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  • Album review: Airbourne – Airbourne

    Posted on August 28th 2026, 9:14am

  • News: BROTHERS OSBORNE, WILLIE DOWLING, FOREIGNER (September 2026)

    BROTHERS OSBORNE- Hammersmith Apollo, London, 30 January 2025Brothers Osborne (pictured) release their new album ‘Watertown’ on October 23 via MCA Records. Former Hawkwind bassist Alan Davey will release his new solo album, ‘Astrolabes And Sunstones’, on September 12 via Savant Guarde Records. Foreigner release a newly remastered and expanded … Continue reading

    The post News: BROTHERS OSBORNE, WILLIE DOWLING, FOREIGNER (September 2026) appeared first on Get Ready to ROCK!.

  • Premiere: Teddy Duchamp’s Army Drop New Video “Throwing Bricks”

    We’re beyond thrilled to share a video for “Throwing Rocks” the first single off the upcoming full length
  • Interview: Michael Bamber, Author and Poet

    Earth Island Books recently published the third volume of their Ten Poets collection, featuring an inspiring group of
  • FEINE SAHNE FISCHFILET – tour dates for 2027

    Feine Sahne Fischfilet are going on tour again in 2027. Under the title “ENDLICH AUF REISE,” the band will play a total of 14 concerts in Germany and Switzerland from February 18 through March 9. The tour will be the final major leg in support of their current album WIR KOMMEN IN FRIEDEN, which propelled… Continue Reading →
  • Great new prog tracks from Chimpan A, Polyphia, Dikajee and more in Prog’s brand new Tracks Of The Week

    We’re back with a brand new Tracks Of The Week! This week we’ve got another seven new and diverse slices of progressively inclined music for you to enjoy.

    Congratulations to last week’s winner, Spain-based guitarist Rodrigo Pagavino, who romped away with things with his high-octane instrumental track Velomorph. Congratulations, Rodrigo and commiserations to Lonely Robot, who came second, with IT in third place.

    The premise is simple – we’ve listened to a batch of new releases by bands falling under the progressive umbrella, and collated them together in one post for you – it makes it so much easier than having to dip in and out of various individual posts, doesn’t it?

    The idea is to watch the videos (or listen if it’s a stream), enjoy (or not) and also to vote for your favourite in the voting form at the bottom of this post. Couldn’t be easier, could it? We’ll be bringing you Tracks Of The Week, as the title implies, each week. Next week, we’ll update you with this week’s winner and present a host of new prog music for you to enjoy.

    If you’re a band and you want to be featured in Prog‘s Tracks Of The Week, send your video (as a YouTube link) or track embed, band photo (please, don’t forget the photo!) and biog with quotes to us here.

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    CHIMPAN A – EYE FOR AN EYE

    UK art rockers ChimpanA have teamed up with rock legend Andy Fairweather Low, best known for his work with Roger Waters and Eric Clapton, for their latest single, An Eye For An Eye, and for which they have released a suitably dramatic video. That said, he’s almost overshadowed by the powerhouse backing vocals from Kirstie Roberts! The track did not feature on the recently acclaimed ChimpanA album, Music Is Art – Vol. 1, but helms a brand new EP which is on sale from today.

    “It’s such a thrill to work with Andy,” the pair say. “He is a Welsh hero. We were looking for the voice of reason, so it had to be mature. Although Andy is perhaps best known these days for his guitar playing, his voice has so much character and really suited the music. We wanted the video for Eye For An Eye to feel cinematic, but also to reflect the strange, unsettling world we’re all navigating at the moment. The idea of the VR headset gave us a way into that – a kind of ‘Matrix’-like world where you’re constantly questioning what’s real. We move between the darkness of that inner world, the geopolitical madness and general weirdness that so many of us feel, and the reality of the room around it. As the video progresses, those boundaries start to break down until, quite literally, the room falls apart. What’s left is light. That felt like the visual counterpart to the song: rather than accepting the darkness and division around us, we have the choice to step beyond it and find something more hopeful, human and connected.”

    KALANDRA – LET ME BE OPEN

    Expressive Norwegian folky proggers Kalandra have just announced that they will release their third album, The Other Side, through By Norse on November 13,l from which comes new single Let Me Be Open, with its dramatic video. On the album, the band explores the mysterious imagery of the subconscious, where memories, fears, and imagination quietly intertwine, itself inspired by vivid dreams singer Katrine and bandmate Jogeir Daae Mæland kept notes of in a notebook by the bedside.

    “There’s a moment when you realise how much of yourself you’ve learned to hold back,” Katrine explains. “Let Me Be Open grew out of that feeling, the longing to loosen your grip, let go of some of the fear, and rediscover the sense of wonder you had as a child. It’s a song about making space for something softer to emerge, and trusting that not every shadow needs to be fought.”

    EYRE LLEW – EVERYWHERE

    Nottingham-based post-rockers Eyre Llew will release their second studio album, Bloom, on September 18, through the rather severe-sounding Penance Music Group. Fortunately for the quintet, making their secind appearance in Tracks Of The Week, their sound is far more pleasant on the ears – new single Everywhere‘s chiming guitars and mellifluous vocals showing why they’ve been dubbed “Britain’s answer to Sigur Rós”. They play a hometown show in Nottingham to launch the new album on September 17.

    “It traces back to a fleeting moment, a spontaneous drink before a goodbye, when my now-fiancé was heading back to Wales the day after her birthday, and everything in that moment felt like it was aligning,” the band say. “Two people being drawn together, glowing in the feeling of it, knowing something important was starting. The song reflects falling deeply for someone later in life, not at the beginning when it seems to be the scenario written in movies and fairy tales, but from the middle, when you understand yourself more, and recognise the weight and meaning of real connection.”

    DIKAJEE – HOME OF THE WIND

    Multi-instrumentalist Dikajee has shared a delightfully dramatic video for her latest single, Home Of The Wind. It’s taken from her upcoming album, The Frame, which is released on November 6. The single features a guest appearance from Within Temptation keyboardist Vikram Shankar, while the album itself features quite the cast list: Jonathan Noyce (Archive, Jethro Tull), Varijashree Venugopal (Snarky Puppy), German Vergara (Aisles), Guillaume Bernard (KLONE), Christian Ayala (Avandra) and more.

    Home Of The Wind is about how the most terrible and most wonderful things can happen at the same time and your happiness can be bittersweet,” Dikajee explains. “I always wanted to go live in the UK – but I’ve never thought that I’ll be moving during the war; and having to separate with my family that was going through grief after the loss of my father. But at the same time, it’s about not letting fear and grief make my decisions for me. I still want to follow my dreams and make art, and I want to follow my music, not fear and depression. It’s very hard, but regretting would probably hit harder. The alternative name for the song is ‘black wings’ cause I feel like I’m flying to my dream on black wings now.”

    COULD SEED – DRUIDS

    French instrumental progressive post-rock quartet Could Seed also features guitarist Jordan Jupin and drummer Elie Chéron, both of whom also play with HamaSaari, who recently made an impact in the UK with a couple of live shows in July. Joining them are fellow guitarist Dimitri Even and bassist Magloire Thomas. There’s a similar sense of musical exploration, too. This is a live version of Druids, recorded at a session at Studio de la Fuie, which will feature on the band’s forthcoming second album, Terminal, due out October 23 via Klonosphere Records.

    ‘This track refers to ancestors and their knowledge, specifically, how the bonds and interactions they shared with those around them were more respectful of differences and more integrated into their environment,” the band say.

    POLYPHIA – POWER IN THE BLOOD

    Guitar-led instrumental proggers Polyphia have announced that they will release their fifth studio album, Be Not Afraid, through Rise Records on October 23. The band have also shared a video for their latest single, Power In The Blood, on which the Texan quartet’s undeniable six-string prowess is very much to the fore. On the new album, guitarist Tim Henson took a different approach to composition, initially singing lines aloud and then translating them onto guitar, creating a process that encouraged the entire band to build on each other’s ideas in real time.

    “During the making of this record, we went down some pretty dark rabbit holes,” Henson explains. “We kept coming across things that were so depraved they sounded insane when you said them out loud. Then some of the very things we had been talking about started appearing in documents released to the public. You can read that stuff and feel disgusted, demoralised, and completely powerless. Be Not Afraid is our response to that. Rather than allowing the ugliness of the world to paralyse us, we put everything we had into making something beautiful. We weren’t afraid of whether something was too different or whether people were going to understand it. We just followed what excited us and made what I believe is our best record to date.”

    HYPNO5E – MOLECULAR ANGEL

    French quartet Hypno5e will release their latest album, Trame Noire, named after the French term for “dark infrastructure”, through Pelagic Records on November 6, and the twisting and turning Molecular Angel is the band’s latest single. It’s a busy time for the band, who have a 13-album box set coming out at the same time as Trame Noire, which celebrates their 20-year career and features their 2007 debut album, Des Deux L’une Est L’autre, on vinyl for the very first time.

    Molecular Angel is the turning point in Trame Noire’s trajectory, marking the moment when the mutation of the surrounding space gives way to the character’s inner transformation,” the band state. “Direct and raw, the track unfolds over a relatively short span of time for an Hypno5e song. It moves through ethereal passages before ending in a frantic chaos that announces the album’s second half. Molecular Angel was conceived differently from the rest of our compositions: with no detours, more condensed, and focused on a direct and immediate expression.”

  • Behemoth – I Scvlptor: Revisiting The Past With Fire Still Burning

    Behemoth - Download XXII (2026). Photo: Matt Pratt/MetalTalk

    I have a factious relationship with Behemoth. Two albums sit comfortably in the top end of the collection. Their early work was truly groundbreaking. Full of aggression, anger and messages that railed against religion, the early Behemoth was indeed a visceral and dangerous machine. 

    Behemoth – I Scvlptor

    Release Date: 4 September 2026

    Words: Paul Hutchings

    Their last album, The Shit Ov God, passed me by completely. It really failed to grab my attention, and the title track I found average in the extreme. So, a year later, can the latest release by the Polish legends stir a more favourable reaction? 

    Band leader Nergal explains that I Scvlptor is “an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the fire that has driven this band for decades.”

    Alongside that, the band revisited their earlier material, the intention being to reshape it “with a modern edge while preserving its ancient spirit. I, Scvlptor is equally a tribute to the artists and bands without whom Behemoth would never have existed.”

    Behemoth – I Scvlptor: Revisiting The Past With Fire Still Burning
    Behemoth – I Scvlptor: Revisiting The Past With Fire Still Burning

    Not new material per se, then, albeit the reworkings of Rise Of The Blackstorm Of Evil and In Thy Pandemaeternum sound as punchy as they always did. The title track is a savage beast, the ripping flesh that is prompted follows a suitably atmospheric introduction, as one would expect.

    The blistering guitar riff and up-tempo drumming of Zbigniew ‘Inferno’ Promiński combine with Nergal’s trademark gruffness to a solid opener which demands investment. It is explosive, intense and a fine start given the slight hesitation. A stomping Black Metal ride, it is certainly hitting more notes for me than the previous album. 

    Lord Ov The Horizons gets a little gothic in feel, albeit with a demonic flavour that sees an imposing song develop. The blend of clean vocals with Nergal’s gruffer delivery adds to the style, demonstrating you do not have to apply 100mph blast beats to be sinister and foreboding. 

    Rise Of The Blackstorm Of Evil sees a return to the band’s earliest times. The Return Of The Northern Moon demo in 1993, no less, although this version is clearly much cleaner and sharper. In Thy Pandemaeternum was originally in 1998’s Pandemonic Incantations and benefits from a reworking that maintains the original elements and ferocity. 

    Two covers follow. In League With Satan, originally by Venom, features Shagrath of Dimmu Borgir, and whilst it certainly replicates the original, there is something missing from the chaotic version that Cronos and co recorded back in 1981 on Welcome To Hell.

    The Bathory cover is unsurprising, and The Return Of Darkness And Evil from 1985’s The Return is a live version which features guest vocals from Sakis Tolis of Rotting Christ. It is a blistering cover, although there is no way that the scream that penetrates the psyche on the original can be matched. The album finishes with an alternative version of Lord Ov The Horizons.

    Overall, it feels a bit unsatisfactory although the performances still have elements of the fire that burns within the band. Certainly, an enjoyable listen, but maybe one that I would pick up on occasion rather than on repeat.

    With the band set to hit Europe with Dimmu Borgir in the next few months, there is definitely no evidence of them slowing down.

    Behemoth release I Scvlptor on 4 September 2026 via Nuclear Blast. Pre-orders and more are available at iscvlptor.com.

    17oct7:00 pm11:00 pmBehemoth, LondonO2 Academy Brixton Event Organized ByBehemoth

    The post Behemoth – I Scvlptor: Revisiting The Past With Fire Still Burning first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Criminal Hero – Do You Wanna Go

    Founded by songwriter and guitarist Rick Harkness, Criminal Hero is a Canadian rock project born in Toronto, shaped in Detroit, and now based in Vancouver. Bridging classic rock swagger with modern precision, Harkness channels a sound deeply tied to Detroit’s legendary rock lineage—earning praise from SPIN Magazine as “a refreshing blast of pure Detroit-powered punk rock… in the spirit of The Stooges and the MC5.”

    Their brand new single, “Do You Wanna Go,” leads off their debut album Walk Through the Fire with a dark, compelling story about manipulation, betrayal, and breaking point tension. Built on warm, saturated guitar riffs, driving rhythms, and an unforgettable hook, the track delivers an absolute punch. Between the raw punk energy, old-school attitude, and killer vocal performance, it’s an amazingly cool track that captures the exact moment confrontation turns into redemption.

    Give it a go by clicking on the YouTube player above and follow Criminal Hero on social media as well, if you like what you hear. 

    https://www.instagram.com/criminalheroband 

  • Off Contact – Can You? CD

    If you’ve paid attention to the underground music scene in recent years, you’ve probably noticed how many artists
  • Dead Hands – The Puppeteer

    Danish alt-rockers Dead Hands (Silkeborg) blend the riff-heavy swagger of Queens of the Stone Age and Them Crooked Vultures with the melodic tension of Radiohead and Nirvana. Formed in 2020, the powerful four-piece features Dion Eskegaard (lead vocals/guitar), Louis Nordlund Sørensen (guitar), Simon Bak Agerskov (bass/vocals), and Jacob Kehlet Pallesen (drums).

    This is their new single, called The Puppeteer, featuring infectuous guitar riffs, super solid drumming and catchy and energetic vocals, all perfectly arranged and produced. A quality song, from every point of view. Give it a go by clicking on the Spotify player below and remember to follow Dead Hands on social media, if you like what you hear.