Blog

  • Legends Forever: Artists with Metal Legacies That Will Never Die

    The hard rock and heavy metal world has lost some of its most influential figures in recent years, leaving behind catalogs that continue to inspire new generations of metalheads. These artists may have left us, but their thunderous riffs, soaring vocals, and indomitable spirits live on through their music. Here are 10 hard rock and heavy metal legends whose legacies will never die. Read Now
  • Album Review: New Lungs by Burnt Tapes


    It’s been three years since I attempted to do an album review but if there is one band that will get me to sit down behind my laptop and do one it’s my friends Burnt Tapes. On August the 8th they will release their long awaited second album, the follow up to 2019’s incredible Never Better (one of my all time favourite albums). The new album is titled New Lungs and being released once again by Lockjaw Records (UK) and Wiretap Records (USA), as well as a tape from Nasty Cut Records (Denmark). Tapes on tape – it’s about time, right?

    I feel like I need to address the fact that this review might come across as incredibly biased. These guys have been friends of mine for a long time now, they started out as Burnt Tapes around the same time as I started doing CPRW and we’ve reviewed every EP and album they’ve released, along with countless live shows. I’ve never made it a secret how highly I think of Phil, Pan, Jordan and Tone not just as musicians but as people, so yeah this will probably come across as a really biased review. I’m saying nice things about my friends’ new album, but rest assured that every word I type in this review I really mean and I’m not just buttering up my mates. I’ve had New Lungs on repeat in a dark room where I usually sleep for a couple of months now and I’m excited to share my views on it with you. Let’s take a deep breath and jump right in.


    New Lungs begins with the song Crisis Actor. The song starts with a familiar Burnt Tapes tone that has me thinking of Lost In Transit, the final track from Never Better. It almost feels like a continuation or at least a call back, something the band are known for doing. I love this. Crisis Actor eases you into the album with Pan’s vocals over that welcoming riff. Before long the whole band comes in. This song sets the tone for the whole album with its big, emotional build. We then launch into a stretch of the four singles the band released in the run up to the album. Up first is MOTHERSGUILT. The very first line features a common Burnt Tapes trope – grinding teeth. I immediately got a kick out of this. The song explores the theme of feeling like you’re not meeting other people’s expectations of you and using the guilt that gives you as fuel to keep on going. I feel like that’s something that most of us has gone through at times, making the song hugely relatable. The chorus will no doubt earn some big sing-alongs and feel cathartic for many. 

    Little Sister was originally released way back in 2023 and gave us a glimpse as to what was coming from the band. Phil takes over lead vocals for this deep and emotional song about a particularly hard and dark time with his mental health that he went through. He tells a story about the journey of reaching a low point and reaching out for help before things get even lower. This is a mid-tempo track with a catchy chorus. The stand out moment on the track however is the guest vocal appearance from Hannah Hermione Greenwood from Creeper on the bridge. This really adds to the emotion of the song. As of yet, Hannah hasn’t joined the band to do this live – maybe at the album launch at the Black Heart in Camden on the 19th of September? That would be cool. Next is the brilliantly titled You Only YOLO Once. This is one of the higher tempo tracks on New Lungs and really showcases the band’s trademark sad boy pop punk moniker. Sonically it’s an upbeat, almost summery-sounding song but when you dig down into Pan’s lyrics you discover a song about his own mental health struggles. The line “every now and then, it hits me like a bullet train” is one I imagine a lot of people listening will find extremely relatable. I know I certainly do. Of course there is another broken teeth reference in the song, because of course there is. I’ve heard that they’re trying to get a dentist sponsorship.

    The album’s title track, New Lungs is the fourth and final single from the album. Continuing the more poppy version of their sound, New Lungs once again talks about mental health. The song actually starts out feeling quite hopeful as Pan sings “new lungs set to breathe new seasons, held breath and an unsure sweaty brow, I’m better now, I’m better.” This mood soon changes though as Pan sings about having a toxic relationship with either another person or their own brain and that person/brain and being brought down once again, not knowing who you are anymore. This song features another great chorus and some big hooks that will really pull a live crowd in. Shelf Life Of The Party is another fantastic song title. Phil is back on lead vocal duties and the energy remains. On my first listen to New Lungs this is one of the songs that really stood out to me. It’s about getting older and feeling burnt out, lost, like you’re finished and you’re not the person you used to be. Phil’s vocals bring an intensity to the song that I love and I really hope it becomes a regular in their live set going forward. 

    Track seven is titled Office On Repeat. On my first listen of New Lungs, my first thought was that this was the album closer as it has a huge, epic ending. There’s still three more bangers to come though and trust me, the closer is an incredible ending for the album. Office On Repeat starts out as a mid-tempo pop punk song talking about the end of a relationship. As we reach the final third of the song, the tempo and melody changes and we get a big emo ending that will get a big reaction from a live crowd. There’s a few moments on this album that do make me think that this has been specifically written with a live crowd reaction in mind and I’m a big fan of when bands do that. The pace is brought right back up on Future Strangers. Have you ever come to a point in your life where it feels like something has hit a road block, you don’t know what comes next and you begin to question everything? That’s what this song is about. I enjoyed the sliver of hope that track gives you as Pan sings “it’ll all make sense in time.” It’s a simple and powerful lyric that works so well in the song.

    The penultimate song is named OnlyFriends. The song starts slowly, similar in style to the classic Things Get Weird. Pan sings softly as the song gradually builds up to its big finale. This slow start really adds to the emotion of the song and really pulls you in. There’s no slow start and then bang, you’re in, OnlyFriends builds and builds and takes you with it. When that big moment does finally come in and it hits you, you feel ready to be hit. Fantastic songwriting. There is also a moment in the song when the band becomes the big stadium rock band they deserve to be when they implement a crowd participation clapping section. The tenth and final song is So Long, Sundays. This might be the most ambitious piece of songwriting that Burnt Tapes have ever attempted and of course they pulled it off. A perfect choice to bring the album to an end. This song is about going through all the hard times that happen in your life and eventually finding your way out of the other side. New Lungs is an album that has plenty of down moments, so having this moment of hope at the end is really refreshing. It serves as a great reminder that no matter how hard things can get, sometimes it will get better and it’s always great to be reminded of that. There’s a moment at the end of the song that I won’t spoil for you but it’s something that I never, ever expected to hear on a Burnt Tapes album. I guess they’ve been hanging out at the New Cross Inn for too long now. 

    It’s been six years since the Burnt Tapes released Never Better and you can really hear the progression the band have made as a band on New Lungs. You can hear a change in their sound but everything you ever loved about the band remains. Daly George from The Ranch once again did a phenomenal job with the production on the album, he did a fantastic job bring all of these songs to life. New Lungs has been my most anticipated album of the year since the band released Never Better and it did not disappoint. I’m not even that sad that the reworked version of Go Drunk didn’t make the cut, as each song brings something different but it all flows nicely together. It’s an album that can be listened to as an album or as singles. I do feel like each one of these songs could’ve been used as a single. As I said at the start of this, Burnt Tapes are my friends and this could come across as biased, but I truly believe that this is a fantastic album. I would say that if you loved Never Better then this might be a bit of a grower but you’ll soon come to love it just as much, if not more. Well done friends, loving your work.


    Burnt Tapes play an album release show with Modern Shakes and Making Friends at the Black Heart in Camden on Friday the 19th of September. You should come to the party. Get your ticket here.
  • Album Review: New Lungs by Burnt Tapes


    It’s been three years since I attempted to do an album review but if there is one band that will get me to sit down behind my laptop and do one it’s my friends Burnt Tapes. On August the 8th they will release their long awaited second album, the follow up to 2019’s incredible Never Better (one of my all time favourite albums). The new album is titled New Lungs and being released once again by Lockjaw Records (UK) and Wiretap Records (USA), as well as a tape from Nasty Cut Records (Denmark). Tapes on tape – it’s about time, right?

    I feel like I need to address the fact that this review might come across as incredibly biased. These guys have been friends of mine for a long time now, they started out as Burnt Tapes around the same time as I started doing CPRW and we’ve reviewed every EP and album they’ve released, along with countless live shows. I’ve never made it a secret how highly I think of Phil, Pan, Jordan and Tone not just as musicians but as people, so yeah this will probably come across as a really biased review. I’m saying nice things about my friends’ new album, but rest assured that every word I type in this review I really mean and I’m not just buttering up my mates. I’ve had New Lungs on repeat in a dark room where I usually sleep for a couple of months now and I’m excited to share my views on it with you. Let’s take a deep breath and jump right in.


    New Lungs begins with the song Crisis Actor. The song starts with a familiar Burnt Tapes tone that has me thinking of Lost In Transit, the final track from Never Better. It almost feels like a continuation or at least a call back, something the band are known for doing. I love this. Crisis Actor eases you into the album with Pan’s vocals over that welcoming riff. Before long the whole band comes in. This song sets the tone for the whole album with its big, emotional build. We then launch into a stretch of the four singles the band released in the run up to the album. Up first is MOTHERSGUILT. The very first line features a common Burnt Tapes trope – grinding teeth. I immediately got a kick out of this. The song explores the theme of feeling like you’re not meeting other people’s expectations of you and using the guilt that gives you as fuel to keep on going. I feel like that’s something that most of us has gone through at times, making the song hugely relatable. The chorus will no doubt earn some big sing-alongs and feel cathartic for many. 

    Little Sister was originally released way back in 2023 and gave us a glimpse as to what was coming from the band. Phil takes over lead vocals for this deep and emotional song about a particularly hard and dark time with his mental health that he went through. He tells a story about the journey of reaching a low point and reaching out for help before things get even lower. This is a mid-tempo track with a catchy chorus. The stand out moment on the track however is the guest vocal appearance from Hannah Hermione Greenwood from Creeper on the bridge. This really adds to the emotion of the song. As of yet, Hannah hasn’t joined the band to do this live – maybe at the album launch at the Black Heart in Camden on the 19th of September? That would be cool. Next is the brilliantly titled You Only YOLO Once. This is one of the higher tempo tracks on New Lungs and really showcases the band’s trademark sad boy pop punk moniker. Sonically it’s an upbeat, almost summery-sounding song but when you dig down into Pan’s lyrics you discover a song about his own mental health struggles. The line “every now and then, it hits me like a bullet train” is one I imagine a lot of people listening will find extremely relatable. I know I certainly do. Of course there is another broken teeth reference in the song, because of course there is. I’ve heard that they’re trying to get a dentist sponsorship.

    The album’s title track, New Lungs is the fourth and final single from the album. Continuing the more poppy version of their sound, New Lungs once again talks about mental health. The song actually starts out feeling quite hopeful as Pan sings “new lungs set to breathe new seasons, held breath and an unsure sweaty brow, I’m better now, I’m better.” This mood soon changes though as Pan sings about having a toxic relationship with either another person or their own brain and that person/brain and being brought down once again, not knowing who you are anymore. This song features another great chorus and some big hooks that will really pull a live crowd in. Shelf Life Of The Party is another fantastic song title. Phil is back on lead vocal duties and the energy remains. On my first listen to New Lungs this is one of the songs that really stood out to me. It’s about getting older and feeling burnt out, lost, like you’re finished and you’re not the person you used to be. Phil’s vocals bring an intensity to the song that I love and I really hope it becomes a regular in their live set going forward. 

    Track seven is titled Office On Repeat. On my first listen of New Lungs, my first thought was that this was the album closer as it has a huge, epic ending. There’s still three more bangers to come though and trust me, the closer is an incredible ending for the album. Office On Repeat starts out as a mid-tempo pop punk song talking about the end of a relationship. As we reach the final third of the song, the tempo and melody changes and we get a big emo ending that will get a big reaction from a live crowd. There’s a few moments on this album that do make me think that this has been specifically written with a live crowd reaction in mind and I’m a big fan of when bands do that. The pace is brought right back up on Future Strangers. Have you ever come to a point in your life where it feels like something has hit a road block, you don’t know what comes next and you begin to question everything? That’s what this song is about. I enjoyed the sliver of hope that track gives you as Pan sings “it’ll all make sense in time.” It’s a simple and powerful lyric that works so well in the song.

    The penultimate song is named OnlyFriends. The song starts slowly, similar in style to the classic Things Get Weird. Pan sings softly as the song gradually builds up to its big finale. This slow start really adds to the emotion of the song and really pulls you in. There’s no slow start and then bang, you’re in, OnlyFriends builds and builds and takes you with it. When that big moment does finally come in and it hits you, you feel ready to be hit. Fantastic songwriting. There is also a moment in the song when the band becomes the big stadium rock band they deserve to be when they implement a crowd participation clapping section. The tenth and final song is So Long, Sundays. This might be the most ambitious piece of songwriting that Burnt Tapes have ever attempted and of course they pulled it off. A perfect choice to bring the album to an end. This song is about going through all the hard times that happen in your life and eventually finding your way out of the other side. New Lungs is an album that has plenty of down moments, so having this moment of hope at the end is really refreshing. It serves as a great reminder that no matter how hard things can get, sometimes it will get better and it’s always great to be reminded of that. There’s a moment at the end of the song that I won’t spoil for you but it’s something that I never, ever expected to hear on a Burnt Tapes album. I guess they’ve been hanging out at the New Cross Inn for too long now. 

    It’s been six years since the Burnt Tapes released Never Better and you can really hear the progression the band have made as a band on New Lungs. You can hear a change in their sound but everything you ever loved about the band remains. Daly George from The Ranch once again did a phenomenal job with the production on the album, he did a fantastic job bring all of these songs to life. New Lungs has been my most anticipated album of the year since the band released Never Better and it did not disappoint. I’m not even that sad that the reworked version of Go Drunk didn’t make the cut, as each song brings something different but it all flows nicely together. It’s an album that can be listened to as an album or as singles. I do feel like each one of these songs could’ve been used as a single. As I said at the start of this, Burnt Tapes are my friends and this could come across as biased, but I truly believe that this is a fantastic album. I would say that if you loved Never Better then this might be a bit of a grower but you’ll soon come to love it just as much, if not more. Well done friends, loving your work.


    Burnt Tapes play an album release show with Modern Shakes and Making Friends at the Black Heart in Camden on Friday the 19th of September. You should come to the party. Get your ticket here.
  • Stoner Rock #60

     


    Some tunes for you to peruse.
    Hope you enjoy!
  • Stoner Rock #60

     


    Some tunes for you to peruse.
    Hope you enjoy!
  • The gigantic appetizer to an iconic album comes on August 1st

    Blackout
    „BLACKOUT“

    Munich, August 1st. Above all, there was a wild night of partying with the guys from Def Leppard and Judas Priest, the details of which the SCORPIONS couldn’t remember the next day, even with the best will in the world.

    A total blackout.

    Such a merciless moment, which no one who was actually there can remember, laid the musical foundation for one of the SCORPIONS’ most triumphant successes – Blackout. The next day, “Blackout” was created, the title for a new song. And this song is not only the first single from the upcoming iconic album Coming Home Live – but also conveys to fans the power, the virtuosity, the epic moments of that unforgettable night on July 5th, 2025, when the band performed their magical concert on the stage of the Hanover stadium. In front of an impressive stage set – and the backdrop of more than 45,000 enthusiastic fans.

    While the SCORPIONS have performed countless times in huge stadiums around the world, this was the first time the five rockers performed a stadium concert in Germany, and in the hometown of Klaus Meine, Rudolf Schenker, and Matthias Jabs. The occasion: the 60th anniversary: Coming Home. And that will also be the title of the unique album – Coming Home Live.

    With “Blackout” and the other legendary songs from their Coming Home concert on the memorable July 5th in the Hanover stadium, the band bridged the gap between yesterday and tomorrow. “Scorpions,” wrote one of Germany’s most important news portals, t-online, about it, “celebrate the biggest home game of their career.” “A thrilling anniversary concert,” stated NDR, and Hannoversche Allgemeine newspaper noted: “The Scorpions’ stadium concert will be a triumph.”

    60 years of the Scorpions. Coming Home Live.

    The single “Blackout Coming Home Live” will be released on August 1st, 2025, by Vertigo/Universal and you can listen here: https://scorpions.lnk.to/blackoutcominghomelive

    The live album “Coming Home Live” can be pre-ordered here:
    https://scorpions.lnk.to/ComingHomeLive

    The world premiere of the music video for the single “Blackout – Coming Home live” will take place on Thursday, July 31st, at 5.15 p.m. and on Friday at 8.50 pm at Wacken Open Air. It will be available on Saturday 2.00 pm on the you tube band channel:

  • Omni Part 2 (Karfagen, 2025)

     Antony Kalugin, the ukrainian multi-instrumentalist behind Karfagen, is a man of many talents and his 2025 album “Omni” is another good example of his stunningly prolific vein (you’ll find more elsewhere in this blog).”Omni” Part 2 is a well built suite, a 22 minute one divided into 4 movements, also enjoyable as stand-alone songs, many of them in a rather slow tempo, but with some welcome accelerations and many, unpredictable changes. 

    As usual, an inspiring cover art

    As always, there are very good melodies and beautiful solos, and this time the vocals, provided by the kinds of Marco Glühmann, Richard Sinclair, Jean Pageau, Bartosz Kossowicz plus, of course, Olha Rostovska and Antony Kalugin himself,  play an essential role in the great picture, something we don’t easily find in Karfagen’s discography. All those different and sensitive voices fit perfectly in such a rich musical texture. Among other guest musicians, Michel St-Père’s (of Mystery fame) guitars and John Hackett’s flute need no introductions and are two more bonuses added to this musical pearl. This is Neo-Progressive rock & Symphonic Rock at their best and I’m glad to loose my mind in this flowing, lush musical river.

  • Omni Part 2 (Karfagen, 2025)

     Antony Kalugin, the ukrainian multi-instrumentalist behind Karfagen, is a man of many talents and his 2025 album “Omni” is another good example of his stunningly prolific vein (you’ll find more elsewhere in this blog).”Omni” Part 2 is a well built suite, a 22 minute one divided into 4 movements, also enjoyable as stand-alone songs, many of them in a rather slow tempo, but with some welcome accelerations and many, unpredictable changes. 

    As usual, an inspiring cover art

    As always, there are very good melodies and beautiful solos, and this time the vocals, provided by the kinds of Marco Glühmann, Richard Sinclair, Jean Pageau, Bartosz Kossowicz plus, of course, Olha Rostovska and Antony Kalugin himself,  play an essential role in the great picture, something we don’t easily find in Karfagen’s discography. All those different and sensitive voices fit perfectly in such a rich musical texture. Among other guest musicians, Michel St-Père’s (of Mystery fame) guitars and John Hackett’s flute need no introductions and are two more bonuses added to this musical pearl. This is Neo-Progressive rock & Symphonic Rock at their best and I’m glad to loose my mind in this flowing, lush musical river.

  • WITCH HOUND ~ STARTING A COVEN … review


    Witch Hound, JC (lead vocals); Wicked Willy (rhythm guitar/vocals); Jo-Jo (lead guitar); Sir Jay (bass) and Naeltag (Nate Driggs) (drums), cordially invite you to join their coven. We at Desert Psychlist are not quite sure what exactly this coven requires of its members but if activities are just restricted to listening to the type of dank dark stoner doomic noises that can be found on the bands appropriately titled debut EPStarting A Coven” then show us where we sign.


    Maybe we should be a little concerned about throwing our lot in with Witch Hound’s new coven given that they kick off their EP with “At The Stake” a song that describes in some detail what will happen if you are exposed as a witch (warlock in our case), oh well we’ve signed up now and we have to admit that those deeply echoed vocals resounding over vibrant thrumming doomic riffage and powerful strident rhythms does seem to have stared something stirring in our blood. Having explained that being burnt is one of the perils of joining their club Witch Hound now ask us to “Face The Wheel” now what “facing a wheel” actually entails is not best explained but let’s be honest it doesn’t sound that pleasant. The actual song though does have its merits, its pounding percussion and low level growling bass lines support some seriously crunching riffage and dank swirling lead work and those gothic laced vocals telling us to expect not just “searing heat” but “searing heat with misery” are pretty damn impressive. Final number “Black Talisman” tells us that death might be the least of our worries and that having joined Witch Hound’s cabal we can now expect to travel on “a path too dark to see”, not exactly selling it are they, but having said that those thick monstrous refrains, those thundering rhythms and those reverberating monastic vocals are so damn good you’ll be selling your soul before you can say “get behind me Satan
         

    As a recruitment tool Witch Hound’sStarting A Coven” could do with a little work, the prospect of being burnt at a stake, facing a nasty sounding wheel or losing your soul could possibly hinder membership numbers somewhat, however as a debut EP from a fairly new doom orientated band this three tracker takes some serious beating.
     
    © 2025 Frazer Jones
  • WITCH HOUND ~ STARTING A COVEN … review


    Witch Hound, JC (lead vocals); Wicked Willy (rhythm guitar/vocals); Jo-Jo (lead guitar); Sir Jay (bass) and Naeltag (Nate Driggs) (drums), cordially invite you to join their coven. We at Desert Psychlist are not quite sure what exactly this coven requires of its members but if activities are just restricted to listening to the type of dank dark stoner doomic noises that can be found on the bands appropriately titled debut EPStarting A Coven” then show us where we sign.


    Maybe we should be a little concerned about throwing our lot in with Witch Hound’s new coven given that they kick off their EP with “At The Stake” a song that describes in some detail what will happen if you are exposed as a witch (warlock in our case), oh well we’ve signed up now and we have to admit that those deeply echoed vocals resounding over vibrant thrumming doomic riffage and powerful strident rhythms does seem to have stared something stirring in our blood. Having explained that being burnt is one of the perils of joining their club Witch Hound now ask us to “Face The Wheel” now what “facing a wheel” actually entails is not best explained but let’s be honest it doesn’t sound that pleasant. The actual song though does have its merits, its pounding percussion and low level growling bass lines support some seriously crunching riffage and dank swirling lead work and those gothic laced vocals telling us to expect not just “searing heat” but “searing heat with misery” are pretty damn impressive. Final number “Black Talisman” tells us that death might be the least of our worries and that having joined Witch Hound’s cabal we can now expect to travel on “a path too dark to see”, not exactly selling it are they, but having said that those thick monstrous refrains, those thundering rhythms and those reverberating monastic vocals are so damn good you’ll be selling your soul before you can say “get behind me Satan
         

    As a recruitment tool Witch Hound’sStarting A Coven” could do with a little work, the prospect of being burnt at a stake, facing a nasty sounding wheel or losing your soul could possibly hinder membership numbers somewhat, however as a debut EP from a fairly new doom orientated band this three tracker takes some serious beating.
     
    © 2025 Frazer Jones