See the photo credit up there? “Martin Sorrondeguy” — the same Martin Sorrondeguy, presumably, from Los Crudos and Limp Wrist. (I don’t think there’s two Martin Sorrondeguys.) That means that Ceremony got a DIY punk legend to take their press pictures. That’s fucking sick. It also makes perfect sense, since Ceremony are DIY punk legends themselves.
The members of the East London trio Envie (pronounced on-vee) have been friends since school. They’ve been at it for a while — their Bandcamp page under former band name Dystopia was last active in 2020, and they featured on FKA twigs’ Caprisongs track “Which Way” — but it looks like they’re ready to reintroduce themselves. The first upload on a fresh YouTube account is a practice-space recording of “Violently Friendly,” a rock song with a bright, melodic immediacy.
“Liar Liar” by OpCritical unfolds with an intense energy that seems to ignite a powerful protest. The opening notes evoke a stirring sensation, reminiscent of the early moments of a revolution. The listener feels the urgency of a call to action, creating an environment ripe for engagement.
The rhythm intensifies, pushing the vocals to match this rising energy. This dynamic introduction gives way to a verse that invigorates and empowers. Every word in the verse feels like a rallying cry, effectively gearing up the audience for the chorus. The chorus emerges as a melodic respite, opening up the sound while still holding onto that initial fervor.
After experiencing the first chorus, the bridge introduces a distinct hip-hop vibe that adds another layer of diversity to the track. This unexpected shift showcases the band’s ability to traverse various genres, blending alternative rock, pop, and hip-hop influences into their sound. The incorporation of hip-hop elements is executed with finesse. The transition keeps the track fresh and engaging, while also highlighting the band’s versatility.
Liar Liar – Sound and Atmosphere
The thematic essence of “Liar Liar” embodies a deeper message, mirroring the prevalent issues of our world. OpCritical aims to awaken listeners to the societal and political problems we face daily. They shed light on the fact that those in power are often more concerned with personal agendas than the well-being of the public. This commentary resonates through each line, enhancing the overall experience of the song.
As the song nears its conclusion, the energy remains undiminished. The chorus returns with added layers, reinforcing the song’s themes. The combination of rhythmic intensity and thought-provoking lyrics contributes to a sense of urgency that persists through the entirety of the track.
Liar Liar – Performance and Production
“Liar Liar” succeeds not only as an engaging single but also as a message-driven piece. The band’s skill in merging various musical styles makes this track stand out in the current musical landscape. The deliberate crafting of rhythm and lyricism demonstrates their commitment to delivering a message while also ensuring an enjoyable listening experience.
OpCritical’s exploration of socio-political themes while incorporating diverse genres is commendable. They successfully navigate the fine line between entertainment and commentary. This single holds much weight and deserves recognition.
“Liar Liar” is an impressive addition to OpCritical’s repertoire. It is a call to awareness wrapped in vibrant musicality. Each element of the song contributes to a well-rounded piece that resonates with current societal issues while inviting listeners to join a broader conversation.
Ghost is bringing its latest concert film to cinemas with 2 Big To Rig, a feature built around the band’s sold-out performances at Palacio De Los Deportes in Mexico City. Filmed over two nights in September 2025 on 16mm, the movie captures the closing stretch of the Skeletour world tour before nearly 40,000 fans.
Unlike 2024’s Rite Here Rite Now, the new film puts the spotlight entirely on the live show. Alongside behind-the-scenes footage featuring the crew responsible for the band’s elaborate production, the movie also includes the only professionally filmed material from the phone-free tour, showcasing Papa V Perpetua and the Nameless Ghouls on stage throughout the Mexico City performances.
The title 2 Big To Rig reflects the band’s decision to wrap up the Skeletour in February 2026 after completing 70 shows across North America, Europe, and Mexico. The project was also created to give fans in regions the tour couldn’t reach a chance to experience the production, while also preserving the performances for concertgoers affected when the first of three planned Mexico City dates was canceled due to illness, reducing the run to two shows.
Presented in IMAX where available, the film covers material from all six Ghost studio albums, including tracks from Skeletá, along with fan favorites such as “Mary On A Cross”, “Kiss The Go-Goat” and “The Future Is A Foreign Land”.
Kymberli Frueh, EVP content acquisitions and programming at Trafalgar Releasing, commented: “Ghost captured the final nights of the legendary ‘Skeletour’s first leg on 16mm film in Mexico City — creating a nostalgic experience and a fitting farewell to an era for fans. We’re proud to share it with cinema audiences worldwide before Ghost takes a well-publicized break. It’s the perfect way to close such a significant chapter in the band’s history and give fans a chance to relive this moment together.”
2 Big To Rig will open in cinemas and IMAX worldwide on Wednesday, August 26, for a limited engagement. Tickets go on sale Thursday, July 23.
The film arrives after a major year for Ghost. In May 2025, Skeletá debuted at No. 1 on the Billboard 200 after earning 86,000 equivalent album units in its first week in the United States. According to Billboard, 77,000 of those were traditional album sales, with vinyl accounting for more than 44,000 copies. The release also became the first hard rock album to top the Billboard 200 since Ac/Dc‘s Power Up in 2020.
The promotional cycle for Skeletá introduced Papa V Perpetua through the video for “Satanized”, marking the beginning of the character’s role as the frontman for Ghost during the band’s 2025 and 2026 touring activities.
There comes a point in every band’s journey when experimentation gives way to conviction. When years of searching no longer lead to another reinvention, but to an identity. For Sweden’s SARCATOR, that moment has arrived. With “The Ones We Follow,” the first single and title track from their forthcoming fourth studio album with the same title, SARCATOR open […]
Atlanta-bred guitarist, singer and songwriter Eddie 9V announces his new album ‘Down Here‘, his debut release for Easy Eye Sound, produced by GRAMMY® Producer of the Year winner Dan Auerbach of The Black Keys. Recorded at Auerbach’s legendary Easy Eye Sound Studio in Nashville, ‘Down Here‘ captures Eddie 9V at a defining moment — a […]
Ghost are set to release a full-length concert film in cinemas and IMAX theatres worldwide from August 26 for a limited run.
Directed by Amir Chamdin, 2 Big to Rig captures the band on 16mm film over the course of their two sold-out shows at Mexico City’s Palacio de los Deportes in September last year.
“[It] creates a nostalgic experience and a fitting farewell to an era for fans,” says Kymberli Frueh of Trafalgar Releasing, who worked with the band on their previous concert film Rite Here Right Now in 2024. “We’re proud to share it with cinema audiences worldwide before Ghost takes a well-publicised break. It’s the perfect way to close such a significant chapter in the band’s history and give fans a chance to relive this moment together.”
Tickets for 2 Big to Rig on sale from July 23 via the movie’s official website.
(Image credit: Trafalgar Releasing)
Shortly after the end of the tour in support of the Skeletáalbum in February, frontman Tobias Forge announced that he was taking a break from touring.
In an interview with Full Metal Jackie, he explained that he wanted to spend more time with his wife and children and “get some new inspiration” for other musical projects.
“I’ve had two kids waiting at home with my wife for 15 years,” says the singer, who performs onstage as Ghost’s masked leader Papa V Perpetua. “And maybe that says something about me that it wasn’t a pushing enough factor during those years. Believe me, I felt bad, but I’ve definitely come to a point where I feel, physically and mentally, I need to be home. [My kids are] 17; they’re not gonna be around for an eon.”
Kami Kehoe has revealed the details of their new full-length offering, serving as the follow-up to 2024’s ‘REVIVED’.
Titled ‘LOVE IS A WEAPON’, it is set for release on August 28.
Kami had this to say about what the record means to her and where it stemmed from: “I wrote LOVE IS A WEAPON during a time when I was learning that love isn’t just one thing. It can break you, heal you, protect you, and completely change who you are. Every song comes from a real place in my life, but I hope people hear their own stories in it too. Throughout this album, I wanted to use my experiences, good or bad, and turn them into something beautiful. I truly believe our hearts are the most powerful weapon we have, and it’s up to us how we choose to use it but at the end of the day love always wins. I hope this album reminds everyone that they aren’t alone, and I hope it inspires them to choose love at the end no matter what.”
The artwork looks a little bit like this:
Whilst the tracklisting is a little bit like this:
1. LOVE IS A WEAPON 2. SEE URSELF AS A GOD 3. LOST 4. UR GONE 5. SICK 6. DIRTY 7. LOSE ALL FEELINGS 8. NO ONE BUT U 9. CRASHOUT 10. HEARTLESS 11. PSYCHO 12. HEART ATTACK 13. SUFFERING 14. THE END 15. INTERNALLY BLEEDING
As well as featuring the already released ‘DIRTY’, ‘HEARTLESS’ and ‘PSYCHO’, you can now hear another taste in the form of ‘THE END’. An atmospheric, darkly seductive, beautifully patient piece of alt-rock etherealness, it’s a stellar offering to say the least.
Kami had this to say add about the song’s themes: ““THE END” is inspired by a ride or die type of relationship. I wrote this when I was with someone who was with me, before I became successful and was willing to stay until the end, no matter how difficult things got. I wanted the song feel like a promise. That I would do everything I said once I had everything to give them.
I’m so excited for this song to be out, I think it’s a beautiful and real love song for all the ride or die’s out there. This is also one of my favorite songs to play live and I can’t wait to sing it with everyone for these upcoming shows.”
Kami is scheduled to support Breaking Benjamin on their upcoming tour of the US alongside Starset. Here are all the dates:
SEPTEMBER
02 – CAMDEN Freedom Mortgage Pavilion 03- BRIDGEPORT Hartford HealthCare Amphitheater 05 – WANTAGH Northwell Health at Jones Beach Theater 06 – HOLMDEL PNC Bank Arts Center 09 – TORONTO RBC Amphitheater 10 – DARIEN CENTER Darien Lake Amphitheater 12 – ALLEGAN Allegan County Fairgrounds 13 – CLARKSTON Pine Knob Music Theatre 15 – BURGETTSTOWN The Pavilion 16 – NOBLESVILLE Ruoff Music Center 18 – TINLEY PARK Credit Union 1 Amphitheatre 20 – COUNCIL BLUFFS Mid-America Center 22 – SHAKOPEE Mystic Lake Amphitheater 24 – RIVERSIDE Morton Amphitheater 25 – MARYLAND HEIGHTS Hollywood Casino Amphitheatre 28 – DENVER Ball Arena 30 – WEST VALLEY CITY Utah First Credit Union Amphitheatre
OCTOBER
02 – LAS VEGAS Michelob Ultra Arena 03 – ANAHEIM Honda Center 05 – PHOENIX Talking Stick Resort Amphitheater 07 – ALBEQUERQUE First Financial Credit Union Amphitheater 10 – THE WOODLANDS Cynthia Woods Mitchell Pavilion 12 – FORT WORTH Dickies Arena 13 – ROGERS Walmart Arkansas Music Pavilion 16 – TUSCALOOSA Mercedes-Benz Amphitheatre 17 – ALPHARETTA Ameris Bank Amphitheatre 20 – WEST PALM BEACH iTHINK Financial Amphitheatre 23 – RALEIGH Coastal Credit Union Music Park 24 – BRISTOW Jiffy Lube Live
Shortly following the release of their triumphant returning single and title track “Rats In The Temple”, thrash legends FLOTSAM AND JETSAM offer fans a second taste of the fury that lies within Rats In The Temple, out August 26 via Napalm Records. The incendiary album opener, “Harvesting the Hate”, is built upon methodical machine gun kicks and standout guitar performances […]
The song opens with a very energetic atmosphere, filled with a dreamy quality that perfectly suits warm summer nights. It evokes childhood memories, reminiscent of shared moments that stay with you forever. The artist reflects on searching for satellites in the sky with his mom, prompting recollections that unlock drawers of memory, similar to old Polaroids that transport listeners back to cherished times. This track carries a driving rhythm that stirs emotions deeply.
There’s a distinct pop vibe that envelops the listener, offering emotions that feel almost therapeutic for the spirit. The song leaves one with a pleasurable sentiment, tinged with nostalgia. The guitar work shines, enhanced by an equalization that emphasizes high frequencies, lending it a magical quality. The structure of the song unfolds in the verses, filling with rich sound in the chorus.
This creates dynamics that maintain attention. The harmonic and rhythmic variations are delightful, showcasing the band’s musical creativity. The song remains highly catchy without being simplistic, bolstered by background vocals that form beautiful layers.
Shiny Satellites – Sound and Atmosphere
The closing of the verses smoothly transitions into the chorus, with vocals that uplift the listener. The interplay of instruments adds depth, allowing each layer to shine. The high-energy nature of the music stimulates a sense of joy, inviting listeners to dance and reminisce.
Lyrically, the song captures the essence of longing and memories associated with youth. It strikes a chord with anyone who has ever looked up at the stars and felt a sense of wonder. The repetition of certain phrases enhances the emotional connection, making it relatable to many.
Shiny Satellites – Performance and Production
The background vocals add richness, standing side by side with the lead, creating a harmonious blend. The layered approach gives the impression of being enveloped in sound. This treatment makes the song stand out in a crowded field of pop.
The dynamic fluctuations throughout “Shiny Satellites” keep the energy flowing. Moments of quieter introspection are seamlessly balanced with bursts of lively choruses. This makes the song perfect for both reflective listening and spirited gatherings.
One cannot help but smile after experiencing the joy of this track. It illuminates the beauty of shared moments and the wonder of childhood memories. The musical journey taken in this song is uplifting, beckoning the listener to bask in nostalgia.