their roots. Their continued presence in the scene shows how central they are to the story of 90s punk rock.
4. Bad Religion
Bad Religion 90s Punk Rock – Credit: Press
Before the 90s boom, Bad Religion had already laid the groundwork. By the early 90s, their sharp lyrics and fast riffs made them leaders of the punk revival. Albums like Against the Grain (1990) and Generator (1992) influenced countless younger bands.
Their style combined intellectual lyrics with speed and precision. Songs tackled politics, science, and society. Frontman Greg Graffin’s background in biology gave the band a unique voice.
The release of Recipe for Hate (1993) and Stranger Than Fiction (1994) expanded their reach. Tracks like “21st Century (Digital Boy)” resonated with mainstream audiences while staying true to their punk core.
Bad Religion’s role in shaping 90s punk rock cannot be overstated. They influenced bands like Green Day and The Offspring, proving punk could be both smart and accessible. Their impact remains clear in today’s political punk.
5. NOFX
NOFX 90s Punk Rock – Credit: Jamie Ford
With humor, chaos, and raw punk energy, NOFX became one of the most beloved bands of the decade. Fronted by Fat Mike, they brought a unique mix of sarcasm, politics, and speed.
Albums like White Trash, Two Heebs and a Bean (1992) and Punk in Drublic (1994) cemented their place in history. Songs like “Linoleum” remain essential to the 90s punk rock soundtrack.
Unlike many peers, they avoided major labels. Their DIY approach inspired countless bands to stay independent. With Fat Wreck Chords, Fat Mike also gave a platform to many emerging punk acts.
Their mix of comedy and serious commentary made them stand out. Fans loved their unpredictable shows and their refusal to take themselves too seriously. NOFX embodied the chaotic, rebellious side of the decade’s punk movement.
6. Pennywise
Pennywise 90s Punk Rock – Credit: Google Images
Hailing from Hermosa Beach, Pennywise became known for their mix of aggression and positivity. Their self-titled 1991 debut and 1993’s Unknown Road set the stage for their breakthrough album About Time (1995).
Songs like “Bro Hymn” became anthems of unity. Their music combined skate-punk speed with uplifting messages about friendship, perseverance, and rebellion.
Unlike darker punk bands, Pennywise often leaned on themes of hope and solidarity. This gave them a special place in the scene. Fans connected not just to their sound but to the sense of community their music created.
Their powerful live shows also made them legends. As leaders of the Southern California punk scene, Pennywise embodied the true spirit of 90s punk rock—fast, fierce, and meaningful.
7. Blink-182
Blink-182 90s Punk Rock – Credit: Getty Images
Though more pop-oriented, Blink-182 became one of the most successful faces of 90s punk rock. Their 1997 album Dude Ranch and its hit single “Dammit” gave them mainstream attention.
Their blend of humor, energy, and catchy melodies set them apart. Mark Hoppus, Tom DeLonge, and Travis Barker delivered fast riffs and youthful lyrics that captured the spirit of the decade.
By the end of the 90s, they had carved out a massive fan base. Their mix of fun and relatability influenced the pop-punk explosion that followed in the early 2000s.
While critics debated their punk authenticity, their impact is undeniable. Blink-182 helped introduce countless fans to the genre and carried its playful side to new heights.
The Bottom Line
The 90s punk rock era reshaped music forever. It brought underground energy into the mainstream while keeping its rebellious heart alive. Bands like Green Day, The Offspring, and Blink-182 reached massive audiences, while groups such as Rancid, NOFX, and Bad Religion kept punk grounded in authenticity.
This decade wasn’t just about music—it was about culture. The DIY spirit, political messages, and raw energy defined a generation. These bands gave voice to the misfits, the dreamers, and those who refused to conform.
Today, their influence remains everywhere. Modern punk, pop-punk, and alternative acts still draw from their legacy. The soundtracks of rebellion they created continue to inspire new artists and fans.
In the end, these 7 bands proved that 90s punk rock was more than a genre—it was a movement that still echoes across stages and playlists worldwide.
Ten years of razor-sharp riffs! Ten years of ferocious speed! Germany’s VULTURE are celebrating their first decade of destruction with a brand-new digital single fittingly titled, “Power Thrash!”
Since their formation in 2015, the high-speed powerhouse has carved its name into the skull of the world’s metal scene. Drawing from the raw aggression of thrash metal’s earliest days, the melodic hymns of the NWOBHM and the spirit of ’70s and ’80s horror and suspense, VULTURE‘s sound is as dangerous as unmistakable. Scorching twin-leads, thundering drums, ear-piercing screams, and a relentless dedication to their craft have made them one of the most exciting and authentic acts in the genre today.
Photo by Lea Heindl
From their infamous debut Victim To The Blade (2016) and its follow up The Guillotine (2017), to the genre-bending Ghastly Waves & Battered Graves (2019), it’s critically acclaimed successor Dealin’ Death (2021), and VULTURE‘s latest full-length Sentinels (2024), VULTURE proves that they’re alive, thrilling, and constantly evolving.
Now, with “Power Thrash,” the band distills a decade of intensity into a short, sharp raid: A celebration of the genre they helped revive and a nod to the roots that shaped them. Fast, fierce and over the top, this track is pure VULTURE – authentic metal made for the diehards. Watch out: The Blade Is Back!
The band comments, “After ten years of VULTURE including eight years under the sign of the Metal Blade, it felt more than necessary to herald the next decade with a proper celebration. Because ‘Power Thrash’ is just that: A celebration to the genre and to the essence of what is VULTURE. Throughout all these years, we’ve constantly tried to evolve, to reshape our sound while remaining deeply rooted in our aesthetics. ‘Power Thrash’ feels like the next step to an even more powerful and deadlier VULTURE than before. Straight to the point, brutal and faster than light!“
VULTURE w/ Hellbutcher, Void:
10/07/2025 DVG Club – Kortrijk, BE
10/08/2025 Turock – Essen, DE
10/09/2025 Lido – Berlin, DE
10/10/2025 Club Pushkin – Dresden, DE
10/11/2025 Thrash Nightmare – Pisek, CZ
10/12/2025 Smer Klub 77 – Zilina, SK
“A band by metal lovers for metal lovers!” – Manuel Stein, Fuze Magazine
“There are not too many bands that can touch Germany’s VULTURE when it comes to furious speed and thrash metal! They learned from the best: Exciter, Nasty Savage, and Razor come to mind. Mix this with some classic Judas Priest and you’ll get the picture. Great band!” – Götz Kühnemund, Editor-In-Chief Deaf Forever Magazine
“Thrashy speed in the style of early Razor, Exciter, or Agent Steel meets the work of European steel pioneers such as Judas Priest and Accept. VULTURE have taken the scene by storm with their intoxicating blend. Even after ten years, the German maniacs still sound as hungry as on the first day.” – Ludwig Krammer, Rock Hard Germany
“Ten years of VULTURE, ten years of fast thrash metal at its very best. From the heart of the Ruhr area to the world. If you like the very early Helloween or Living Death, you can’t get past this band.” – Marc Halupczok, Metal Hammer Germany
VULTURE:
L. Steeler – vocals
S. Castevet – guitars
M. Outlaw – guitars
A. Axetinctör – bass
G. Deceiver – drums
Bear Jr brings a glowing example of how nostalgia and modern edge can collide in the best way possible on the new song “Better Man”.
The track fuses 80’s-inspired synthpop textures with driving rock energy, creating a sound that feels both timeless and refreshing. From the moment it kicks in, the synth melodies wrap around you that make you dream, while the guitar riffs and drums push with an urgent power that demands attention.
Bear Jr’s vocals shine as the centerpiece being, commanding, and full of conviction as he brings out lyrics about growth and self-discovery. It’s the kind of performance that feels personal yet universally relatable, making the listener reflect on their own journey toward becoming a “better man.” The song’s mix of retro flair and modern production makes it perfect bringing bold and heartfelt anthem from start to finish.
Check out Bear Jr “Better Man” below. Stay Global my Friends!
01. Dark Inertia
02. Lilac
03. Take My Life
04. Unquiet Graves
05. Oubliette
06. Iron Teeth
07. Exquisite Corpse
08. Savage Scourge
09. In Duress
10. Wretched Heart
Australia’s music scene has always punched far above its weight. This is especially true for its vibrant and often confrontational punk rock history. The story of Australian punk bands is one of raw energy, DIY spirit, and a defiant attitude that echoed from Sydney’s beaches to Melbourne’s laneways. While the world looked to London and New York in the late 1970s, a revolution was brewing Down Under. These bands crafted a uniquely Antipodean sound, often blending surf rock, sharp social commentary, and pure, unadulterated fury.
Furthermore, the legacy of these foundational groups paved the way for successive waves of artists. These new acts carried the torch onto the international stage. From the pioneering saints of the 70s to the global icons of the 90s and the vital voices of today, this list celebrates the essential Australian punk bands you need in your life. Therefore, prepare to discover a rich musical tradition built on three chords, a strong opinion, and an undeniable passion. This journey will showcase the relentless spirit that defines Australian punk.
1. The Saints
When discussing the origins of punk rock, most histories focus on the CBGBs and The Sex Pistols. However, halfway across the world, The Saints were brewing a revolution of their own in Brisbane. Incredibly, they independently released their classic single “(I’m) Stranded” in 1976. This was before the iconic British punk bands had even released their first records. The song’s frantic pace, snarling vocals, and raw production quality made it an instant classic. Consequently, the band earned a reputation as one of the planet’s first punk acts.
Their 1977 debut album, also titled (I’m) Stranded, is a landmark release. It captured a ferocious energy that was entirely their own. Tracks like “Erotic Neurotic” and the title track are pure, unrefined punk anthems. Unlike some of their contemporaries, The Saints blended this intensity with the rock and roll swagger of bands like The Rolling Stones. This unique combination set them apart from the very beginning. They proved that Australian punk bands could not only compete with international acts but could also lead the charge.
2. Radio Birdman
Formed in Sydney in 1974, Radio Birdman was another foundational pillar of the Australian punk scene. Their sound was a unique and powerful fusion of high-energy Detroit rock (think MC5 and The Stooges) and surf guitar licks. This created a distinctive, fuel-injected style that was entirely their own. They were instrumental in creating a dedicated community, even establishing their own venue, the Oxford Funhouse. This space became the epicenter for Sydney’s burgeoning punk and alternative scene.
The band’s seminal album, Radios Appear, is an essential listen. Tracks like “Aloha Steve & Danno” and “Descent into the Maelstrom” are relentless, driving, and technically proficient. Radio Birdman’s influence cannot be overstated. They inspired countless musicians with their intense live performances and uncompromising vision. Alongside The Saints, they demonstrated the diversity and power of the early Australian punk bands movement. Their legacy continues to resonate with fans of high-energy rock and roll worldwide.
3. The Hard-Ons
Emerging from the western suburbs of Sydney in the early 1980s, The Hard-Ons became legendary for their chaotic live shows and infectious blend of punk music, pop, and metal. As a multicultural band with members of Croatian and Korean heritage, they broke barriers in a predominantly white scene. They are arguably one of Australia’s most successful independent bands ever. They achieved massive chart success entirely on their own terms, without major label support.
Their sound is a joyous, raucous explosion. Hits like “Girl In the Sweater” and “Where Did She Come From?” feature buzzsaw guitars, catchy melodies, and an undeniable sense of fun. The band’s prolific output and DIY ethos, releasing records through their own label, made them icons. The Hard-Ons proved that Australian punk bands could achieve widespread popularity while maintaining complete creative control and their underground credibility.
4. Cosmic Psychos
If there is one band that embodies the sheer, unpretentious, beer-swilling spirit of a certain strand of Australian culture, it is the Cosmic Psychos. Hailing from Melbourne’s outer suburbs, this trio has been delivering their signature “bogan punk” since the mid-80s. Their music is simple, loud, and brutally effective. It is built on a foundation of fuzzed-out bass lines, pounding drums, and lyrics about trucks, beer, and frustration.
The band’s influence is immense. American grunge icons like Mudhoney have cited them as a major inspiration. Albums like Blokes You Can Trust and Self Totalled are masterclasses in minimalist rock and roll. Anthems like “Dead in a Ditch” and “Nice Day to Go to the Pub” are timeless classics. The Cosmic Psychos represent a uniquely Australian, blue-collar approach to punk. They are a crucial and beloved part of the Australian punk bands tapestry.
5. Frenzal Rhomb
For over three decades, Frenzal Rhomb have been the undisputed masters of fast, technically proficient, and hilariously witty punk rock. Known for their blistering speed and clever, often satirical lyrics, they are a national treasure. Songs like “You Can’t Move Into My House” and “Punch in the Face” showcase their ability to tackle absurd topics with incredible musical skill. Their live shows are legendary for their energy and between-song banter.
Despite numerous line-up changes, the band has maintained a consistently high standard. Albums like A Man’s Not a Camel and Smoko at the Pet Food Factory are packed with catchy, intelligent punk anthems. Frenzal Rhomb successfully bridged the gap between underground punk and mainstream recognition. They appeared on national television and radio without ever diluting their sound or message. They remain a vital force in the world of Australian punk bands.
6. Bodyjar
Originally formed as Helmet in the early 90s, Bodyjar became the premier name in Australian pop-punk. Their sound is characterized by soaring melodies, crisp production, and an undeniable connection to skate culture. They were the soundtrack for a generation of Australian teens. Their breakthrough album, No Touch Red, and its follow-up, How It Works, are packed with infectious, high-energy anthems.
Tracks like “Not the Same” and “Fall to the Ground” achieved significant airplay. They even had their music featured in the Tony Hawk’s Pro Skater video game series. This introduced them to a global audience. Bodyjar demonstrated that Australian punk bands could craft perfect, radio-friendly punk songs without sacrificing their integrity or edge. They continue to be a beloved and influential act in the genre.
7. The Living End
The Living End exploded onto the scene in the late 1990s with a unique and explosive sound. They fused punk rock energy with 1950s rockabilly and psychobilly influences. Their signature instrument was the upright double bass, played with a punk rock ferocity by Scott Owen. This, combined with Chris Cheney’s virtuosic guitar work, created a style that was instantly recognizable. Their 1998 self-titled debut album is one of the highest-selling Australian rock debuts of all time.
It features the iconic double A-side single “Prisoner of Society” / “Second Solution.” This song became a national anthem for disaffected youth. The band’s success proved that Australian punk bands could innovate and achieve massive commercial success by blending genres. Over their long career, they have continued to evolve while always retaining the powerful energy that first made them stars.
8. Amyl and The Sniffers
In recent years, no band has revitalized the Australian punk scene quite like Amyl and The Sniffers. Their arrival felt like a lightning bolt. They delivered a raw, raucous, and unapologetic take on pub rock and 70s-style punk. Frontwoman Amy Taylor is a force of nature, a captivating and explosive performer who commands every stage. Their self-titled 2019 album, Amyl and The Sniffers, won the ARIA Award for Best Rock Album. It brought them international acclaim.
Songs like “Hertz” and “Some Mutts (Can’t Be Muzzled)” are pure, adrenaline-fueled anthems. The band’s success has shone a global spotlight on the contemporary wave of Australian punk bands. They have inspired a new generation of musicians. Amyl and The Sniffers embody the same rebellious, DIY spirit that fueled the pioneers of the 1970s. They are the undeniable modern champions of the scene.
More Essential Australian Punk Bands
The depth of talent in the Australian punk scene is incredible. Beyond the bands already featured, several other acts are absolutely essential listening.
X: Formed in 1977, X is one of Australia’s most critically acclaimed punk bands. Their poetic lyrics and innovative sound, blending punk with rock and blues, make albums like X-Aspirations timeless classics.
The Chats: Hailing from the Sunshine Coast, The Chats burst onto the scene with their viral hit “Smoko.” They embody a new wave of DIY, oi-influenced punk. Their music is a hilarious and gritty portrayal of Australian life.
C.O.F.F.I.N.: Standing for Children Of Finland Fighting In Norway, this Sydney band delivers a blistering mix of punk, hard rock, and pure chaos. Their live shows are renowned for their intensity and wild energy.
The Bottom Line
The legacy of Australian punk bands is a powerful and enduring one. It is a story of innovation born from isolation and global influence achieved through sheer determination. From the groundbreaking sounds of The Saints and Radio Birdman to the global success of The Living End and the modern fury of Amyl and The Sniffers, these artists have consistently delivered music with passion, intelligence, and raw power. They have created a unique sonic identity that resonates with audiences worldwide.
Exploring these 8 bands provides only a glimpse into a incredibly rich and diverse ecosystem. The scene continues to thrive today with countless new artists pushing the boundaries of the genre. Therefore, this list is not an endpoint but a starting point for a deeper musical discovery. Dive into the albums, feel the energy of the live recordings, and support the ongoing journey of these incredible artists.
REVOCATION is pleased to unleash a video for “Dystopian Vermin,” the latest single from their savage new full-length New Gods, New Masters. The video comes on the day of the record’s official release, Friday, September 26th via Metal Blade Records.
On New Gods, New Masters, REVOCATION conjures nine potent and portentous songs of brutal lyrical and musical significance. Elaborates founding vocalist/guitarist Dave Davidson on “Dystopian Vermin.” “This one’s for the headbangers. It’s got a lot of driving momentum that morphs into some of the heaviest parts on the whole album. The video for this track was once again filmed by the MyGoodEye team who did an excellent job as always. I think they really captured the energy of this song and the location/set that they came up with perfectly fit the mood. I can’t wait to play this song live on our upcoming tour, I think it’s sure to get the circle pit churning.”
Watch the band’s previously released video for “Cronenberged” HERE and their lyric video for “Sarcophagi Of The Soul” HERE.
Additionally, the band will host a special live stream of New Gods, New Masters on YouTube TODAY at 4:00pm ET / 1:00pm PT where fans can chat live with Dave Davidson. Don’t miss it! Visit the Metal Blade Youtube channel HERE.
“‘Cronenberged’ mashes out swanky, slappy bass rhythms, virulent velocity, and wrist-grinding triplet chugging, while vocalist-guitarist Dave Davidson also injects some seriously shreddy guitar moments.” — Revolver on “Cronenberged“
“This feels a little less technical than its predecessors and more concentrated on the power of writing a good riff and a great groove. Longtime REVOCATION fans are sure to find something to love here, but new fans are certainly going to find a solid entry point into the band’s extensive discography here as well.” — Metal Injection
“…the most energetic and fun the band has sounded since 2014′s Deathless… Davidson resembles a Chuck Schuldiner of the Pro Tools era: a charismatic shredder and keen observer of the world around him with a strong point of view…” — Decibel Magazine
“…a truly epic treat for all progressive aficionados who appreciate it heavy and challenging…World class!” — Rock Hard
“…an album that challenges, rewards, and leaves a lasting impact…” — Metal Hammer
“REVOCATION once again prove themselves to be exemplary students, setting standards in tech death metal.” — Fuze
“…a sonically devastating statement that both continues and amplifies some of the nihilistic themes explored on Netherheaven, offering a prescient commentary on technology and humanity.” — The Moshville Times
“…a sublime performance that engrosses the listener wholly and leaves no moment for hope, salvation, nor mercy as we traverse this unforgivingly dark world.” — Headbanger Reviews
New Gods, New Masters was produced by Davidson and mixed and mastered by Jens Bogren (The Haunted, Spiritbox) with artwork by Paolo Girardi (Bell Witch, Mother Of Graves, Black Breath, Cryptopsy). The record includes guest appearances by Jonny Davy of Job For A Cowboy, Travis Ryan of Cattle Decapitation, Luc Lemay of Gorguts, and jazz guitarist Gilad Hekselman.
Following the release of New Gods, New Masters, REVOCATION will kick off a month-long North American headlining tour. The journey begins on October 16th in Leesburg, Virginia and runs through November 15th in Raleigh, North Carolina. Support will be provided by Judiciary, Inferi, and Vomit Forth (on select dates).
REVOCATION w/ Judiciary, Inferi, Vomit Forth:
10/16/2025 Tally Ho – Leesburg, VA
10/17/2025 Brooklyn Monarch – New York, NY
10/18/2025 Brighton Music Hall – Boston, MA
10/19/2025 Foufones – Montreal, QC
10/20/2025 Lee’s Palace – Toronto, ON
10/21/2025 Sanctuary – Detroit, MI
10/22/2025 Reggies – Chicago, IL *
10/24/2025 HQ – Denver, CO
10/25/2025 Ace’s High – Salt Lake City, UT
10/26/2025 The Shredder – Boise, ID
10/27/2025 El Corazon – Seattle, WA
10/28/2025 Rickshaw – Vancouver, BC
10/29/2025 Dante’s – Portland, OR
10/31/2025 Neck Of The Woods – San Francisco, CA
11/01/2025 Echoplex – Los Angeles, CA
11/02/2025 Brick By Brick – San Diego, CA
11/04/2025 Rosetta Room – Mesa, AZ
11/05/2025 Launchpad – Albuquerque, NM *
11/07/2025 RBC – Dallas, TX *
11/08/2025 Come And Take It Live – Austin, TX
11/09/2025 Scout Bar – Houston, TX *
11/11/2025 Orpheum – Tampa, FL
11/12/2025 Respectable Street – West Palm Beach, FL
11/13/2025 Conduit – Orlando FL
11/14/2025 The Radio Room – Greenville, SC
11/15/2025 Chapel Of Bones – Raleigh, NC *No Vomit Forth
More on REVOCATION: REVOCATION debuted with 2008′s Empire Of The Obscene and subsequently released seven critically acclaimed albums and toured over 25 countries, bringing their technically charged, high-energy extreme metal to North America, Europe, and Asia-Pacific. New Gods, New Masters follows up 2022′s critically-adored Netherheaven, where Davidson’s lyrics took hard looks at Catholicism, hypocrisy, politics, the occult and demonic symbolism.
That album set a high bar, but an even sharper musical and lyrical focus was achieved on New Gods, New Masters. The Boston-bred Davidson credits newest members Harry Lannon (rhythm guitar and backing vocals since 2023) and bassist Alex Weber with renewed energy and intensity both in the studio and onstage.
Titling the album New Gods, New Masters reflects Davidson’s belief about humans’ need to worship various gods. “It seems as if that desire is encoded in our DNA. As science and our understanding of nature and the universe as a whole increases, the religions of the old gods start to become obsolete,” he says. “However, I believe we’ve replaced our old gods with new ones, worshipping technology and creating a cult-like idolatry of innovators. I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.”
“I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity,” he continues, “whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.”
The theme is deftly captured in the album artwork by Paolo Girardi. “He did an incredible job of bringing the lyrical themes of a bleak techno-nightmare to life,” Davidson says. “The ‘New God’ being birthed from the abyss of teeth and wires was even better than what I envisioned. I absolutely love the color palette he used. He even included some easter eggs from our first demo and first full-length album cover, which adds even more depth and meaning to the artwork for me.”
REVOCATION creates extreme music for extreme times.
REVOCATION:
Dave Davidson – vocals, guitar
Ash Pearson – drums
Harry Lannon – rhythm guitar
Alex Weber – bass
Italian doom metal outfit MESSA are pleased to unveil their new video for “Reveal.” The track comes off the band’s critically-adored new full-length, The Spin, released in April via Metal Blade Records.
Based in the band’s eclectic, self-defined “scarlet doom” sound, The Spin rises, falls, broods, bites, comforts, and destroys, all the while resounding with both instinctive magic and obsessive, concerted hard work. After lighting up the underground with a triptych of increasingly distinctive and wondrous records – 2016′s Belfry, 2018′s Feast For Water, and 2022′s Close – with The Spin, MESSA is audibly equipped for the proverbial big leagues.
Photo by Nicola Pianalto
Decibel Magazine championed, “… a sweeping statement that draws equally from doom and goth rock, with hefty doses of classic heavy metal and jazz thrown in.” Deaf Forever concurred, lauding the band’s, “…strongest album to date,” that, “definitively establishes MESSA as one of the most exciting and creative bands of the modern era.” Gushed New Noise Magazine, “…though all of their output makes for easy recommendations, it’s The Spin that finally shoulders MESSA out of the niche, best-kept-secret parameters they’ve been snagged in and onwards towards the oh, so elite, ‘many are called but few are chosen’ province of unequivocal, rock n’ roll preeminence. This is analogous to Soundgarden’s flight path from Badmotorfinger to Superunknown.” Added Metal Hammer Germany, “Anyone who appreciates the free-spirited combination of an exceptional voice with plenty of quiet moments and some blaring riffs will find MESSA to be the perfect band.”
Comments the band on their “Reveal” video, “The main riff in ‘Reveal’ manifested itself spontaneously. Our guitar player Alberto dreamed of it one night. He suddenly woke up at 4:00am and recorded it with his phone so he wouldn’t forget it. It was the most immediate song to write out of all those we wrote for The Spin and it features two key elements: the typical, ‘blues’ use of slide guitar and the ‘metal’ element of the blastbeats.
This video was entirely shot with analog equipment in a tire warehouse in our hometown. We chose the lo-fi aesthetic on purpose, using the dynamism of strobe and neon lights. We tried to make it as spontaneous as the songwriting process for the track.”
Watch MESSA‘s previously released video for “At Races” HERE, “The Dress” HERE, and “Fire On The Roof” HERE.
The Spin was partly recorded, produced, mixed, and mastered by Maurizio “Icio” Baggio and includes synth work by Andrea Mantione (Nuovo Testamento) on “Fire On The Roof” and cover art by Nico Vascellari (Uroboro, 2023. Nero Portoro marble, tire. 57 x 57 x 10 cm).
The record is available now on CD, vinyl, and digital formats at: metalblade.com/messa
Next month, MESSA will serve as direct support to Paradise Lost on a month-long European trek. The Ascension Of Europe Tour 2025 begins on October 9th in Manchester, United Kingdom and runs through November 6th in Antwerp, Belgium. Additional support will be provided by Lacrimas Profundere and High Parasite on select shows. See all confirmed dates below.
MESSA w/ Paradise Lost, High Parasite:
10/09/2025 New Century Hall – Manchester, UK
10/10/2025 KK’s Steel Mill – Wolverhampton, UK
10/11/2025 University – Newcastle, UK
10/12/2025 Garage – Glasgow, UK
10/14/2025 Rescue Rooms – Nottingham, UK
10/15/2025 SWX – Bristol, UK
10/16/2025 The 1865 – Southampton, UK
10/17/2025 Islington Assembly Hall – London, UK
10/19/2025 Tyrant Fest – Lille, FR ** w/ Paradise Lost, Lacrimas Profundere:
10/20/2025 Elysée Montmartre – Paris, FR
10/21/2025 La Rayonne – Lyon, FR
10/23/2025 Live Music Hall – Cologne, DE
10/24/2025 Rockhal – Luxembourg, LU **
10/25/2025 Conrad Sohm – Dornbirn, AT
10/26/2025 Hall – Padova, IT **
10/28/2025 Backstage Werk – Munich, DE
10/29/2025 Palac Akropolis – Prague, CZ
10/30/2025 Boogaloo – Zagreb, HR
10/31/2025 SiMM City – Vienna, AT
11/01/2025 Durer Kert – Budapest, HU
11/03/2025 PTR/L’Usine – Geneva, CH **
11/04/2025 Z-Bau – Nürnberg, DE
11/05/2025 Pandora – Utrecht, NL
11/06/2025 Trix Hall – Antwerp, BE ** Paradise Lost, MESSA only
More on MESSA: MESSA‘s signature sound absorbs influences from jazz and blues, punk and prog, and black metal and dark ambient, but their restless experimentalism has extraordinarily smooth and assured results. The Spin incorporates another new element, interpolating an ’80s goth rock vibe in typically full-blooded fashion. “We don’t like to repeat ourselves and we constantly try to find a new language to express while keeping our identity,” stresses the band. “This time we delved into the decade of the 1980s. We are not part of the ‘dark scene’ in any way. The influence for this record looks back to the early goth rock/dark wave rather than the later emanations of the genre.” In addition to Sisters Of Mercy and Virgin Prunes, the band cites records by Killing Joke, Mercyful Fate, Jimmy Page, Journey, The Sound, Boy Harsher, and Vangelis as impacting significantly upon the creation of The Spin.
Something that seems to get both easier and harder at the same time are Sara’s remarkable vocals. With greater experience of stage and studio, her beguiling pipes continue getting stronger and more versatile; so the singing here is more assertive and confident, but the singer’s concerted push to new heights comes somewhat at the expense of a healthy mental equilibrium. “For this record I gave up parts of my own sanity,” reveals Sara. “I wore myself in so many different ways… You can’t lie when you’re singing. My aim was to record my parts in the most honest way possible. Mix-wise, the vocals are more on the spotlight, in true ’80s fashion. The lyrics touch on multiple topics throughout the record; destroying one’s ego, impossible cursed love, giving up on yourself, others’ expectations, self-sabotage, resurrection. While we were touring the US I reread some books by Cormac McCarthy. It was crucial to pave the way I wanted to express myself. I think the lyrics this time are more ‘straight in your face.’ I used metaphors like I always did, but I wanted to get more verbally naked and raw. I never spoke so clearly in our previous records about insecurity, misery, uneasiness, anguish and distress.”
MESSA:
Sara – vocals
Marco – guitars/bass
Alberto – guitars
Rocco – drums
Glancing out my window as I write this, I am blinded by an ocean of orange and red hues that catapult my brain into a time when these colors first made their impression on me long ago. As far back as my tortured brain can recall, Autumn has always been my most favored season. It has a beauty and charm all its own, and such sights, scents, and serenity can never be matched by any other time of the year. I can almost reach out the window with my soul and grasp the very aura that lingers amongst the haunted charm in the air, and use its very essence as therapy for whatever should pain me. This is a feeling rooted in awe, but humbled by tranquility. It’s a vibe just as much as it is a physical sensation, with the cold air breaking through your very clothing, bathing your skin in a frigid yet warm embrace. I don’t care to understand the hows and whys of this transcendent experience, but I often look back with reflection on the memories that built up over the years to construct such a massive wave of comfort whenever this time comes around.
One of those very memories that often takes center stage is the feeling of walking through the streets with leaves crushing beneath my feet. Often a walk home from the bus stop after a long day at school, or even a visit to my friend’s house up the road. Whatever the reason, those leaves were always there to guide my steps like an excited pet eager to chomp at my shoes wherever I walked. Throughout this walk I would pass massive trees surrounding the neighborhood, filled with all the color you’d expect this time of year. Yellow would often stand out amongst the rust, as if it was showing off to all its companions for how vibrant it became above all else. Even the pond nearby would glisten like glass with reflections of the earth I came to love. A mirror to extend this ethereal radiance far into the landscapes beyond my eye’s reach.
Halloween, of course, was another gift from the season, with a chance to express my undying love for all things horror related in a way that any other day of the year would offend. This was a day where everyone embraced their own inner monster, which made me feel more at peace. Having loved horror movies so much, it was nice to feel that extension of creepy camaraderie everywhere I went. Whether it was a simple trip to the store where cobwebs would carry across the entryway, or even my dentist’s office, where the receptionist would be decked out from head to toe in some elaborate costume. All these little details added to the greater experience of the day, which would eventually turn to night, and the real magic would begin.
My parents would go into their signature creative mode once it came time to express their spooky side, decorating the house from head to toe in everything from giant wooden witches hanging off the roof, to dead trees and fog machines lining the pathway to the front door. All in an effort to give people the best experience they could fathom at this time in this moment. A time when our family, friends, neighbors, and strangers all rejoiced in all that is spooky. Could it have gotten any better being a kid during this unfathomable time? Well, capping it off with candy certainly helped. Traversing the area from house to house, witnessing all the sights and sounds this night had to offer. It was all just an abundance of extraordinary magic that was the closest I’d ever come to experiencing anything truly supernatural.
Years go by, and unlike most memories that tend to fade, these memories only grow stronger. For it is not my body that craves it much like it craves food or water, it’s the very fiber of my being that pines for these memories. Strip away the body, the blood, the bones, and we are all but unique entities tied together via a string of inexplicable occurrences. We spend our days getting happy, sad, angry, energetic, tired, and bored. All that fuels us is our experiences throughout our time here, and those experiences are only as good as the memories that give them strength. Our best ability is the one that allows us to choose our own path, and choose what memories we give strength to. Not the ones that bring us pain and sadness, but the ones that bring us joy and peace.
That’s precisely why whenever this time of year comes, I light incense, I decorate the house, and I glance out the window while sharing these thoughts. It not only brings me peace, but it strengthens my resilience to resist the doom that tries to plague all of our shadowed reflections on life. It’s reminded me year after year that sometimes the biggest problems can often be solved by the smallest solutions. After all, what chance does a world of sorrow stand against even the ghost of a happy memory?
