Their fourth album will be out in October.
The post Entheos Launch “Golden Crown” Music Video, Reveal New Album “Empty On The Inside” appeared first on Theprp.com.
Their fourth album will be out in October.
The post Entheos Launch “Golden Crown” Music Video, Reveal New Album “Empty On The Inside” appeared first on Theprp.com.
Melvins frontman Buzz Osborne has revealed one of his favourite methods of trolling and upsetting his friend and Fantômas bandmate Mike Patton: he simply ‘credits’ Patton for inspiring the birth of nu metal via his ground-breaking work with Faith No More.
Faith No More – and specifically their breakthrough album The Real Thing (1989), Patton’s debut with the San Francisco band, plus it’s bold and brilliant follow-up Angel Dust (1992) – have long been cited as a major influence by members of Slipknot, Deftones, System of a Down, Korn and Limp Bizkit. But Patton has never been shy about expressing his disdain for nu metal, refusing to accept any responsibility whatsoever for the music made by artists who cite him as an inspiration.
“Faith No More spawned an awful lot of shitty bands,” the singer joked to Kerrang! in 1999. “Most of those bands I don’t like at all, and I’d hate to take credit for what they’re doing. I think you have to have a very vivid imagination to link them and Faith No More.”
“Do you think I listen to any of that stuff at all?” he once asked Metal Hammer. “No, it’s for 13-year-old morons!”
Nevertheless, the association is never going to go away, which is why Buzz Osborne, a musician forever identified as a pivotal influence upon Seattle’s grunge scene, delights in using the link to wind up Patton.
Speaking with Patton’s Tomahawk bandmate Duane Denison (also the guitarist with The Jesus Lizard) in an interview hosted by Consequence, Osborne said, “I used to have a joke with Patton, ’cause he’s called influential as well. And I would go, I’ll take Nirvana and Soundgarden and you can have Limp Bizkit and Korn. He’s like, ‘Fuck you.’ [laughter] That was always funny. But I mean the whole nü-metal thing to me it all sounded like Helmet ultimately.”
“I think that the word influence is misused,” Denison says. “I think maybe we inspire them to play, but I don’t think we influence their music. I think that, you know, people, they tend to name-drop when they use the word influence. And they, ‘Oh I’m influenced by Stockhausen and Miles Davis.’ And then you go to their house and it’s all Mott The Hoople and Bob Seger.”
Tomahawk and Melvins are touring North America this summer on their amusingly-titled A Huge Waste of Your Time and Money tour, which kicks off in Nashville on July 18.
“In the spirit of the Olympics, Team Tomahawk has decided to rise up and go for the gold once again,” Denison said when the tour was announced.
Their second new single of 2026.
The post Employed To Serve Unveil “A Moment Gone Too Soon” Music Video, Announce Fall European/UK Tour With Cabal & Cold Culture appeared first on Theprp.com.
Personnel:
Maria Lessing – vocals
Manuel Kohlert – guitars
Johannes Früchtenicht – drums
Release Date: July 31, 2026
Record Label: Century Media Records
Berlin-based post-hardcore band Future Palace is back with Resurgence, their latest album following their recent North American tour and arriving ahead of their upcoming 29-date “Deep Blue” European headline run. Building on their alternative metal sound, the record combines harsh screams and clean vocals with cinematic electronic production while exploring deeply personal themes of mental health, dysphoria, and inner emotional struggles.
Listening to Resurgence for the first time feels like hearing a band that has finally found the sound that suits them best. The album is immediately emotional and dynamic, with an impressive vocal range that turns every lyric into something genuinely raw and expressive. The way Future Palace move between crushing heaviness and carefully placed moments of calm keeps the entire experience engaging and immersive from beginning to end.
If you’re into any of these artists, this album should be on your radar.
With impressive vocal versatility, “Resurge” perfectly captures the song’s emotion through a seamless combination of harsh screams, deep growls, and melodic sections.
Musically, Resurgence thrives on masterful dynamic shifts and a massive, progressive sound. The band constantly adjusts its instrumentation, balancing relentless layers of guitars and powerful drums on exceptionally heavy tracks like “Nixy” with beautifully composed moments of calm. Whether it is the gorgeous mid-song pause in “Supernova,” the brief tension-building respite in “Thorns,” or the genre-bending introduction of calm piano, synths, and electronic beats on “Tidal Waves,” these carefully placed changes make the heavy hardcore explosions hit even harder. This constant interplay between punishing riffs and captivating atmospheric melodies keeps the album’s sonic landscape thrilling and unique from start to finish.
Maria Lessing’s vocal performance is the undeniable crown jewel of the album, showcasing a remarkable versatility that carries raw emotion straight to the listener. She moves effortlessly between stunning melodic singing, unexpected rapped verses on tracks like “The Shades,” and some of the roughest, most brutal screams the band has ever recorded. Whether she is delivering the perfect opening screams to carry the emotional weight of “Resurge,” cutting through the harsher textures of “Nightfall,” or closing “Deep Blue” with devastating growls, her ability to match every lyric with exactly the right emotion makes her performance an absolute masterclass.
Thematically, Resurgence dives deep into the unfiltered realities of mental health, emotional burnout, and dysphoria. The band mirrors these internal struggles through the album’s extreme sonic dynamics, throwing chaotic, heavy instrumental outbursts against quiet, composed moments to reflect the exhausting highs and lows of the human mind. At the center of this concept is the vocal delivery, which becomes a direct channel for that raw vulnerability, moving seamlessly from desperate, throat-tearing screams during moments of overwhelming panic and grief to fragile, haunting melodies that capture the quiet isolation of depression.
“Driven by staggering vocal versatility and masterful dynamic shifts, Resurgence is a fiercely emotional and highly engaging record that firmly establishes Future Palace’s signature blend of heaviness and melody.”
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Gaming – fun to play in the background while playing in the foreground
Driving – windows closed, singing your heart out along
Workout – Gives energy for lifting and something fun for your cardios
Working at office – especially when you want to silence your dumb co-worker
The post Album Review | Future Palace – “Resurgence” first appeared on FemMetal – Goddesses of Metal.
(written by Islander) Today we’re announcing that on November 11th Satanath Records (Georgia) and Bajo Tierra Records (Mexico) will co-release the third album from the Mexican death metal band Feathropod, which is a solo project founded in Querétaro by Armando Ríos. The name of the new album is Oathkeeper. For those who might be unfamiliar […]
The post AN NCS VIDEO PREMIERE: FEARTHROPOD — “LESSER CARNIVORA” appeared first on NO CLEAN SINGING.
Harry Metal trifft in Folge 5 auf Greta und besucht „Residenz Evil“ und das „Moshtel“ – beides besondere Camping-Unterkünfte, die für einen noch angenehmeren Aufenthalt beim Wacken Open Air sorgen – inklusive Massage, wenn euch danach ist.
Außerdem läuft der Aufbau der „Faster“- und „Harder“-Stages auf Hochtouren!
Weiter im Aufbau und mit Harry Metal geht es morgen. Also bleibt am Ball!
Euer
W:O:A Team
Der Beitrag W:O:A 2026 – Harry Metal – Episode #5 erschien zuerst auf Live, laut, legendär!.