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  • Complete List Of Alicia Keys Songs From A to Z

    Alicia Keys Songs

    Alicia Keys arrived at the beginning of the 2000s with a sound that joined classical piano training, soul, R&B, hip-hop, gospel, and pop without losing the intimacy of a singer sitting at the keyboard. Born Alicia Augello Cook in New York City, she began playing piano as a child and was writing songs while still young. After an early record deal with Columbia, she moved to J Records, where her debut album, Songs in A Minor, became one of the defining R&B debuts of its era. That first album introduced songs such as “Fallin’,” “A Woman’s Worth,” and “How Come

    The post Complete List Of Alicia Keys Songs From A to Z appeared first on ClassicRockHistory.com.

  • What Songs Were Left Out of Sammy Hagar’s Van Halen-Themed Shows?

    After more than two years, he's bringing his Best of All Worlds tour to an end. Continue reading…
  • Tegan And Sara – “Our Year” (Fear. Lights & Felix Cartal)

    It has been almost exactly four years since Tegan And Sara released Crybaby, their most recent album. The widely beloved twin sisters have been plenty busy since then — collaborating with artists like Alex Lahey and Ryan Hemsworth, popping up on The Simpsons, and telling the story of Tegan Quin getting her identity stolen in the Hulu documentary Fanatical: The Catfishing Of Tegan And Sara. Now, they’re back with a summery synthpop posse cut.

    The post Tegan And Sara – “Our Year” (Fear. Lights & Felix Cartal) appeared first on Stereogum.

  • Thundermother – To Release ‘ Mothers Of Thunder’ LP Early 2027

    Hard rockers Thundermother will be releasing their next long player, Mothers Of Thunder, on February 5th 2027 via Napalm Records. The 12-piece music output was produced, recorded, mixed and mastered by Soren Andersen at Medley Studios. To taste a first piece of the new material, give a listen to the “Bimbo Boost” single.
    Read more…
  • Devin Townsend to release standalone version of ‘The Moth (The War-Live)’

    Devin Townsend to release standalone version of ‘The Moth (The War-Live)’


    DevinTownsend_TheMoth_TheWar_Live (1).jpeg

     

    Video of the track “Lexin (Live in Groningen)” is out now!

     

    Canadian metal maverick Devin Townsend released his long-awaited, ambitious, orchestral-metal opus ‘The Moth’, earlier this year in May. Now, Devin is pleased to announce a new stand-alone live version of the album, titled ‘The Moth (The War-Live in Groningen), from the live premiere of this magnificent work in March 2025. Now available as CD & Blu-ray edition, as well as digital audio, it will be released on 6th November 2026 (InsideOutMusic).

    You can watch the live performance of “Lexin (Live in Groningen)” now here:

    https://youtu.be/UxZWh7lGBoc

    An album over a decade in the making, it existed in the back of Devin Townsend’s mind as his “life’s work”. Then, about six years ago, after an acoustic show in Amsterdam, Townsend was approached by the head of the North Netherlands’ Orchestra and Choir with an offer; and with that moment The Moth stopped being an idea and began to become a reality. Featuring the full orchestra and choir conducted by Jukka Isakilla, principal conductor of the Metropole Orchestra and long-time collaborator with mutual friend Steve Vai, on the 27th & 28th March 2025, The Moth was premiered live in its entirety. It is this performance documented on ‘The Moth (The War – Live in Groningen). Originally included as part of the deluxe artbook edition, this is now available as a standalone CD & Blu-ray Digipak version. Pre-order now here: https://dvn.lnk.to/TheMothLive

    If The Moth has a central gravitational theme, Townsend names it plainly: true self-acceptance. Something sturdier than slogans, closer to a practiced willingness to face what is uncomfortable without turning away. As Devin explains: “The most obvious metaphor for change within the concept of this project was a moth: from caterpillar to an entirely different creature—one so drawn to the light that it burns itself away. What remains is immutable—only the spirit.”

    At the hardest moments, when abandoning the project might have seemed rational, Townsend points to the team as the decisive factor. A host of incredible musicians and contributors participated throughout the course of this process, as well as the North Netherlands Orchestra & Choir and orchestrators Joseph Stevenson & Niels Bye Nielsen. Long time band members, that are well established names in their own right; Darby Todd (drums), Mike Keneally (guitars/keys) and James Leach (bass) all played a huge part in this performance, as well as vocal guests Anneke van Giersbergen and Lynn Wu (Ou). Even Steve Vai is credited with co-writing the delicate ‘Intermission’. Devin himself freely pays tribute to the substantial team that helped him land this behemoth of a plane at this special, and so far singular, performance from Groningen. 

    Devin is currently in the middle of the Metamorphosis tour across Europe. Find the full list of remaining dates here: https://hevydevy.com/tour-dates/

    DEVIN TOWNSEND online:

    http://www.hevydevy.com

    http://www.facebook.com/dvntownsend

    http://www.omerch.com

    https://www.patreon.com/cw/DevinTownsend

    https://twitter.com/dvntownsend

    https://www.instagram.com/dvntownsend/

    www.tiktok.com/@dvntownsend

    https://www.youtube.com/user/poopynuggeteer/featured

    http://twitch.tv/devin_townsend

     

    INSIDEOUTMUSIC online:

    www.insideoutmusic.com

    www.youtube.com/InsideOutMusicTV

    www.facebook.com/InsideOutMusic

    www.twitter.com/insideouteu

  • See Asia’s Video for New Song ‘Arcadia’

    Second track from upcoming album ‘Indigo’ has strong links to the supergroup’s past. Continue reading…
  • Knocked Loose Drops Massive Donation After Freak Festival Horror Leaves Fan Paralyzed

    knocked-loose-gofundme

    Knocked Loose have donated $8,000 to Jamie Ulshoffer, the woman who was paralyzed from the waist down during the band’s Louder Than Life set in Louisville last weekend. She was standing at the back right corner of the tented stage with her husband when a man climbed one of four trees behind the tent and fell onto her, severing her spinal cord.

    The band are now the single largest contributor to her GoFundMe by a wide margin. They have not posted about it, issued a statement, or told anybody they did it — it was found because their name is on a public fundraising page. Police have said there will be no criminal investigation, and the festival has declined to comment on the incident.

    🎧 STREAM THE METAL BREAKDOWN DAILY NOW:

    Scott Penfold leads today’s Metal Breakdown Daily with this one — what happened behind that tent, why no charges are coming, and the question nobody in the industry wants to answer about who actually ends up paying when something like this happens. Plus Jamey Jasta on the single sentence James Hetfield gave him that got him sober, and Ill Niño heading to court against their former guitarist. Download the free Loaded Radio App on Apple iOS and Google Play and stream the show now.

    What Happened Behind The Tent

    There are four trees behind the tented stage at Louder Than Life. Anyone who has been to that festival has walked past them a hundred times without registering them.

    Jamie Ulshoffer and her husband Conor were at the back right corner of that tent watching Knocked Loose. Somebody climbed one of those trees, presumably to get a view over the crowd. He fell.

    Conor’s account of it, given to press this week, is short and it is the worst thing you will read today: ‘We were actually at the backside of the tent and there’s four trees in the back… We were on the back right corner. I turn around and see her on her back… Then everyone said some dude fell out of a tree.’

    She was taken to hospital. Her spinal cord was severed. She is paralyzed from the waist down.

    From her bed in intensive care, Jamie said this: ‘I can’t feel my feet. Can’t do anything that I used to.’

    That is the whole story and there is no version of it that makes sense. She was standing still, watching a band, doing nothing wrong, at the back of a tent. The man who fell has not been publicly identified.

    🤘 LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7

    Knocked Loose Gave $8,000 And Said Nothing

    Here is the part I did not expect.

    Knocked Loose donated $8,000 to her fundraiser. As of yesterday that GoFundMe sat at roughly $28,000 against a $40,000 goal, and the band’s contribution is the largest single line on it by a distance — it is not a gesture, it is close to a third of everything raised.

    And there is no announcement. No Instagram post. No statement to the press. No story on the band’s page. Nobody from that band has said one word about it publicly. It surfaced because the donation is visible on a public page with their name attached to it.

    I want to be blunt about why that matters, because I have watched this industry for a long time and I know exactly how this normally goes. A band in that position issues a statement. There is a graphic with a link. There is a line about family and community. Sometimes it is sincere and sometimes it is reputation management, and from the outside you frequently cannot tell the difference.

    Knocked Loose did the thing and skipped the part where they get credit for it. That is rarer than it should be.

    Louisville is their hometown. Louder Than Life is their hometown festival. She was at their set. They had no idea any of it was happening while it happened, they had no part in causing it, and nobody has suggested for a second that they did.

    knockedlooseband2024

    No Criminal Investigation, And No Comment From The Festival

    Police have said there will be no criminal investigation into what happened. Their position is that this is a civil matter.

    The festival’s entire public comment is this: ‘Due to patient privacy, we are unable to comment on or provide additional details regarding specific medical incidents.’

    Both of those statements are defensible. Neither of them is any use to Jamie Ulshoffer.

    ‘Civil matter’ means nobody is being charged, and it also means that if she wants anything from anyone she has to sue for it. Suing a private individual who climbed a tree is only worth doing if that individual has assets, and most people who climb trees at festivals do not. Patient privacy is a real legal obligation and it is also an extremely convenient thing to be able to say when the alternative is discussing your site plan.

    I am not accusing Louder Than Life of negligence. I do not know what their fencing looked like, what their site assessment said, or what their duty of care actually extended to, and neither does anybody else writing about this today. Danny Wimmer Presents run a serious operation and that festival has a long safety record.

    But somebody got up a tree at a major festival and stayed up there long enough to fall out of it. Whatever the legal answer is, that is an operational fact, and there will be trees behind that tent again next September unless somebody decides otherwise.

    Who Actually Ends Up Paying

    This is the part that has been sitting with me.

    A woman went to a festival and came home unable to walk. The police are not pursuing it. The festival will not discuss it. The man responsible is unnamed and, in practical terms, probably unreachable. Her medical costs and the rest of her life have to be paid for by somebody.

    So the bill lands where it always lands. On her. On her husband. On strangers on the internet in twenty-dollar increments. And on a hardcore band from Louisville who happened to be on stage and who owed nobody anything.

    Eight thousand dollars is a lot of money for a band at Knocked Loose’s level, whatever their profile looks like from the outside. They are not a stadium act with a foundation and a tax advantage. They wrote a cheque they did not have to write and then said nothing about it.

    Good on them. Every word of that is meant.

    And it should not be the safety net. A band’s conscience is not a system. If the only thing standing between a catastrophically injured festival-goer and a GoFundMe shortfall is whether the act on stage happens to be decent, then something upstream is not working — and that is a conversation for promoters and insurers, not for a band that was three songs into its set.

    How To Help

    The GoFundMe for Jamie Ulshoffer’s recovery and medical costs is live, and it is short of its goal. If you have anything spare, it is a good place to put it.

    TL;DR

    • Knocked Loose donated $8,000 to Jamie Ulshoffer and are the single largest contributor to her fundraiser.
    • She was paralyzed from the waist down at Louder Than Life in Louisville last weekend when a man climbed a tree behind the tented stage and fell onto her, severing her spinal cord.
    • She was standing at the back right corner of the tent with her husband Conor, watching the band’s set.
    • The band made no announcement. No statement, no post — the donation was only visible because the fundraiser is public.
    • Her GoFundMe stood at roughly $28,000 of a $40,000 goal as of yesterday.
    • Police say there will be no criminal investigation and are treating it as a civil matter.
    • The festival’s only comment cites patient privacy.
    • The man who fell has not been publicly identified. Knocked Loose had no involvement in the incident and nobody has suggested otherwise.

    FAQ

    What happened to the woman injured at Louder Than Life?

    Jamie Ulshoffer was watching Knocked Loose at the back right corner of the tented stage when a man who had climbed one of four trees behind the tent fell onto her. Her spinal cord was severed and she is paralyzed from the waist down.

    How much did Knocked Loose donate?

    $8,000. That makes them the single largest contributor to Jamie Ulshoffer’s GoFundMe, which was at roughly $28,000 of a $40,000 goal as of yesterday.

    Did Knocked Loose make a statement about the donation?

    No. The band has not posted about it or issued any statement. The donation became public only because it is visible on the fundraising page.

    Is anyone being charged over the Louder Than Life incident?

    No. Police have said there will be no criminal investigation and are treating the matter as a civil one. The man who fell has not been publicly identified.

    Has Louder Than Life responded?

    The festival’s only public comment is that due to patient privacy it is unable to comment on or provide additional details regarding specific medical incidents.

    Knocked Loose wrote a cheque they didn’t have to write and then didn’t tell anybody. Tell us what you make of that in the comments — and whether festivals need to be doing more about site safety than they are. Follow Loaded Radio for daily rock and metal news.

    The post Knocked Loose Drops Massive Donation After Freak Festival Horror Leaves Fan Paralyzed appeared first on Loaded Radio.

  • Southern Stoner Metal Band CALUS Return With The Evolution of Social Exclusion – Album Out October 2nd

    South Carolina stoner metal veterans CALUS are making their long-anticipated return with The Evolution of Social Exclusion.

    This six-song EP marks CALUS’ first newly recorded work since 2006’s Spiritual Warfare. And the band hasn’t missed a step. At times sludgy, at times trippy and always heavy, The Evolution of Social Exclusion delivers non-stop, bottom-heavy groove, crushing riffs and a hazy Southern swagger.

    CALUS has thus far released two singles off The Evolution of Social Exclusion – “No Curses,” a more aggressive cut that pushes the band’s attack into proggier territory, and the sludge-forward stomper “Perdition Anthem.”

    Stream both now on Spotify.

    The Evolution of Social Exclusion is due out October 2nd on digital and CD formats. Vinyl treatment for the album is coming soon.

    For fans of Black Sabbath, Down, Crowbar, Entombed, Clutch, Alice in Chains, Eyehategod, Lynyrd Skynyrd and Acid Bath. 

    Track listing:

    1. No Curses
    2. Perdition Anthem
    3. Stone Snake
    4. Strange Gods
    5. New World Opus
    6. Under the Banner(of Attrition)

    To mark their re-emergence, CALUS has recently pulled a batch of previously unreleased tunes from their vault. The EP, titled Australis Sacro Modus, is streaming here.

    CALUS:

    Chris Driggers — Bass
    Harold Smith — Drums, Vocals
    Dustin Holliday — Guitars
    Rodney Ervin — Guitars, Vocals
    Jeremy Aiken — Vocals

    Follow CALUS on Facebook

    Source: ClawHammer PR

  • Thundermother announce new album, “Mothers of Thunder”, out February 5, 2027

    Swedish hard rock queens Thundermother are back with their Napalm Records studio debut, “Mothers of Thunder”, out on February 5, 2027. Their seventh album once again proves that the genre’s leading ladies can do everything men could—and maybe even better. Their rock’n’roll vibe comes in with dirty riffs and cheeky lines, the powerful delivery begging for energetic live shows. Thundermother have previously proven to excel at just that: after opening for the legendary Scorpions and Judas Priest, playing at iconic festivals like Wacken Open Air, Summer Breeze, or Sweden Rock, and releasing their first live album, “Live’n’Alive”, in 2026, the four-piece is ready for a new era. “Mothers of Thunder” is high-energy encouragement for women as well as thrilling, head-bopping fun for everyone else.
     
    Along with the announcement, Thundermother turn the genre on its head with the first single, “Bimbo Boost”. Playing the epic riff to Deep Purple’s “Smoke On The Water”backwards, the four-piece addresses the pressure on female artists to always look perfect when going on stage—an expectation that passes by male musicians.
     
    Thundermother about “Bimbo Boost”:
    “It’s damn hard being a woman. We have to do our makeup, straighten our hair, reverse aging, and always look our best. It’s exhausting. We wish we had a magic guitar booster pedal that instantly did all of that for us!
    We love making fun music videos, and this time we went bananas!”

    Watch the Official Music Video for “Bimbo Boost” NOW!

    With their seventh album, Thundermother take a step to become nothing less than rock goddesses. “Mothers of Thunder” is their time to shine, putting genre colleagues in their places with ease. The future belongs to Thundermother!
     
    Thundermother about “Mothers of Thunder:”
    “We know that it’s what every band says when they’re releasing a new album, but this time it’s true. This is the best THUNDER-MOTHER album yet! The songwriting, the playing, and the lyrical themes have reached the next level, and we can’t wait to share Mothers of Thunder with the world!
     
    Mothers of Thunder has killer riffs, groovy grooves, and powerful vocals paired with fun energy and the occasional serious tone. But most importantly, it has Filippa, Joan, Linnéa, and Majsan! Our musicianship gets a real chance to shine, and I think you can hear how much fun we’re having through your speakers.
     
    This album is for you, the old fans, the new fans, and the future fans. Together we will make sure to keep rock’n’roll alive and kicking! We are THUNDER-MOTHER, and this is Mothers of Thunder. Play it loud, sing along, and don’t forget to ROCK!”

    Get Your Copy Of “Mothers of Thunder” NOW!

    The somewhat self-titled opening title track, “Mothers of Thunder”, is an ode to all women as well as an invitation to join Thundermother in their ride. Calling mothers, daughters, and sisters as well as girlfriends and wives, the Swedish band is paving the way with this speedy track for those whom the future belongs to. “Restless” is another emancipatory manifesto: Singer Linnéa Vikström Egg teams up with her father, THERION’s Thomas Vikström, for a daddy-daughter argument turned song—a parent’s concerns on the one side, a child’s longing for freedom on the other, this song is as authentic as can be with real family delivering the vocals. Following, “Time Is Never Wasted (When You’re Wasted All The Time)” gifts “Mothers of Thunder” an instant rock classic, best played at clubs, pubs, or on the road, whereas “Front Row Bangers” goes straight back to the aforementioned live shows. The singalong hymn goes out to their most dedicated fans and the love they pour into the musicians on stage: “We do the show, but you’re the stars” lovingly underlines the importance of their support. Mid-tempo, blues-infused hard rocker “The Wet Blues”, dealing with a certain lust and loneliness, continues Thundermother‘s track record of delivering highly contagious bangers with strong vocal performances, having “Stalker” kick extra hard afterwards. Featuring Wild West vibes, this scarily calm song deals with a harsh reality of being a woman—from the perpetrator’s perspective. “Bimbo Boost” has the quartet return to their genre’s roots, only to turn them on their head: Playing the epic riff to Deep Purple’s “Smoke On The Water”backwards, Thundermother address the pressure on female artists to always look perfect when going on stage—an expectation that passes by male musicians. “Get Up” is another self-empowerment hymn for women, whereas “Perfectly Miserable” is the slower song (not a ballad!) every good rock album needs. The question “Do I Need A Doctor” is easily answered with a song this infectious, and raw “Dirty Word” follows in its footsteps. Closing off the album, “Shake Your Money Maker” adds a certain feel-good summer feeling to “Mothers of Thunder”.

    “Mothers of Thunder” tracklisting:

    1. Mothers of Thunder
    2. Restless
    3. Time Is Never Wasted (When You’re Wasted All The Time)
    4. Front Row Bangers
    5. The Wet Blues
    6. Stalker
    7. Bimbo Boost
    8. Get Up
    9. Perfectly Miserable
    10. Do I Need A Doctor
    11. Dirty Word
    12. Shake Your Money Maker

    “Mothers of Thunder” will be available in the following formats:
    – 1 LP White Label / Test Pressing, incl. LP sized booklet, Covercard, Certificate – strictly limited (Napalm Records exclusive)
    – 1 LP Circle Translucent Yellow / Black, incl. LP sized booklet, Poster (Napalm Records exclusive)
    – 1 LP Marbled Silver / Black, incl. LP sized booklet (Napalm Records exclusive)
    – 1 LP Translucent Green – Vetri, incl. Lyric Sheet
    – 1CD Digipak
    – Digital Album

    Thundermother Live 2026
     
    Festivals
    14.11.26 SE – Vikingline / Rock at Sea
     
    Mothers of Thunder Tour 2027
    w/ Bonafide
    19.02.27 NL – Utrecht / Tivoli Vredenburg
    20.02.27 DE – Cologne / Live Music Hall
    21.02.27 DE – Bochum / Zeche
    23.02.27 DE – Bensheim / Musiktheater Rex
    24.02.27 AT – Salzburg / Rockhouse
    26.02.27 DE – Obertraubling / Airport Eventhall*
    27.02.27 DE – Munich / Backstage
    28.02.27 DE – Memmingen / Kaminwerk
    02.03.27 CH – Zurich / Dynamo
    03.03.27 DE – Aschaffenburg / Colos-Saal
    05.03.27 DE – Stuttgart / Im Wizemann
    06.03.27 DE – Saarbrucken / Garage
    07.02.27 DE – Hanover / Capitol
    *Thundermother only
     
    w/ The Karma Effect
    19.03.27 DE – Hamburg / Große Freiheit 36
    20.03.27 DE – Berlin / Festsaal Kreuzberg
    21.03.27 DE – Nuremberg / Hirsch
    23.03.27 AT – Linz / Posthof
    24.03.27 HU – Budapest / Barba Negra
    26.03.27 AT – Vienna / SIMM City
    27.03.27 DE – Leipzig / Hellraiser
    28.03.27 PL – Warsaw / Hydrozagadka
    30.03.27 DK – Copenhagen / Vega
    01.04.27 SE – Gothenburg / Monument
    02.04.27 NO – Oslo / John Dee
    03.04.27 SE – Stockholm / Debaser Strand
     
    Thundermother are:
    Filippa Nässil – guitar, backing vocals
    Linnéa Vikström Egg – lead vocals, guitar
    Majsan Lindberg – bass, backing vocals
    Joan Massing – drums

    The post Thundermother announce new album, “Mothers of Thunder”, out February 5, 2027 first appeared on FemMetal – Goddesses of Metal.