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  • Niis share new song & music video “No Flowers” and new EP “Play Niis” arrives October 23rd on Rise Records

    Los Angeles band Niis have shared “No Flowers,” the latest single from the forthcoming new EP “Play Niis” – set for release October 23rd on Rise Records. Available today on all streaming platforms, “No Flowers” is joined by an official music video directed and edited by Marië Ramos. The new track follows the EP’s lead single “Earthquakes,” which arrived earlier this month.
     
    On “No Flowers”, the band taps into their trademark intensity, with vocalist Mimi Doe delivering “I just wanna feel alive” through a barrage of jagged guitars and distortion.
     
    “A lot of the songs on this record are about fitting into societal monotony,” Doe explains, “We forget to put ourselves first by doing things that bring us joy and make us feel something, or anything. And that’s something I really wanted to capture with the lyrics.”

    Produced by Austin Coupe and Michael Shuman, on “Play Niis” the Los Angeles punk band embraces a more melodic, expansive side of themselves without losing the visceral energy that has defined them on prior releases. Written through periods of heartbreak, upheaval and uncertainty, the six-song EP is ultimately about the search for joy and human connection in an increasingly disconnected world—music as a way to feel alive, process pain and find something beautiful in the chaos.
     
    “Play Niis” is available for pre-order / pre-save now, with limited edition vinyl color variants available in the Rise Records store.
     
    Niis —pronounced “Nice”— have spent the past several years building a reputation for music that is as confrontational as it is deeply human. Formed in 2020 by vocalist Mimi Doe and guitarist Ryan McGuffin, the band introduced themselves with “Not Niis” (2020), followed it with “Must Be…” (2022), and released their debut album “Niis World” in 2025. Now joined by bassist Isabella de Vroede and drummer Jonathan Salvo, Niis return with “Play Niis”, their Rise Records debut. If their earlier records were defined by rage and volatility, “Play Niis” finds the band leaning into melody, vulnerability and connection while continuing to confront the world around them.

    PRE ORDER “PLAY NIIS” HERE

    “Play Niis” tracklisting

    1. Bad Aim
    2. Big Fish Baby
    3. Earthquakes
    4. Take Your Mess
    5. No Flowers
    6. Westside

    The post Niis share new song & music video “No Flowers” and new EP “Play Niis” arrives October 23rd on Rise Records first appeared on FemMetal – Goddesses of Metal.

  • 11 1990s Albums That Helped Invent Mathcore

    Math sucks. Mathcore is way more fun and so are these albums that helped invent the style. Math evolved over the course of several thousands of years from prehistoric tally marks to the works of Sumerians, Ancient Egyptians, Greeks and beyond… Continue reading…
  • Befouled Malediction Perform A Cursed “Ritual” (Track Premiere)

    The shadowy Ordo Vampyr Orientis evade expectations and definitions. Like another mysterious American black metal label Wergild, Ordo Vampyr Orientis have no social media and have avoided all attempts to investigate them. They reroute all focus to their music, which ranges from Waltzing symphonic black metal to hypnotic raw black metal and, now, lovesick warlock black metal with Befouled Malediction, whose track “Ritual” we’re premiering today before their debut, Desperate Necromancy, releases at the end of October.

    Lovesick is, of course, downplaying the situation on Desperate Necromancy. As the title indicates, the record tells the story of a warlock who haphazardly learns necromancy to bring his loved one back from the dead, only to discover that the resurrection wasn’t without its drawbacks. It’s a classic monkey’s paw tale of which “Ritual” is the inciting action. Much like necromancy itself, the track is part witchcraft and part science. It’s quietly refined, though not to a degree that the raw and tragic aspects are overlooked. The melodies mirror the warlock’s adrenaline as he’s on the verge of bringing his love back to life, with the track’s middle section, in which the percussion nearly dissipates, marking his trepidation. Just by following the structure on “Ritual,” you can deduce which step of the process the warlock is undertaking and his reactions to it. It’s effective storytelling in black metal, putting the genre’s attributes to narrative work.

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    Desperate Necromancy releases October 30 on Ampwall and Bandcamp. It will be available on vinyl on November 13 via Ixiol Productions and Dawnbreed Records.

  • EP Premiere: GLIZZ – Fat Lips

    Some bands have manifestos. GLIZZ have bad ideas, questionable appetites and apparently just enough available credit to keep recording them.

    The Portland duo of drummer Aris Hunter-Wales—of Bewitcher, Soulgrinder and Order of the Gash—and guitarist/bassist/vocalist J. Bennett of Ides of Gemini and Black Mare made their first greasy impression earlier this year with debut EP Grenades. Now, barely seven months later, they’re back with another four-song dose of rock ’n’ roll degeneracy titled, appropriately enough, Fat Lips.

    “Think of all the reasons you might have fat lips,” Bennett says. “Maybe you got punched in the mouth. Maybe you’ve got Botox. Maybe you talk too much. Maybe you’re Mick Jagger. They all apply here.”

    Recorded in Portland with Matt Taylor of Dry Socket and Hybrid Forms, who also engineered Grenades, Fat Lips finds GLIZZ bringing a few friends along for the damage. Taylor contributes backing vocals to “Kiss It Goodbye” and additional guitar to “Just What I Needed,” while jazz vocalist Jenny Luna joins him on backing vocals for both tracks. Shadowland vocalist Tanya Finder lends her voice to “This Is Getting Old and So Are You.” Sanford Parker, who handled Grenades, once again mixes and masters.

    And yes, “Just What I Needed” is exactly what you think it is. GLIZZ close the EP by putting their hands on the Cars classic, because apparently four decades of evidence that Ric Ocasek knew what he was doing wasn’t enough to keep these two away from it.

    Hunter-Wales offers perhaps the most useful explanation of what’s going on here:

    “Fat Lips is further proof that GLIZZ isn’t a band. It’s a libido with a credit card that’s maxed out. And a hangover. Plus, we do a Cars song!”

    Hard to improve on that.

    Fat Lips is out October 2. Get hit in the mouth below.

    The post EP Premiere: GLIZZ – <i>Fat Lips<i/> appeared first on Decibel Magazine.

  • The L.I.F.E. Project share cover of Led Zeppelin’s “Immigrant Song”

    The band features Stone Sour guitarist Josh Rand and vocalist Casandra Carson

    Source

  • Pusha T Joins Gorillaz For “Let Me Out” At Madison Square Garden

    Any Gorillaz performance, like any Gorillaz record, tends to include a whole lot of guest performers. Right now, Damon Albarn and his various cartoon associates are touring North American arenas with Little Simz and Deltron 3030. You can be assured that Simz and Del The Funky Homosapien will join Gorillaz during their headlining set, as will touring staples like De La Soul’s Posdnous and the Pharcyde’s Bootie Brown. Sometimes, a Gorillaz show also includes a surprise or two. You never know when someone like Pusha T might show up.

    The post Pusha T Joins Gorillaz For “Let Me Out” At Madison Square Garden appeared first on Stereogum.

  • Rush Celebrates ‘Fifty Something’ Years: Photo Gallery

    The band's recent stint in Cleveland was pretty epic. Here are some of our favorite moments from the week. Continue reading…
  • The Harr Round And Round Review

    The Harr Round And Round Review

    This song opens with incredible energy, featuring a contagious guitar riff and a drum rhythm resembling a blacksmith hammering on an anvil. The vocals enter slyly, exhibiting an infectious swagger that paves the way for the track. It’s clear from the start that this band has a distinctive sound. Powerful yet unique, their sound is robust and striking. The guitar riff lingers in the listener’s mind, while the melodic lines exhibit variation, keeping the listener engaged.

     The Harr Round And Round

    There is an impressive dynamic interplay throughout the song that enhances its entertainment value. The band demonstrates not only technical skill but also a strong chemistry among its members. This synergy translates into an energetic performance. The production quality is top-notch, offering a clean and polished auditory experience that showcases their musical abilities effectively.

    There are exciting rhythmic shifts, particularly at the 2:50 mark, which add another layer of anticipation. This moment elevates the song, propelling it towards an exhilarating conclusion. These transitions contribute significantly to the song’s overall appeal and highlight the band’s versatility. The way they play with rhythm and tempo keeps the audience on their toes and adds to the dynamism of the piece.

    Round And Round – Sound and Atmosphere

    The Harr skillfully balances power and subtlety, demonstrating that they are not just loud but also deeply nuanced in their approach. It’s a blend of intensity and finesse that is rare to find in many contemporary bands. Their ability to create a big sound while still being unique sets them apart in a crowded music scene.

    Additionally, the band’s conscious effort to create engaging music shows that they are committed to their craft. They are not merely chasing trends but are genuinely focused on developing their identity.

    Round And Round – Performance and Production

    Music enthusiasts are likely to find themselves drawn in by the vibrant energy of “Round And Round.” Each listening experience reveals more subtleties and layers, encouraging repeated listens. This track is a clear indicator that The Harr is a band to watch, as they navigate through the complexities of modern rock with confidence and creativity.

    “Round And Round” stands as a remarkable showcase of The Harr’s artistic vision and execution. It is a blend of raw energy, musical innovation, and strong production that captures the essence of what makes them unique. This song is a strong recommendation for anyone seeking fresh, spirited music with character.



    Energizing

    🔥 If you love this music: Discover More


    Find The Harr here:
    Spotify

    The post The Harr Round And Round Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Mei Semones Announces New Album Howl: Hear The Title Track

    Last year, Mei Semones released her debut album Animaru and we named her an Artist To Watch. Since then, the idiosyncratic indie artist has joined the big leagues. She’s announcing her new album Howl today, and it’ll be first for her new label home Verve/Interscope — a major leap from Bayonet. The title track is out now, and it shows she’s deserving of the ascent.

    The post Mei Semones Announces New Album <em>Howl</em>: Hear The Title Track appeared first on Stereogum.